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The Absurd Problem of New York City Trash

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The Absurd Problem of New York City Trash

In New York City, trash has no dedicated space all its own.

It fits, instead, in plastic bags squeezed into the in-between spaces of the city.

It fills the gaps between buildings, the landings of stairwells, any available turf between two fixed objects.

Say, a parked car and a dining shed.

Even towering piles of trash can be almost invisible to inured New Yorkers.

But step outside the city for a moment — or view it with a visitor’s eyes — and a sense of absurdity may set in: How can one of the world’s greatest cities handle its garbage like this?

Consider the ubiquitous New York trash bag. It tears. It leaks. It smells. It multiplies on the sidewalk, attracting carryout clamshells and still-full coffee cups tossed on top until it all melds into a sticky mess. That mess feeds rats, blocks sidewalks and spills into the street. Then it strains the sanitation workers who must move every bag by hand into a trash truck, as testy drivers honk behind them.

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Conversely, if the city could just tame all of this garbage, New York might be transformed.

The Sanitation Department has vowed to do this, shifting the bulk of New York’s waste out of sloppy sidewalk piles and into containers in a manner more closely resembling that of other American cities and global capitals. The prospect has prompted much snickering: New York’s big idea to clean up trash is to … put it in trash bins? Like other cities have done … for decades?

(It’s not lost on the Sanitation Department that the city is a punchline: “This was our moon landing,” the agency posted self-deprecatingly on X when video of its newly unveiled trash truck was shared widely last month.)

But the details of how this might be done in New York turn on a number of deeper and more difficult questions about the city itself: Where, exactly, do you carve out space for an essential city service in a place with so little space left? How should the city dole out what has become its most contested public asset, the curb space in the street? Would New Yorkers give up parking to clean up the trash?

These questions are about no less than the dilemma of a truly dense city, where anything that demands its own space means something else must give.

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To be a little less philosophical about it, the current state of trash collection in New York City seems almost preposterous:

All of the trash bags on New York’s sidewalks — and the chairs dumped there, too — are collected like this.

How we got here

And what the 1811 street grid has to do with it.

The scene in the video you just watched might equally be from the 1970s or the 1920s. Trash in New York has largely been collected the same way for generations, typically with a couple of guys in the middle of the road grinding down their knees and lower backs to thrust refuse onto a truck.

1940: Buckets containing ash were once a big part of the waste stream.

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New York City Municipal Archives

1924: Notice what’s not on the street in the background: parked cars.

The New York Times

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All that’s really changed has been the style of the vehicle and, if you go back far enough, the animal pulling it:

1920: New York’s Sanitation Department was originally the Department of Street Cleaning.

New York City Municipal Archives

1913: A century in the past, but the same problems as today.

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The New York Times

In 2024, this is not how trash is collected in most major American cities, or in comparably rich international ones.

For one thing, many American cities store and collect much of their trash out of view, in alleys instead of on the street. And they use two-wheeled bins that can be mechanically lifted by a truck. Dense European cities like Amsterdam, Barcelona and Berlin that do collect trash from the street often use large shared containers that are also mechanically emptied. Other cities even store trash underground or push it through pneumatic tubes (Roosevelt Island, an oasis of relative cleanliness in New York, has a pneumatic system).

But the idea of trash bags, just piled on the sidewalk?

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“People would not tolerate — Would. Not. Tolerate. — trash being left the way it is in New York City,” Anthony Crispino, deputy director for the District of Columbia Department of Public Works, said of Washington residents (about 65 percent of Washington’s collection happens in alleys, for one).

“I would never ever ever ever even think to try to have an opinion on what New York does,” Cole Stallard, Chicago’s streets and sanitation commissioner, said of his New York counterparts (alleys host about 90 percent of his trash collection). “They’re up against tough odds with people literally taking garbage — raw garbage, dog feces that they cleaned up — and they’re putting it in a bag and putting it out on the curb.”

No wonder New York has a rat problem (the dog feces, Mr. Stallard adds, are more delicious to rats than even the finest steak scraps).

To be fair to New York, it’s unlike other cities in some crucial ways beyond its sheer size. Many big-city sanitation departments serve only single-family houses and small multifamily buildings, requiring bigger apartment buildings to pay for private trash service. In New York, commercial businesses rely on private service. But for residences, the city collects free of charge from everyone: houses, midrises, huge apartment buildings, public housing complexes.

