Louisiana
Supreme Court Knocks Down Texas And Lousiana Attempt To Sue Biden Administration Over Immigration

Topline
Texas and Louisiana do not have standing to sue the Biden Administration over an immigration deportation policy, the Supreme Court ruled Friday, delivering a win to the Biden Administration in an 8-1 ruling—though the court cautioned that doesn’t mean the White House couldn’t be sued in future cases.
An immigration activist participates in a rally near the U.S. Supreme Court on May 12, 2021 in … [+]
Getty Images
Key Facts
U.S. v. Texas concerns Texas’ and Louisiana’s legal challenge against a Biden immigration policy, outlined in a September 2021 memo, that prioritized some undocumented immigrants for deportation over others, noting the administration “do[es] not have the resources to apprehend and seek the removal of every one of these noncitizens.”
The Supreme Court ruled Texas and Louisiana did not have standing to challenge that policy, reinstating the Biden Administration’s directive after a lower court struck it down.
Texas and Louisiana argued the Biden Administration’s directive violated other federal laws that would require them to arrest more undocumented immigrants than the 2021 memo, which prioritizes immigrants who pose a terrorism threat or other threat to public safety.
The lawsuit violated court precedent that says people lack standing to bring lawsuits against a “prosecuting authority when he himself is neither prosecuted nor threatened with prosecution,” the court ruled.
The court’s ruling in this case doesn’t mean “that federal courts may never entertain cases involving the Executive Branch’s alleged failure to make more arrests or bring more prosecutions,” Justice Brett Kavanaugh wrote in the court’s opinion, noting there are other situations in which it’s possible plaintiffs would have standing, and that there might be more of a case challenging policies around detaining undocumented immigrants who have been arrested, rather than arresting and prosecuting them in the first place.
Crucial Quote
“To be clear, our … decision today should in no way be read to suggest or imply that the Executive possesses some freestanding or general constitutional authority to disregard statutes requiring or prohibiting executive action,” Kavanaugh wrote, calling Texas and Louisiana’s case “extraordinarily unusual” and saying the court’s decision is “narrow and simply maintains the longstanding jurisprudential status quo.”
Chief Critic
Justice Samuel Alito was the only justice to vote in the conservative states’ favor, writing in his dissent that the court’s ruling “brushes aside a major precedent that directly controls the standing question, refuses to apply our established test for standing, disregards factual findings made by the District Court after a trial, and holds that the only limit on the power of a President to disobey a law like the important provision at issue is Congress’s power to employ the weapons of inter-branch warfare.” “I would not blaze this unfortunate trail,” Alito wrote, arguing “settled law … leads ineluctably to the conclusion that Texas has standing.”
Key Background
The Biden Administration directive at the heart of the case argues that someone not being a documented immigrant “should not alone be the basis of an enforcement action against them,” arguing “the majority of undocumented noncitizens who could be subject to removal have been contributing members of our communities for years.” The memo states the administration will prioritize undocumented immigrants who pose threats to national security by being suspected of terrorism or espionage; have a history of “serious criminal conduct” that makes them a threat to public safety or pose a threat to border security, if they were apprehended at the border or port of entry. Texas and Louisiana’s lawsuit is part of a broader effort by conservative-led states to oppose the Biden Administration’s immigration policies, and the states previously won in district court, where a Trump-appointed judge halted the immigration directive in June 2022. That ruling was then upheld in the conservative-leaning Fifth Circuit Court of Appeals. Before the Supreme Court’s decision on Friday, the court had previously ruled in the states’ favor, ruling 5-4 in July 2022 to leave the lower court ruling that blocked the policy in place until it could issue its final opinion in the case.
Further Reading
In U.S. v. Texas, broad questions over immigration enforcement and states’ ability to challenge federal policies (SCOTUSblog)
A federal judge in Texas blocks a major DHS policy limiting immigration enforcement (NPR)

