Dallas, TX
Dallas Cowboys scouting report: Breaking down the Browns offensive scheme
Just six months ago, Cleveland Browns head coach Kevin Stefanski was awarded the NFL’s Coach of the Year trophy after leading his team to the playoffs despite starting five different quarterbacks throughout the season. It was Stefanski’s second time winning the award, putting him in a rare category of coaches.
Now, Stefanski will follow up that magical season by hosting the Cowboys in Week 1. This marks a full circle moment for Stefanski, as the head coach and offensive play-caller will be going up against the man who played a pivotal role in his rise to coaching stardom: new Dallas defensive coordinator Mike Zimmer.
Until Stefanski took the Browns head coaching job, the Minnesota Vikings were the only NFL team he had ever worked for. A Philadelphia native, Stefanski played defensive back at Penn, twice being selected to the All-Ivy League team. Upon his graduation, Stefanski spent a year as the assistant director of football operations for his alma mater. Then, at just 24 years old, he joined the Vikings as the assistant to then head coach Brad Childress. Stefanski was later promoted to assistant quarterbacks coach and retained in that role by interim head coach Leslie Frazier, who was named the full time head coach soon after.
When Frazier was ultimately fired, though, Zimmer was brought in to lead the franchise next. Zimmer made sweeping changes to the Vikings, but he opted to retain Stefanski and, in fact, promote him to tight ends coach. Two years later, Stefanski moved to the running backs room. A year later, he was the quarterbacks coach. And in 2018, when Zimmer fired offensive coordinator John DeFillippo halfway through the season, he turned to Stefanski as his interim coordinator.
The offense stabilized under Stefanski’s watch and, more importantly, Stefanski operated the run-first approach that Zimmer wanted. So Zimmer named Stefanski the full time offensive coordinator moving forward, bringing in coaching veteran Gary Kubiak as an offensive advisor to mentor Stefanski. A year later, Stefanski left for the top job in Cleveland, where he has a 37-30 record with two postseason appearances.
Stefanski’s story cannot be told without highlighting his history with Zimmer, but it also informs his own schematic preferences. Stefanski has worked under a wide list of offensive minds: Childress was an offshoot of Andy Reid’s West Coast spread offense, as was Bill Musgrave under Frazier; Norv Turner brought his signature Air Coryell offense that helped win two Super Bowls for the Cowboys back in the 90’s; Pat Shurmur offered a more traditional version of the West Coast; and Kubiak led a masterclass in the offense he and Mike Shanahan popularized in the 80’s in Denver, which has since evolved into what Kyle Shanahan and Sean McVay are doing that’s taken the league by storm yet again.
It is this final schematic preference that is most prevalent in the Browns’ attack, but to call Stefanski a Shanahan devotee is a little too simplistic. From the top down, things look the same. Stefanski’s offense features plenty of wide zone run plays and lots of play-action with deep crossing routes. But Stefanski has a much more diverse run scheme, which he has pieced together over time from all the different coaches he’s learned under.
You’ll see just about every type of run concept in Cleveland, all of which has been fine-tuned to operate efficiently behind one of the league’s top offensive lines. Nick Chubb has long been the face of Stefanski’s electric rushing attack, but last year tested their ability to still produce without him when Chubb tore his ACL and MCL. The results were a mixed bag: the Browns finished fourth in rushing attempts and were just outside the top 10 in rushing yards for the year, but the efficiency fell quite a bit. Cleveland ranked 25th in yards per carry, 23rd in run DVOA, and 28th in EPA/rush.
Chubb won’t be back for this game – he’s set to miss at least the first four games of the year while on the PUP list – but they’ve bolstered their running back room in preparation for Chubb’s absence. They return Jerome Ford, who ran for 813 yards last year, and also added bruising runner D’Onta Foreman, who tallied 425 rushing yards last year as part of a deep running back rotation in Chicago.
The hope for Cleveland is that the run game gets back to its normal self – top 10 in DVOA in Stefanski’s first three years as head coach – because quarterback Deshaun Watson has struggled mightily in his time as a Brown. Without even discussing the off-field factors for Watson – who has played just 12 games in two years between suspensions and injuries – the quarterback’s play has been severely lacking.
Still, though, Stefanski’s offense is designed to put minimal pressure on the quarterback. Like many other schemes from the Shanahan tree – an offense that Zimmer himself has done well against historically – this scheme aims to give the quarterback layups in the passing game. Having a route running aficionado like Amari Cooper, who will face his former team for the first time since being traded away, also helps.
