Austin, TX
Oliver Tree at The Moody Theater in Austin, TX – Loud Hailer Magazine
Native Californian, Oliver Tree, brought Austin, Texas a tremendous night of fun and a production that they would never forget.
Oliver Tree is not only a successful indie-pop artist but also a talented sketch comedian, both of which he uses to make his concerts more exciting. Tree has been making music for the last decade and has dabbled in dubstep and dance-style music. Before releasing the discography fans know and love now, he spent some time writing and performing with other artists. In 2017, he finally released his debut single as Oliver Tree, “Welcome to LA.”
On his Alone in a Crowd Tour, in Austin, Tree had three openers. The first to take the stage was rapper Jasiah. He started his show with an intense energy that didn’t slope at any point. Jasiah made a perfect opener for Oliver’s comical set. Jasiah cracked jokes the entire time and kept the crowd laughing. He made sure to perform his TikTok viral song “Crisis” which the crowd responded to enthusiastically.
The next opener following Jasiah was the punk rock band FIDLAR. The four-member band has been making music together for over a decade. Their intensity brought a different kind of energy than that of Jasiah, but energy nonetheless. A majority of their songs were about drug and alcohol use. However, the themes carried much more weight to the members due to their history of addiction. Despite all the openers being and making such different music, they all complimented each other unexpectedly.
For the last set before Tree, the DJ duo Super Computer were walked onto the stage. We say “were walked onto” because due to the giant TV head costumes, the two couldn’t see anything. They only have a few original songs out but they are featured on Oliver Tree’s song “Essence.” To get a better idea of their sound, many music enthusiasts argue their sound is similar to that of Cherub. It genuinely was a unique set and judging from the fan’s reactions it was just as fun.
After his three back-to-back openers, Oliver finally was rolled onto the stage on a couch with his back to the audience. Oliver told fans there wouldn’t be a show and urged everyone to exit. After protests from the fans, he finally gave in and begrudgingly decided they would instead watch an episode of his favorite TV show. With a giant remote, he turns on the backdrop and we watch a skit made by him, introducing the show. The skit remained an important part of the entire show. The concert was split into three acts, one for each of his studio albums. During each act, Oliver dressed as the unique persona he created for each.
Tree opened his set with the classic “Miss You” as the fictional persona Cornelius Cummings. Cummings is characterized by a jet-black bob and a head-to-toe pink and purple squiggle outfit. After a few more songs as Cornelius Cummings, the show was recessed with a commercial break with advertisements Oliver Tree made himself. One commercial advertised his fictional pickle brand. When Oliver returned his costume change suggested he was now Shawny Bravo. The look consisted of a full denim outfit including fringe and sported a blond bowl-cut mullet. He performed songs from his studio album Cowboy Tears, including “Cowboy’s Don’t Cry” and “Freaks & Geeks.”
As the show began to wrap up, Tree left the stage and returned as his most widely known persona, Turbo. Turbo is dressed in a purple and pink ski jacket and has a brown bowl cut. As Turbo, Oliver Tree played songs from his debut album, Ugly is Beautiful. During the entirety of Act Three, Oliver joked with the crowd that if they didn’t dance or keep their energy up then each song would be the last. So, for the last five songs, the audience would chant “One more song!” Eventually, it really was the last song on the setlist, “Life Goes On.” Oliver and his band took their bow and left the stage, but the fans kept the bit going and chanted “One More Song!” until they rejoined on stage and played the actual final song of the night, “Hurt.”
Oliver Tree’s concert wasn’t just a performance; it was a production that he clearly took a lot of time and effort to plan. It was executed perfectly, consisting of witty humor and insane talent. Seeing Oliver Tree isn’t a suggestion, it’s a necessity to understand the complexity and depth of his aptitude for creating.
OLIVER TREE
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FIDLAR
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JASIAH
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THE MOODY THEATER
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Austin, TX
Jane Austin Improv celebrates third anniversary with Texas shows & a national NYC stage
AUSTIN, Texas — An Austin-based improv troupe is celebrating a major milestone with performances in Texas and on a national stage.
Jane Austin Improv celebrates third anniversary with Texas shows & a national NYC stage
Jane Austin Improv is marking its third anniversary with a series of shows, including a headlining performance at the Long Center’s Rollins Studio Theatre on June 6.
The award-winning group is known for blending Regency-era storytelling with improv comedy, bringing Jane Austen-inspired characters, costumes and courtship drama to life with quick wit and audience-driven humor.
MORE | #TBT: ‘Jane Austin Improv’ brings 18th-century romance and modern humor to world stages
Following their Austin shows, the troupe will perform in New York City at the Del Close Marathon, one of the country’s premier improv comedy festivals.
Jane Austin Improv celebrates third anniversary with Texas shows & a national NYC stage
Jane Austin Improv has grown from local stages to performances across the U.S. and internationally, earning multiple nominations from the B. Iden Payne Awards, winning the 2023 Ethel Hinkley Award for Outstanding New Improv Troupe, and being named a “Best of Austin” finalist by the Austin Chronicle in 2025.
Organizers say the anniversary performances celebrate both the group’s growth and its mission to connect audiences through creative, accessible comedy.