That’s more than 800,000 residential buildings, producing about 24 million pounds of waste a day. Commercial businesses produce another 20 million pounds daily.

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History has also been unkind to New York on the trash front. If we freeze that scene from above, all the constituent parts — the bags, the street collection, the parked cars — can be traced to decisions people made decades or even centuries ago:

Let’s start with the men who drew up the iconic 1811 plan for Manhattan’s street grid north of Houston Street. They didn’t include any alleys — for no particular reason historians have discerned.

This foundational 1811 map, zoomed in to what’s now the Chelsea neighborhood, didn’t bother to include alleys.

New York Public Library

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The map’s three authors left few notes about their thinking. But two of them also happened to be working under deadline on the plans for the future Erie Canal (and they produced a voluminous report for that one).

So it’s entirely possible Manhattan has no alleys for trash collection today because the men who drew the street grid in 1811 were preoccupied by what seemed at the time like a bigger assignment.

“It isn’t because they said alleys were bad,” the historian Gerard Koeppe said. “It’s because they were thinking about the Erie Canal.”

In 1954, New York made another momentous decision that wasn’t particularly related to trash but that now looms over the city’s possible solutions. That’s when New York conceded its streets to free overnight parking for private cars. Until that point, the streets typically looked like this, with cars allowed to park for no more than an hour during the day and three hours after midnight:

This residential block in the Chelsea neighborhood, seen in 1940, is framed today by tightly parked cars.

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New York City Municipal Archives

Now New York’s streets are lined with about three million parking spaces.

Today the only plausible place to put large, sturdy, rat-proof trash containers is in the street, as many European cities do. But to do that, New York will have to claw back street space from cars. And the city will also have to do that at a time when competition for curb space is soaring from entirely new sources: bike lanes, bikeshare docks, dining sheds, rideshare pickups, Amazon deliveries, electric car charging stations, cargo bike loading zones and more.

To take one last step through history, we must also revisit the New York sanitation worker strike of 1968. Before the strike, New Yorkers were required to put their trash straight into metal cans — picture the kind Oscar the Grouch might occupy.

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Sanitation Department guidance from 1949.

New York City Municipal Archives

But those cans overflowed to horrifying effect during the 10-day strike:

When New York streets resembled landfills.

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Neal Boenzi/The New York Times

Garbage was just loose in the street.

By the end of the strike, 100,000 tons of garbage sat on the street.

Larry C. Morris/The New York Times

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At the time, the chemicals industry offered to come to the city’s rescue with a new product — the durable plastic trash bag. The industry even donated 200,000 of them to City Hall in its hour of crisis.

Plastic bags also meant no one had to hose out grimy trash cans.

Meyer Liebowitz/The New York Times

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New Yorkers were relieved to be rid of the racket that metal cans made. They believed bags might better contain the smell that attracted rats. And sanitation workers preferred slinging bags into a truck over wrestling with cans. As the city moved in 1971 to formally wipe out the rule requiring cans, a city official declared the plastic bag the most significant advance in garbage collection since trash trucks replaced the horse and wagon.

Tackling the ‘black bag problem’

Or, how the city will try to put trash in containers, which sounds easy but actually is not.

It’s hard to say why, over the last half-century, New York never seriously rethought the plastic bag until now. Critics blame inertia. And the Sanitation Department had other things to worry about, like budget cuts, route planning, run-down equipment and where to put all the trash once Mayor Rudy Giuliani promised to close Fresh Kills landfill on Staten Island.

“In my day and then in subsequent years, I don’t think it was ever thought about from the point of view of: ‘What’s the container? Is this the best container?’” said Norman Steisel, who was the sanitation commissioner from 1979 to 1986 (his big project was moving from a three-man truck to one that required only two workers).

Enter Mayor Eric Adams, who hates rats. And a new sanitation commissioner, Jessica Tisch, who had no particular background in trash and who has been prone to asking an outsider’s questions about it, like, “What if people put it out later in the day?”

“I think tackling the black bag problem,” she said, “is the single biggest thing you can do to make the city cleaner and restore dignity and order.”