Now, Stefanski will get a chance to show what he can do against his former boss. He’s faced Zimmer once before: the Browns played the Vikings in 2021, Zimmer’s last season as head coach, and Cleveland won 17-14. A win for Stefanski’s team, but not a banner day for his offense against Zimmer’s defense. The head coach expects a similarly tough challenge for Round 2:
“Preseason obviously is not a great indication for any team in terms of the scheme. Coach Zim, obviously I know really well, is an outstanding football coach so we know that we’ll have our work cut out for us. Personnel wise… they have a bunch of really, really good players from the d-line back through the secondary.”
The Browns should present a similar challenge for Zimmer, too, as the new coordinator aims to beef up a unit that struggled far too often against the run last year. There’s few teams who pose a taller task in that respect, but perhaps Zimmer will be able to pull one over on his former protégé.
Dallas, TX
The Stewpot artists find healing, purpose and income through art in Dallas
The Stewpot, a Dallas-based homeless services organization, is helping people who have experienced homelessness be seen in a new light.
During a special art exhibit Thursday night, paintings filled the walls, but it was artists like Darrell Plunkett who were the real focus.
When Plunkett first discovered The Stewpot’s art program more than a decade ago, he was at one of the lowest points in his life. He was struggling with alcoholism.
“I was staying in a shelter and I was waiting for them to take us back downtown, and I saw a gentleman with sketches and a bag full of art supplies,” he said.
Immediately, he wanted to learn more.
“He told me about the program, and back then, there was an interview process to get in, and so I went through that,” he said.
Plunkett was accepted and quickly discovered a love for painting, especially sunflowers and roosters. More importantly, he found an escape from the struggles he was facing.
“It kept me out of trouble and give me a safe place to come and create instead of running the streets,” he said.
He said many artists in the program have found that same sense of purpose.
“It gives me peace and quiet and comfort,” Luis Arispe said. “People who buy my work love the way I talk to them and speak to them.”
Every painting sold directly benefits the artists. They receive 90% of each sale, while the remaining 10% goes back into the program to help pay for art supplies.”
“It’s a nice little boost if you get a little more pocket change.. to get paid for your work and to be acknowledged as an artist,” The Stewpot Director of Enrichment Programs, Betty Heckman, said.
“The recognition that someone actually likes what I created it just gives me joy,” Plunkett said.
Since joining the program, Plunkett has remained sober. He now has his own apartment and works at the Dallas Arboretum, where he finds constant inspiration.
“I’ll just stop and take a quick snapshot and go home and create,” he said.
He estimates he’s created hundreds of paintings over the years, and some of his work has even been featured in murals across Dallas.
Looking back, he says he’s forever grateful for this program that changed the course of his life.
“I don’t know what I would do without it,” he said. “It’s been a blessing.”
Dallas, TX
How to buy France World Cup semifinal soccer tickets in Dallas
Editor’s note: Follow LIVE World Cup quarterfinal coverage today
France and its dynamic duo of Kylian Mbappé and Ousmane Dembélé appear practically unstoppable.
France is advancing to the World Cup semifinals after a 2-0 victory over Morocco on Thursday afternoon thanks to goals from both players in the second half as Mbappé has tied Lionel Messi for the Golden Boot lead with hist eighth goals of the tournament.
SHOP: France semifinal World Cup tickets
Now, France will await the winner of Friday’s Spain vs. Belgium match. The semifinal will be held on Tuesday, July 14 in Dallas, when the team will look to secure its third-consecutive World Cup Final.
With the electrifying play of Mbappé and Dembélé, it’s hard to pass up the opportunity to buy tickets to the team’s next match at AT&T Stadium.
Here’s everything you need to know to buy France semifinal World Cup tickets:
Shop France semifinal tickets
France semifinal World Cup tickets
As of publication, get-in ticket prices for France’s semifinals match in Dallas start at $2,066.
If you’re looking to see Mbappé and the entire France team up close, the cheapest lower level Hall of Fame ticket starts at $3,571 in Section 121.
