The Oklahoma City Comets, the Dodgers’ Triple-A affiliate, unveiled their initial roster on Thursday, with opening day set for Friday night in Oklahoma City against the Albuquerque Isotopes, a Rockies’ farm team.
Oklahoma
Oklahoma Has a New Plan for Putting Christianity Back in the Classroom. Except It’s Not New at All.
Like the award-winning teacher he once was, the Oklahoma state superintendent of public instruction, Ryan Walters, arrived at his presentation with props in tow. Speaking to the Oklahoma Board of Education on June 27, Walters announced his controversial mandate requiring the Bible in public schools while posing with a stack of five books. Among them? A brand-new copy of Martin Luther King Jr.’s Our God Is Marching On. A copy of The U.S. Constitution: A Reader, a collection compiled by Hillsdale College professors that represents the separation of church and state as a “popular misunderstanding.” And finally, three Bibles, including a copy of The Founders’ Bible, which interleaves the religious text with Christian nationalist writings by discredited “historian” David Barton. As visual aids to Walters’ announcement, these volumes spoke volumes.
At the June Board of Education meeting, Walters justified his decision by describing the Bible as a “necessary historical document” that has inspired American leaders such as Dr. King, whose legacy conservative politicians have increasingly manipulated to their advantage. Going beyond the text of his written memorandum, which states simply that Oklahoma schools must “incorporate the Bible … as an instructional support,” Walters announced that effective this fall, “every teacher, every classroom in the state, will have a Bible in the classroom and will be teaching from the Bible.” In late July, he doubled down, issuing a set of instructional support guidelines that decree that “a physical copy of the Bible, the United States Constitution, the Declaration of Independence, and the Ten Commandments [must be provided] as resources in every classroom.”
Walters has leaned heavily on historically inaccurate claims that the Bible is, as he stated at the June meeting, “one of the most foundational documents used for the Constitution.” Yet Walters’ repeated insistence on a Bible in “every classroom” shows that his ideological roots lie not with 18th-century framers like Thomas Jefferson—who placed a library, not a church, at the center of his University of Virginia—but rather with evangelical mass media organizations formed during the 19th century. Like once influential publishers including the American Bible Society and the American Sunday-School Union, Walters understands that the power of print has as much to do with the physical presence of books as it does with the intellectual work of reading.
The American Bible Society was founded in 1816 as a national organization with a single goal: distributing the Bible. Early adoption of cutting-edge printing technologies enabled the society to produce its own inexpensive Bibles on an unprecedented scale. Buoyed by its rapid progress, in 1829 the group launched a campaign to provide a Bible to every American family that needed one—a plan the organization dubbed “General Supply.”
Two other national evangelical publishing organizations—the American Sunday-School Union and the American Tract Society—soon followed suit with similar projects. As media historian David Paul Nord has documented, combined general supply efforts of the 1830s alone resulted in the publication of approximately 1 million Bibles, 15 million religious tracts, and more than 500,000 Sunday school books.
By attempting to circulate publications “in every part of the land,” including regions where print was scarce, general supply programs provided Americans with inexpensive reading materials and contributed to the increase of national literacy rates. But 19th-century evangelical publishers also had another, less generous goal in birthing American mass media: ousting books they didn’t like from readers’ hands.
All three national organizations hoped that mass supply of religious print would stimulate new demand. They also solicited support for their activities by fueling 19th-century fears about the mental and physical effects of reading “improper books.”
At the forefront of this anxious politics was the Sunday-School Union, which argued that secular books including “novels” were “sweet poison” for children. For the union, whose leaders viewed the Bible as “essential to the proper training of the young,” the solution lay in publishing vast quantities of religious children’s texts and introducing them into schools—including schools unaffiliated with the organization. By doing so, union leaders believed they could “force out of circulation those [books] which tend to mislead the mind.”
