Gucci collaborated with American artist Corydon Cowansage on a series of Art Wall takeovers.
Courtesy of Gucci
Art industry insiders like to say that there are two types of people: those who “like art” and then “art people.” Every year, during the first week of December, the entire lot swarms to Miami for Art Week (Dec. 3–8, 2024).
Film and television A-listers, sports and music stars, fashion houses, chefs, art dealers, gallerists—and the curatorial advisers and consultants who tie them together—clamor to show they can decipher a duct-taped banana from a Basquiat while hawking canvases, clothing collaborations, liquor, and even pizza and soap, throughout more than 10 art fairs and six days of nonstop events.
Beyond the canvas, Miami Art Week has become a place where brands and service providers stage experiential launches and interactive moments aimed at the prized art enthusiasts and art people demographic. At the same time, celebrities fête like-minded friends at over-the-top beachside fundraising galas.
While the experience is often referred to as “Art Basel Miami Beach,” ABMB is only one of the fairs — albeit the largest. The Hollywood Reporter rounds up where you should be if you are on the ground—and not sitting in the legendary traffic—and what everybody is talking about if you can’t make it there.
Celebrating its 10th anniversary on Dec. 1, The Miami Beach EDITION serves as the epicenter of many of Art Week’s most celebrated events and meet-ups. This year, Parisian cultural club Silencio (designed by David Lynch and frequented by artists such as The Weeknd, Lana Del Rey, Cardi B, Baz Luhrmann, Ai Weiwei and the late legends Prince and Virgil Abloh) returns to the resort a decade after curating its grand opening. Silencio collaborates with top names in art and culture for three invite-only nights. MoMA PS1 presents a special night featuring Nick León and SofTT (Dec. 3); How Long Gone, the cult-favorite podcast redefining cultural commentary, hosted by Them Jeans and DZA pops up (Dec. 4); and through a creative partnership between PIN-UP Magazine and Perrotin Gallery expect an unforgettable evening with star Eartheater and Martin Bootyspoon (Dec. 5).
For the third year, New York’s Tribeca Film Festival heads to Miami, occupying a space at Art Basel from Dec. 4–7. The Tribeca Festival at Art Basel Miami Beach is a four-night event series focusing on music and this year resides within the Miami Beach Bandshell and on Dec. 7 features a conversation with pop star Camila Cabello moderated by Miami hospitality entrepreneur David Grutman. On Dec. 5, celebrate the 28th anniversary of The Birdcage with a Palace Bar takeover Drag Queen Show and performances from legendary local acts Tiffany Fantasia, Missy Miyake Lepaige and Olga Dantelly. Music performances include a homecoming show by Miami’s alternative pop duo Magdalena Bay; jazz drummer, composer and producer Makaya McCraven; electronic pop artist Neggy Gemmy; and Latin Grammy–nominated Brazilian singer-songwriter Luedji Luna. DJ sets include Soul in the Horn’s Natasha Diggs, L3NI and the jazz collective Brainville.
CORE Miami Art Basel gala returns to Miami Art Week on Dec. 5 at Soho Beach House with cocktails by the beach, a seated dinner, a live auction and Jewel performs. This year’s illustrious co-chair committee includes Jared Leto, Jon Bon Jovi, Alessandra Ambrosio, Diplo, Garcelle Beauvais and Vivi Nevo.
British-Nigerian Multidisciplinary Artist and Designer Yinka Ilori MBE collaborates with Chase Bank at SCOPE Art Show, 2024. He has previously collaborated with Meta, Apple, The North Face, Lego, Nike, McLaren, MoMA, MCM, British Fashion Council, LG, Courvoisier, and more. Located near the SCOPE Main Stage, Lift Me Higher With Joy welcomes guests to the show with an interactive seating installation inspired by “family game nights” and invites you to pass on words of affirmation. Shrine of Affirmations in the Chase Sapphire Reserve Lounge connects and engages visitors within a space sheltered from the wind with kites that soar like birds, evoking a sense of liberation.
December 4
Resy and American Express partner with Delta Air Lines for the second year of The Resy Lounge (11 a.m.–7 p.m.) at Untitled Art. The beach-front indoor and outdoor lounge is open on Miami Beach until December 8, and offers the fair’s VIP guests and ticket holders a space to relax. The Lounge features outdoor cabanas, art activations, and food and drinks from L.A.’s Jon & Vinny’s. On the menu, try Buttermilk pancakes, wood-grilled and red wine-marinated steak, Jon & Vinny’s signature Soft Serve ice cream, natural wines from Helen’s (Jon & Vinny’s wine and beverage concept) and cocktails such as espresso martinis, Cosmopolitans, mojitos and more. And because it’s an art fair, there are meet and greets and custom print signings with Untitled Art artist Justin Lim.