France quarterfinals game information
- When: Tuesday, July 14
- Where: AT&T Stadium in Arlington, Texas
- What time: 3 p.m. ET
- TV – English : FOX – Fubo
- TV – Spanish: Telemundo – Fubo
- Tickets: Starting at $2,066
France 2026 FIFA World Cup schedule, results
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- France vs. Senegal – WIN 3-1
- France vs. Iraq – WIN 3-0
- France vs. Norway – WIN 4-1
- France vs. Sweden – WIN 3-0
- France vs. Paraguay – WIN 1-0
- France vs. Morocco (quarterfinals) – WIN 2-0
- July 14 (semifinals) – France vs. Belgium/Spain at AT&T Stadium in Arlington, Texas – Shop tickets
When are the semifinals for the FIFA World Cup?
The semifinals will take place on Tuesday, July 14 and Wednesday, July 15. The two games will take place at AT&T Stadium in Arlington, Texas and Mercedes-Benz Stadium in Atlanta.
We don’t know which teams will face off in the semifinals just yet, but the bracket is set so once the quarterfinal matchups are set, we will have a clearer picture. Until then, you can shop the semifinal game tickets below:
- Tuesday, July 14 – Winner of France/Morocco vs. Spain/Belgium/at 3 p.m. ET in Arlington, Texas – Get tickets
- Wednesday, July 15 – Winner of Norway/England vs. Argentina/Switzerland at 3 p.m. ET in Atlanta – Get tickets
When is the 2026 FIFA World Cup Final?
The final match of the 2026 FIFA World Cup will take place on Sunday, July 19 at MetLife Stadium just outside of New York City.
As of publication, the cheapest available tickets for the 2026 FIFA World Cup Final start at $8,404. If you want to get closer to the action, lower-level (category 1) tickets are starting at $21,783.
Shop France World Cup tickets
Dallas, TX
Dallas’ digital creator economy is booming. Burnout is too.
The glitz. The glam. The parties. The trips. The allure of high fashion bedazzled with a life of luxury. As with much of the filter-polished nature of social media, all is not as it appears.
For Shaun Balkum, he was living a dream as a high-fashion model with ties to New York and as one of Dallas’ most recognizable faces. The statuesque king of pose was living the high life — or so it seemed. Gracing the runways and booked for Dallas’ marquee fashion shows like DIFFA, Balkum appeared to have it all. Behind closed doors, though, was a past riddled with pain, trauma, suicide ideation and repeated bouts with homelessness. With nowhere to turn and little help, he internalized in the dark, not knowing that many of his peers were also struggling in the same deafening silence.
“Being in the industry for about 15 years now, I’ve been through a lot,” the 34-year-old father of two tells the Observer. “Working in New York at a young age and seeing so many people going down different, dark paths, and the industry just eating them up, was eye-opening for me. A lot of people on the outside will wonder ‘why is this actor on drugs’ or ‘why is there so much suicide within these careers?’ What they don’t realize are the things that these individuals put themselves through. They don’t express or talk about it because they feel like they’re going to be judged at the end of the day by their peers and family.”
Going digital-second
With the dominance of a digital-first culture, creatives today face unprecedented pressure, from constant content demands, online comparison, scrutiny, burnout and isolation. According to a recent study conducted by Creators for Mental Health, an organization that aims to provide resources to digital creators, approximately 1 out of 10 creators say that they’ve experienced suicidal thoughts, with nearly 2 out of 3 creators admitting to mental health challenges such as anxiety and depression. Higher incidence rates rank even more among tenured creators.
According to the National Institute of Health (NIH), suicide continues to be one of the leading causes of death in the U.S. The rate observed among influencers is nearly double the NIH’s reported national average.
And, as online content creation has become an increasingly lucrative path, market oversaturation has fueled added stressors of competition and gig instability.
“There’s an influx of constant competition,” says Jessica Serna, a veteran influencer behind My Curly Adventures. “People don’t realize that it’s not enough just to take good pictures and videos. A lot of times there’s way more going on [behind the scenes] so that you can stand out amongst 100,000 other influencers and creators. I think that’s where the burnout comes – it’s the pressure to stay above in such a competitive field.”
In videos captured across the country, the Dallas-based Serna is all smiles and full of vibrancy as she and her husband traverse turquoise Caribbean waters and dive deep into the ocean blue. Posting daily, she has amassed an audience of over 300,000 Instagram followers sourcing tips on travel, lifestyle and food. Over on TikTok, her reach extends even further with 571,000 followers.
While Serna admits that all that glitters can be gold in the influencer lifestyle, there can also be a dullness when creators face the not-so-glamorous business side of being a creative in order to stand out among a sea of others.
