Culture
'F— no, I don’t baby it': Red Sox's Liam Hendriks moves slowly, confidently back from Tommy John
BOSTON — Liam Hendriks had his pants down as he spoke. His undershorts were on, but his uniform was down to his knees. He’d just thrown his first bullpen of the year last Wednesday, a momentous step forward for any pitcher returning from Tommy John surgery. Yet he stood in the Boston Red Sox clubhouse refusing to treat the occasion as serious, or even notable.
How did his arm feel?
“Attached,” he said.
Was there some added adrenaline getting on a mound?
“Not really,” he answered.
What stood out about the rehab process?
“How boring it is,” Hendriks deadpanned.
None of this came across as dismissive. It was played for laughs, a break from the monotony for Hendriks, his teammates, and even the gathered reporters. He was speaking to a full scrum with TV cameras and microphones, all because of a 15-pitch bullpen three hours before game time. Give Hendriks credit for not rolling his eyes. He didn’t travel from Australia, through years of baseball obscurity and rounds of cancer treatment to celebrate a few pregame fastballs in the bullpen.
“I don’t know whether the trainers love me or want to kill me,” Hendriks said. “Every day is a struggle telling them to let me do more and having them try to hold me back into a normal stratosphere.
“Which sucks.”
He’s longing for moments of greater consequence and is confident they’re coming.
Liam Hendriks has faced intense physical and mental challenges over the past 20 months but has managed to maintain a sense of humor about it all. (Barry Chin / The Boston Globe via Getty Images)
There are numbers to help tell every baseball story and Hendriks’ career is told through his three All-Star Games, two Reliever of the Year awards, and 116 career saves. His backstory is chronicled through the 14 teams and six major-league organizations that saw him come and go before anyone trusted him with the ninth inning. He’s the one and only graduate of Australia’s Sacred Heart College to ever play in the majors, and he was designated for assignment four times and traded three more before most people had ever heard of him. Yet, here he is, a survivor in more ways than one.
Hendriks’ past 20 months have been all about four rounds of chemotherapy, a six-game rehab assignment in the minors weeks later, and his emotional big-league return last May. He had four good outings in June before season-ending Tommy John surgery in August and then entered free agency.
“Theoretically, I’ve got a new elbow,” Hendriks said this spring. “So, I’ve got another 10 (years) in me.”
Now 35 years old, Hendriks is hellbent on proving himself yet again. He signed a two-year deal with the Red Sox, in part, because they promised him two things: They believed he could pitch this season, and they wanted him to spend most of his rehab process with the big-league team. So, that’s what Hendriks has been doing. On the road, at home, throughout spring training. He hasn’t been rehabbing at some fancy, far-flung facility; he’s been throwing on the field, sitting at his corner locker, and making jokes on the bullpen bench. Cancer treatment kept him away from people for far too long last year. But he does not wallow. He does not question.
GO DEEPER
Inside the Red Sox trainer’s room with Lucas Giolito and Liam Hendriks
“I’ve never been a big ‘why me’ person,” Hendriks said. “I think it was inevitable that I was going to have something to do with my elbow. Unfortunately, it was in the same year that I dealt with a lot of other things, but it is what it is. There’s nothing I can do to change it. All I can do is show up to the park every day with a positive attitude and hopefully rub off on some of the younger guys here.”
When Hendriks reported to Red Sox camp, he’d been given a target of 64 mph, as in, a pitcher who typically throws a 95-mph fastball should be throwing roughly 64 mph when he’s seven months out from Tommy John surgery. In his early days of spring training, though — “My surgeon is probably not going to be happy about this,” Hendriks said — he was throwing in the mid-70s.
“Not consistently!” Hendriks clarified. “Consistently low 70s. But it’s still, the jump from where I was the time before that was a little too high. … A couple of times I was a little too strong in the paint. But I prefer to go too far than not do enough.”