Such statements advance a logic of physical replacement as much as they insist on the persuasive power of God’s word. If you could just get the right books in the same room as young readers, the Sunday-School Union reasoned, “good little books” would take up space, money, and attention that might otherwise go toward “bad books.”
This 19th-century history raises questions about what, exactly, Walters hopes to achieve by requiring a Bible in “every” Oklahoma classroom. Because by “every classroom,” he really means every classroom.
Although Walters’ July guidelines detail only how the Bible might be incorporated into humanities instruction, he has stated in interviews that the Bible will also be integrated into the study of math and science. Walters has argued that the Bible should be taught to explain its influence on Western civilization and the history of the United States—a proposal, it’s worth noting, that mistakes the text for its reception history. But his insistence on placing physical copies of the Bible in “every classroom” indicates that the intended scope of his program is much broader, even as he has insisted that classroom Bibles are “not to be used for religious purposes such as … proselytizing.” As 19th-century religious organizations well knew, getting religious books in as many places as possible is itself a form of evangelical activity. By implementing his 21st-century version of general supply, Walters promises to use the Bible to occupy both valuable instructional time and the public school classroom as site.
Like the paper-obsessed Donald Trump, who inspired the June mandate and has himself published a Bible better suited for display than reading, Walters understands that books make good props for the art of hijacking attention. That he wants Bibles in the “classroom” rather than a more obvious place for books—the school library—also channels the desire of his evangelical forebears to control what children read.
If 19th-century language about “vice-engendering, lust-influencing, and soul-destroying literature” sounds oddly familiar, you’re not wrong. In Oklahoma, Walters has joined efforts to ban LGTBQ+ children’s books and campaigned for the removal of “pornographic” material from school libraries. Walters’ Bible mandate may appear to divert attention from the state Supreme Court’s late-June rejection of a proposed Catholic charter school supported by taxpayers—an initiative that Walters supported. But the Bible mandate also follows an equally important Oklahoma Supreme Court decision made earlier in June, which checked Walters’ authority over school libraries by determining that decisions about library book selection should remain with local school boards. Although the court shot down Walters’ attempts to wrest control over school libraries, by demanding the inclusion of the Bible in the “classroom” it seems that Walters has found a way to bypass librarians—and put children in the same room as his preferred reading—after all.
As the school year approaches, Walters has yet to answer questions about which Bible edition he would require should his plan be allowed to proceed. Hopefully it’s not The Founders’ Bible, which Barton peppers with out-of-context quotes from historical figures including Thomas Paine, a Deist who once described the Bible as a “book of lies.” Obvious legal questions aside, the presence of Barton’s Christian nationalist book at the Board of Education meeting sends a damning message about Walters’ ability and willingness to uphold basic educational standards. This message has not been lost on Oklahoma school districts, several of which have stated publicly that they will not change their curricula despite the July guidelines. In a subtle clapback to Walters, Jenks Public Schools in suburban Tulsa have insisted they will use only “approved resources aligned to the Oklahoma Academic Standards” in their classrooms.
In the wake of Walters’ mandate, advocacy organizations have stressed that “public schools are not Sunday schools.” But Walters would do well to take a cue from the American Sunday-School Union, which, for all its flaws, valued children’s “desire for knowledge” and believed, without a doubt, that free access to school libraries was of “vital importance” to the next generation’s future.
Oklahoma
Oklahoma City Comets preliminary 2026 roster
Among the 43 players on the Dodgers 40-man roster, 10 are on the injured list (three on the 60-day IL, which expands this list to 43), and 26 are active in the majors. Six of the seven remaining 40-man players for the Comets.
River Ryan is the only unaccounted 40-man player not on the preliminary Oklahoma City roster, but he could join them soon. Ryan is slated to pitch this weekend in Arizona, Fabian Ardaya at The Athletic reported Thursday.
Hyeseong Kim lost out to Alex Freeland for a spot on the opening day roster, with the Dodgers wanting Kim to split time between second base, shortstop, and center field in Triple-A.
