ATLANTA, Ga. (Atlanta News First) – A metro Atlanta man died after drowning at a beach in South Carolina, according to the Horry County Coroner’s Office.

Kemal Alic, 61, of Duluth, was pulled from the ocean at Grand Strand Beach near a beach access area on Wednesday morning and taken to a hospital, WMBF, Atlanta News First’s sister station in Myrtle Beach reported.

Horry County Chief Deputy Coroner Tamara Williard said Alic died from asphyxiation due to drowning.

Copyright 2024 WANF. All rights reserved.

South Carolina football has two wide receivers committed in the class of 2025.

The first pledge of the cycle came from Jayden Sellers, the younger brother of starting quarterback LaNorris Sellers, and the speedy in-state prospect is knocking on the door of a 4-star rating.

The second was another receiver. 4-star explosive athlete Brian Rowe joined Sellers in the class, and though he is not a big-bodied pass-catcher, he plays much bigger than his listed size thanks to his ridiculous athleticism and aggressiveness as a player.

The Gamecocks are set to have a lot of turnover in the receiver room again next offseason (without considering the transfer portal or early NFL entry, Carolina will lose 5 wideouts to graduation after the 2024 season), so it would come as no surprise if USC takes a large class at the position.

One of the South Carolina football program’s receiver targets is Florida playmaker Winston Watkins. Watkins is a polarizing prospect who is rated as a 5-star and the #2 receiver in the country by Rivals but is considered a 3-star and the 66th-best wideout in the class by On3.

Throwing out the rankings disagreements, it is clear that Watkins is a shifty receiver who has an elite ability to create space and make defenders miss thanks to his quickness and elusiveness. That reality is why he is a player who has offers from some of the biggest football programs in the country.

On Thursday, Watkins released a list of his top-16 schools, and, as expected, the South Carolina Gamecocks made the cut. The Ole Miss Rebels, Georgia Bulldogs, Tennessee Volunteers, Michigan Wolverines, Ohio State Buckeyes, Syracuse Orange, Alabama Crimson Tide, Florida State Seminoles, Indiana Hoosiers, Texas Longhorns, Florida State Seminoles, Colorado Buffaloes, Pittsburgh Panthers, Penn State Nittany Lions, Oregon Ducks, and Florida Gators make up the rest of the list. He was committed previously to Colorado.

Watkins has taken an official visit to Columbia, but with so many other schools after him, he won’t be an easy fish to reel in for wide receivers coach Mike Furrey. The Ole Miss Rebels are after him very hard and have had him on campus more recently than the Gamecocks.

You can watch some of his film here.

You may not know the name Leslie Bricusse (pronounced Brick’-us), but you very likely hum some of the songs he’s written: “Pure Imagination,” “What Kind of Fool Am I?,” “Talk to the Animals,” Superman’s theme “Can You Read My Mind,” “Goldfinger.”

And remarkably, some 60 years after his heyday, the composer-lyricist is having a moment.

In A Quiet Place: Day One, a woman who may be the last human survivor on a Manhattan infested with aliens checks her iPod and pulls up Nina Simone singing “Feeling Good.” She needs a song to express defiance and how, as her world lies in ruins, she exults in being alive. Sentiments Bricusse put to music six decades ago seem perfect.

That same song popped up on the premiere of the Netflix series Obliterated to help a bomb defuser steady his hand. And family audiences spent last Christmas singing along with “Pure Imagination,” crooned by Timothée Chalamet’s Willy Wonka to tie him firmly with the Gene Wilder original.

Bricusse often wrote lyrics for other composers’ music. He wrote “Pure Imagination” and “Feeling Good” with Anthony Newley. At other times, he wrote both music and lyrics. He was a master of many styles, all of them entertaining, and it turns out that’s every bit as true of the papers his widow, actress Yvonne “Evie” Romain Bricusse, best known for co-starring with Elvis Presley in Double Trouble, donated recently to the Library of Congress.

Mark Eden Horowitz, a senior music specialist at the Library of Congress, where the Bricusse papers join those of Leonard Bernstein, Richard Rodgers, the Gershwins and others, says that in addition to the scripts, musical scores, notes for ideas on shows that never came together, recordings and other items, what’s remarkable about this particular collection is Bricusse’s notebooks.

“Just sort of drugstore notebooks,” he says, holding one out, “but he lived his life in these things.

“They’re beautifully calligraphed, most pages are numbered and often dated and indicate where he was in the world at the time, Acapulco on November third, 1986.” And then he does these amazing calendars.”

Calendars rendered in five or six colors, and necessary because “he’s constantly working on 10 or 12 projects at a time.”

Some of those, no one’s heard of. “For a long time, chuckles Horowitz, “he was working on a musical version of Henry VIII. I swear he considered 30 different titles, one of which was The King & I & I & I & I & I.”

There are lots of fun discoveries. Bricusse’s lyrics sound so natural that it’s hard to imagine they didn’t just spring from him that way, but the notebooks are where he polished them. Take page 58 in the one where he’s working on “Goldfinger.” He has heart of gold/this heart is cold….web of sin but don’t come in. But he has too many “golden”s, so in the notebook, he’s slashed through golden, in “the man with the golden touch” and replaced it with “Midas.”

That turned an OK line into a classic and goes much better with the next line that he already had: “A spider’s touch.”

That’ll be a fun find for somebody’s dissertation. Mixed in with that sort of thing is marginalia about theater, movies, budgets, life … seemingly whatever was on his mind.

“He asks himself questions,” says Horowitz, “he puts down what he’s thinking, asks himself should he be thinking that? Why is he thinking this? What should he do about it?” It’s his thoughts about everything that is ideal for researchers.

Asked whether George Gershwin did something similar, Horowitz almost laughs. “No. I’ve never seen a collection with this much-organized detail.”

So, it is a treasure trove, but also one in which those details are sometimes puzzling — blocks of letters, say, in some of the margins. It turns out that’s how Bricusse wrote out the melodies — not with musical notes on sheet music as most composers do, but using the alphabetical letters that represented the notes. C, A, B-flat, and so on. Horowitz figured out how to read them and how to play the melodies if asked.

These pop songs were Leslie Bricusse’s life work. The notebooks, decorated, colorized, wildly ornate, feel — perhaps inadvertently — like art, themselves.

Horowitz, noting that Bricusse’s widow is an artist and that they collaborated on some things together, agrees. “Clearly, yes, he has a sense of design, and color, and he seems to want to keep things lively and interesting and attractive.

“I think he’s an entertainer in every sense. He wants people to be bubbling joyous; I think he’s always looking for the rainbow, for the magic.”

Judging from the notebooks that have found a new home in the Leslie Bricusse Collection at the Library of Congress, he found it.

Copyright 2024 NPR