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Executive Order Puts Vermont History Projects in Jeopardy

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Executive Order Puts Vermont History Projects in Jeopardy


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  • courtesy of Vermont Historical Society

  • Hannah Kirkpatrick (left) with Kelly Bartlett and Catharine Hays of the Bixby Memorial Free Library in Vergennes

One of President Donald Trump’s executive orders threatens to stop funding for the Vermont Historical Society’s milestone COVID-19 project. The work, a three-year oral history initiative, is virtually complete. The book it produced, Life Became Very Blurry: An Oral History of COVD-19 in Vermont, hits bookstores on Tuesday, March 25, and a podcast with the same name comes out three days later.

The federal Institute of Museum and Library Services awarded the historical society a $137,000 grant over three years to help cover the $250,000 project’s cost, and the money has been spent. The agency is one of seven the president now seeks to dismantle. The historical society has yet to receive the grant’s final $30,000.

New Book Chronicles COVID-19 Oral Histories in Vermont

Garrett Graff

New Book Chronicles COVID-19 Oral Histories in Vermont

By Ken Picard

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History

Normally, the nonprofit would have several more months to submit a request for the final payout, but staffers are scrambling to file it this week. “We’re worried,” project director Amanda Kay Gustin said on Tuesday.

The IMLS awarded Vermont $1.4 million in 2024. The bulk of the money, $1.2 million, went to the Vermont Department of Libraries through the Grants to States program, the largest source of federal funding support for library services in the U.S. The money accounts for a third of the department’s annual budget and supports resources shared by libraries statewide, including interlibrary loan, databases, ebooks, audiobooks and workforce development programs.

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It is unclear what effect the executive order will have, state librarian and Commissioner of Libraries Catherine Delneo said in an email. According to the order, signed last Friday, it “continues the reduction in the elements of the Federal bureaucracy that the President has determined are unnecessary.” The IMLS, along with agencies that address homelessness, support minority-owned businesses and oversee the Voice of America media network, were ordered “eliminated to the maximum extent” allowed by law.

Courts have blocked other attempts by the administration to shrink the government. A federal judge on Tuesday ruled that efforts to shutter the U.S. Agency for International Development likely violated the Constitution and ordered operations to be partially restored. Two rulings last week called for agencies to rehire employees fired because they had probationary status.

The Vermont Department of Libraries and the Vermont Historical Society are among organizations nationwide swirling in uncertainties. The historical society’s COVID-19 project is the first statewide compilation of pandemic oral history.

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Life Became Very Blurry: An Oral History of COVID-19 in Vermont, edited by Garrett M. Graff - COURTESY

  • Courtesy

  • Life Became Very Blurry: An Oral History of COVID-19 in Vermont, edited by Garrett M. Graff

“This is the kind of work that we know is just absolutely crucial to do,” said Gustin, the historical society’s director of collections and access.

Talking to people soon after a momentous event allows historians to record personal, intimate and emotional details that will fade over time, information essential to understanding the event and to learning from it, Gustin continued. “And this is the kind of project that is absolutely not possible without federal funding partners,” she said.

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If funding is denied, “we’ll have a sizable hole in our budget,” Gustin added. “I don’t have a good answer for exactly what our next steps would be.”

A separate $180,000 grant from IMLS allowed the historical society last summer to launch a program to help the state’s 190 historical societies assess and improve their collections. The historical society has started looking for alternate funding to replace the grant money — if needed — in order to save the project and the job of its program director, Hannah Kirkpatrick, who began work in October.

Prospects now look dim for the historical society’s hope to create a digital platform — a one-stop portal — that would allow users to access historical material held in the collections of historical societies and museums around the state.

In a letter posted online and on social media, historical society executive director Stephen Perkins and president Jan Albers spelled out potential losses and expressed gratitude for members, volunteers, donations and encouragement. “We will continue to press on with our work,” they wrote.

They also encouraged support for libraries. “History is housed in libraries. Libraries hold the books that tell our stories, they have rich histories that are intertwined with our towns and villages, and often the local historical society is housed right in the library,” they wrote. “Local libraries are community hubs, where children congregate after school and older Vermonters access resources.”

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The six other agencies named in last Friday’s executive order are the Federal Mediation and Concilation Service, the U.S. Agency for Global Media, the Woodrow Wilson International Center for Scholars, the U.S. Interagency Council on Homelessness, the Community Development Financial Institutions Fund, and the Minority Business Development Agency.



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Vt. communities work to clean up after EF-1 tornadoes strike

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Vt. communities work to clean up after EF-1 tornadoes strike


QUECHEE, Vt. (WCAX) – Crews worked across the White River Valley on Friday to restore power and clean up debris after two EF-1 tornadoes touched down in Vermont, including one that swept through Quechee.

Joe Haynes stared over his yard in Woodstock, with chunks of his roof scattered across it, wondering about the next steps.

Reporter Connor Ullathorne: How long will this all take to clean up?

Joe Haynes: Oh, I have no idea.

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He said he’s lucky he and his nearby neighbors are safe and are not blocked in.

“Some of the trees were down. They’ll be down for awhile but they can make their way out,” Haynes said.

Crews in Woodstock continued clearing trees and downed power lines along Route 4. That’s where Tiffany Miller was working inside the Mountain Creamery when the tornado passed right over the store. Nobody was injured, but their new walk-in storage ended up in the trees.

