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Louisiana seeing increasing population of fuzzy, white caterpillars • Unfiltered with Kiran

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Louisiana seeing increasing population of fuzzy, white caterpillars • Unfiltered with Kiran


Fall webworms are white, fuzzy caterpillars spiking in population in Louisiana

South Louisianans may be seeing some fuzzy, white caterpillars in their yards or gardens recently. They are called fall webworms and Louisiana is experiencing a spike in their population, making them more noticeable this year.

Louisianans will meet five generations of these guys this year.

Fall webworms are white, fuzzy caterpillars that are spiking in population in LouisianaFall webworms are white, fuzzy caterpillars that are spiking in population in Louisiana
Fall webworms are white, fuzzy caterpillars that are spiking in population in Louisiana

They first made their appearance in mid-March, and so far, the second generation is out as well as the beginning of the third. They are estimated to stay around through the end of the summer.

“They are not poisonous or venomous. They do not sting, and as far as we know, their pest status primarily comes from the fact that they can feed on a lot of different plants, primarily trees and shrubs,” said Aaron Ashbrook, assistant professor at the LSU Department of Entomology.

The only threat they pose to humans or animals is the amount of your garden they munch on.

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“Fall webworms are polyphagous, which means they are able to feed on many different plants,” said Ashbrook. “They actually will feed upon over 400 species of plants. And so they don’t necessarily have a preference. It’s just what is a good host for them.”

In urban areas, they rely on trees for shade and temperature regulation. An excess of fall webworms can result in less shade when they feed on trees, which in some cases causes hotter temperatures.

“Fall webworms can be very problematic in production settings where fruits and nuts are being grown. They can defoliate the trees, and that will impact the ability for those trees to produce fruit and nuts,” said Ashbrook.

There are actually two types, or morphs, of the fall webworms. The black-headed morph, the ones being seeing right now, are white with a black head, and in their adult form, they are fully white moths. The second type of webworm is the red-headed morph. They have a red and orange color, and in their adult form, they are white and spotted.

Download the Unfiltered with Kiran app from the Apple App Store and Google Play for any new developments.

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Louisiana

Federal cuts halt landmark status for Louisiana plantation that teaches slavery’s history

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Federal cuts halt landmark status for Louisiana plantation that teaches slavery’s history



Federal cuts halt landmark status for Louisiana plantation that teaches slavery’s history – CBS News

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There are more than 2,600 historical landmark sites across the U.S., according to the National Park Service. The designation not only preserves history but can often fuel economic redevelopment around the historic areas. Kati Weis reports some sites are being rejected under Trump administration changes.

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Letters: La. Ten Commandments law should be upheld

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Letters: La. Ten Commandments law should be upheld


The Supreme Court will have an important decision in regards to the Ten Commandments in Louisiana public schools.

The U.S. Constitution’s First Amendment prohibits the government from establishing a religion or favoring one religion over another.” I submit that the Ten Commandments are not a religion, which is prohibited by the Constitution. The Commandments set out core principles of behavior for individuals and society, conduct which has been adopted by religions for thousands of years. Even the Quran adopts many of the core principles of the 10 Commandments. I do not know of any religion, per se, that believes the Commandments are a religion. They merely enumerate a code of conduct.

All religions have their own dogma, interpretations, rules, etc. It is that which designates them as religions, not the Ten Commandments.

It should be emphasized that the Ten Commandments are not the essence of, but an integral part of, the history of Western civilization lasting over 3,000 years. They have shaped moral and legal foundations with prohibitions on core crimes; laws against murder, theft and perjury are found in every legal code. Additionally, the Commandments protect the rights of private property and give us a civil understanding of ownership, as well as respect for parents.

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Remember the Sabbath day has influenced the creation of Sabbatarian laws.

Without the Ten Commandments, we would have no Magna Carta, no Constitution of the United States or numerous other codes, including the French “Rights of Man.” They provide a moral framework with God and fellow human beings. They provide a guide to individual conduct, fostering virtues of integrity and respect. They also are the sin qua non of social order by encouraging actions of trust and cooperation. Without them, we would be savages.



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Baton Rouge's Sullivan Theatre brings “Oklahoma!” to Louisiana – Reveille

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Baton Rouge's Sullivan Theatre brings “Oklahoma!” to Louisiana – Reveille


Cowboys, farmers and wide, beautiful fields of grass and cattle. With there being so much to love about Oklahoma, how does one choose their future?

Starting on June 13, The Sullivan Theater will be performing the Rodgers and Hammerstein classic, “Oklahoma!”

The story follows Laurey Williams and Curly McLain and their community full of a loving and rowdy cast of characters. Taking place in the early 20th century, “Oklahoma!” gives a glance into rural life in the territory before it became an American state. Full of lovers’ quarrels, dancing and a little bit of horseplay, the show is the perfect way to spend the summer.

