Washington, D.C
DC’s Shawn Shafner Brings Jewish Tradition to Center Stage
Shawn Shafner balances many roles: teaching artist, educator, activist, actor, mindfulness coach and longtime summer camp staff member.
Shafner, who holds a bachelor of fine arts in drama and theater arts, facilitates Jewish ritual theater programs, educating audiences on the East and West coasts about Torah and Jewish tradition.
The multidisciplinary artist is an early childhood educator and ritual facilitator for the nonprofit Storahtelling, where he’s worked since 2005. Shafner runs the theater department at Camp Ramah in northern California in addition to his seasonal work with Trybal Gatherings, a summer camp experience for young adults.
Shafner looks forward to premiering one of his solo shows in June at the Atlas Performing Arts Center in Washington, D.C., where he is an Atlas Arts Lab resident. It’s called “Sheldon Feldman Sings the Songs They Told Me Not to Sing.” Shafner lives with his fiancé in the Brightwood Park neighborhood of D.C.
Tell me about your Jewish upbringing and background.
I guess you could say I grew up in the Conservative movement [in Colorado]; the synagogue we belonged to growing up was within the Conservative movement, but we were always on the Reform side of that. We definitely celebrated Jewish holidays, [but we] didn’t have a strong Shabbat practice growing up — we didn’t go to temple very often — although my sister and I both went to religious school once a week, then twice a week to prepare for our b’mitzvah.
I went to NYU … and college was when I began to find my own journey through Judaism. I was at the musical theater school at NYU Tisch [School of the Arts] and I remember asking a friend, “Are you going to Hillel for the High Holiday service?” — I think I went to the Rosh Hashanah service and I didn’t find it super inspiring. And she said, “I don’t do that; I’m going to the art museum where I’m doing my observation of the holiday.” I was like, “You can do that?” That year, I followed [my friend] there and realized that there is a different way to have contemplative experience.
How did you get to where you are today?
I did a project with Hillel, a devised play about someone wrestling with their queer identity called “Song of Solomon.” Through that, I met the women who would later found the Kohenet Institute and a year later, I received a Spielberg fellowship through the Foundation for Jewish Camp. I was tasked with creating a theater program at a Jewish summer camp. The training for it was a fellowship for a week at the Brandeis-Bardin Institute with [Rabbi] Amichai Lau-Lavie, the founder of what’s now called Lab/Shul, but was then called Storahtelling. That was really my full entrance into Jewish adulthood.
At one point, Amichai and other faculty started playing music and said, “Flip through the siddur. Whenever you find a line or even a word that moves you, go ahead and say it out loud.” We sort of made our own prayer that way. That really changed my understanding of what it meant to be Jewish and to practice Judaism.
What were your responsibilities at Lab/Shul?
I started making interactive theater that brought the stories of the Torah alive. We’d go to communities and when the Torah service began, myself, another actor and two musicians would open the story into this interactive play that was either translated by biblical characters in the story or modern-day people who were reading the story. [Our performances] included the pshat (literal meaning) of the Torah with midrash (rabbinic additions), both ancient and more contemporary.
We were also inspired by the Jewish Renewal movement to open the Torah up with group aliyot (calling up to the Torah), and an interactive question session where we invite the audience to put themselves in the stories. We essentially used techniques from psychodrama in order to reveal their own feelings and emotions around stories.
You’ve been an actor and artist since the age of 5. What about art appeals to you?
Art is a window into what the human experience is in a way that removes our specific identities and enables us to imagine what it could be like to be anybody. I think we’ve always needed it, but now, especially, the ability to have empathy and compassion for an experience that’s not your own is so important. It’s really integral in the Jewish experience as well. “I’m a stranger in a strange land and I have been a stranger before.” Our midrash teaches us this idea that we are to see ourselves through the other. It’s important that we have access to universality of the human experience, and this is really where art comes in.
How do you make summer camp fun for young adults through Trybal Gatherings?
Trybal Gatherings is for adults, primarily for people in their 20s and 30s, and we have a cohort of folks from the D.C. area who come every year, and it’s been a pleasure to watch that community grow. There, it’s kind of like giving young adults a taste of their childhood back, whether they went to summer camp and loved it, or went and didn’t like it and are coming back to reenact their summer camp experience, or if they never went to camp but want a taste of it, or maybe their partner went to camp but they’re not Jewish.
What’s great about Trybal is that they give this connection to Judaism that’s really open. It doesn’t proclaim to have the one true way to practice. However you show up Jewishly is the right way. Our Jewish connection can be through liturgy, through Shabbat, but also through things I do at camp, like through making pickles, doing improv together and celebrating some of our Jewish comedians, through meditation [and] through practicing mindfulness within the Jewish tradition.
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Washington, D.C
Several options at play as DC leaders consider transit for new Commanders stadium
WASHINGTON – D.C. council members and transportation leaders met for hours on Wednesday to figure out the best way to get people in and out of the new Commanders stadium.