“It’s definitely a big setback for us. We were getting ready to have it wired up tomorrow. So I mean we definitely have a lot of elbow grease and hours to put in to get back up to where we were,” Miller said.

She said she was happy to see how many customers have checked in on them.

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“It’s nice to see that no matter what, in some bad case– storms or indifferent– that we can still come together and be there for each other,” Miller said.

Farther east in Quechee, workers hacked away at trees and swept away debris along the golf course and roads.

“It’s crazy they want to see. Everybody cares about their community and all their assets and amenities, so it’s nice to see everybody come together,” Quechee Club General Manager Brian Kelley said.

Kelley said they were out early Friday, and many residents were shocked at the damage. He’s still hopeful the area can come together and support each other.

“We normally do about 200 rounds a day going into one of our peak weekends. We’ve got the balloon festival this weekend, so we have that population in town, so a little bit of disappointment but people have been great and supportive, and we’ll be back at it tomorrow,” Kelley said.

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Kelley said it should be a few days until they are back to full force in Quechee.

Many others across the region told us they’re now focused on getting back to normal.

Click here for the latest forecast from the WCAX First Alert Weather Team.

Copyright 2026 WCAX. All rights reserved.



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New owners of Vermont Packinghouse plan for local growth – The Vermont Journal & The Shopper

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New owners of Vermont Packinghouse plan for local growth – The Vermont Journal & The Shopper


Members of the Vermont Packing & Trading team stand with the owners of Vermont Family Farms. Photo provided

NORTH SPRINGFIELD, Vt. – For years, limited meat processing capacity in Vermont has forced many farmers to sell their livestock out of state. A recent ownership transition at a meat processing plant in North Springfield aims to change that by helping ensure locally raised meats can continue to be processed, packaged, and sold in Vermont.

The Vermont Packinghouse (VPH), located at 25 Fairbanks Road in North Springfield, was recently sold in two subsequent transactions to a new ownership group led by longtime food service and distribution leader Louis Helbling.

The 50,000-square-foot United States Department of Agriculture (USDA) facility processes and packages beef and pork from small- and medium-sized farms across New England. The sale of both the business and the building marks a new phase of growth and stability for a key regional meat processing operation that has been managed by multiple entities in recent years.

  Longtime Springfield businessman Mark Curran, of Curran-Birge, purchased the former Ben & Jerry’s manufacturing plant in 2013 with the goal of easing a major bottleneck for Vermont meat producers by expanding much-needed processing capacity. Curran and his former business partner Steve Birge worked with Temple Grandin, a renowned designer of humane livestock facilities, to develop a slaughter facility that minimizes stress on the animals.

The facility was operated by Minnesota-based Lorentz Meats from 2014 to 2020, and later by Walden Local Meat Co. from 2023 to 2026. Throughout that time, Curran maintained ownership of the building, carefully stewarding an asset he believed held long-term potential for the region.

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  On May 29, Curran sold the property to a new ownership group led by Helbling, a veteran of food service sales, operations, and senior management. Under the newly formed Vermont Packing & Trading, Helbling is focused on expanding market opportunities for locally grown meats while creating jobs and supporting local farms. With a passion for the food industry, Helbling was drawn to Vermont’s specialty food culture and deep agricultural heritage.

“With Louis’ decades of work in the New England food industry, there is real opportunity to open more markets for local beef and pork producers outside of Vermont,” Curran said. “Another initiative will be to retain more of Vermont’s dairy culls from leaving the state and keep more value-added processing here.”

Helbling and his team will continue to work closely with Curran, Black River Produce – a distributor with deep ties to the operation – and the owners of Walden Local Meat Co. to ensure a smooth transition of both building ownership and day-to-day operations.

“We have all worked very hard over the past six months to keep VPH open and in a position to rehire a very talented and dedicated workforce as quickly as possible,” Helbling said.

  With a new management team in place, the facility is entering its next phase of operations focused on future growth.

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Upgrades to the USDA facility are already underway, alongside efforts to expand cold storage capacity to meet growing regional demand. “Adding to the existing footprint with additional freezer and cold storage will give us the capacity we need to grow as a business and add to the local workforce over the next five years,” Helbling said.

He added that he and his team will continue working with Curran to revitalize the landmark facility and restore it as a source of pride for families, employees, and local farms.

“All of us involved in this journey are excited to be working and relocating to the great State of Vermont,” Helbling said. “We are operating and moving quickly to bring business from all over the Northeast to Springfield.”

Vermont Packing & Trading was formed after the April 2026 sale of the Vermont Packinghouse business and is seeking new partners and producers across the Northeast.

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Norman Rockwell finally gets his day in new Shelburne Museum exhibit

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Norman Rockwell finally gets his day in new Shelburne Museum exhibit


SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.

That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.

“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.

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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.

“It’s very accessible work and approachable,” Bauer said.

The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.

“It feels like a homecoming in many regards,” Bauer said.

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Moving to southern VT, finding ‘the every American’

The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.

Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.

He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.

Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”

Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.

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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.

Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.

“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.

Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.

In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.

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“He was progressive,” Bauer said.

Inspired by paintings donated by Rock of Ages

“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”

Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.

Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.

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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.

“We are just eager for our visitors to see these paintings,” Bauer said.

If you go

WHAT: “Norman Rockwell: At Home in Vermont”

WHEN: June 20 through Oct. 25

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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum

INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org

Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.



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