“Oklahoma!” was Rodgers and Hammerstein’s first collaboration, not only setting the stage for their body of work but influencing musical history.

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Recent LSU graduate Callie Ancelet plays Williams in the show. She found out about it while performing in “Xanadu,” Theatre Baton Rouge’s last show.

Ancelet said a lot of her experience with golden age musicals came from LSU. In 2023, LSU Opera produced “Carousel,” another Rodgers and Hammerstein musical, which Ancelet took inspiration from.

Ancelet, who now works as a music teacher, talked about how she prepared for the “Oklahoma!” auditions while already being in “Xanadu.”

“I would go to work from 8 to 4, then drive straight to the School of Music and practice my audition songs from like 4:30 to 5. Then I would go straight to Theatre Baton Rouge for a dress rehearsal or to perform in Xanadu.”

For those who may not be acquainted with “Oklahoma!”, Ancelet detailed what the show is about.

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“It very much centers on love, and the simplicity of how things just always work out in the end,” Ancelet said.

Ancelet went on to explain why “Oklahoma!” is seen as an important point in musical history.

“When ‘Oklahoma!’ came out, that’s when we started straying away from super classical opera and really getting into musical theater,” Ancelet said. “That different style of singing and composing musical theater.”

The conversation shifted to talking about Ancelet’s character Laurey, and the influences on her portrayal as a character.

For Ancelet, Laurey is “on this pendulum of swinging back and forth between having to face reality” while also being a “dreamer” who “dreams with her whole heart.”

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“I love when we finish off the show, and she’s just this wholehearted, well-rounded young woman, and I really loved doing a deep dive on her character,” Ancelet said.

To prepare for her role, Ancelet started by watching as many versions of Laurey as she could, and reading the script repeatedly.

During her time researching, Ancelet also took inspiration from other musical women, like Jenna from “Waitress,” Julie from “Carousel” and Elizabeth Swan from “Pirates of the Caribbean.”

She also studied Tiana and Naveen’s relationship from “Princess and the Frog,” hoping to use that in portraying her character’s relationship with Curly.

Ancelet said she particularly enjoyed working with her fellow cast members, many past castmates and Baton Rouge theater veterans. She called them excellent collaborators that she has a lot of respect for.

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“When the cast list came out, and I saw all these hard hitters in our musical theater community, all these people that are so talented and I have much respect for, I was so excited,” Ancelet said.

For anyone thinking about seeing “Oklahoma!”, she has a message.

“Just sit back, relax, I’m really excited for us to immerse you in our little romantic cowboy western world,” Ancelet said.

In “Oklahoma!”, Thomas Jackson plays Curly McLain, a bright eyed, hardworking, All-American cowboy.

Jackson most recently performed in Theatre Baton Rouge’s “Waitress” and “Xanadu” with Ancelet. He has also previously worked with the Sullivan, playing Kodaly in “She Loves Me.”

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In playing McLain, Jackson wanted to make sure he was “a product of his circumstances” and “super honest to the times and who he would be.”

Jackson also brought up the main conflict for Curly. Like many of the young characters in the show, he’s at the point where they have to define who they are as a person and what they want with the future, as Oklahoma as a territory is also defining itself as a part of the United States.

“I’m approaching him as somebody that knows how to take care of themselves,” Jackson said. “And because of growing up on this land, he knows how to take care of others in turn… a lot of living in this time is a marriage of survival and thriving and trying to romanticize your life to where it feels enjoyable.”

The conversation shifted to talking about the cast, specifically Jackson’s co-star Ancelet. As he was talking, Jackson told a backstage story from “Xanadu.”

“I remember we were getting ready to audition, and me and Callie sat with each other,” Jackson said. “We held each other’s hands and we said, ‘Can you imagine? What if.’”

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When talking about each of their favorite parts of the show, both Ancelet and Jackson said the song “Surrey with the Fringe on the Top” was their favorite.

“It’s so precious,” Ancelet said. “We see two sides of Curly’s and Laurey’s relationship where it’s so cat and mouse. Then we center back towards the end of the song where there’s such a realness and authenticity to their relationship.”

Mentioning the Sullivan cast, Jackson called them hilarious..

“It is a group of comedians, through and through,” Jackson said.

Jackson began to talk about the theme of community throughout the show.

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“I think it’s an important show to recognize right now and to remind people of their humanity,” Jackson said. “In this show we see different examples of what it’s like to be in a community.”

He talked about the character Jud who longs for community, and Curly and Laurey who “take strides into not just being part of community, but having a life of their own.”

Tickets for “Oklahoma!” are available on the Sullivan Theater’s website. Tickets are $25 for students and $35 for adults. The show opens June 13 and closes June 29.



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