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The Momentary: A Big City Cultural Hub In Little Bentonville, Arkansas

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The Momentary: A Big City Cultural Hub In Little Bentonville, Arkansas


It’s always a shame when the nation’s great industrial past gets erased, when an old factory or warehouse that would make great a community space gets erased for gigantic generic condos. Well, Bentonville is doing it right. The Northwest Arkansas town has hit it big in developing an adaptive reuse project dubbed The Momentary, a satellite cultural hub of the city’s already celebrated Crystal Bridges Museum of American Art.

And fortunately, it smells just fine inside, considering that this is a massive former Kraft Foods cheese plant that operated from the postwar era until as recently as 2013. Having opened literally days before the pandemic broke out, The Momentary is hitting its stride now as a big city venue in a smaller-sized city. Its 63,000 square feet are impressive enough, but it’s all about its huge menu of creative ventures in music, art and food. Eat your heart out Brooklyn.

With it lying just south of the Bentonville historic district in this bike mad city, you can follow—pedal- or biped-style—a section of the Razorback Greenway to get there. The Momentary has good neighbors too: Keep going a bit further and you’ll land up at the brand new Walmart campus with ponds and landscaping that looks like something out of a European urban project; you’re also next door to the 8th Street Market, another former food processing plant turned into a food and drinks center, with culinary arts eduction, books and more.

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Libations And Other Liquids Top To Bottom

Let’s start at the top where the glass-enclosed Momentary Tower Bar addition will stop you in your tracks as you get off the elevator. You’d swear you’re in a mid-century space and you’ll drool how the floor-to-ceiling windows would make for the ultimate in penthouse apartments. A popular feature is the glass hole in the roof just above a glass hole on the floor that opens all the way to the factory bottom six floors down. It’s not for the vertically challenged as you sit fire pit-style on the semicircular banquette sipping craft cocktails (do try the Umami Mango with reposado tequila).

Down on the ground floor at a branch of Arkansas’s popular Onyx Coffee Lab, look out for the automated conveyor belt for delivery of your caffeine. As any self respecting hipster attracting venue would have, a Momentary Food Truck is parked outside. Local chefs also cook for the monthly Supper Club dinner series.

Credit for reimagining this Momentary village within a city—and its dramatic six-story curtain wall and glass galore—goes to the Chicago firm of Whealer Kearns Architects.

Art And Music Under Many Roofs

The Momentary’s state of the art indoor Røde House music venue is named for the high end audio maker. Its walk-up Røde Bar gives out to the plaza. Outdoors, a huge white Canopy is the stage venue for Live on the Green concerts (see schedule selections at bottom).

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There’s still time to catch the delightful exhibit Best in Show: Pets in Contemporary Photography that comes from the Fotografiska Museum New York. Celebrated photographer Elliott Erwitt is among 25 artists shown, while William Wegman appears with his famous weimaraners. A series of goofy dogs taking baths was shot by Sophie Gamand, and an amusing row of photos of dogs and owners who look like one another by Gerrard Gething. You can bring your pooch too (through April 13, 2025).

The show was curated in conjunction with the Best Friends Animal Society whose aim is to end shelter kills. The animal welfare organization’s Pet Resource Center (one of five nationwide) opened in Bentonville last year and welcomes everyone for a visit. Of course, this coffee mad town means there’s a coffee shop inside too. You might just leave with a latte and a Labrador.

All across town, Bentonville’s cultural institutions provide bilingual English/Spanish information panels. The respect extends to Indigenous cultures as well, as in The Momentary’s recent Cherokee Nation Film Showcase in the wonderfully named Fermentation Hall.

Public Art Abounds

The Momentary publicly acknowledges that it lies on the site of Osage hunting grounds. A member of the Osage Nation, artist Addie Roanhorse contributed Sway, an arrow pattern design on the Tower glass and elsewhere.

Neon lives on here with Bahamian conceptual artist Tavares Strachan’s huge red Youbelonghere sculptural signage draped across the Momentary exterior. It’s a gorgeous piece in its calligraphic elegance.

Mounted outdoors, artist Leo Villareal’s homage to Buckminster Fuller, Buckyball, is made up of LED bulbs that change colors around aluminum tubing that sort of soccer ball-like make up one geodesic sphere inside another.

As part of the city’s outdoor OZ Art NWA program, the celebrated Yinka Shonibare’s fiberglass and steel Wind Sculpture (SG) VIII (2022) is a vibrant piece of African cloth that, while in fact static, seems to be caught in the wind. The Nigerian British artist’s work evokes African heritage over centuries of colonization.

With so much going on at The Momentary, you’re gonna wanna take your time.

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A selection of upcoming art and music events at The Momentary includes:

-The Prison Concerts: Folsom and San Quentin feature Johnny Cash images by photographer Jim Marshall in the exhibition galleries, May 24–Oct 12.

-Live on the Green: GloRilla, June 13; Alabama Shakes, July 22; Ziggy Marley & Burning Spear, October 3.

RØDE House: The Main Squeeze, March 28; Shemekia Copeland, July 26.

FreshGrass|Bentonville: Billed as “an all-ages American and global roots music festival” will include Béla Fleck and Rosanne Cash with John Leventhal, May 16-17.

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Read also this story on the Crystal Bridges Museum of American Art.