Planning starts:
We’re just about 14 months away from the start of construction, but the conversation about transportation is well underway.
Leaders repeatedly made it clear that this transportation plan isn’t just for Commanders’ fans on eight or nine Sundays — it’s for the people who live in these neighborhoods surrounding the stadium 365 days a year.
“Even folks who were opposed to the stadium early on, they know its coming so they want it to be successful,” D.C. Councilmember and Chair of the Transportation Committee Charles Allen said.
He says success means a smooth ride for fans and everyday residents.
“It’s not having tens of thousands of people driving cars here. It’s thinking about transportation. Get people on Metro,” Allen said.
“I can imagine there’s going be a lot of cars and people trying to park so being able to alleviate that is going to be a benefit to the community,” resident Olo Olakanmi told FOX 5.
Big picture view:
The D.C. Council hearing saw representatives from the D.C. Department of Transportation, WMATA and the Commanders, as well as ANC commissioners in neighboring communities.
Allen emphasized that this is more than just a stadium — they’re also planning 6,000 to 8,000 new homes, 20,000 people living in a brand-new neighborhood.
As of now, there are two parking garages planned for the Commanders Stadium, expected to hold about 6,000 vehicles. But when it comes to transit, there are several possibilities at play.
Dig deeper:
Metro would need major upgrades to use the Stadium Armory stop — likely including adding an entrance, elevator and expanding the mezzanine.
A new Metro stop could end up costing hundreds of millions of dollars and take years to build.
WMATA is getting $2 million from the District for planning. General Manager Randy Clarke said that the goal is to have 40% of game day traffic come from public transit.
But that could also include bus rapid transit lines moving people from Union Station to the stadium along the H Street corridor.
“I have confidence we’re all going to work together and everyone has the same goal here — to make this the best possible urban sports facility and mixed-used development in the country,” Clarke said.
The plan right now is to have shovels in the ground by March 2027 and construction complete by May 2030.
“We want to make this the most transit friendly stadium but also make sure all modes of transportation are optimized for folks to get there,” DDOT Director Sharon Kershbaum said.
So, a lot of these transit decisions need to be made fairly quickly.
Washington, D.C
Federal court says troops can stay in D.C., and hints at prolonged deployment
Members of the National Guard patrol along Constitution Ave. on December 01, 2025 in Washington, DC.
Heather Diehl/Getty Images North America
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Heather Diehl/Getty Images North America
National Guard troops can remain in Washington, D.C. while a panel of judges examines whether the deployment ordered by President Trump is legal, according to a Federal Appeals Court for Washington, D.C. ruling.
More than 2,000 troops have been deployed in the city since August, both from the District and at least 11 Republican-led states. Hundreds more were added after a targeted attack on National Guard troops killed one and wounded another last month, both of whom were from West Virginia.
The decision Wednesday upends a lower court order that troops be removed from the city.
President Trump’s deployment in Washington is the most robust long-running operation so far, in what has become a pattern of military deployments to help with policing in Democratic-led cities around the country.
Several other smaller deployments are tied up in legal battles — including Trump’s deployment to Chicago which is at the Supreme Court awaiting an emergency decision.
In today’s ruling the judges wrote that Washington, D.C.’s unique federal status allows President Trump to largely control the deployment of troops in the city. They also said the Trump administration is likely to win the overall case, which would see the deployment remain until at least the end of February 2026.
But the judges also raised serious doubts about the lawfulness of deployments of other cities. In particular, the deployment of out-of-state Guard to another state without the consent of that state’s governor — as the administration has tried to do in both Oregon and Illinois.
The opinion called such a move “constitutionally troubling to our federal system of government.”
Troops have left Los Angeles
Today’s decision comes days after a different federal appeals court ruled that troops had to leave Los Angeles on Monday.
The Ninth Circuit ruled late Friday night to uphold a ruling by a federal judge in California to end Trump’s deployment. Trump seized control of the California National Guard in June amid protests in the city and sent more than 4,000 troops there, against Gov. Gavin Newsom’s wishes.
That number had since dropped to around 100, but the administration had sought to extend the federalization of the state’s Guard several times, most recently until February, saying it was still necessary.
The decision from the Ninth Circuit effectively blocked the administration from using those remaining National Guard troops in Los Angeles — but it did not force control of the troops to return to the state, leaving them under federal control for now.
All troops have left their stations in the city, according to two sources familiar with the matter who are not authorized to talk publicly. A military official who was not authorized to discuss details of a deployment publicly told NPR that the troops have been moved to a military facility in the area and are conducting training exercises.
NPR’s Tom Bowman contributed to this report from Washington.
Washington, D.C
DC leaders considering transit options for new RFK Stadium
The Commanders are set to build a new stadium in D.C., and the debate over how fans will get to and from games is happening right now. On Wednesday, city leaders will join Metro and the Washington Commanders to talk stadium transit.
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