Tickets for the June 6 performance at the Long Center can be found here: https://thelongcenter.org/events/janeaustinimprov/
Austin, TX
Austin excels as one of America’s top 3 cities to start a career
After ranking as the third-best large U.S. city for starting a business last year, Austin took a surprising tumble into the 24th spot nationally for 2026.
WalletHub’s annual report, “Best Large Cities to Start a Business (2026)” compared 100 U.S. cities based on 19 relevant metrics across three key dimensions: business environment, access to resources, and costs. Factors that were analyzed include five-year business survival rates, job growth comparisons from 2020 and 2024, population growth of working-age individuals aged 16-64, office space affordability, and more.
Florida cities locked other states out of the top five best places in America for starting a new business: Tampa, Orlando, Jacksonville, Hialeah, and St. Petersburg.
Austin’s business environment ranked 11th best in the country, and the city ranked ninth in the “access to resources” category. The city also tied with Boise, Idaho, and Fresno, California, for the highest average growth in the number of small businesses nationally.
Austin lagged behind in the “business costs” ranking, coming in at No. 80 overall. This category examined metrics such as the city’s working-age population growth, the share of college-educated individuals, financing accessibility, the prevalence of investors, venture investment amounts per capita, and more.
Earlier this year, WalletHub declared Texas the third-best state for starting a business in 2026, and several Houston-area cities have seen robust growth after being recognized among the best career hotspots in the U.S. WalletHub also ranked Austin on its top-10 list of the best U.S. cities to find a job. Entrepreneurial praise has also been extended to 15 Austin-based innovators that made Inc Magazine’s 2026 Female Founders 500 list.
Texas cities with strong environments for new businesses
Multiple cities in the Dallas-Fort Worth Metroplex can claim bragging rights as the best Texas locales for starting a new business. Dallas ranked highest overall — appearing 11th nationally — and Irving landed a few spots behind in the 16th spot. Arlington (No. 23), Fort Worth (No. 30), Plano, (No. 35), and Garland (No. 65) followed behind.
Only six other Texas cities earned spots in the report: Houston (No. 26), Lubbock (No. 36), Corpus Christi (No. 39), San Antonio (No. 64), El Paso (No. 67), and Laredo (No. 76). Corpus Christi and Laredo also topped WalletHub’s list of the U.S. cities with the most accessible financing.
“From the Gold Rush and the Industrial Revolution to the Internet Age, periods of innovation have shaped our economy and driven major societal progress,” the report’s author wrote. “However, the past few years have been particularly challenging for business owners in the U.S., due to factors such as the COVID-19 pandemic, the Great Resignation and high inflation.”
Austin, TX
‘I want to be louder’: Austin Drag King Bobby Pudrido refuses to be deterred by Texas ban
Jay Thomas grew up like any kid, laughing at silly things and making up funny names.
So in the ’90s, when Tejano superstar Bobby Pulido’s songs played on the radio, young Jay and his peers couldn’t help but rhyme his last name with the Spanish word pudrido (which means rotten in English).
“We grew up calling him that just because it was funny,” he told Austin Signal host Jerry Quijano.
When he was thinking of a name for his drag persona, Thomas created a list.
“I was thinking of some queer icons and some not queer icons,” he said. “This one just resonated because he is a Tejano star. And in the ’90s he was this really big heartthrob that everybody wanted to be or be with.”
And three years ago, Thomas became Drag King Bobby Pudrido.
He thought it would be fun to impersonate a masculine figure from the Latino community and perform for an audience attracted to that type of energy. He also wanted to bring his culture into his drag.
Pudrido’s name has new recognition these days: Tejano singer Pulido decided to retire from music and go into politics. He’s running for Congress in South Texas’ District 15 against incumbent Republican Monica De La Cruz.
Both in an out of drag, Pudrido is also politically vocal. He advocates for trans rights and against the drag ban that went into effect statewide in March. The law prohibits drag performances in public properties or in front of children. Venues that host these performances can be fined up to $10,000.
“As a drag artist, one of the things we need to do is get booked so we can pay our bills,” Pudrido said.
Even though it’s unclear whether the ban affects some venues, he said, he thinks certain business owners won’t book drag performers because of the risk of being fined.
But as a working-class artist, he doesn’t have the luxury to dwell on it.
“You have to go to work, because you need to pay your bills,” he said.
The law has taken an emotional toll on him, too.
“The way it chips away at a queer person to hear any type of anti-queer legislation pass is something that is really big for me,“ he said. “We are constantly — just as human beings — trying to maintain our mental health. “
But that doesn’t mean his love for performing has been diminished. In fact, quite the opposite is true.
“It has fueled me,” Pudrido said. “Right now I’m in the angry phase where I want to be louder.”
As a performer and producer, the drag king has put on shows in the Austin area and recently traveled back to his hometown in Laredo for a show.
“It’s hard for drag kings to get booked sometimes, so we are still far away from the perfect ideal world for [them],” he said. “But the fact that I have a platform at all is huge.”
Pudrido’s passion for performing comes from his drag ancestors, “who started the art form as a way of being political and of being against the systems that were oppressing queer people.”
Drag King Bobby Prudido is currently producing his second queer quinceañera, “Con Mucho Amor,” with an anticipated show date in the fall.
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