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Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports

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Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports





Freshman OL Tucker Young never wavered through Arkansas football coaching changes | Whole Hog Sports







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ROBERT STEINBUCH: DEI deja vu | Northwest Arkansas Democrat-Gazette

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ROBERT STEINBUCH: DEI deja vu | Northwest Arkansas Democrat-Gazette


Central Arkansas Library System formalized a four-month timeline two weeks ago to find its next executive director. During that meeting, Miguel Lopez, a banker and former chairman of the Arkansas Ethics Commission who is among the community members serving on the hiring committee, stepped up with the sad but predictable racialized script.

He’d like an emphasis on programming, he said. So far, so good. But then came the kicker: He wants a director who “either has a diverse background or diverse perspectives, and that can make anyone feel included.”

You know this autotuned siren song by now. DEI isn’t dead; it’s just rebranded, as if the United States Supreme Court, the Arkansas Legislature and governor, and basic common sense hadn’t already weighed in against it.

Note Lopez’s ask: diverse background or diverse perspectives. Of course, the former is the pigment and plumbing mandate that I’ve discussed here many times.

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What exactly is “diverse perspectives,” though? Is it someone who believes (i.e., knows) that affirmative action is unconstitutional? Someone who understands that biological sex is real? Someone who voted for Donald Trump?

Somehow, those perspectives never seem to count. That’s because the phrase isn’t a commitment to viewpoint diversity at all. It’s a coded assurance that the successful candidate will embrace the “right” (i.e., left) views–an unwavering adherence to the narrow ideological catechism of race-conscious policy preferences, biological-sex denial, and the full DEI lexicon of systemic grievance–even if the candidate, mon Dieu, doesn’t check the preferred demographic boxes himself. And the moment a candidate expresses support for merit-based hiring, he is no longer “diverse.” He is disqualified. Diversity, it turns out, is remarkably homogenous.

But at least Lopez comes to his outlook organically, having once served as the “Hispanic resource officer” at First Community Bank. Who came up with that title–Archie Bunker?

Lopez says he wants to make everyone feel included. Here’s a radical idea that actually works: include them by hiring the best person for the job without regard to race, sex, or other identity checkboxes. And treat patrons as individuals who come to the library for books, knowledge, programming, and quiet refuge–not as avatars of demographic grievance.

That’s not only good policy, it’s the law. Arkansas prohibits any governmental entity from “discriminat[ing] against, or grant[ing] preferential treatment to, an individual or group on the basis of race, sex, color, ethnicity, or national origin . . . .”

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Sadly, the left has spent decades using schools, media, politics, and captured institutions to indoctrinate the public into believing that “diversity” means something nobler than old-fashioned affirmative discrimination. It doesn’t. It functions as a linguistic loyalty oath. To be considered a candidate of a “diverse background” or possessing “inclusive values,” an individual must subscribe wholesale to a specific framework of systemic grievance and identity politics–where dissent is not viewed as a valid counterpoint, but an existential threat to the collective.

Forgive my return to this topic in this column after having had a brief respite, but Lopez’s comments demonstrate that euphemized discrimination resists eradication like a fungus, and efforts to conceal its nature are one of the great hypocrisies of modern times. Take, for example, those academics who insist that their replacement of the pre-Bakke admissions quotas with “holistic review” was anything beyond a transparent shell game.

Holistic review’s score sheet includes such, uh, measurable qualifications as “grit,” which rides along with “lived experience” as wonderfully pliable tools allowing admissions officers to engineer the same racial outcomes as quotas while pretending to evaluate character. The subjectivity isn’t a bug. It’s the feature that makes demographic tailoring possible. No surprise, then, that the outcomes of this alleged comprehensive evaluation method remarkably track the old quota system.

Consider, similarly, the inverted logic of those bemoaning the “implicit bias” of standardized exams painstakingly designed to be neutral. DEI ideologues deride that objectivity, because they won’t abide testing that doesn’t necessarily produce equal results across cohorts. So their solution is always the same: discard the test, massage the scores to create the à priori demanded outcomes, or declare objectivity itself suspect.

Even worse is the central paradox of the modern diversity apparatus: DEI directives champion a kaleidoscope of appearance, but the orthodoxy of thought is non-negotiable. DEI turns neutral public institutions into Red Guard re-education camps (forgive my mixing of communist thuggery for illustrative purposes).

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The library should be about literacy, access to ideas, and community enrichment–not an outpost for the latest equity workshop. Patrons don’t check the director’s demographic scorecard before checking out a book. They care whether the shelves are stocked, the programs are substantive, the budget is managed responsibly, and the doors open on time.

Merit doesn’t have a skin color or gender quota. The country has moved past this failed experiment. Corporations have abandoned it. Courts have struck it down. And states are legislating against it, as Arkansas already has. If public institutions like CALS don’t lead by example, they should at least stop lagging behind.

This is your right to know.


Robert Steinbuch, the Arkansas Bar Foundation Professor at the Bowen Law School, is a Fulbright Scholar and author of the treatise “The Arkansas Freedom of Information Act.” His views do not necessarily reflect those of his employer.

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Dino Fest brings interactive experiences, lifelike dinosaurs and reptiles to Arkansas July

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Dino Fest brings interactive experiences, lifelike dinosaurs and reptiles to Arkansas July


Set for Saturday, July 18, Dino Fest is bringing prehistoric fun to Arkansas with interactive experiences, lifelike dinosaurs, and even some real reptiles.

Jurassic J. and Connor Hesington stopped by to share what attendees can expect.



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