“This has been the most stressful job I’ve ever [had],” Serna says. “I go to sleep thinking about things. I wake up and there’s the pressure of… so many businesses that don’t value your time, or wait two weeks to issue you a paycheck, and then want something the next day, only to ghost you again for another three weeks. Or, a paycheck that you were supposed to get three months ago is now taking its time because it got caught up in something corporate.”
Late paychecks and the pressure to be perfect are only the tip of the iceberg of what creatives experience.
In a recent Youtube confessional titled “being a full time influencer ruined my life,” Dallas creator Ashley Devonna candidly detailed what life was really like for her behind the filters, hashtags and sponsorships. After a 4-year hiatus to recover, the Texas Woman’s University graduate is back, but now on her own terms. Many others are still stuck in the cycle.
Finding community on and offline
Balkum cites a lack of community and safe spaces for honest reflection, as well as a shortage of affordable mental health resources, as inspiring him to launch his House of Balkum Foundation, a 501(c)(3) initiative stemming from the inadequacies of the fashion industry, and now offering emergency relief assistance, emotional support, community gatherings and mental health and wellness resources. His upcoming event, Saving the Creatives —dubbed the “church for creatives” — will feature an all-star panel of Dallas’ top talent including Celebrity Stylist KJ Moody, Actor and Model Kamen Casey, Photographer Jamie House and others, to discuss the challenges suffocating the industry, but also to provide solutions and support.
“We’re all intertwined in a way, and we all need each other,” Balkum says. “You know, the models need the photographers, and the photographers need the makeup artists, and the makeup artists need the models. At the end of the day, I want creatives to understand that they finally have somebody here for them, and that’s looking after them. For all of the creatives that have felt alone, that have struggled in silence – we hear you. You can talk to us and we’ll provide whatever help that we can for you.”
Dallas startup RM11 is on a similar mission. The creator-first platform was founded by Natasha August and boasts numerous perks that allow creators to own their relationships with their followers, receive fair monetization and build a sustainable business – and, hopefully, a less stressful one.
“Creators are entrepreneurs in every sense of the word,” August says. “They’re building brands, communities, revenue streams and entire businesses around their voice and audience. The more I learned about the creator economy, the more I realized how underserved creators really are. They’re expected to be talent, a marketer, customer support, content strategist, community manager and business owner all at once. I saw an opportunity to build something that gave creators more control, better tools and a more supportive way to monetize directly from their audience.”
Recently, RM11 strategically partnered with both Revive Health Therapy and Creators 4 Mental Health – a major step in its mission to support creator well-being, reduce burnout and build a healthier creator ecosystem through its CreatorCare approach. RM11 creators have access to licensed mental health professionals who specialize in creator-specific stressors, as well as affordable, flexible therapy options, community support and wellness tools to help manage burnout and emotional fatigue.
“One of the biggest misconceptions that the general public has is that creating content is easy or not a ‘real job.’ In reality, creators are running small businesses, often by themselves, while also putting their personality, image and personal life in front of the public,” August says. “There’s also a misconception that if someone has followers or makes money online, they must be confident, happy or unaffected by negative comments and pressure. But creators can experience burnout, isolation, anxiety and emotional exhaustion just like anyone else, sometimes even more intensely because their work is so personal and public.”
According to a 2026 study with data from Social Blade, Texas ranks fourth among the nation’s largest hubs for online influencers, accounting for roughly 8% of the most-followed creators. The state is also home to 1 out of 10 creators ranked in the top 500 of the creator ecosystem. If you want to make it to the top of the creator economy, Dallas is where you come. Therefore, Dallas-based businesses like House of Balkum and RM11 are not only essential but necessary with growing demand.
“Being an influencer is easy, but when something’s easy, and you actually want to be successful in it, that’s when it gets harder than people even realize. I’m extremely grateful for it though,” Serna says. “It’s so funny how something can be so simultaneously amazing and so draining at the same time.”
Saving the Creatives will be hosted by The House of Balkum on Sunday, July 12, at 6:00 p.m. at Four Day Weekend, 5601 Sears Street. Tickets are available for $35.
If you or someone you know is struggling with suicidal thoughts, help is available. You can call or text 988 to reach the Suicide & Crisis Lifeline, or chat via 988lifeline.org for free, confidential support 24/7.
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