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Don Stone, a Dallas civic leader and strong supporter of the arts, died on Sunday. He was 96.
Angela Stone, Don’s youngest child, said her father was one of a kind, a rare mix of sweet and tough.
“He was just the most wonderful man I ever knew, just generous to a fault, smart, charming. He influenced so many people,” she said.
Stone gave widely across North Texas, including $500,000 to endow college scholarships for musically gifted Dallas ISD students. Stone also held leadership positions at several North Texas arts organizations, including the Dallas Public Library, Voices of Change, Dallas Black Dance Theatre, Fine Arts Chamber Players, Orchestra of New Spain, the Greater Dallas Youth Orchestra, Shakespeare Dallas and Booker T. Washington High School for the Performing and Visual Arts.
“He just believed that all of our lives would be so much poorer without music, art and theater. He said in our country we have the freedom to support whatever we want and that we needed to support the arts so that they would continue to exist,” Stone said.
Stone, a businessman who lived in Turtle Creek, worked for Sanger Harris, which later became Macy’s. He was a 2018 TACA Silver Cup Award honoree for his arts and culture advocacy in North Texas.
Maura Sheffler, president and executive director of The Arts Community Alliance (TACA), said in a statement that Stone’s legacy will continue to inspire the local arts community.
“We are deeply saddened by the passing of Don Stone, a devoted champion of the arts whose leadership and generosity,” she wrote.
Stone’s wife of over 72 years, Norma, died in June. She was the one who first got her husband involved in the arts, according to their daughter Angela.
Michelle Miller Burns, the DSO’s president and CEO, said the Stones had a profound impact on the DSO.
“It is with such a heavy heart that I received news of Don Stone’s passing earlier this week. Don was a devoted patron, a donor and a board member of the Dallas Symphony Orchestra, and his leadership and generosity really have helped shape the Dallas symphony across five decades,” she said.
In 1980, Stone served as DSO’s chairman of the Board of Governors and helped launch efforts to raise $80 million for Morton H. Meyerson Symphony Center and secure architect I.M. Pei.
In 1997, the Stones launched the Norma and Don Stone New Music Fund and committed $1 million to continuously support new works. Some of the works supported through the fund include this year’s world premiere of Angélica Negrón’s requiem For Everything You Keep Losing. The fund also supported a Grammy award-winning violin concerto by Aaron Jay Kernis co-commissioned with the Seattle Symphony, Toronto Symphony and Melbourne Symphony.
“I think it is rare for a couple who so firmly believes in the future of classical music and creating opportunities for new musical voices to be heard to really put support behind that in a meaningful way to fuel that process, to ensure that it can come to fruition,” Burns said.
She said the DSO will continue the Stones’ legacy by commissioning new works through the Norma and Don Stone New Music Fund.
Stone is survived by his children Michael, Lisa and Angela, six grandchildren and six great-grandchildren. The family will have a private funeral.
Arts Access is an arts journalism collaboration powered by The Dallas Morning News and KERA.
This community-funded journalism initiative is funded by the Better Together Fund, Carol & Don Glendenning, City of Dallas OAC, Communities Foundation of Texas, The University of Texas at Dallas, The Dallas Foundation, Eugene McDermott Foundation, James & Gayle Halperin Foundation, Jennifer & Peter Altabef and The Meadows Foundation. The News and KERA retain full editorial control of Arts Access’ journalism.
FIFA World Cup 2026 isn’t the only international competition in Dallas this summer. The Dallas International Piano Competition, hosted by the Dallas Chamber Symphony, will present its final round of competition on June 23 at Moody Performance Hall in the Dallas Arts District. The finals will feature three finalists, each playing a concerto with the Dallas Chamber Symphony.
The orchestra established its international instrument competitions in 2012, only one year after its founding. Every other year, the orchestra hosts a piano competition. Next year, the competition will feature violinists. The competition has grown significantly throughout the years.
“We had 172 applicants this year. So, that’s an increase. It continues to increase, especially since the pandemic. The events have really bounced back. It’s kind of going full steam ahead since things generally paused during the pandemic. We’ve got top-notch applicants,” said Richard McKay, Dallas Chamber Symphony’s Artistic and Music Director. “In all, we’re just really happy that the level of the competition continues to increase year after year.”
Mitch Lazorko Mitch Lazorko During the final round of the competition, three finalists will play a concerto with the Dallas Chamber Symphony.
