Washington, D.C
‘Joy inside of struggle’: Line dancing seeing resurgence in DC area and beyond
As the sun sets on a chilly Thursday night in Morningside, Maryland, dancers are making their way into the VFW.
“You’re not worried about the light bill that’s due. You’re not worrying about work tomorrow, because you’re dealing with today,” line dance instructor Deirdre Seabrook said.
Line dancers from around the D.C. area come together to learn the latest routines and revisit favorite dances. Some come to dance despite great adversity.
“We have a lot of people, government workers, who have lost their jobs. But one thing about the line dance community, it’s truly a community, and we look out for one another,” Seabrook said.
Others love the camaraderie.
“Line dancing to me is like freedom,” dancer Jeanette Cherry said.
Urban line dance is more than well-choreographed expression; for many, it’s a form of Black joy, a call to community and alliance and an expression of unity in the face of an oppressive environment for many people of color.
On this night, the oldest dancer was 87. The youngest was 28-year-old Alexia Jones.
“It don’t matter who you are, where you are, what your level of dance level is. If you come, you will definitely be embraced,” she said.
With the growth of online platforms such as TikTok, videos of urban line dances often go viral, with millions of people quickly learning and creating new steps to older R&B classics, creating a recent resurgence in urban line dance.
‘How do we create community in this moment?’
News4 visited Howard University’s College of Fine Arts to get a better understanding of the origin of urban line dance in America, which some historians trace back to enslavement and African and Caribbean influence.
“It’s always represented unity. It’s always represented unified movement and thinking about keeping the community in line, keeping the community moving together as one,” said Dr. Raquel Monroe, dean of the fine arts college. She has written about line dancing.
“When we think about it in terms of social justice, it refers back to the idea of: How do we create community in this moment?” she said.
Line dancing has been seen at protests.
“It is a way to demonstrate community. It’s a way to keep spirits high. It’s a way to demonstrate joy inside of struggle,” Monroe said.
Line dancing is just one example of Black joy as a form of resistance and self-preservation. Community organizers have also stressed the importance of investing in forms of self-care, social gatherings, supporting Black businesses and reading Black authors.
In December, the singer 803Fresh released “Boots on the Ground.” The song’s accompanying line dance spread quickly, with millions of views on TikTok.
As a newly elected president worked to quickly dismantle diversity, equity and inclusion programs and end federal careers that helped sustain many Black families in the D.C. region, the idea of “Boots on the Ground” took on a new meaning for many dancers, as if passionately popping their fans was political.
“Line dancing is a democratic form because it provides access to folks with different capacities and interests and ages, races,” Monroe said. “It, in and of itself, is a demonstration of democracy in motion.”
News4 worked on learning “Boots on the Ground” with some help from the VFW’s line dancers.
Jones reflected on the purpose of dancing.
“Regardless of what is happening and who is in office and what things they are doing or not doing, God is always in control. He’s number one,” she said. “There’s a time to cry, there’s a time to dance. We’re coming to dance.”
1,300 swimmers from 38 states came to D.C. for the Black History Invitational Swim Meet, founded by former Mayor Marion Barry to tackle swimming disparities in the Black community. News4’s Jessica Albert reports.
Washington, D.C
New AAPI-led Jaemi Theatre Company launches in DC
Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.
Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”
“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.
BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.
Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.
For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.
About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.
Washington, D.C
San Francisco Ballet cancels upcoming performances at Kennedy Center
Sunday, March 1, 2026 6:36AM
SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.
The company is scheduled for a four-day run in Washington D.C. in May.
Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season
Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.
That led several artists to cancel scheduled performances.
A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”
Copyright © 2026 KGO-TV. All Rights Reserved.
Washington, D.C
97-year-old World War II veteran honored virtually at home
At 97, Veteran Harley Wero wasn’t up for a trip to the nation’s capital, so volunteers from the Western North Dakota honor flight brought the trip to him. Wero, his wife Muriel and their daughter Jennifer got to experience Washington, DC, without ever leaving their home.
Web Editor : Sydney Ross
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