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In February, Ms. Tisch and the mayor unveiled their revised plan for “containerizing” trash; recycling, which is not so enticing to rats, will remain on the sidewalk for now. Their plan calls for one strategy for smaller residences, another for big apartment buildings, and a third for the midsize buildings in between, which actually wind up being some of the hardest.

Any plan to deal with all these bags must solve for three things: the right kind of container for each building, where to store that container, and what kind of truck can pick it up. The city’s proposal also assumes that it will continue collecting trash two or three days per week from every residence in the city.

For buildings with fewer than 10 units, including single-family homes across the outer boroughs, the city has proposed to use standard wheelie bins, as some residents already do. Residents would store them against their buildings or in front yards and wheel them to the curb on collection days. New York’s existing trash trucks, retrofitted with a lifting arm, would pick them up and empty them.

Apartments of 31 units or more would need large, stationary containers parked on the street. They would look something like this:

Two possible examples of the kind of street container coming to New York.

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Hiroko Masuike/The New York Times

Two containers, each fitting four cubic yards of trash, would take up the space of one parked car. A specially designed side-loading trash truck would then lift those containers for dumping.

No sanitation workers were strained in the lifting of this trash container.

Hiroko Masuike/The New York Times

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The middle-density buildings — those with 10 to 30 units — are tricky because they may produce too much trash for wheelie bins, but not enough to fill a container. These buildings also tend not to have full-time superintendents or trash compactors. The Sanitation Department wants to let the managers of each midsize building decide whether to use wheelie bins or on-street containers.

For every property, the answer will probably depend on the particular dimensions of their trash rooms, elevators, front yards and sidewalk space.

To understand how this will play out in real life, let’s look at a stretch of West 21st Street in the Chelsea neighborhood of Manhattan — the same block shown in the photo above from 1940.

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An overhead satellite photograph of two Manhattan blocks, bordered by Seventh Avenue, Eighth Avenue, West 20th Street and West 22nd Street, with West 21st Street running down the middle. Upon scroll, the image is color-coded to show the sizes of the buildings on the block, and shows that there are no alleys in these blocks.

About 2,000 people live — and generate trash — on these two blocks between Seventh and Eighth Avenues.

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Each type of building the Sanitation Department is planning for exists here.

These blocks have no interior alleys. There is little space between the buildings and the street. And the buildings form a solid mass that leaves few gaps to stash trash before collection day.

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On a recent Friday morning before collection, there were 373 bags of trash and recycling sitting on this block-long stretch of West 21st Street.

The sidewalks looked like this …

… with trash bags erected in sculptural heaps …

… and lined up like little expectant soldiers.

There was a mattress. There is always a mattress.

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The city’s plan, in theory, would take most of this trash (OK, not the mattress) and move it into a container. If we zoom in on the corner at West 21st Street and Seventh Avenue, the result might look like this:

A line illustration showing three buildings along a short stretch of West 21st Street, and their garbage. Upon scrolling, the illustration also highlights parked cars and space for a fire hydrant; three on-street trash containers replace one car and shift others down the street; wheelie bins sit in front of the two smaller buildings; and an additional on-street container replaces another car. A truck appears at the end to collect the garbage.

Trash and recycling are typically piled up like this now.

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Like many residential blocks in Manhattan, the street is lined with parked cars. There are fire hydrants, streetlights, tree pits and a bike lane to keep in mind, too.

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The 130-unit building on the corner will need three on-street trash containers, probably next to the space reserved for a fire hydrant. That takes up the space of one and a half cars.

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This six-unit building needs just three wheelie bins out front. They don’t block the street, but they do block the windows of the ground-floor apartment.

This 20-unit building has a choice: either eight wheelie bins, which would line the entire front of the building …

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… or one on-street container, which would preferably not be right next to the garden box.

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One truck will come down this block collecting from wheelie bins. Another will lift and empty the street containers. Recycling, meanwhile, will still be collected from piles on the sidewalk.

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If we continue down the full block, the city’s plan could mean placing about 80 wheelie bins on the sidewalk, and 20 containers in the street, replacing 10 parking spaces. That’s the middle range of the possible scenarios.

There’s a clear trade-off between the wheelie bins and the on-street containers: Strategies that clear more of the sidewalk take up more of the street.

