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Review: A bloodstained ‘Oklahoma!’

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Review: A bloodstained ‘Oklahoma!’


Daniel Fish’s “Oklahoma!,” reimagined for a brand new era, actually received’t depart you belting the titular tune in your method out of the theater.

The 2019 Tony Award-winning revival dares to deliver “provocative, gritty and horny twenty first century commentary” to the 1943 Rodgers & Hammerstein basic.

Upon coming into the Ahmanson Theatre, you would possibly count on to see the budding romance between a captivating cowboy Curly McLain (Sean Grandillo) and a stereotypical ingenue Laurey Williams (Sasha Hutchings), culminating in a triumphant reprise of the tune we’ve all come to know: “Oklahoma!”

Its unique 1943 Broadway manufacturing, which debuted within the midst of World Battle II, mirrored the beliefs of a “extra homogenous American society,” in accordance with this system’s present observe. The brand new adaptation includes a various solid of characters, together with various races, ages, gender identities and skills, to higher mirror America immediately. Notably, Ali Stroker, who performed Ado Annie within the 2019 Broadway solid of the present, acquired a Tony Award for her efficiency, making her the primary wheelchair consumer to be given this honor.

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Although all components of the rating and textual content stay the identical, this revival drastically differed from the unique manufacturing and former revivals. In its try and make commentary on outstanding points of recent America, together with gun violence, psychological well being and gender, it misplaced a number of the play’s unique specificity.

As the home lights remained up, a fresh-faced Curly sang an acoustic model of the opening quantity “Oh What a Stunning Morning,” bringing a lovable, rockstar vitality to the quantity.

A seven piece bluegrass band accompanied Grandillo and the remainder of the solid, giving the Golden Age rating a recent, nation twist. The style suited the setting of the present as characters lounged in wood chairs and sported fashionable trucker hats, flannels and blue denims. A capella sections of songs like “The Surrey with the Fringe on High” emphasised the brewing romance between Curly and Laurey.

Whereas the bluegrass type match this contemporary adaptation, the blaring electrical guitar used all through the present was jarring, and even induced the senior viewers members on the Sunday matinee efficiency to cowl their ears.

One other notable change was the variation of the dream ballet sequence. Within the 1943 manufacturing, choreographed by Agnes de Mille, the groundbreaking 12-minute dance sequence was the primary of its variety. Her choreography pushed the emotional lives of the characters ahead via motion alone.

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Moderately than an organization of dancers doubling because the leads, the brand new fashionable dance sequence, choreographed by John Heginbotham, featured a single dancer (Jordan Wynn), donned in an outsized, sequinned “Dream Child Dream” T-shirt. Her piece, accompanied by the electrical guitar, didn’t convey Laurey’s turmoil of selecting between her potential suitors – the charming Curly and the lonely farmhand Jud Fry (Christopher Bannow).

Not like de Mille’s choreography, Heginbotham’s lacked readability in the way it was meant to propel the plot ahead. Whereas the dancer appeared to signify Laurey, her haphazard frolicking in regards to the stage didn’t appear grounded within the conflicts throughout the play. The repetitive choreography didn’t reach advancing the storyline or reflecting the heroine’s inside struggles. The disconnect was intensified with the abrupt transition into the full of life ensemble quantity “The Farmer and the Cowman.”

Through the fashionable dance sequence, a stay night time imaginative and prescient digicam projected a close-up of Wynn onto the backdrop, permitting audiences to see the small print of her face, a luxurious not usually granted in theater homes. This shaky projection sequence did present perception into the dancer’s expressions, nevertheless it nonetheless felt disconnected from the story at giant.

The manufacturing additionally carried out these night time imaginative and prescient projections in scenes between sinister boy-next-door Jud and main man Curly. These intimate scenes, which mentioned suicidal ideas and pornography, first occurred in full darkness. Bannow’s creaky one-word solutions despatched a chill all through the viewers. The scene, intensified by the presence of a gunshot, foreshadowed the play’s bloody ending.

The projections that flashed throughout the display screen throughout “Pore Jud Is Daid,” gave audiences permission to see into Jud’s eyes and actually see his feelings for the primary time. Bannow’s expressive eyes within the excessive close-up nearly made me pity him.

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One other notable change within the revival was Jud Fry’s loss of life sequence. As seen within the movie adaptation and the 1943 manufacturing, a knife combat, solicited by Jud, ensues between him and Curly, moments after the cheery wedding ceremony ceremony. Curly kills Jud in self-defense.