Like the World Cup, the competitors are from around the world.
“I think we had applicants from roughly 20 different countries. And many of them already have a home base in the United States, even though they’re from elsewhere. So, maybe they have recently graduated from an American conservatory or currently enrolled and looking to start a career,” McKay said.
With the World Cup in town, this year’s Dallas International Piano Competition is a different experience for the pianists.
“FIFA has really been a complexifier this year for us, because we have all these people traveling to Dallas at the same time that everyone else is traveling to Dallas. They’re all needing to stay in Dallas at the same time everyone else is staying in Dallas. They’re going to experience busy traffic and events happening constantly so I’m sure their experience is quite a bit different from a normal year, but we’re making it through. We’ve got everyone lined up. we’ve got what they need to be successful during the competition places to stay and a great orchestra to perform with. So, all the hard work’s been done. Now it’s just time to make a great concert,” McKay said.
The competition began quarterfinals on June 18 at Murchison Performing Arts Center in Denton. The jury for the final round of the competition at Moody Performance Hall consists of James Giles, coordinator of the piano program and director of music performance graduate studies at Northwestern University’s Bienen School of Music; Elinor Freer, the Associate Professor of Piano and Chamber Music at the Eastman School of Music; and Alexandre Moutouzkine, the co-head of the piano department at Manhattan School of Music. The audience will have a say as well when they get to vote for an audience favorite.
“They love voting on the Audience Choice Award. That’s for sure. People love that. It’s always interesting to see if there’s a difference between what the jury selects for the top prize, and who the audience selects for the top prize. Sometimes there’s agreement, sometimes there’s not. So, it’s always fun to watch and see,” McKay said.
With two intermissions, the final round of the competition has a different atmosphere to the orchestra’s other concerts.
“There’s a long intermission in between each concerto. So, people are up and about talking a lot more and they’re getting drinks more. And this just makes the event feel more relaxed and fun. It’s more conversational all night long,” McKay said.
Preparing for the final round of competition is a different process for the orchestra.
“They have to learn about 12 different concertos, because that’s what’s in play at the start of the competition. And then as the results come in for the competition, we start narrowing down the three concertos that will be performed at the concert. So, we’re sending out messages to our orchestra, letting them know, which ones they don’t have to practice any longer. They will find out the results of semifinals on Friday afternoon so they’ll have the weekend to focus on the actual three that they will end up performing. And then rehearsals on that start on Monday,” McKay said.
Mitch Lazorko
Mitch Lazorko Adam Jackson was the top prize winner at the Dallas International Piano Competition in 2024.
Jim Stopher will guest-conduct the final round, with McKay, a trained pianist, sitting in the audience knowing what those competitors are experiencing.
“As someone who’s played in competitions before, I think the best thing you can possibly do is play your music as you intend and just as intentionally as you possibly can,” McKay said. “It’s very easy when performing in a competition, to adjust or to conform to your idea of what you think will help you be most successful in one venue or arena, as opposed to just maximizing what you do well and what really fits you. Each person’s going to know best how they best make music and how they can most successfully perform very well and I would advise they all do that because it’s a comfort you feel afterwards, having done what it is you intended to do in the way that you intended to do it, even if the chips don’t quite fall the right way for you, it’s hard to regret doing that. It’s hard to have any regrets when you did the best you could and you did your job as well as you knew how and exactly as you want it to. That always feels good.”
Learn more: Dallas Chamber Symphony
Drivers both human and autonomous across the North Texas region experienced heavy flooding, with several becoming trapped along roadways that had filled with several inches of rainwater. FOX 4’s Shaun Rabb has more on the waterlogged morning.
Dallas Parks and Recreation will distribute 25,000 all-access passes that give Dallas teens free admission to cultural and recreational attractions across the city throughout July.
Passes will be available beginning June 29 on a first-come, first-served basis at City of Dallas recreation centers.
The program, now entering its fifth year, is open to Dallas residents ages 13 to 17. City leaders say the initiative, which launched in 2021, helps promote positive engagement opportunities for teens and reduce crime during the summer months.
Teens must register in person and provide proof of Dallas residency to receive a pass.
The city says the program is made possible through partnerships with local cultural, recreational, and entertainment organizations.
Participating attractions include:
A full list of participating attractions and recreation centers distributing passes is available at DallasParks.org
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