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The most efficient plan — taking up the least total space — would have multiple buildings share street containers. That would solve for midsize properties that have too many wheelie bins but not enough trash to justify their own street container. But the city is worried about another problem here: Shared containers would attract illegal dumping, particularly by businesses that are supposed to pay a private hauler for trash collection. So instead the city plans to assign locked street containers to specific addresses, to be unlocked by the building super.

Citywide, this plan would require at least 800,000 wheelie bins, to be purchased by individual residents and building managers (any bin will do at first, but by 2026, the city will require a standardized one).

And the Sanitation Department estimates that this plan would take up 22,000 to 34,000 parking spaces — about 1 percent of the city’s total on-street parking — depending on what the medium-size buildings opt to do. That’s significantly less than the 150,000 parking spaces the city first estimated last year. The department has cut that number by removing recycling from the program and shifting more buildings to wheelie bins.

The apartment-dense Upper East and West Sides of Manhattan would probably lose the most parking.

Source: Sanitation Department

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Every design choice has trade-offs. The on-street containers clear the sidewalks, but they may also complicate street sweeping and plowing. The wheelie bins require no street space, but too many of them may also be a nuisance. The city’s preferred side-loading trucks lift only from one side, so the city will need two fleets of right- and left-loading vehicles. Alternative hoist trucks that lift containers 20 feet off the ground can dump from either side, but they risk whacking trees and light posts. Even overhead, New York is crowded.

“This whole program,” Ms. Tisch said, “is one big balancing act.”

Commercial businesses offer a glimpse of these trade-offs to come. Last summer the city began to require restaurants, and then chain stores, and now all businesses to keep their trash in containers before private haulers collect it. There’s already less waste on the ground than existed one year ago, but there’s also a growing number of bins chained to bike racks and sewer grates to prevent people from stealing them.

Scaling up to the whole city

What happens when ideas that make sense in other cities run into the particulars of New York.

Eventually, the city envisions deploying a fleet of bespoke trash trucks — a European truck body on an American chassis, costing about $500,000 per truck — that would mechanically do the work of two people tossing trash bags.

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“It’s a great idea,” Harry Nespoli, the head of the New York sanitation workers’ union, said (the trucks will still require two sanitation workers). “But over the years,” he added, “I’ve seen ideas come into New York City and come out of this city, and some of them just don’t work.”

The city is planning to pilot its strategy in Harlem starting in the spring of 2025, and any kinks and workarounds will no doubt become clear then. For example: What happens when snow piles up around the street containers? Can they withstand drivers smashing into them? What if sanitation workers can’t fit the wheelie bins between tightly parked cars?

Can such an ambitious project, which could run citywide to hundreds of millions of dollars, also stay on track at a time of city budget cuts?

The biggest logistical challenge will be the city’s enormous variability — that it contains our depicted Chelsea block and the suburban-style streets of Staten Island and the extreme density of the Financial District.

“It’s the central issue — creating some kind of uniformity in a place that doesn’t have uniformity,” said Martin Melosi, an environmental historian who has chronicled the history of waste in New York.

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New York must also consider really big apartment buildings: A thousand-unit complex would need about two-dozen on-street containers. And the city has many neighborhood main streets, where ground-floor stores and cafes may not welcome a wall of wheelie bins out front serving the apartments upstairs. Then add dining sheds to these scenes. They use the same street space trash containers would. But the details of how the city contains trash on the street may also affect how appealing it is to eat there.

Imagine the view from the dining shed.

Clare Miflin, an architect and the executive director of the Center for Zero Waste Design, argues that a different scheme would better address these harder cases. In denser parts of the city, she suggests all small and midsize buildings use shared on-street containers, clearing the sidewalks of wheelie bins. (With the right design choices, like a smaller opening to throw trash, Ms. Miflin says the city could still discourage illegal dumping.)

That would take up more parking, and require more frequent collection in the densest parts of the city. But Ms. Miflin suggests the biggest apartment buildings don’t need their own permanent street containers. They could use four-wheeled bins that would be stored inside, filled from trash compactors, and pushed to designated on-street spots on collection days. That same street space could then be used for recycling bins on other days, and for delivery trucks and rideshare drop-offs at other hours.

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Ms. Miflin worries the city is too focused on rats and not enough on how the challenge of trash containerization could also serve much larger goals in rethinking the city’s streetscape and reducing overall waste in the process.