Louisiana
Letters: La. Ten Commandments law should be upheld

The Supreme Court will have an important decision in regards to the Ten Commandments in Louisiana public schools.
The U.S. Constitution’s First Amendment prohibits the government from establishing a religion or favoring one religion over another.” I submit that the Ten Commandments are not a religion, which is prohibited by the Constitution. The Commandments set out core principles of behavior for individuals and society, conduct which has been adopted by religions for thousands of years. Even the Quran adopts many of the core principles of the 10 Commandments. I do not know of any religion, per se, that believes the Commandments are a religion. They merely enumerate a code of conduct.
All religions have their own dogma, interpretations, rules, etc. It is that which designates them as religions, not the Ten Commandments.
It should be emphasized that the Ten Commandments are not the essence of, but an integral part of, the history of Western civilization lasting over 3,000 years. They have shaped moral and legal foundations with prohibitions on core crimes; laws against murder, theft and perjury are found in every legal code. Additionally, the Commandments protect the rights of private property and give us a civil understanding of ownership, as well as respect for parents.
Remember the Sabbath day has influenced the creation of Sabbatarian laws.
Without the Ten Commandments, we would have no Magna Carta, no Constitution of the United States or numerous other codes, including the French “Rights of Man.” They provide a moral framework with God and fellow human beings. They provide a guide to individual conduct, fostering virtues of integrity and respect. They also are the sin qua non of social order by encouraging actions of trust and cooperation. Without them, we would be savages.
Louisiana
Baton Rouge's Sullivan Theatre brings “Oklahoma!” to Louisiana – Reveille

Cowboys, farmers and wide, beautiful fields of grass and cattle. With there being so much to love about Oklahoma, how does one choose their future?
Starting on June 13, The Sullivan Theater will be performing the Rodgers and Hammerstein classic, “Oklahoma!”
The story follows Laurey Williams and Curly McLain and their community full of a loving and rowdy cast of characters. Taking place in the early 20th century, “Oklahoma!” gives a glance into rural life in the territory before it became an American state. Full of lovers’ quarrels, dancing and a little bit of horseplay, the show is the perfect way to spend the summer.
“Oklahoma!” was Rodgers and Hammerstein’s first collaboration, not only setting the stage for their body of work but influencing musical history.
Recent LSU graduate Callie Ancelet plays Williams in the show. She found out about it while performing in “Xanadu,” Theatre Baton Rouge’s last show.
Ancelet said a lot of her experience with golden age musicals came from LSU. In 2023, LSU Opera produced “Carousel,” another Rodgers and Hammerstein musical, which Ancelet took inspiration from.
Ancelet, who now works as a music teacher, talked about how she prepared for the “Oklahoma!” auditions while already being in “Xanadu.”
“I would go to work from 8 to 4, then drive straight to the School of Music and practice my audition songs from like 4:30 to 5. Then I would go straight to Theatre Baton Rouge for a dress rehearsal or to perform in Xanadu.”
For those who may not be acquainted with “Oklahoma!”, Ancelet detailed what the show is about.
“It very much centers on love, and the simplicity of how things just always work out in the end,” Ancelet said.
Ancelet went on to explain why “Oklahoma!” is seen as an important point in musical history.
“When ‘Oklahoma!’ came out, that’s when we started straying away from super classical opera and really getting into musical theater,” Ancelet said. “That different style of singing and composing musical theater.”
The conversation shifted to talking about Ancelet’s character Laurey, and the influences on her portrayal as a character.
For Ancelet, Laurey is “on this pendulum of swinging back and forth between having to face reality” while also being a “dreamer” who “dreams with her whole heart.”
“I love when we finish off the show, and she’s just this wholehearted, well-rounded young woman, and I really loved doing a deep dive on her character,” Ancelet said.
To prepare for her role, Ancelet started by watching as many versions of Laurey as she could, and reading the script repeatedly.
During her time researching, Ancelet also took inspiration from other musical women, like Jenna from “Waitress,” Julie from “Carousel” and Elizabeth Swan from “Pirates of the Caribbean.”
She also studied Tiana and Naveen’s relationship from “Princess and the Frog,” hoping to use that in portraying her character’s relationship with Curly.
Ancelet said she particularly enjoyed working with her fellow cast members, many past castmates and Baton Rouge theater veterans. She called them excellent collaborators that she has a lot of respect for.
“When the cast list came out, and I saw all these hard hitters in our musical theater community, all these people that are so talented and I have much respect for, I was so excited,” Ancelet said.
For anyone thinking about seeing “Oklahoma!”, she has a message.
“Just sit back, relax, I’m really excited for us to immerse you in our little romantic cowboy western world,” Ancelet said.
In “Oklahoma!”, Thomas Jackson plays Curly McLain, a bright eyed, hardworking, All-American cowboy.
Jackson most recently performed in Theatre Baton Rouge’s “Waitress” and “Xanadu” with Ancelet. He has also previously worked with the Sullivan, playing Kodaly in “She Loves Me.”
In playing McLain, Jackson wanted to make sure he was “a product of his circumstances” and “super honest to the times and who he would be.”
Jackson also brought up the main conflict for Curly. Like many of the young characters in the show, he’s at the point where they have to define who they are as a person and what they want with the future, as Oklahoma as a territory is also defining itself as a part of the United States.
“I’m approaching him as somebody that knows how to take care of themselves,” Jackson said. “And because of growing up on this land, he knows how to take care of others in turn… a lot of living in this time is a marriage of survival and thriving and trying to romanticize your life to where it feels enjoyable.”
The conversation shifted to talking about the cast, specifically Jackson’s co-star Ancelet. As he was talking, Jackson told a backstage story from “Xanadu.”
“I remember we were getting ready to audition, and me and Callie sat with each other,” Jackson said. “We held each other’s hands and we said, ‘Can you imagine? What if.’”
When talking about each of their favorite parts of the show, both Ancelet and Jackson said the song “Surrey with the Fringe on the Top” was their favorite.
“It’s so precious,” Ancelet said. “We see two sides of Curly’s and Laurey’s relationship where it’s so cat and mouse. Then we center back towards the end of the song where there’s such a realness and authenticity to their relationship.”
Mentioning the Sullivan cast, Jackson called them hilarious..
“It is a group of comedians, through and through,” Jackson said.
Jackson began to talk about the theme of community throughout the show.
“I think it’s an important show to recognize right now and to remind people of their humanity,” Jackson said. “In this show we see different examples of what it’s like to be in a community.”
He talked about the character Jud who longs for community, and Curly and Laurey who “take strides into not just being part of community, but having a life of their own.”
Tickets for “Oklahoma!” are available on the Sullivan Theater’s website. Tickets are $25 for students and $35 for adults. The show opens June 13 and closes June 29.
Louisiana
A Louisiana charter school for dyslexic students plans to expand. See where, when