“There’s no doubt that Hyeseong at some point is going to come help us out. I think the driver, as far as at the outset, is giving Hyeseong an opportunity to play every day, play all over the diamond,” Dodgers manager Dave Roberts said Sunday.
Kyle Hurt is among the relievers. After an impressive spring training, the Dodgers opted to slow-play the right-hander missed all of last season after Tommy John surgery. It wouldn’t be a surprise to see him get called up as a need arises in the majors.
Paul Gervase also impressed in spring, and left-hander Ronan Kopp is in his first year on the 40-man roster. Expect a lot of strikeouts from that pair.
Ryan Ward is also on the 40-man roster for the first time, but he returns to Oklahoma City, where the reigning Pacific Coast League MVP he holds several club records in the Bricktown era, a period since the current ballpark opened in 1998. Michael Siani will patrol the outfield for the Comets, likely flanked by Zach Ehrhard and/or James Tibbs.
Ehrhard and Tibbs, acquired from the Boston Red Sox for Dustin May last July, impressed as non-roster invitees in camp and as the older and more experienced of the plethora of stellar Dodgers outfield prospects are the closest to the majors among the group.
Jack Suwinski was briefly on the Dodgers’ 40-man roster this offseason, as was utility man Ryan Fitzgerald, who will likely play all over the infield and potentially some outfield for the Comets. Defensive whiz Noah Miller will play shortstop for Oklahoma City, whose infield also has Nick Senzel and Ryan Fitgerald, all of whom were non-roster invitees this spring for the Dodgers.
Veteran pitchers Cole Irvin and Keynan Middleton are on the Comets’ staff. Other Oklahoma City pitchers with major league experience are River’s brother Ryder Ryan, Garrett McDaniels, and Carlos Duran (pitched one game for the Athletics last season).
Irvin and Ryder Ryan will start the first two games, followed by Christian Romero on Sunday, per play-by-play broadcaster Alex Freedman.
Left-hander Antoine Kelly and right-hander Chris Campos, who were the last two non-roster pitchers standing in Dodgers camp this spring, each are on the Comets preliminary roster. left-hander Logan Allen, who signed a minor league contract last week, is also with Oklahoma City.
Pitcher José Rodríguez, who was touted as a potential Rule 5 Draft pick last December but went unselected, was a non-roster invitee this spring training but did not pitch. He starts the season on the 60-day injured list, as does veteran first baseman Matt Gorski.
Oklahoma City preliminary roster
- Starting pitchers (4): Cole Irvin, Ryder Ryan, Cristian Romero, Carlos Duran
- Right-handed relievers (8): Kyle Hurt*, Paul Gervase*, Chris Campos, Keynan Middleton, Jordan Weems, Wyatt Mills, Antonio Knowles, Jerming Rosario
- Left-handed relievers (4): Ronan Kopp*, Antoine Kelly, Logan Allen Garrett McDaniels
- Catchers (2): Eliézer Alfonzo, Seby Zavala
- Infielders (4): Ryan Fitzgerald, Noah Miller, Nick Senzel, Austin Gauthier
- Outfielders (4): Michael Siani*, Ryan Ward*, Jack Suwinski, Zach Ehrhard
- Infielder/outfielders (2): Hyeseong Kim*, James Tibbs III
- Injured list (2): rhp José Rodríguez (60-day), 1b Matt Gorski (60-day)
The Comets will finalize the roster before Friday’s season opener.
Oklahoma
Snoop Dogg’s new movie ‘God of the Rodeo’ to film in Oklahoma
Shia LaBeouf ordered to attend rehab after Mardi Gras arrest
Shia LaBeouf was ordered to take an immediate drug test and return to rehab following his arrest during Mardi Gras in New Orleans.
unbranded – Entertainment
Grammy-nominated pop-culture icon Snoop Dogg will star in and produce an upcoming movie set to film this summer in Oklahoma’s second largest city as well as one of the Sooner State’s historic Black towns.