“You should make the best use of space,” she said, suggesting that the sidewalk in front of a cafe or a ground-floor apartment isn’t best spent on wheelie bins. “Things should be on the street. But don’t consider the street something we can take as much of as we like.”

The city concedes that its plan won’t solve for every building or block. Neither wheelie bins nor street containers will work on about 4 percent of residential blocks, places where the buildings are just too big or the streets too small (or both, in the Financial District). The city would have to offer waivers or specialized trash plans to the residents there.

Relatedly, the sanitation workers’ union used to keep two chiropractors on call in the union hall.

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Considering the scenes of trash in the city today, the bar is set remarkably low, said Benjamin Miller, a former director of policy planning at the Sanitation Department and author of another history of New York trash (the word “remarkably” is ours; he used a synonym we can’t print).

“Almost anything we do would be good,” he said. “And getting rid of bags is the first sort of ‘duh!’ The benefits follow from there.”

The streets would be cleaner. The trash trucks wouldn’t idle as long. The sanitation workers would be healthier (half of their line-of-duty injuries now are sprains and strains).

Containers also make it easier to reduce waste. Some cities do that by billing more to the buildings that produce more trash. And research has suggested that if cities charge for the actual cost of garbage services, they wind up with less trash. But if you wanted to price trash, first you’d need to put it in containers for easier monitoring and measuring. (In New York, this would require a change from a service that’s nominally free.)

Then there are the building supers who’d surely be happier.

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All this trash — “I go to sleep thinking about it,” said Martin Robertson, the super for a 303-unit building in Brooklyn.

Trash is the bulk of his job: figuring out where to store it, how to squish it, how to keep ahead of the ever-growing mound of cardboard.

Mr. Robertson’s cardboard …

… and his recycling. The more his residents recycle, the worse his storage problem gets.

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His trash room is 163 square feet in size. But with the trash compactor, the sink and a bit of space to move around, he counts less than 42 square feet for storing the actual bags until he can take them outside on collection day.

The compactor squishes trash. But it also takes up space.

“Literally every inch is a fight,” Mr. Robertson said. “And every system to save and reduce those inches is a fight.”

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Out of space and out of better ideas, Mr. Robertson has taken to piling up his trash bags in a parking space he has claimed in front of the building with his own traffic barriers.

He has basically arrived on his own at the conclusion the city is reaching now, too: There’s nowhere left to put the trash but in the street.

At the dawn of a new day in New York trash collection.

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New York

How a Writer and Literary Agent Lives on $48,000 in Riverdale

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How a Writer and Literary Agent Lives on ,000 in Riverdale

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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Ask Lori Perkins what was the biggest bargain she ever scored and her life story comes pouring out. The Advanced Placement classes she took at a public high school, Bronx Science, helped her do four years of N.Y.U. in three. She bought her first apartment with money from a buyout she negotiated with a landlord. Got a break on her wedding from a hotel banquet director who was about to retire and a deal on her divorce for landing her lawyer a book contract.

“Every big thing in my life has been a bargain,” Ms. Perkins said last month as she stood in her apartment high above the Hudson River surrounded by the fruits of a lifetime of haggling.

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The Herman Miller Noguchi glass coffee table? An invisibly chipped floor model for $700. To save the $700 delivery fee, she and a friend drove up to Westchester, wrapped it in a blanket and rolled it home “like Lucy and Ethel through the hallway.” The fox fur coat hanging over the chair? $20 new at a vintage shop. “When I looked it up, it was a $575 coat.”

The co-op apartment itself — three bedrooms on the 18th floor of a building on a hilltop in Riverdale in the Bronx — was a foreclosure special: $125,000 in 1992.

It is the apartment of someone who has lived — who is living — a full existence. A sign on the bright orange wall in the kitchen says “A clean house is the sign of a wasted life.” Shelves in every room groan beneath the weight of thousands of books.

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Setbacks and Silver Linings

As a literary agent, Ms. Perkins, 66, has sold some 3,000 titles, including seven best-sellers — perhaps you’ve read Jenna Jameson’s memoir “How to Make Love Like a Porn Star.” She runs a publishing house, Riverdale Avenue Books, specializing in L.G.B.T.Q. erotica. She edited the zombie bodice-ripper anthology “Hungry for Your Love” and has written or co-written nine books herself, including a pair of paperbacks, “Two Dukes and a Lady” and “Two Dukes Are Better Than One,” that birthed a hybrid genre she calls “duke ménage.”