Project developer Terra hosts an invite-only cocktail party to kick off Art Basel Miami Beach and celebrate the launch of Jean-Georges Miami Tropic Residences, a residential building close to Miami’s Design District. The event includes a panel on “framing gastronomy through the lens of art and design” with Jean-Georges Vongerichten, David Martin, and designers George Yabu and Glenn Pushelberg.
December 5
American Express and Delta Air Lines host an invitation-only late-night party (10 p.m.–2 a.m.) at Jon & Vinny’s Residency at the Rubell Museum. For one-night-only, Night Shift features a performance, drinks and late-night bites from Jon & Vinny’s menu.
Nikki Beach Miami Beach hosts “Basel on The Beach” featuring DJs Eran Hersh, EC Twins, Sam Haze and more. Unwind on a day bed, enjoy live music, and soak up the sun and ocean breezes.
December 6
American Express and Delta Air Lines fuel the Design District with “Night Shift, AM Edition,” featuring complimentary Breakfast Pizza, coffee and tea at the Rubell Museum (9 to 11 a.m.). Guests also have complimentary early access to the Rubell Museum before opening hours.
The recently opened Moroccan restaurant Habibi hosts a live art showcase on Dec. 6 by self-taught artist Mr. Drip, who is known for his live art, which utilizes the dripping technique in his pieces and celebrity portraits. The evening will also feature a DJ set from Sounds of Rituals.
December 7
Marriott Bonvoy and American Express host their 8th annual Wanderlust party (8–11 p.m.) at W South Beach. This card member party brings popular New York City Resy restaurant Superbueno to Miami Beach with Mexican dishes, immersive art sculptures from visual artist Jimena Montemayor and sounds from South Africa with amapiano-performing DJ artist Uncle Waffles.
Gucci celebrates Miami Art Week and the holidays with a snow globe installation at Sweet Bird North Plaza in honor of its travel-inspired heritage. Through January 7, the installation between Gucci’s two boutiques features a whimsical snow globe with Gucci luggage and miniature depictions of landmarks like Palazzo Gucci in Florence and the Wooster Street boutique in NYC. Ice cream from Miami’s Peel and coffee and baked goods from Italian Bakery Rosetta are available during select periods. Gucci also unveils an Art Walls series by American artist Corydon Cowansage with three murals—inspired by revered female artists such as Judy Chicago and Zilia Sanchez, who redefined femininity through anatomical biomorphic abstraction—on view starting Dec. 4.
Gucci collaborated with American artist Corydon Cowansage on a series of Art Wall takeovers.
Courtesy of Gucci
Trinity 100 Immersive Experience in Miami launches with an invite-only event on Tuesday and then opens to the public from Dec. 4–8 (11 a.m.–9 p.m.). After traveling the world with stops in Paris, London, Shanghai, Singapore and Tokyo, this exhibit closes the chapter on 100 years of Cartier’s iconic collection with an immersive experience and the launch of a limited series of Trinity novelty jewelry.
Maison Margiela collaborates with visual artist Kozo on a capsule collection starting Dec. 4 at the brand’s Miami Design District store. Kozo is a Brooklyn-based tattoo artist known for his micro-realistic colored tattoos juxtaposing classical art with modern pop culture references. He co-hosts an event showcasing a selection of Margiela Signature White Icons customized with black-and-white tattoo iconography. For this project, he interprets Maison Margiela’s signature codes, exposing the interior of garments and giving the impression of natural wear and tear through the lens of tattoos. Four distinct narratives, including dripping paint, duct tape, whited-out Renaissance paintings and paper torn away to reveal butterflies, have been applied to 18 customized designs signed by the artist, with the tattoo needle included in the packaging. They include Tabi boots, Replica sneakers, a trio of handbag styles — the Glam Slam Classique, the 5AC and the Snatched Classique — and Gentle Monster sunglasses.
Massimo Dutti collaborates with performance artist Marina Abramović. Her approach to art and her creative journey are displayed at Nomadic Journey, an exhibition showcasing over four decades of her drawings, poetry, photographs and reflections. The Faena Art Project Room exhibition is open to the public from Dec. 5– Dec. 8 (11:30 a.m. to 7:30 p.m.). Abramović’s latest coffee table book, Nomadic Journey and Spirit of Places, is available at selected Massimo Dutti stores. Limited-edition Marina Abramović x Massimo Dutti merchandise is available at the exhibition.