The hip-hop legend, television personality and actor is the second A-lister to board the period piece “God of the Rodeo.” Deadline reports that Snoop has not only been cast in a starring role, but he and his Death Row Pictures partner, Sara Ramaker, also have signed on to produce the historical drama.
They are joining actress-turned-producer Giannina (Facio) Scott (“House of Gucci”), who is producing for Cara Films, and her husband, celebrated British filmmaker and four-time Oscar nominee Sir Ridley Scott (the “Gladiator” movies), who is producing via his Scott Free Productions.
“Linking up with Scott Free Productions and working with Ridley Scott and Giannina Scott on God of the Rodeo is life changing and an honor,” Snoop told Deadline.
“Me and the team at Death Row Pictures stepping in as producers, I’m acting in it, and Death Row Records is building the soundtrack — and this one got soul. … We’re bringing an important story and something special to the screen.”
Snoop joins embattled actor Shia LaBeouf (“Holes”), whom Deadline reported last year was starring in the project, in the cast of “God of the Rodeo.”
“Snoop Dogg is one of the most gifted and influential artists alive, with admirers and fans all over the world and from every generation transcending music, sports and culture,” Giannina Scott told Deadline. “Ridley and I, with our companies Scott Free and Cara Films, are so excited and blessed to have Snoop join the cast, and for him, Sara and Death Row Pictures to partner with us to produce this important and soulful project from Rosalind Ross.”
What is the upcoming movie ‘God of the Rodeo’ about?
The film is based on the work of New York City-based author and journalist Daniel Bergner, whose 1998 nonfiction book “God of the Rodeo: The Search for Hope, Faith, and a Six-Second Ride in Louisiana’s Angola Prison” was named a notable book of the year by The New York Times.
Set in 1967 inside Louisiana’s Angola Prison — now the largest maximum-security prison in the country and historically one of the most dangerous in the South — the forthcoming film centers on Buckkey, a hardened inmate serving a life sentence who finds a glimmer of redemption in an unlikely opportunity: the prison’s first-ever inmate rodeo.
As Buckkey and his fellow inmates prepare for a last grasp at glory, they’re confronted with the reality that the rodeo is nothing more than a gladiatorial showcase — a grueling fight for survival designed to satiate the public’s bloodlust and fulfill the warden’s delusion of godliness.
Rosalind Ross (“Father Stu”) is writing and directing the project, and Snoop praised her adaptation of “God of the Rodeo” as “a story with heart and grit, and that’s what I’m about” in the Deadline story.
“It’s a thrill and an honor as a filmmaker to bring the legendary swagger, soul and eccentricity of Snoop to this story in what will be a completely transformative role for him,” Ross said, according to Deadline.
“Moreover, I’m deeply gratified by the kindred artistic spirit and conviction of cause that Snoop, Sara and Death Row Pictures have for this collaboration with myself, Giannina, Ridley, and the rest of our incredible producing team.”
When and where in Oklahoma is the movie ‘God of the Rodeo’ set to film?
“God of the Rodeo” also is a project of Rebellium Films, a prolific Tulsa-based production company behind the recent Oklahoma made-movies “Brian,” a comedy that premiered earlier this month at South By Southwest (SXSW) in Austin, Texas, and “The Gates,” a thriller featuring the late James Van Der Beek’s final film role that opened this month in select theaters.
“God of the Rodeo” will film in Boley and Tulsa and use the state film incentive as well as the new Tulsa Film Incentive, Rebellium Films owner and producer Randy Wayne told The Oklahoman.
The largest and best-known of Oklahoma’s historically all-Black towns — and one of only 13 still in existence — Boley has a rich rodeo history. Since 1903, the the Okfuskee County town has hosted the Boley Rodeo, the nation’s oldest Black community-based rodeo and a longstanding Memorial Day weekend tradition.