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In the last few years, she’s endured some setbacks, but each one has had a silver lining. Burning through her 401(k) — over $100,000 — to pay for her late mother’s dementia care let Ms. Perkins qualify for Medicaid so that when she got breast cancer early in the pandemic all her expenses were covered. Her treatment at Mount Sinai led her to teach journaling to breast cancer survivors, which led to a grant from the Bronx Council on the Arts to teach at her local senior center, where she has discovered a whole community.

The aftereffects of cancer, coupled with a plunge in her publishing house’s overseas sales, which she attributes to Trump-fueled anti-American sentiment, forced her to downshift a couple of gears, take more time to enjoy things and embrace frugality as a lifestyle.

Here’s the state of her hustle, 2026: She’s getting $22,000 from Social Security, about $20,000 as an agent, a couple thousand for freelance writing and, hopefully, another couple for running writing workshops. She signs up for focus groups, “usually about being old,” and will squeeze about $1,000 out of that. And she has lined up a 10-day, $3,000 gig as a Board of Elections poll worker. All told, she’s looking at little under $50,000.

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How to Afford the Day-to-Day

On the spending side, the monthly maintenance on her apartment is $2,000, though she’s looking to downsize and move to a lower floor, which she figures could cut her cost in half. “Somebody can call me and buy my apartment right now.” $750,000!

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The maintenance includes use of the complex’s outdoor pool, but she rents a cabana with an umbrella for $500 a year “because I can’t go in the sun, after radiation,” she said.

Insurance on her aging Volkswagen Beetle is $1,900 a year. Her annual pilgrimage to Maine costs about $1,200. Most of the rest is day-to-day stuff. Groceries are maybe $200 a month. “I go to Stew Leonard’s where they have dollar beers,” she said.

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She allots $250 a month for entertainment, including meals out. She gets the $10 lunch special to go at the local Chinese restaurant and heats it up for dinner. She never misses Restaurant Week.

She does $5 movie Tuesdays at the Showcase Cinema in Yonkers, $4.50 for Broadway tickets through Club Free Time, an online publication. She re-ups her Hulu and Disney+ subscriptions on Black Friday, when they’re $1.99 or $2.99 a month. She’s going to see Bruce Springsteen at Madison Square Garden on Saturday and the tickets were $130, “so that’s most of my budget for May, but it’s worth it.”

What about museums? Dollar admission at the Metropolitan Museum of Art and the Cloisters for city residents, free Fridays at the Whitney, pay-what-you wish hours at the Guggenheim. “I used to be a member of all of them, and if I ever had more money I would go back to being a member, but right now I’m taking advantage of their generosity,” Ms. Perkins said.

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Her wardrobe budget is minimalist like her fashion. “If it’s winter, I’m wearing black pants and a black shirt. And if it’s summer, I’m wearing a black dress.”

Even her splurges have been bargains. The cruise she took in Italy, using money she had saved by taking the toll-free Broadway Bridge instead of the Henry Hudson Bridge when she drove to Manhattan, was effectively free after she won $1,000 gambling on board.

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The Middle Class Fantasy

“I really believe you can do almost anything if you research and plan,” Ms. Perkins said. “It’s the spontaneity that’s hard. And we as Americans are really spoiled.”

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Looking back on her journey, Ms. Perkins has reached some conclusions that surprised her.

“Cancer saved my life,” she said. “The life that I was leading was exhausting because I was trying so hard to keep up with this fantasy of middle-classness.”

Now, she said, “I don’t care if I’m wearing last year’s shoes, I don’t need to go out every night to a Michelin-starred restaurant, because I go two times a year, and you know what, when you save up for it, it’s more joyful. Every single thing. Every little joy is a bigger joy. I can’t explain it. I took so much for granted when I had more money.”

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Did she mention she’s working on another book?

“It’s called ‘La Vida Broka: How to Live Richly When You’re Dirt Poor,’” Ms. Perkins said. “Just buy the book, because it’s all going to be in there.”

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We are talking to New Yorkers about how they spend, splurge and save.

