Austin, TX
Review | Austin City Limits
Once upon a time, in a land far, far away — Austin, Texas — I was a young music fiend, attempting to sneak into the Austin City Limits music festival (ACL) with the undying need to see the Red Hot Chili Peppers.
Did I get in? I can’t answer that
But what I can say is that this year, my day one of ACL was different. Toss my twisted, wasted youth aside; this year, I was there by the book.
The festival takes place in Zilker Park, an Austin landmark that covers 350 acres of ground. Per usual, the three-day event gathered an incredible lineup, with headliners Tyler the Creator, Dua Lipa, Blink-182, and Chappell Roan.
There were cowboy boots, rainbow mesh, Chappell Roan fans, Texas Longhorn jerseys, tears, glitter, Chappell Roan fans, suede, leather, and Chappell Roan fans. There was country and pop, but also rap, norteñas, punk, afro-beats, house, and whatever genre the Marías are.
The early afternoons were calm, perfect for discovering new artists. I got myself up to speed listening to Dasha’s “Austin (Boots Stop Workin’),” Mickey Guyton’s “Here With You,” and Vanilla is Black’s “Mezcal.”
The magical Norah Jones sat at her piano against a colorful, bright background, looking the audience square in the face as her fingers softly weighed down her melodies. She played through her latest album Visions, tossing in “Come Away With Me” and “Don’t Know Why” at her set’s end.
Unlike in California, the Texas heat continued through the night. This isn’t Coachella, where you’ll need to somehow incorporate a jacket into your look — nah, baby, this is Texas. The heat’s got nowhere else to be.
Come on now.
I was going to see Chris Stapleton, but I got vetoed. So instead, I went to my first Blink-182 show — Stapleton’s time slot competitor.
I didn’t grow up listening to Blink, only catching them sometimes on the radio. Well, I realize now that I’m the outlier and that they raised a whole generation of angsty teenage boys turned loyal fans.
Once I got past the crude jokes and my usual low threshold for pop-punk, I admit they got me with their most known nostalgic hits like “ONE MORE TIME,” “ANTHEM PART 3,” and “What’s My Age Again?” And then, even though they didn’t play this one, later I secretly discovered that I like “Adam’s Song,” which pulls at the strings of my angsty teenage boy heart too.
Rushing to catch the shuttle for downtown Austin, we caught a crucial snippet of Chris Stapleton’s “Tennessee Whiskey.” It’s one of those songs that you hear so much on the radio, you have to hear it live just once.
The shuttle from Zilker Park landed us in Republic Square, where we found ourselves again the next day, doing this whole thing over again.
Movements caught us first thing as they performed on the Honda stage. Mixing a driven, hard rock sound with vulnerable vocals and lyricism, the band had me wanting to bawl my eyes out with their songs “Daylily” and “Fail You.” Every person who has known the long spans of sadness between a “pink cloud day” might understand what Patrick Miranda means in this heartbreaking song about his girlfriend’s battle with depression.
Eyedress was on my list to see. This man is so very mellow, and he interacted with the crowd in the relaxed way that only he could. In his world, he infuses bedroom pop, lo-fi, and shoegaze to fit his VHS-meets-claymation aesthetic. You might know his songs “Jealous,” “Escape From the Killer,” or “Something About You.”
Remi Wolf saved her hit “Photo ID” for last, her crowd erupting in an earth-shaking roar. The only missing piece was, of course, Dominic Fike, who was originally set to headline this year’s fest.
If you attended any shows earlier this year at SOhO Restaurant & Music Club, you may have seen girl group Say She She’s show there back in February. This weekend, after performing their 3 p.m. set, they joined Khruangbin onstage covering George Strait’s “All My Ex’s Live in Texas.”
Later that night, Dua Lipa also exuded some Texas pride as she sported a Longhorn’s jersey, matching many in the crowd. Pop queens like her, Reneé Rapp, and Chappell Roan always impress me. Their poise, perfection, and the way they make every song sound like a hit — it’s a science.
Speaking of Chappell Roan, day three was her day. Fans staked out at the American Express stage, sitting, bonding, and playing UNO for most of the day as they waited for their Midwest princess to grace the stage at 6:45 p.m.
Earlier in the day, I had my sights set on seeing Ritchy Mitch and the Coal Miners, but fate had other plans. I missed them at Shabang and then I missed them at ACL. So best believe I won’t be missing them a third time. Wherever that is, that’s where I’ll be. All I want is to see “Evergreen” live.
Leather-clad Orville Peck was in his full Lone Ranger garb as he crooned some of his best, “C’mon Baby, Cry” and “Dead of Night.” And boy, Willie Nelson has been making some appearances this year. First performing with Stapleton on day one and later dueting with Peck with a heavenly cover of “Cowboys are Frequently, Secretly Fond of Each Other”, the 91-year old country legend has been booked and busy.