“God of the Rodeo” is scheduled to film June 15 to July 31 in the Sooner State, according to the Oklahoma Film + Music Office.
Will Shia LaBeouf be able to star in ‘God of the Rodeo?’
While Snoop Dogg has been experiencing a career resurgence — the rapper served as Team USA’s first honorary coach for the 2026 Winter Olympics, was named one of Time magazine’s 100 Most Influential People of 2025 and recently spent two seasons as a coach on NBC’s “The Voice” — LaBeouf has been embroiled in more legal trouble since his casting in “God of the Rodeo” was announced last year.
During last month’s Mardi Gras celebrations, the controversial actor and former child star was arrested in New Orleans for a pair of alleged assaults, USA TODAY reports. A NOLA judge subsequently ordered to LaBeouf to return to rehab as well as submit to weekly drug tests.
Plus, his former partner FKA Twigs is suing LeBeouf, alleging he tried to use an “unlawful” nondisclosure agreement to silence her, years after she accused him of sexual battery and assault. In a legal complaint filed Wednesday, March 25, the British electronic pop artist set out to block LaBeouf from enforcing parts of the NDA that she claims violate California law and public policy.
She previously accused LeBeouf of sexual battery, assault and infliction of emotional distress in a 2020 lawsuit that was settled in July 2025.
LeBeouf has filmed in Oklahoma before, including on the 2016 Cannes Film Festival Jury Prize-winning road movie “American Honey,” which was partially made in Muskogee.
Oklahoma
Chicago faces Oklahoma City on 3-game road skid
Chicago Bulls (29-43, 12th in the Eastern Conference) vs. Oklahoma City Thunder (57-16, first in the Western Conference)
Oklahoma City; Friday, 8 p.m. EDT
BOTTOM LINE: Chicago travels to Oklahoma City looking to stop its three-game road losing streak.
The Thunder are 29-7 in home games. Oklahoma City ranks second in the Western Conference with 34.5 defensive rebounds per game led by Chet Holmgren averaging 7.0.
The Bulls are 11-23 on the road. Chicago is seventh in the Eastern Conference scoring 116.3 points per game and is shooting 46.9%.
The Thunder are shooting 48.2% from the field this season, 0.6 percentage points higher than the 47.6% the Bulls allow to opponents. The Bulls are shooting 46.9% from the field, 3.4% higher than the 43.5% the Thunder’s opponents have shot this season.
The teams play for the second time this season. The Thunder won the last matchup 116-108 on March 4. Jared McCain scored 20 points to help lead the Thunder to the win.
TOP PERFORMERS: Cason Wallace is scoring 8.5 points per game and averaging 3.1 rebounds for the Thunder. Shai Gilgeous-Alexander is averaging 29.8 points and 4.4 rebounds over the last 10 games.
Josh Giddey is scoring 17.6 points per game with 8.3 rebounds and 9.2 assists for the Bulls. Matas Buzelis is averaging 20.3 points and 6.2 rebounds while shooting 44.9% over the last 10 games.
LAST 10 GAMES: Thunder: 9-1, averaging 115.4 points, 43.6 rebounds, 24.8 assists, 8.4 steals and 4.7 blocks per game while shooting 48.0% from the field. Their opponents have averaged 106.1 points per game.
Bulls: 4-6, averaging 120.3 points, 47.1 rebounds, 28.2 assists, 7.2 steals and 4.7 blocks per game while shooting 47.4% from the field. Their opponents have averaged 125.6 points.
INJURIES: Thunder: Thomas Sorber: out for season (knee).
Bulls: Anfernee Simons: day to day (wrist), Jalen Smith: day to day (calf), Noa Essengue: out for season (shoulder), Jaden Ivey: day to day (knee), Nick Richards: day to day (elbow), Zach Collins: out for season (toe).
___
The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.
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