Louisiana
Greater Baton Rouge Industry Alliance (GBRIA): Shaping a strong and sustaining future for south Louisiana

Through workforce, economic and community development, the Greater Baton Rouge Industry Alliance (GBRIA) is shaping a strong, sustainable future for south Louisiana. Established in 1970, GBRIA represents more than 80 industrial manufacturing sites across 11 parishes.
Developing a skilled, competitive workforce has been a consistent priority for GBRIA. Several current initiatives focus on engaging students, educators and professionals to expand awareness of the industry’s impact and diverse career opportunities.
In 2024, GBRIA hosted its inaugural Journey to Industry initiative, bringing 200 students from nine New Orleans high schools together with industry leaders and post-secondary education providers. The event showcased career pathways accessible through certification or a two-year associate’s degree.
GBRIA also launched the Women in Industry Forum in Gonzales, where 256 high school girls from 9 school districts, interested in STEM and other industrial careers, met with 100 women mentors working in industry. Through interactive activities and discussions, this year’s participants learned about the range of career options, needed skills and practical issues like preparing a resume.
Recognizing educators’ influence in workforce development, GBRIA offers the Educator Externship Program, a paid three-day summer institute immersing teachers in industrial careers. Through facility tours, industry panels and peer discussions, 63 educators participated last year, gaining first-hand insight they can draw from to prepare students for a range of industry careers.
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Louisiana
Federal cuts halt landmark status for Louisiana plantation that teaches slavery’s history

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Louisiana
Letters: La. Ten Commandments law should be upheld

The Supreme Court will have an important decision in regards to the Ten Commandments in Louisiana public schools.
The U.S. Constitution’s First Amendment prohibits the government from establishing a religion or favoring one religion over another.” I submit that the Ten Commandments are not a religion, which is prohibited by the Constitution. The Commandments set out core principles of behavior for individuals and society, conduct which has been adopted by religions for thousands of years. Even the Quran adopts many of the core principles of the 10 Commandments. I do not know of any religion, per se, that believes the Commandments are a religion. They merely enumerate a code of conduct.
All religions have their own dogma, interpretations, rules, etc. It is that which designates them as religions, not the Ten Commandments.
It should be emphasized that the Ten Commandments are not the essence of, but an integral part of, the history of Western civilization lasting over 3,000 years. They have shaped moral and legal foundations with prohibitions on core crimes; laws against murder, theft and perjury are found in every legal code. Additionally, the Commandments protect the rights of private property and give us a civil understanding of ownership, as well as respect for parents.
Remember the Sabbath day has influenced the creation of Sabbatarian laws.
Without the Ten Commandments, we would have no Magna Carta, no Constitution of the United States or numerous other codes, including the French “Rights of Man.” They provide a moral framework with God and fellow human beings. They provide a guide to individual conduct, fostering virtues of integrity and respect. They also are the sin qua non of social order by encouraging actions of trust and cooperation. Without them, we would be savages.
Louisiana
Baton Rouge's Sullivan Theatre brings “Oklahoma!” to Louisiana – Reveille