Inevitably 6:45 p.m. rolled around, and everyone knew it was time. Chappell Roan’s fans spanned across the entire park, from the American Express stage to the Honda stage. There’s a reason those two biggest stages are the furthest away from each other.
“I am competing with Chappell Roan,” rapper mike. laughed during his set as her fans bordered the edges of his crowd. Roan announced this would be her last show of the year, making this concert appearance extra special for her fans.
Tyler the Creator had an incredible set — his team designed a whole mountain for him to perform on top of, mimicking the desert landscape of Arizona. Him being Tyler, his energy was the perfect way to end the festival. Fans grasped onto the last bits of the night chanting “WUSYANAME” with him as he jumped all over the stage.


Tyler the Creator | Photo: Roger Ho; Greg Noire for ACL 2024
ACL wound down, and I embarked on a little camping trip through North Texas. I went to school in Waco, and while it may never fully feel like home, there’s something special about revisiting an old stomping ground. From a bit of controlled music madness to the peaceful outdoors, I can’t complain.
It reminds me that here and there, I’ll go to the Lone Star State, and she’ll show me a good time.
To listen to some of Nataschia Hadley’s favorite tunes from this year’s lineup, check out her ACL playlist on Spotify: https://spoti.fi/3ObZyxj
Austin, TX
Austin excels as one of America’s top 3 cities to start a career
After ranking as the third-best large U.S. city for starting a business last year, Austin took a surprising tumble into the 24th spot nationally for 2026.
WalletHub’s annual report, “Best Large Cities to Start a Business (2026)” compared 100 U.S. cities based on 19 relevant metrics across three key dimensions: business environment, access to resources, and costs. Factors that were analyzed include five-year business survival rates, job growth comparisons from 2020 and 2024, population growth of working-age individuals aged 16-64, office space affordability, and more.
Florida cities locked other states out of the top five best places in America for starting a new business: Tampa, Orlando, Jacksonville, Hialeah, and St. Petersburg.
Austin’s business environment ranked 11th best in the country, and the city ranked ninth in the “access to resources” category. The city also tied with Boise, Idaho, and Fresno, California, for the highest average growth in the number of small businesses nationally.
Austin lagged behind in the “business costs” ranking, coming in at No. 80 overall. This category examined metrics such as the city’s working-age population growth, the share of college-educated individuals, financing accessibility, the prevalence of investors, venture investment amounts per capita, and more.
Earlier this year, WalletHub declared Texas the third-best state for starting a business in 2026, and several Houston-area cities have seen robust growth after being recognized among the best career hotspots in the U.S. WalletHub also ranked Austin on its top-10 list of the best U.S. cities to find a job. Entrepreneurial praise has also been extended to 15 Austin-based innovators that made Inc Magazine’s 2026 Female Founders 500 list.
Texas cities with strong environments for new businesses
Multiple cities in the Dallas-Fort Worth Metroplex can claim bragging rights as the best Texas locales for starting a new business. Dallas ranked highest overall — appearing 11th nationally — and Irving landed a few spots behind in the 16th spot. Arlington (No. 23), Fort Worth (No. 30), Plano, (No. 35), and Garland (No. 65) followed behind.
Only six other Texas cities earned spots in the report: Houston (No. 26), Lubbock (No. 36), Corpus Christi (No. 39), San Antonio (No. 64), El Paso (No. 67), and Laredo (No. 76). Corpus Christi and Laredo also topped WalletHub’s list of the U.S. cities with the most accessible financing.
“From the Gold Rush and the Industrial Revolution to the Internet Age, periods of innovation have shaped our economy and driven major societal progress,” the report’s author wrote. “However, the past few years have been particularly challenging for business owners in the U.S., due to factors such as the COVID-19 pandemic, the Great Resignation and high inflation.”
Austin, TX
‘I want to be louder’: Austin Drag King Bobby Pudrido refuses to be deterred by Texas ban
Jay Thomas grew up like any kid, laughing at silly things and making up funny names.
So in the ’90s, when Tejano superstar Bobby Pulido’s songs played on the radio, young Jay and his peers couldn’t help but rhyme his last name with the Spanish word pudrido (which means rotten in English).
“We grew up calling him that just because it was funny,” he told Austin Signal host Jerry Quijano.
When he was thinking of a name for his drag persona, Thomas created a list.
“I was thinking of some queer icons and some not queer icons,” he said. “This one just resonated because he is a Tejano star. And in the ’90s he was this really big heartthrob that everybody wanted to be or be with.”