As many as one in every five Americans has dyslexia.
Yet as of 2023, only about 1% of the nearly 700,000 students in Louisiana public schools have been identified as having dyslexia.
For dyslexic children who go untreated, gaps in reading and writing abilities can begin as early as first grade, with potential consequences over time including lower high school graduation rates or college enrollment numbers, and higher chances of unemployment or incarceration.
That’s why Louisiana Key Academy, a nonprofit charter school, has sought to bridge the gap for dyslexic students by providing testing and specialized education programs at no cost to parents. Since its launch in Baton Rouge in 2013, the school has assisted hundreds of students and expanded to additional locations across the state.
The Louisiana Key Academy plans to open its fifth and newest location in Jefferson Parish, the largest public school system in the state, for the 2027-2028 school year. The Louisiana State Board of Elementary and Secondary Education will vote to approve the new location in August.
“I think every parish in the state needs a Louisiana Key Academy,” said former state Rep. Joe Marino, no party-Gretna.
Fourth grade teacher Olivia LeDuff helps student Aaliyah Williams read a short story on a tablet during a Structured Language Arts lesson at Louisiana Key Academy in Baton Rouge on Wednesday, May 21, 2025.
Dyslexia is a learning disability that affects a person’s phonological processing, or ability to speak, read and spell. Dyslexia has no visible symptoms, and affects people for their entire lives.
Those with dyslexia require specialized education to meet their needs, including at least 90 minutes per day of reading instruction. Clinical diagnoses require comprehensive evaluation, including both tests and interviews.
‘What’s wrong with me?’
Dr. Laura Cassidy, wife to U.S. Senator Bill Cassidy, R-Louisiana, co-founded the school with that in mind 12 years ago after watching her daughter, who is dyslexic, struggle at her private school.
“We’re spending a lot of money, but is this really going to get the kids where they need to get?” Cassidy recalled.
Cassidy said dyslexic children too often go undiagnosed or untreated, as costs and time constraints associated with the diagnosis, treatment and tutoring for the disability — as well as stigmas and lack of awareness — make it difficult for parents to access proper care, especially for those who are economically disadvantaged.

