Dallas, TX
Dallas Cowboys scouting report: Breaking down the Browns offensive scheme
Just six months ago, Cleveland Browns head coach Kevin Stefanski was awarded the NFL’s Coach of the Year trophy after leading his team to the playoffs despite starting five different quarterbacks throughout the season. It was Stefanski’s second time winning the award, putting him in a rare category of coaches.
Now, Stefanski will follow up that magical season by hosting the Cowboys in Week 1. This marks a full circle moment for Stefanski, as the head coach and offensive play-caller will be going up against the man who played a pivotal role in his rise to coaching stardom: new Dallas defensive coordinator Mike Zimmer.
Until Stefanski took the Browns head coaching job, the Minnesota Vikings were the only NFL team he had ever worked for. A Philadelphia native, Stefanski played defensive back at Penn, twice being selected to the All-Ivy League team. Upon his graduation, Stefanski spent a year as the assistant director of football operations for his alma mater. Then, at just 24 years old, he joined the Vikings as the assistant to then head coach Brad Childress. Stefanski was later promoted to assistant quarterbacks coach and retained in that role by interim head coach Leslie Frazier, who was named the full time head coach soon after.
When Frazier was ultimately fired, though, Zimmer was brought in to lead the franchise next. Zimmer made sweeping changes to the Vikings, but he opted to retain Stefanski and, in fact, promote him to tight ends coach. Two years later, Stefanski moved to the running backs room. A year later, he was the quarterbacks coach. And in 2018, when Zimmer fired offensive coordinator John DeFillippo halfway through the season, he turned to Stefanski as his interim coordinator.
The offense stabilized under Stefanski’s watch and, more importantly, Stefanski operated the run-first approach that Zimmer wanted. So Zimmer named Stefanski the full time offensive coordinator moving forward, bringing in coaching veteran Gary Kubiak as an offensive advisor to mentor Stefanski. A year later, Stefanski left for the top job in Cleveland, where he has a 37-30 record with two postseason appearances.
Stefanski’s story cannot be told without highlighting his history with Zimmer, but it also informs his own schematic preferences. Stefanski has worked under a wide list of offensive minds: Childress was an offshoot of Andy Reid’s West Coast spread offense, as was Bill Musgrave under Frazier; Norv Turner brought his signature Air Coryell offense that helped win two Super Bowls for the Cowboys back in the 90’s; Pat Shurmur offered a more traditional version of the West Coast; and Kubiak led a masterclass in the offense he and Mike Shanahan popularized in the 80’s in Denver, which has since evolved into what Kyle Shanahan and Sean McVay are doing that’s taken the league by storm yet again.
It is this final schematic preference that is most prevalent in the Browns’ attack, but to call Stefanski a Shanahan devotee is a little too simplistic. From the top down, things look the same. Stefanski’s offense features plenty of wide zone run plays and lots of play-action with deep crossing routes. But Stefanski has a much more diverse run scheme, which he has pieced together over time from all the different coaches he’s learned under.
You’ll see just about every type of run concept in Cleveland, all of which has been fine-tuned to operate efficiently behind one of the league’s top offensive lines. Nick Chubb has long been the face of Stefanski’s electric rushing attack, but last year tested their ability to still produce without him when Chubb tore his ACL and MCL. The results were a mixed bag: the Browns finished fourth in rushing attempts and were just outside the top 10 in rushing yards for the year, but the efficiency fell quite a bit. Cleveland ranked 25th in yards per carry, 23rd in run DVOA, and 28th in EPA/rush.
Chubb won’t be back for this game – he’s set to miss at least the first four games of the year while on the PUP list – but they’ve bolstered their running back room in preparation for Chubb’s absence. They return Jerome Ford, who ran for 813 yards last year, and also added bruising runner D’Onta Foreman, who tallied 425 rushing yards last year as part of a deep running back rotation in Chicago.