And three years ago, Thomas became Drag King Bobby Pudrido.
He thought it would be fun to impersonate a masculine figure from the Latino community and perform for an audience attracted to that type of energy. He also wanted to bring his culture into his drag.
Pudrido’s name has new recognition these days: Tejano singer Pulido decided to retire from music and go into politics. He’s running for Congress in South Texas’ District 15 against incumbent Republican Monica De La Cruz.
Both in an out of drag, Pudrido is also politically vocal. He advocates for trans rights and against the drag ban that went into effect statewide in March. The law prohibits drag performances in public properties or in front of children. Venues that host these performances can be fined up to $10,000.
“As a drag artist, one of the things we need to do is get booked so we can pay our bills,” Pudrido said.
Even though it’s unclear whether the ban affects some venues, he said, he thinks certain business owners won’t book drag performers because of the risk of being fined.
But as a working-class artist, he doesn’t have the luxury to dwell on it.
“You have to go to work, because you need to pay your bills,” he said.
The law has taken an emotional toll on him, too.
“The way it chips away at a queer person to hear any type of anti-queer legislation pass is something that is really big for me,“ he said. “We are constantly — just as human beings — trying to maintain our mental health. “
But that doesn’t mean his love for performing has been diminished. In fact, quite the opposite is true.
“It has fueled me,” Pudrido said. “Right now I’m in the angry phase where I want to be louder.”
As a performer and producer, the drag king has put on shows in the Austin area and recently traveled back to his hometown in Laredo for a show.
“It’s hard for drag kings to get booked sometimes, so we are still far away from the perfect ideal world for [them],” he said. “But the fact that I have a platform at all is huge.”
Pudrido’s passion for performing comes from his drag ancestors, “who started the art form as a way of being political and of being against the systems that were oppressing queer people.”
Drag King Bobby Prudido is currently producing his second queer quinceañera, “Con Mucho Amor,” with an anticipated show date in the fall.
Austin, TX
Men wrongly accused of grisly yogurt shop murders in Texas reach $35 million settlement with city
The city of Austin will pay $35 million to three men and the family of a fourth who were wrongly accused of the 1991 rape and murder of four teenage girls at a yogurt shop, a case that initially sent one of the men to death row and another to life in prison, under a tentative settlement reached Tuesday.
Robert Springsteen, Michael Scott, Forrest Welborn and Maurice Pierce had all insisted they were innocent of one of the city’s most notorious crimes. They were finally declared innocent by a judge in February after investigators determined the crime was committed by a suspect who died in 1999.
The settlement must still be approved by the city council at a later date. Details of the payments to the men and their families were not released.
“This settlement closes the final chapter of a devastating story in Austin’s history,” Austin City Manager T.C. Broadnax said in a statement. “We are pleased to have reached an agreement with those who were wrongly accused and wrongly convicted in this case and hope that this settlement brings a sense of closure to everyone affected by this horrific event.”
Scott and his attorney Tony Diaz said in a joint statement they are hopeful the settlement will help improve investigation practices and safeguards against wrongful convictions.
“Discussions and negotiations are ongoing regarding police reforms that would help ensure that nothing like what occurred in this case ever happens again,” they said.
Amy Ayers, 13; Eliza Thomas, 17; and sisters Jennifer and Sarah Harbison, ages 17 and 15, were bound, gagged and shot in the head at the “I Can’t Believe It’s Yogurt” store where two of them worked. The building was set on fire.
Investigators chased thousands of leads and several false confessions before the four men, who were teenagers when the girls were killed, were arrested in late 1999.
Springsteen and Scott were convicted based largely on confessions they insisted were coerced by police. Both convictions were overturned in the mid-2000s.
Welborn was charged but never tried after two grand juries refused to indict him. Pierce spent three years in jail before the charges were dismissed. He died in 2010 in a confrontation with police after a traffic stop.
Prosecutors wanted to try Springsteen and Scott again, but a judge ordered the charges dismissed in 2009 when new DNA tests that were unavailable in 1991 and the previous trials revealed another male suspect.
Investigators determined in 2025 that new DNA science and reviews of old ballistics evidence pointed to Robert Eugene Brashers as the sole killer.
Since 2018, authorities had used advanced DNA evidence to link Brashers to the strangulation death of a South Carolina woman in 1990, the 1997 rape of a 14-year-old girl in Tennessee and the shooting of a mother and daughter in Missouri in 1998.
The link to the Austin case came when a DNA sample taken from under Ayers’ fingernail came back as a match to Brashers from the 1990 killing.
Brashers died in 1999 when he shot himself during an hourslong standoff with police at a motel in Kennett, Missouri.
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