Fish’s revival spins the loss of life sequence to mirror extra fashionable modes of violence. Jud items the newlyweds a handgun at their ceremony. With out a lot prompting, Curly fires and kills Jud, leaving the bride and groom bloodstained and clearly responsible.

Because the bluegrass band performed a solemn, dirge-like “Oklahoma” the characters and viewers alike appeared perplexed and left craving extra. Presumably per Fish’s intention, the homicide sequence left me with questions of what actually is self-defense in our present political local weather.

Hope was restored all through the play, nevertheless, in Fish’s interpretation of the feminine characters. Hutchings’ Laurey was robust and had company over the alternatives between the lads in her life. She didn’t fall sufferer to the lads’s makes an attempt to woo her, slightly she stood her floor and made selections on her personal accord. This power and feminist strategy to Laurey’s character struck a chord with me against the unique adaptation.

A private favourite feminine empowerment second was “Many a New Day.” The everyday, candy soprano uptempo was accompanied by all the ladies of the solid ripping corn shucks in half as they lamented in regards to the irritating males of their lives.

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Understudy Gwynne Wooden gave a standout efficiency as Ado Annie, an harmless but inherently provocative younger girl. Her powerhouse, rock rendition of “I Cain’t Say No,” full of a corded mic and vocal riffs, left audiences cheering.

“Oklahoma!” will run on the Ahmanson Theatre via October 16. Extra data could be discovered on Middle Theatre Group’s web site.



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OU Recruiting: Oklahoma Misses Out on 4-star OL Lamont Rogers

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OU Recruiting: Oklahoma Misses Out on 4-star OL Lamont Rogers


On Saturday, 4-star Mesquite Horn (TX) offensive lineman Lamont Rogers announced his commitment to Missouri.

The coveted prospect’s decision comes just two days after Rogers included the Sooners in his top six schools alongside Missouri, Texas, Texas A&M, Florida State and SMU. Rogers would have been a huge addition for Bill Bedenbaugh and company, especially alongside the solid o-line class OU has already assembled.

Rogers took an official visit to Norman in June and has visited the Sooners’ campus multiple times throughout the past year.

Listed at 6-foot-7 and 310 pounds, the Dallas-area product is rated the No. 60 overall prospect and No. 7 offensive tackle in the 2025 recruiting class, according to On3’s Industry Ranking. The 4-star recruit will play in the All-American Bowl in San Antonio in early January 2025.

In addition to being a star on the gridiron, Rogers is also a standout on the basketball court for the Jaguars.

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Rogers would have been the fourth offensive lineman to join Bedenbaugh’s 2025 group alongside 4-star Bridgeland (TX) offensive tackle Ryan Fodje, 4-star Skyridge (UT) guard Darius Afalava and 3-star Melissa (TX) center Owen Hollenbeck.

Instead, the Sooners will have to focus their energy on other offensive tackles in the 2025 recruiting class. Oklahoma is still in the mix for Lewisville (TX) 5-star Michael Fasusi and Blue Valley Northwest (KS) 5-star Andrew Babalola as more prospects in the current cycle continue to come off the board.

Rogers is the second head-to-head loss that Brent Venables and company has suffered at the hands of Eli Drinkwitz and the Tigers on the recruiting trail after 5-star edge rusher Williams Nwaneri chose Missouri over the Sooners last August.

Additionally, former Sooners offensive lineman Cayden Green transferred to Columbia in December after starting the back half of his freshman season in Norman.

Despite missing out on Rogers, OU still has the No. 4 recruiting class in the nation and trail only Ohio State, Alabama and Notre Dame, according to Rivals.

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5 Oklahoma City antique and vintage markets worth a visit this summer

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5 Oklahoma City antique and vintage markets worth a visit this summer


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The thrill of finding antique and vintage home goods, clothes and trinkets cannot be replicated by purchasing new items at your local mall.

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Here are five antique and vintage stores in the Oklahoma City metro worth visiting.

RINK Gallery, A Vintage Marketplace

In Bethany, RINK Gallery is a massive marketplace with over 90 vendors with antique and vintage items over several different decades.

Prepare to spend a couple of hours at RINK Gallery to ensure you don’t miss a must-need treasure. Folks can find items, furniture and china to collectibles and art at RINK Gallery.