Cowboys, farmers and wide, beautiful fields of grass and cattle. With there being so much to love about Oklahoma, how does one choose their future?
Starting on June 13, The Sullivan Theater will be performing the Rodgers and Hammerstein classic, “Oklahoma!”
The story follows Laurey Williams and Curly McLain and their community full of a loving and rowdy cast of characters. Taking place in the early 20th century, “Oklahoma!” gives a glance into rural life in the territory before it became an American state. Full of lovers’ quarrels, dancing and a little bit of horseplay, the show is the perfect way to spend the summer.
“Oklahoma!” was Rodgers and Hammerstein’s first collaboration, not only setting the stage for their body of work but influencing musical history.
Recent LSU graduate Callie Ancelet plays Williams in the show. She found out about it while performing in “Xanadu,” Theatre Baton Rouge’s last show.
Ancelet said a lot of her experience with golden age musicals came from LSU. In 2023, LSU Opera produced “Carousel,” another Rodgers and Hammerstein musical, which Ancelet took inspiration from.
Ancelet, who now works as a music teacher, talked about how she prepared for the “Oklahoma!” auditions while already being in “Xanadu.”
“I would go to work from 8 to 4, then drive straight to the School of Music and practice my audition songs from like 4:30 to 5. Then I would go straight to Theatre Baton Rouge for a dress rehearsal or to perform in Xanadu.”
For those who may not be acquainted with “Oklahoma!”, Ancelet detailed what the show is about.
“It very much centers on love, and the simplicity of how things just always work out in the end,” Ancelet said.
Ancelet went on to explain why “Oklahoma!” is seen as an important point in musical history.
“When ‘Oklahoma!’ came out, that’s when we started straying away from super classical opera and really getting into musical theater,” Ancelet said. “That different style of singing and composing musical theater.”
The conversation shifted to talking about Ancelet’s character Laurey, and the influences on her portrayal as a character.
For Ancelet, Laurey is “on this pendulum of swinging back and forth between having to face reality” while also being a “dreamer” who “dreams with her whole heart.”
“I love when we finish off the show, and she’s just this wholehearted, well-rounded young woman, and I really loved doing a deep dive on her character,” Ancelet said.
To prepare for her role, Ancelet started by watching as many versions of Laurey as she could, and reading the script repeatedly.
During her time researching, Ancelet also took inspiration from other musical women, like Jenna from “Waitress,” Julie from “Carousel” and Elizabeth Swan from “Pirates of the Caribbean.”
She also studied Tiana and Naveen’s relationship from “Princess and the Frog,” hoping to use that in portraying her character’s relationship with Curly.
Ancelet said she particularly enjoyed working with her fellow cast members, many past castmates and Baton Rouge theater veterans. She called them excellent collaborators that she has a lot of respect for.
“When the cast list came out, and I saw all these hard hitters in our musical theater community, all these people that are so talented and I have much respect for, I was so excited,” Ancelet said.
For anyone thinking about seeing “Oklahoma!”, she has a message.
“Just sit back, relax, I’m really excited for us to immerse you in our little romantic cowboy western world,” Ancelet said.
In “Oklahoma!”, Thomas Jackson plays Curly McLain, a bright eyed, hardworking, All-American cowboy.
Jackson most recently performed in Theatre Baton Rouge’s “Waitress” and “Xanadu” with Ancelet. He has also previously worked with the Sullivan, playing Kodaly in “She Loves Me.”
In playing McLain, Jackson wanted to make sure he was “a product of his circumstances” and “super honest to the times and who he would be.”
Jackson also brought up the main conflict for Curly. Like many of the young characters in the show, he’s at the point where they have to define who they are as a person and what they want with the future, as Oklahoma as a territory is also defining itself as a part of the United States.
“I’m approaching him as somebody that knows how to take care of themselves,” Jackson said. “And because of growing up on this land, he knows how to take care of others in turn… a lot of living in this time is a marriage of survival and thriving and trying to romanticize your life to where it feels enjoyable.”
The conversation shifted to talking about the cast, specifically Jackson’s co-star Ancelet. As he was talking, Jackson told a backstage story from “Xanadu.”
“I remember we were getting ready to audition, and me and Callie sat with each other,” Jackson said. “We held each other’s hands and we said, ‘Can you imagine? What if.’”
When talking about each of their favorite parts of the show, both Ancelet and Jackson said the song “Surrey with the Fringe on the Top” was their favorite.
“It’s so precious,” Ancelet said. “We see two sides of Curly’s and Laurey’s relationship where it’s so cat and mouse. Then we center back towards the end of the song where there’s such a realness and authenticity to their relationship.”
Mentioning the Sullivan cast, Jackson called them hilarious..
“It is a group of comedians, through and through,” Jackson said.
Jackson began to talk about the theme of community throughout the show.
“I think it’s an important show to recognize right now and to remind people of their humanity,” Jackson said. “In this show we see different examples of what it’s like to be in a community.”
He talked about the character Jud who longs for community, and Curly and Laurey who “take strides into not just being part of community, but having a life of their own.”
Tickets for “Oklahoma!” are available on the Sullivan Theater’s website. Tickets are $25 for students and $35 for adults. The show opens June 13 and closes June 29.
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