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Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

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Maya Lin Connects Nature to a New Manhattan Skyscraper and Beyond

On a recent spring afternoon, the renowned artist and designer Maya Lin clambered up and down a rocky outcropping in Central Park in New York, undeterred by the crowd of tourists that was shooting photos nearby.

While they snapped selfies, she reflected on how this place — and similar geology near her childhood home in Athens, Ohio — had inspired her latest creation: the stone facade on the western walls of the 60-story JPMorgan Chase skyscraper in Midtown Manhattan. Estimated to have cost from $3 billion to $4 billion, and with glowing artwork at the summit visible citywide, it opened last fall and occupies the block between 47th and 48th Streets and Madison and Park Avenues.

Her project, “A Parallel Nature,” is a sculpture composed of two 59-foot-tall and 55-foot-wide gray stone walls set in an intricate design, with plants that peek out from the crevices. An array of flowers has been newly planted on the walls this spring.

Lin’s long career and passion for the environment made her a natural choice for the project.

Now 66, she began her career as a 21-year-old senior at Yale University when she won a competition to design the Vietnam Veterans Memorial, which was dedicated in 1982 in Washington, D.C. Among her many recent projects is the water fountain installation titled “Seeing Through the Universe” for the Obama Presidential Center in Chicago, set to open to the public next month.

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Five of Lin’s works will also be on view at Pace Gallery’s booth at Frieze New York this week. There are pieces that call attention to bodies of water that are disappearing or that have already disappeared — Lake Chad in North Africa and the Aral Sea in Central Asia — along with a piece focused on the Antarctic Circle, and a new silver sculpture, “Silver Yellowstone,” that is inspired by the Yellowstone River, widely considered to be the longest free-flowing river in the lower 48 states.

In a recent series of interviews in her home office on Manhattan’s Upper East Side, at the JPMorgan Chase building and during the ramble through the rocky terrain near the lower eastern end of Central Park known as the “Dene,” a British term for a valley, Lin described the woods and rock cliffs she remembered from growing up in Ohio.

“Water would just subtly drip down the cliffs, and there would be ferns and grasses and things growing there,” she explained, adding, “I was definitely out there in nature almost daily, and very concerned about environmental issues.”

Central Park, which Lin explores regularly when she is in Manhattan, was its own inspiration. Her family also has a home in southwestern Colorado, where she hikes and bikes every summer.

In 2022, she and representatives of JPMorgan Chase and Tishman Speyer, the development manager of the new skyscraper, took a daylong walk through the park, looking for a rock formation that could serve as the model for “A Parallel Nature” and “bring a little bit of the character” of the park to the building, Lin said.

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They initially failed to identify anything appropriate. Lin returned the next morning on her own and came across the Dene, which she had seen on previous walks through the park.

“When I first got a call to look at the building site, I realized that the subway would be running underneath it,” Lin explained. “And I saw an excavation photo of Grand Central Station that showed that its construction cut through Manhattan’s bedrock. And I just had an idea, ‘What if I could bring bedrock to the surface in the middle of Manhattan?’”

“What I am interested in is, quite literally, grounding you in what might be right below your feet that you might not be aware of,” she added.

Capturing the Dene on the exterior wall of the skyscraper, Lin explained, would enable her to express the character of an exposed stone outcropping in Manhattan, quite literally bringing bedrock to the surface, in a way that echoes the Dene in Central Park.

Lin identified a type of gray granite from Barre, Vt., for “A Parallel Nature” that she called a perfect match with the metamorphic rock known as gneissic schist on which the JPMorgan Chase skyscraper sits.

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The 239 stone pieces mounted atop the artwork’s two walls were cut by the Quarra Stone Company, a Wisconsin-based stone fabricator that transported the stone on large, flatbed trucks from Vermont to Wisconsin and then to Manhattan. Lin called the installation of the walls on the facade of the skyscraper her most difficult commission yet.

“Trying to create something that would be a balance between natural and man-made was the aesthetic challenge,” she explained. “And to keep the artwork as a sculptural creation rather than an architectonic solution — also the engineering to fabricate and install — were intricate and extremely complex.”

The stonework on each wall is composed of over 100 pieces of granite, Lin said, “so by grouping 15 to 20 pieces together and ever so slightly tilting them, I was able to create larger groupings to help create what I call city states. These helped make each wall feel like it was comprised of larger plates.”

