Miami, FL
Kanye West and Ty Dolla Sign Debut Joint Album ‘Vultures’ in Miami With Offset, Chris Brown and Freddie Gibbs
Kanye West waits on no one. Fans experienced this firsthand at the world premiere of “Vultures,” his long-awaited collaborative album with Ty Dolla Sign under the name ¥$. Just a day after he premiered cuts from the project guerilla-style at a Jamaican restaurant in Miami, he took over Wynwood Marketplace in the same city for the Vultures Rave, with a promised start time of midnight.
Nearly two-and-a-half hours later, West and Ty finally assumed the spotlight after stagehands struggled to hook up West’s phone to the audio system. Viewers at home witnessed it all in real time as a stream on YouTube glitched and restarted numerous times in the lead-up to the broadcast. Tickets for those in attendance ran $200 for general admission, $600 for VIP and $10,000 for a table.
Fans and at-home viewers who stuck around were treated to about 10 songs from the project, reportedly releasing this Friday. To deliver the full experience, the duo tapped the album’s guest stars to join them on stage, with a coterie of artists including Chris Brown, Offset, Kodak Black, Lil Durk, Bump J, Freddie Gibbs and West’s daughter North appearing beside them. (Those hoping for a Playboi Carti appearance came up short, as he was on a plane ride that didn’t touch down in time.)
What fans experienced was a sharper preview of the low-quality and unfinished snippets that have recently dribbled out. West devotees were likely already familiar with the opening track “Everybody,” which he previewed on social media last week and plays as an interpolation of Backstreet Boys’ 1997 hit “Everybody (Backstreet’s Back).” Only instead of mining a sample from the boy band, the song features a recreated chorus from Charlie Wilson, who joins West, Ty and Lil Baby on the track.
West’s daughter North got her moment to shine on “Slide,” where she tests out her rap skills alongside her dad and Ty over a James Blake sample. “It’s gonna get messy, just just bless me bless me / It’s your bestie, miss miss Westie,” she raps. North wasn’t the only one of West’s children to appear, as Kim Kardashian stood alongside their kids and cleared the stage before the performance. (Those watching on socials bore witness to Saint hitting IShowSpeed’s Sui dance.)
“Vultures” is an album that seems to have an audio throughline, with plucking synth bass notes and a galloping pace. West and Ty leave lots of space for featured artists, and there are plenty. Nicki Minaj drops a verse on the highly anticipated finished version of “New Body,” while Gibbs delivers a show-stopping guest turn on “Back to Me,” produced by longtime West collaborator 88-Keys. On the latter, they sample a clip from the film “Dogma” where co-star Jason Mewes says, “Beautiful, big-tittied women don’t just fall out of the sky, you know,” which West repeats throughout.
There’s a splash of house music on “Paid,” while Brown takes up most of the room on “Beg Forgiveness.” “River” plays as a homage to Young Thug, who’s currently on trial and features on the track, and Ty cleans up at the end with an interpolation of Leon Bridges’ song of the same name.
West is no stranger to controversy, and already caught flack for a snippet of a line on “Vultures” where he states, “How I’m antisemitic, I just fucked a Jewish bitch.” It comes in a string of antisemitic remarks over the past year, and he didn’t shy from the discourse. As the song played, West stoked the flames by donning a black Klansman hat, pausing at the end of the song to glare at the audience.
Though less of a performance and more of a showcase, the evening abruptly ended as the clock struck 3 a.m. in Miami. The venue shut the speakers off, and to get one last lick in, West repeated the line from “Vultures” on the mic. As the crowd shuffled out, West made his way through the crowd, seemingly pleased with himself.
Miami, FL
Designs revealed for Miami-inspired city in the Middle East
A masterplan has been unveiled for a coastal neighborhood in Bahrain which is partly inspired by the U.S. city of Miami.
Bilaj Al Jazayer Beach will span just over two miles of length along Bahrain’s coastline. According to an official release, the mixed-use district will draw inspiration from Miami’s low-rise Art Deco buildings combined with traditional local design.
The walkable locale will feature new homes, hotels, and retail options in addition to public green spaces and “state-of-the-art” amenities.
The city is designed around three main streets, which will be lined with native trees and are intended to encourage walking and cycling across the district.
The site will be flanked by two large hotels, with smaller, boutique hotels positioned at 500-meter intervals throughout, and residential communities nestled in between.
Neighborhoods will incorporate shaded green courtyards and alleyways that the city’s designers say are inspired by Bahrain’s traditional design principles to create cool outdoor spaces.
At the heart of the development will lie a public surf park, featuring wave-generation technology to simulate the experience of a natural ocean environment on land.
The beach links to a network of piers stretching into the sea, forming protective coves to safeguard the shoreline, and a green park will serve to separate the beachfront from the main road.
“We are creating a green and walkable community on the beach, which offers a range of crafted experiences for residents and visitors,” said Gerard Evenden, head of Studio ar Foster + Partners, the firm behind the designs.
“The permeable development features tree-lined streets, shaded courtyards, and a spectacular public park that directly connects with the waterfront. Needless to say, the west-facing district will also offer some of the best sunset views in Bahrain,” Evenden added.
Newsweek has contacted Foster + Partners for comment via email form.
Bahrain, officially the Kingdom of Bahrain, is a small island nation in the Persian Gulf, situated between Saudi Arabia and Qatar.
With a population of around 1.5 million, its economy primarily relies on oil, financial services, and tourism.
In neighboring Saudi Arabia, the first project for the country’s Neom megacity recently opened.
Known as Sindalah, the opening of the “luxury island destination” represented a significant milestone for the project, which has become the world’s biggest construction site as part of an effort by Saudi Crown Prince Mohammed bin Salman to diversify the nation’s economy.
However, a recent report from human rights organization ALQST warned that companies working with the biggest construction projects in Saudi Arabia, which includes several American firms, run the risk of “political and reputational risks” as the projects face allegations of dangerous conditions and abuse of migrant workers.
The report came amid allegations that thousands of migrant construction workers have died or gone missing since 2017.
Do you have a story we should be covering? Do you have any questions about this article? Contact LiveNews@newsweek.com
Miami, FL
Triple shooting in NW Miami-Dade under investigation
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Miami, FL
Miami-Dade prison inmate sets his cell on fire, investigators say
MIAMI – Florida Department of Corrections officers recently asked Bureau of Fire, Arson & Explosives Investigations detectives to figure out how a 26-year-old prison inmate set his cell on fire.
Correctional officers accused Jeronimo Rosario of setting the fire shortly after 11:05 a.m., on Wednesday inside his locked prison cell at the Dade Correctional Institution.
BFAEI detectives reported Rosario likely removed the protective plexiglass cover from his cell’s light fixture, accessed the electric wires, and burned cloth from a towel.
FDOC records show Rosario has been in prison since March 1, 2023 after convictions of grand theft vehicle, fleeing and eluding police, and battery on police/fire.
Before the fire, Rosario was set to be released from prison on Feb. 2. On Thursday, he was facing charges of preventing or obstructing extinguishing a fire and lewd or lascivious exhibition at a correctional facility.
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