Such is the Liam Hendriks Experience. Numbers don’t do justice to what he brings on the mound and off the field. He is a vein-bulging, obscenity-screaming, trash-talking wildman, but also a Lego-building, caregiving, joke-making teddy bear.
Within those extremes, a cancer diagnosis in December of 2022 was a shock. Stage 4 non-Hodgkin lymphoma. Doctors told Hendriks to expect six rounds of chemotherapy. He’s proud of the fact he needed only four. He can’t remember the exact date his last round started, only that it was the Chicago White Sox’s home opener, and he was supposed to be in their bullpen, not in some hospital. He had a bone marrow biopsy at the end of April and began a rehab assignment the first week of May.
His elbow lasted a little more than a month after that.
The truth is, Hendriks knew his elbow was in trouble long before it popped. He’d first learned of a small tear in his UCL in 2008. He’d pitched for more than a decade without snapping it, but as he ramped up in his return following cancer treatment — after a full six months off — he could tell it wasn’t right.
“He didn’t care,” former White Sox teammate and current Red Sox teammate Lucas Giolito said. “A lot of guys would be like, ‘Oh, this hurts,’ and in the training room or whatever. He was like, ‘I’m just going to go until it breaks.’”
Was there ever any thought of protecting it after going through so much to get back on the mound and a club option looming?
“No. F— no,” Hendriks said. “I don’t baby it.”
Hendriks said he’s come to believe he’s most susceptible to injury when he holds back.
“The elbow was gone no matter what,” he said. “So, I’m not sitting there to try to rehab another six weeks potentially and not come back. If it goes, it goes. If it doesn’t, it doesn’t. I was pretty sure it was already done, but I was holding out hope that it was maybe a little (bit) of scar tissue, and if that snaps off at the right time, I’ll be fine. It wasn’t that.”
This offseason, the White Sox declined a $15 million club option, making Hendriks a free agent. It’s not unusual for pitchers recovering from Tommy John surgery to sign two-year deals with an eye toward truly contributing in that second year. When Hendriks talked to interested teams this winter, though, he clarified that it wasn’t a 2025 negotiation.
“We made it very abundantly clear that if you’re coming in with that attitude, it’s a no-go,” Hendriks said. “There were some teams that reached out and just faded away straight from there.”
Hendriks expects to be pitching for the Red Sox this August. He signed a two-year deal that guarantees him $10 million but includes a $12 million mutual option for 2026. By the time he signed, Hendriks had begun playing catch with his physical therapist, and Hendriks said he was less worried about his elbow and more worried about spiking a throw to a non-baseball player. But Hendriks hit his partner in the chest, and the instant feedback was that Hendriks wasn’t “muscly,” meaning he was staying loose and not getting tense. The motion was as natural as ever.
When Hendriks talks about limits, he talks only about breaking them. From Australia to the All-Star Game. From being on waivers to signing long-term contracts. From Stage 4 cancer to a faster-than-expected recovery. From Tommy John surgery to having too much oomph on his fastball in spring training. Now a 15-pitch bullpen and a tongue-in-cheek miniature press conference.
Does the light at the end of a Tommy John tunnel look different than the light at the end of a cancer tunnel?
“Ehh, in my mind, it’s the same,” Hendriks said in spring training. “There’s still an end goal. There’s still a goal that I need to get back from. It’s just a little bit more of a slow-moving process.”
Hendriks doesn’t have a sit-back-and-wait personality, and he’s had to do exactly that for much of the past year and a half. He’s wired to pitch the ninth. Check with him again when that finally happens.
“It’s not that (rehab) is long. I can handle long,” Hendriks said. “I can’t handle slow. And it’s the slowness that’s really pissing me off.”
(Top photo of Hendriks in May 2024: Maddie Malhotra / Boston Red Sox/Getty Images)
Culture
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Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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New York22 minutes agoAs Easy as Riding a Bike? Adult Learners Give It a Try.
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