The hope for Cleveland is that the run game gets back to its normal self – top 10 in DVOA in Stefanski’s first three years as head coach – because quarterback Deshaun Watson has struggled mightily in his time as a Brown. Without even discussing the off-field factors for Watson – who has played just 12 games in two years between suspensions and injuries – the quarterback’s play has been severely lacking.
Still, though, Stefanski’s offense is designed to put minimal pressure on the quarterback. Like many other schemes from the Shanahan tree – an offense that Zimmer himself has done well against historically – this scheme aims to give the quarterback layups in the passing game. Having a route running aficionado like Amari Cooper, who will face his former team for the first time since being traded away, also helps.
Now, Stefanski will get a chance to show what he can do against his former boss. He’s faced Zimmer once before: the Browns played the Vikings in 2021, Zimmer’s last season as head coach, and Cleveland won 17-14. A win for Stefanski’s team, but not a banner day for his offense against Zimmer’s defense. The head coach expects a similarly tough challenge for Round 2:
“Preseason obviously is not a great indication for any team in terms of the scheme. Coach Zim, obviously I know really well, is an outstanding football coach so we know that we’ll have our work cut out for us. Personnel wise… they have a bunch of really, really good players from the d-line back through the secondary.”
The Browns should present a similar challenge for Zimmer, too, as the new coordinator aims to beef up a unit that struggled far too often against the run last year. There’s few teams who pose a taller task in that respect, but perhaps Zimmer will be able to pull one over on his former protégé.
Dallas, TX
Dallas Symphony’s Young Musicians program teaches music, life skills
Inside a portable classroom at Trinity Basin Preparatory near Redbird, flutist Caely Rodriguez practices keeping her triplets to time.
She sits in a room full of elementary and middle school flutists and clarinetists who are rehearsing the Christmas piece Paseo Navideno.
“Can I hear you at 12 and take the first ending? First flute” says instructor Laura Kidder as her fingers crisply snap to the tempo in the way only music teachers can.
Caely is one of about 300 students who are a part of the Kim Noltemy Young Musicians Program, which provides free lessons and instruments to students in southern Dallas. On Tuesdays, Wednesdays and Thursdays year-round, the program teaches students at five southern Dallas locations: Ebby Halliday Elementary, Maria Moreno Elementary, Ascher Silberstein Elementary, Trinity Basin Prep Ledbetter campus, and Owenwood Farm & Neighborhood Space.
This year marks the fifth anniversary of the program, which has survived the pandemic and provided free arts education as programs across the state have faced budget cuts. Fort Worth ISD cut $1.2 million from its upcoming visual and performing arts budget for the 2024-25 school year, according to the Fort Worth Report.
Ashley Alarcon, the program’s manager of teaching and learning, said cuts to arts education make her feel a greater responsibility for the work being done through the program.
While students are learning their octaves and key signatures, Alarcon said the program’s overarching goal is to “[instill] values that make you an aware citizen.”
“Being a citizen that’s aware in this world requires a sense of humility because you want to see beyond yourself to what other people are doing and embrace their talents,” she said.
Music education has proved to have positive effects on adolescents, like increased confidence, creativity and mental and emotional well-being, according to a 2023 research study from the University of Southern California.
Students in the program learn life lessons, including how to embrace and encourage their neighbors, accept their strengths and weaknesses, and show up on days they don’t want to.
Caely, 11, has been in the Young Musicians program since she was just 6. She’s connected with teachers and new friends, especially clarinetists and fellow flutists.
“You learn that you have to come prepared every day, be quiet while everybody else is playing. It helps in the majority of my classes where you just have to be quiet or be disciplined to bring your stuff and not lose any of it,” she said.
The sixth grader said with the help of Alarcon she’s also learned to overcome one of her biggest challenges.
“I played it over and over again until I wouldn’t stop even if I heard a mistake. After I did that a couple of times, I would write down what I did wrong on the piece, and I would write that while I was playing it. So that’s how I overcame that,” she said.