On Dec. 5, sneaker brand Autry partners with artist Rob Pruitt on limited-edition sneakers inspired by his “chromed project” artworks. To celebrate the collaboration, Autry overhauls a gas station in Miami Beach, customizing it into the “Autry Art Station.” Like collectibles, the sneakers come in a plexiglass box decorated with the artist’s smiley icon and feature transparent dust bags. Only 2,500 pairs of mirror-finished shoes with puffy silver laces are available.
What I would have done is taken my lumps and rolled with Ewers during the 2026 season. From my understanding, the reality of Willis’ deal is two years x 22.5M. After that, the Dolphins can part with him, no harm, no foul. Hiwever, don’t you think that the Dolphins could have used that money, considering their salary cap situation, in other areas? Yeah, to me, this is a textbook Steve Ross engineered deal where the Dolphins are bidding against themselves and hoping against hope that they’re not as bad as they’re predicted to be.
As for Willis, he reminds me of another ex-Green Bay QB named Matt Flynn. Like Willis, Flynn was the 2nd string QB at GB and shined in a couple of relief appearances for Aaron Rodgers during the 2011 season. He is best remembered in Green Bay for his record-setting 480-yard, 6-touchdown game in 2011 versus the Lions. That set him up for a big contract with Seattle, but he never really did anything there due to the emergence of Russell Wilson.
Former CBS News Miami anchor and longtime South Florida resident Eliott Rodriguez announced his candidacy for U.S. Congress in Florida’s 27th Congressional District on Tuesday morning.
He will now embark on a campaign that’s centered on lowering the high cost of living, restoring accountability in Washington, D.C., and bringing people together to deliver results for families in Miami-Dade, his campaign said in the announcement.
“I didn’t plan to run for Congress,” Rodriguez said in his announcement. “But I cannot stay silent. For 48 years, you trusted me to tell the truth and listen to your stories. Today, like so many families, I am concerned that Washington is not delivering for South Florida. My parents taught me that citizenship is not just a right – it is a responsibility. And now, I am answering that call.”
In his announcement, Rodriguez explained why he decided to run for Congress. He said the decision was deeply personal.
In recent months, he said he’s spoken with families, seniors, small business owners and young people who are struggling to afford to stay in a community they love.
“South Florida has now become one of the least affordable housing markets in the United States, with families here spending more of their income on rent and mortgages than almost anywhere in the country,” Rodriguez said in his announcement.
According to the campaign, Florida’s 27th Congressional District is widely viewed as one of the most competitive battlegrounds in the country.
In the race for Congress, Rodriguez will challenge incumbent María Elvira Salazar.
The Miami Dolphins entered free agency needing a new starting quarterback, and lacking the cap space to pay one. That was the case despite the team clearing $22.8 million by releasing wide receiver Tyreek Hill last month, with an additional $7 million in savings coming from the eventual release of pass rusher Bradley Chubb. There just didn’t seem to be enough money for the team to be active in the open market. Miami’s last front office, helmed by former general manager Chris Grier, left the new regime, led by first-year GM Jon-Eric Sullivan, in deep shit from a salary cap perspective, and many assumed the new group would spend this first offseason digging their way out of it.
When a team led by a new brain trust inherits a crappy roster and then immediately starts shedding salary, the safe assumption is that they’re preparing to tank. And before noon on the first day of the NFL’s legal tampering period, Miami couldn’t beat those allegations. After failing to garner any trade interest in quarterback Tua Tagovailoa, the team decided to release him for nothing except for a $99 million dead cap hit for the upcoming season. Moving on from Tagovailoa, who was benched last season and whose press conference missteps became a distraction, and resetting the vibes in the locker room may have been worth the cap penalty. They also traded safety Minkah Fitzpatrick to the Jets for a seventh-round pick—and though the 29-year-old may be past his prime, he’s still a very useful player who would fit in any defense. Sending him to a divisional rival in exchange for a ham sandwich and a conditional bag of chips is not a win-now move. But then Miami’s offseason took an interesting turn when the Dolphins gave quarterback Malik Willis a three-year, $67.5 million contract with $45 million in guarantees. Those are some round numbers for a passer who hasn’t played much in the NFL, and it’s not the kind of deal a team that’s actively trying to get worse would make.
Coming off the incoherence of Grier’s nine years at the helm, it’d be understandable if Dolphins fans were triggered by these seemingly mixed messages. During Grier’s tenure, Miami tried the tanking thing but ended up winning too many games to earn the top pick in the draft. (In Brian Flores’s discrimination lawsuit against the NFL, he claimed that when he was the Dolphins head coach in 2019, team owner Stephen Ross offered to pay him $100,000 per loss in order to incentivize him to lose games, but he refused.) Miami also tried the “all in” approach after hiring Mike McDaniel as head coach in 2021, trading for several big-name players over the next few seasons, including Hill, Chubb, and Fitzpatrick. Those bold moves resulted in two trips to the playoffs and zero postseason wins or division titles.