Location: 3200 N Rockwell Ave, Bethany

Hours: Every day 10 a.m.- 7 p.m.

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Room 3 Vintage

Room 3 Vintage in the Britton Plaza is a great place to find vintage furniture, especially if you appreciate a mid-century modern, eclectic or retro feel.

But the unique furniture isn’t the only reason to pay a visit to the business. The market hosts a plethora of art, décor and trinkets to fill your home.

Location: 2632 W. Britton Rd., Oklahoma City

Hours: 10 a.m.-8 p.m. Monday-Saturday, 12-7 p.m. Sunday

Warehouse Antique Mall

Warehouse Antique Mall is exactly what it sounds like — a huge warehouse stuffed with vintage and antique items.

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Looking through the mall isn’t a quick trip. Prepare to spend some time at Warehouse Antique Mall and you’re very likely to find a treasure.

Location: 1200 SE 89th St, Oklahoma City, OK

Hours: 10 a.m.-5 p.m. Monday-Saturday, 12-5 p.m. Sunday

Antique Co-Pp

Tucked in a strip mall on North May Avenue, Antique Co-Op boasts over 60 vendors and 18,000 square feet of shopping space.

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The store features numerous items from furniture and antique dishware to vintage clothes and even old-school fishing lures.

Location: 1227 N May Ave, Oklahoma City

Hours: 10 a.m.-5 p.m. Monday-Saturday,1-5 p.m. Sunday.

Antique Avenue

With over 20 vendors, Antique Avenue hosts masses of antique and vintage art, glassware, books and jewelry among other items.

The specialty boutique offers visitors a chance to find interesting, unique collectibles and décor.

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Location: 5219 N Western Ave, Oklahoma City

Hours: 10 a.m.-5 p.m. Monday-Saturday, 1-5 p.m. Sunday



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How An Oklahoma Pastor’s Ministry Thrives Amid Personal Challenges

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How An Oklahoma Pastor’s Ministry Thrives Amid Personal Challenges


ADA, Okla. — When Brad Graves began pastoring Cross Church San Diego in 2007, wildfires forced his evacuation before his moving truck arrived.

Afterwards, Graves led the church in disaster relief as San Diego County recovered from a series of wildfires that burned 197,990 acres, destroyed 1,141 residences and killed two people.

In 2011, on his fifth Sunday pastoring Calvary Baptist Church in Joplin, Mo., an EF5 tornado killed more than 160 people in the city, destroyed 8,000 buildings and is today ranked as the costliest tornado in U.S. history.

“The whole town was just devastated. The next few years we just did disaster relief. We saw so many people come to the Lord. We baptized 600 people in four years,” said Graves. At one point, 13 tractor trailers of food and supplies were in Calvary’s parking lot.

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“People call me the disaster pastor because I’ve been through so much disaster.”

Graves has led pastorates to respond to disasters in the U.S. and abroad, helping communities recover from earthquakes, hurricanes, wildfires and tornadoes, including the 2015 earthquake in Nepal.

He is the newly elected first vice president of the Southern Baptist Convention.

Challenges hinging on life and death have not deterred Graves in ministry spanning 30 years, including his current pastorate at First Baptist Church in Ada.

Saved in 1992, he led his brothers to the Lord and prayed 25 years for the salvation of his father O’Dell Graves, sharing the Gospel with him frequently.

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“And for 25 years he said no,” before opening his heart only a month before he died of bladder cancer in 2017 at 83. “He said, ‘I’ve been watching your life, I want what you have.’ Every time I saw him between that and the month later when he died, he wanted me to pray for him.”

In 2007, Graves and his wife Becky endured the stillborn birth of their daughter Isabella Hope, conceived after more than seven years of secondary infertility. At the 20-week ultrasound, doctors discovered the baby was severely malformed with no chance of survival.

“For the next 20 weeks, we knew we would not come home from the hospital with a baby,” he said. “We knew she would go to Heaven. Becky was such a brave woman to put her body through all that. And one day she didn’t feel the baby moving.”

Doctors confirmed Isabella Hope had passed away within the past 12 hours. Becky gave birth and the family held a funeral.

“If you lose a child, you have a funeral and you know how to grieve,” Graves said. “But when a mom has a miscarriage, culture really doesn’t tell you how to grieve that. It just kind of tells you push on. It’s really hard just to push on.”