Student Kaiden Neal, center, smiles while reading aloud alongside Myles Netterville with the help of 2nd grade teacher Nicole Havard during a Structured Language Arts lesson at Louisiana Key Academy in Baton Rouge on Wednesday, May 21, 2025.
A recent study from Sally Shaywitz, co-director of the Yale Center for Creativity and Dyslexia, found that about half of children grades K-2 at two New Orleans public charter schools were at-risk of dyslexia, and that a disproportionate number of Black students have dyslexia that goes undiagnosed or untreated.
Cassidy said dyslexic children who fall behind in school because they are undiagnosed can suffer from confidence issues in the classroom, which over time can lead them to drop out as early as middle school.
“You can imagine, if you’re smart but you’re struggling in school, and your classmates are pacing ahead of you, you’re wondering, ‘What’s wrong with me?’” Cassidy said. “If you’re not identified as dyslexic, then parents or teachers or administrators can sometimes think (you) are lazy or not smart.”
Those beliefs oftentimes lead to stigmas associated with dyslexia, which causes many to conceal that they have it from others, Cassidy said.
Specialized education
At Louisiana Key Academy, students are provided with 90-minute reading instruction in small groups every day, with six students for every one teacher. Children are tested for free before enrollment, and several teachers undergo two-year training in language therapy to help students.
The school operates under guidance from Shaywitz and her husband, Dr. Bennett Shaywitz, the other co-director for The Yale Center.

Principal Lisa Card, right, chats with 4th grade teacher Olivia LeDuff and student Aaliyah Williams during a Structured Language Arts lesson at Louisiana Key Academy in Baton Rouge on Wednesday, May 21, 2025.
The Baton Rouge campus serves 440 students in grades first through ninth, and won approval in 2022 to add a 10th grade. The campus relocated to 5015 Auto Plex Drive last year to accommodate the change.
In recent years, Key Academy has opened additional locations in Shreveport and Covington, with a learning pod in Ruston opening in the 2025-2026 school year.
Few other schools in the region cater to dyslexic students, and even fewer provide that education tuition-free. Cassidy said parents commute from all over the state to enroll their children at Louisiana Key Academy, and some parents have even moved from out of state for the education.
“You’re just wondering, ‘Why can’t my child read? Why is my child so unhappy?’” Cassidy said. “It’s this enigma you’re not getting answers for, and then there is an answer. That’s why most parents end up bringing their kids to our school and, in the interview process, cry.”

Student Zara Williams puts her finger under the words of her book while reading aloud during a Structured Language Arts lesson at Louisiana Key Academy in Baton Rouge on Wednesday, May 21, 2025.
Statewide change
In addition to her work at the charter school, Cassidy has lobbied for changes to state education policy regarding the identification and reporting of dyslexia in public schools.
In 2022, Marino authored legislation to require that all teacher education programs include at least three credit hours pertaining to the education of dyslexic students. A year later, Cassidy worked with Marino to pass legislation requiring all kindergarten teachers to screen their students for dyslexia at the start of the second semester, a law that was expanded last year to include additional testing.
“Under the current school system, as long as they are able to continue to progress without failing, they don’t identify dyslexia,” Marino said. “You might have a students struggling to get a C or D, but they aren’t catching them as dyslexic because they haven’t failed a grade. Most of these kids aren’t being identified until they’ve already missed out on the most formative years of their education.”
Cassidy’s husband, chair of the U.S. Senate Health, Education, Labor and Pensions committee, has also made dyslexia a key issue on his platform and has sponsored multiple bills seeking to improve accessibility to screening and treatment nationwide.

Student Evie Kennedy looks at her teacher Olivia LeDuff over the top of her book during a Structured Language Arts lesson at Louisiana Key Academy in Baton Rouge on Wednesday, May 21, 2025.
Marino commended Dr. Laura Cassidy for her work in helping students with dyslexia across the state, and with educating him and other policymakers on the subject and its importance.
“She’s a force of nature when it comes to doing good,” Marino said. “I never doubt or underestimate that Dr. Cassidy is going to get something done because I’ve seen it over and over again.”
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