Those two extremes of roster construction are seemingly at odds, but there is a commonality between them: impatience. Tanking teams try to accelerate the process of getting bad enough to land a franchise-saving quarterback at the top of the draft. “All in” teams try to accelerate the process of going from good to great by trading away draft capital and giving up cap space for an injection of talent. The Dolphins failed at both, and now the new front office is taking a more patient approach. But before Sullivan can build up the team, he has to clean up the mess his predecessor left behind. These early moves aren’t signaling a tank or even a naive push for the playoffs; rather, they seem to be signs that Miami doesn’t want to repeat its recent mistakes.
Cutting Hill would have been an appropriate move even if the Dolphins were closer to competing for a playoff spot. He just turned 32, he’s coming off two down seasons and a major injury, and the move cleared $22.8 million in cap space. Hill didn’t seem too happy in Miami over the past two years and was entering the final year of his contract, so he was probably fine with the move, too. Chubb, meanwhile, had a $31.2 million cap hit for the upcoming season. And while he’s a solid player, he collected just 8.5 total sacks over the last two seasons and moving on from him frees up an additional $7.3 million in cap space. There’s no question the Dolphins would have been better off from a financial standpoint by keeping Tagovailoa on the roster for one more year instead of taking on a record $99 million dead cap hit and a loss of $42.9 million in 2026 cap space, but releasing him shouldn’t hurt their on-field product. Tagovailoa was dreadful throughout the 2025 season and was eventually benched for rookie Quinn Ewers—a seventh-round pick who went on to outplay the veteran QB. Beyond the cap implications, these moves give the locker room a fresh start while not really moving the needle on how competitive this team will be next season compared to last.
The Willis signing is the big question mark in all of this, but that might not affect things much either. Willis was very productive in limited action as a backup for the Packers, but he played just 302 snaps in Green Bay and was sheltered by conservative, run-heavy game plans from coach Matt LaFleur. And during his first two NFL seasons in Tennessee, he took just 92 dropbacks and wasn’t good enough to beat out Will Levis in training camp entering his third season. There’s a wide range of potential outcomes for Willis in Miami, where under new offensive coordinator/play caller Bobby Slowik, the Dolphins will be installing a new version of Kyle Shanahan’s offense. There should be plenty of overlap with the offense Willis ran under LaFleur, who coached under Shanahan in previous stops. If Willis picks up where he left off in Green Bay—where he averaged 9.2 yards per dropback—this deal will be viewed as a steal in a year or two. But if he’s bad, the Dolphins can move on quickly and inexpensively.
Willis got what is essentially a two-year, $45 million deal with a team option for a third year. That’s not a massive investment given that the salary cap is up over $300 million now. Willis’s deal will account for about 7.5 percent of that, which isn’t much more than the deal Indianapolis gave Daniel Jones (5 percent) last offseason before his redemption tour. Justin Fields is the only veteran starter from last season who’s making less money per year than Willis’s $22.5 million average. And when accounting for cap inflation, Fields’s $20 million annual salary is on par with what Willis got—and actually carries more long-term liability since the Jets included two void years on his deal. Fields will be on New York’s books through the 2029 season no matter what they do with his contract this offseason. If Miami moves on from Willis after 2027, he’ll be off the books completely.
So the Willis deal won’t prohibit the Dolphins from searching for a long-term option at quarterback. And Sullivan doesn’t strike me as a general manager who is going to be content after making the 26-year-old his first big signing.
“The quarterback position again is the most important position in sports in my opinion, certainly the most important position in football,” Sullivan said when he was introduced in January. “We’re going to invest in that position every year if we can. Now depending on where we are as a football team, it’ll be at different values, but we will draft quarterbacks every year, if not every other year because I think you have to.”
The Dolphins may have guaranteed Willis $45 million over the next two years, but his position as Miami’s QB1 could be tenuous if Sullivan sticks with that strategy. That’s the antithesis of the thinking that convinced the last front office to double down on Tagovailoa and give him the four-year, $212 million contract that put the Dolphins in their current predicament. Miami was paying a steep premium for mediocre quarterback play. At least if they get mediocre play from Willis, they will have paid an appropriate price.
Steven Ruiz
Steven Ruiz has been an NFL analyst and QB ranker at The Ringer since 2021. He’s a D.C. native who roots for all the local teams except for the Commanders. As a child, he knew enough ball to not pick the team owned by Dan Snyder—but not enough to avoid choosing the Panthers.
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