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The Graves have 25-year-old twin sons Nathan and Noah — born seven years before Isabella Grace – a 14-year-old son, Levi and 8-year-old daughter, Gracie.

Graves suffered a severe health challenge in 2023 that nearly convinced him he was dying. He had battled obesity most of his adult life, losing and regaining at least 100 pounds three times in the past 25 years. In early 2023, he reached his breaking point at age 49. He was 360 pounds, diabetic and hypertensive, with high blood sugar levels that prevented him from participating in what would have been the fifth 40-day fast in his spiritual walk.

“For the first time in my life I realized my weight is honestly affecting my ministry,” he said, “and now my walk with the Lord.”

He underwent a modified duodenal switch, the most invasive yet considered the most successful form of bariatric surgery.

“I was losing a pound every 12 hours the first couple of months. I got really sick,” he said. “At some time in June or July I developed 100 percent food diversion, which means everything I ate I threw up. Everything. For about four months it was really bad.”

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Doctors removed his damaged gallbladder in July, but the complete food diversion continued. Malnourished and on the brink of kidney and liver failure, he passed out during a return visit to his doctor’s office. Doctors used a peripherally inserted central catheter (PICC line) to administer nutrients for a month, requiring him to carry a backpack as if it were an appendage.

“There was one point where I thought I was going to die, at about the beginning of August. I thought this is it, I can’t survive this,” he recalled. “But by October, I’m like alright, I’m not going to die.”

Graves rebounded. He’s eating healthy, has lost 195 pounds, exercises four days a week and is continuing in ministry, with trips and outreaches planned in the U.S. and abroad this year.

Graves’ friend Steve Dighton, retired founding pastor of Lenexa Baptist Church in Lenexa, Kansas, commends Graves for his persevering and energetic commitment to ministry at First Baptist Ada, Dighton’s home church.

“These past 8 years I’ve seen him diligently and faithfully lead that older established church well,” Dighton said. “He is a soul-winner, driven by reaching people with the Gospel. Baptisms are significantly under Brads ministry.”

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Dighton describes Graves as “a kind and compassionate shepherd,” “a servant leader” with a “heart for missions,” a “man of persistent prayer” who leads by example, and a father and husband who prioritizes family.

When Graves spoke to Baptist Press a week after the 2024 SBC Annual Meeting, he had just taken 15 students to Orlando, Fla. for Student Leadership University, a trip normally led by an associate pastor.

“My middle school minister, my high school minister, my college minister — all their wives are pregnant, I mean really close (to delivery). And then my NextGen pastor is preaching at camp. And I had my youngest son going (to Florida),” Graves said. So, he volunteered to lead the trip.

“And next week we go to Colorado” for a pastor’s conference and other ministerial outreaches. “I have a good staff, it’s just, we run hard.”

Based in a small college town, Graves hopes to become an equipping church for young college students, driven by Ephesians 4:12 and a vision he received three years ago. The NextGen ministry draws hundreds of students to Wednesday night events and is growing.

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With 17 mothers in the church currently pregnant, First Ada is adding two nursery rooms to its campus and building a sensory room for children with special needs.

Through the iFeed1 (I Feed One) Ministry in Malawi, ranked by the World Bank as the seventh poorest country in the world, First Ada has planted 16 churches, drilled eight water wells, fed widows and orphans, and operated a two-week educational cohort twice a year for 50 Malawi pastors in the network.

In September, Graves will take a team to Malawi to plant a church, drill a water well, conduct dental and medical clinics and hold pastors’ conferences. Graves funds the ministry through God’s grace and partnering churches. First Ada’s 2024 Vacation Bible School raised the $1,000 to drill the well.

“You go in, you drill a water well and you put a church next to it,” Graves said. “The whole entire village is benefitted. That’s our model. It’s been very effective.

Graves has ministered in 19 countries and is undeterred in spreading the Gospel, driven by his own salvation.

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“Before I was saved, I felt like I had no courage. I felt like I had no confidence. I felt like I had no place,” Graves said. “But when Christ saved me on April 1, 1992, I felt God gave me courage, God gave me a place, He gave me a purpose and I just knew what it was.

“I haven’t lost that. It’s been challenged and changed. We’ve had some bumps and bruises,” he said. “We have a daughter in heaven. We’ve had church conflict, but we’ve also had a lot of successes.”

This article has been republished with permission from Baptist Press.





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