Mariana Lara, 12, is a seventh grader who’s been playing the violin for two years in the Young Musicians program. She said she’s learned how to be patient with herself through practicing the violin.
These days, she’s been working on her vibrato, a challenging technique in which violinists rock their fingers back and forth to subtly change pitch and add richness to their sound.
“In any music that they give us, if it’s hard or a specific part, I have to really go over it to get it right. Sometimes that’s difficult because it gets frustrating for myself,” she said.
Behind the scenes, more than 25 music teachers champion the students’ growth. One of those educators, Roy Gonzalez, has been teaching trombone and trumpet at the program’s Trinity Basin Prep Ledbetter Campus for the last four years.
Gonzalez previously taught at the college level, but now the Young Musicians program has been a special opportunity to teach students who are starting with a blank slate.
“I like that challenge to help give them the best tools from the ground up,” he said. “So when they go to middle school or high school, they have solid fundamentals. They know how to play and they know how to make a beautiful sound.”
He said the program presents challenges because it serves students of all different skill levels and in mostly group settings. But Gonzalez said he’s seen many young musicians in the program improve rapidly. One of his students, a trumpet player, started three months ago and is already playing two-octave scales.
One of his favorite memories from the program was watching the students perform in a concert last fall. Gonzalez said his students make fun of him for crying often, and it was another occasion when he proved them right.
“It’s one of the biggest improvements I’ve heard in such a short period of time. I feel like things were actually clicking in the teaching, clicking in el sistema and they just sounded so beautiful. I just teared up,” he said.
Those performances are made possible by consistent rehearsals. While dark has fallen outside, students gather inside the main room of the portable at Trinity Basin Prep to rehearse Brahms’ “Tragic Overture.”
The tremolo of the violins fills the room as the wind instruments bellow out. Before long, the rolling thunder of the timpani and slashing chords announce the big finale. As soon as the conductor’s hand falls, the room fills with the rumble of chatting and packing up.
Tomorrow, the students will return to do it all over again.
Arts Access is an arts journalism collaboration powered by The Dallas Morning News and KERA.
This community-funded journalism initiative is funded by the Better Together Fund, Carol & Don Glendenning, City of Dallas OAC, Communities Foundation of Texas, The University of Texas at Dallas, The Dallas Foundation, Eugene McDermott Foundation, James & Gayle Halperin Foundation, Jennifer & Peter Altabef and The Meadows Foundation. The News and KERA retain full editorial control of Arts Access’ journalism.
Dallas, TX
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Dallas, TX
Dallas Cowboys named best fit for top 2025 NFL Draft WR prospect
The Dallas Cowboys will be looking to add some offensive playmakers during the 2025 NFL offseason to help out CeeDee Lamb and Jake Ferguson.
Among the position of need are a wide receiver outside of Lamb, and potentially another running back to form an explosive backfield with Rico Dowdle, who has emerged as one of the league’s top backs in the second half of the season.
In a new article predicting potential best fits for the top wide receiver prospects in the draft, Bleacher Report named the Cowboys as one of the best landing spots for Missouri star Luther Burden III.
MORE: Dallas Cowboys predicted to add explosive WR this offseason
The Washington Commanders and Pittsburgh Steelers were also named as potential fits.
Burden had a drop-off in production during the 2024 college football season, but he is still considered a surefire first-rounder after officially declaring for the draft.
This season, Burden recorded 61 catches for 676 yards and six touchdowns. His best season was in 2023, hauling in 86 grabs for 1,212 yards and nine touchdowns.
Burden finishes his Missouri career with 192 receptions for 2,263 yards, and 25 total touchdowns (21 receiving, four rushing).
The 2025 NFL Draft will be held in Green Bay, Wisconsin, with the first round on Thursday, April 24. Rounds 2 and 3 will be held on Friday, April 25, while the final rounds will play out on Saturday, April 26.
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