Each of the pieces is hung, in a puzzle-like formation, from a steel bracket system installed on a steel ladder frame system anchored to the concrete support wall on the lowest level of the building’s Madison Avenue facade.

At the foot of each wall is a streambed with waterworn rocks that came from near the headquarters of the Wisconsin fabricator, chosen to work well with the gray granite walls. Water gently flows in the beds, creating a burbling stream in the middle of Midtown traffic cacophony. Lin calls the stream “an unexpected natural moment in the busy city.”

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There are also two sources of water on the walls themselves, meant to irrigate the plantings in the walls’ seams. One is a drip irrigation line installed behind what Lin calls “plant pockets,” holes 10 to 12 inches deep that range in length from 3 to 7 feet and that are designed to hold the artwork’s vegetation.

The second is a drip irrigation system that runs along the top of the rock walls. This gently drips continuous streams of water that find their way down and beneath the surface of the rock, nourishing the plantings in the crevices and ledges. The system is designed to encourage plant growth and to bring the sound of trickling water to the facade.

Lin is working with specialists on the plantings, including Blondie’s Treehouse, a Manhattan plant installer and supplier; Cecil Howell, a Brooklyn-based landscape architect who has worked with Lin on a number of recent environmental art installations; and Richard Hayden, the project’s consulting horticulturist, who is also the senior director of horticulture for the High Line, a public park built on a historic elevated rail line on Manhattan’s west side.

Though some plants were installed in late October, it was understood that since water would not be available until late fall, spring would be the ideal time for fresh planting.

Urban environments are tough on plants, Lin explained, calling the site’s horticulture “an experiment.” The horticulture team is trying more than 30 varieties of plants to see which ones thrive where, she said, adding that she expected the plants to be monitored and plantings adjusted quarterly.

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Lin said she wanted “to create a predominantly native New York landscape reminiscent of what you might find naturally growing on rocks and within crevices in actual rock faces and ledges” to make visitors aware of the nature around them.

New plants growing this spring include maidenhair fern, Eastern red columbine, creeping phlox, Christmas fern and dwarf crested iris.

Just across from each of the artwork’s walls are a flower garden and native red maple trees, as well as long, sinuous concrete benches designed by Norman Foster, the skyscraper’s architect, all meant to create a sort of public park.

“A Parallel Nature,” as its name implies, “neither tries to perfectly recreate nature, nor feel architecturally fabricated,” Lin explained. “It is a work that makes ambiguous the line between the natural and the man-made.”

The sculpture is one of five works of public art commissioned for the new building by JPMorgan Chase — whose art collection was founded in 1959 by David Rockefeller, then executive vice president and vice chairman of Chase Manhattan Bank. The skyscraper’s other new works include that LED light work at the summit by Leo Villareal, whose art will also be on view at the Pace Gallery exhibit at Frieze; two paintings by Gerhard Richter in the building’s lobby; a 3-D printed, bronze column by Foster, also in the lobby; and a display of light and motion at the lobby’s elevator banks, driven by custom A.I. models by the Turkish artist Refik Anadol.

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David Arena, head of global real estate for JPMorgan Chase, said the bank had deliberately lifted up both the Madison Avenue and Park Avenue bases of the new building 85 feet to create more outdoor space for pedestrians. “When passers-by step on the Madison Avenue curb,” he said, “they are awe-struck, think differently, have a moment of respite.”

“We thought it would be a great spot to make a gift to Manhattan and to people in the neighborhood who can come up, have a seat, enjoy a cup of coffee, enjoy some great art, maybe think differently,” he said.”

He also called Lin “one of the most accomplished modern-day artists, a strong enough talent to be a counterpoint to Norman Foster.”

Lin agrees with Arena’s predictions about the artwork. “Even though it can dialogue with the building in scale, it adds an unexpected, natural respite from the busy street life, offering a different feeling,” she said.

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‘She Studied Us for a Moment With Theatrical Longing’

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‘She Studied Us for a Moment With Theatrical Longing’

Dear Diary:

On a false-spring afternoon, my boyfriend, Luis, and I went to the wine bar around the corner from my Williamsburg apartment. We were sitting at the bar having a private conversation when I asked Luis for the time.

“It’s 7:30,” a blonde woman beside us said before he could answer.

She turned toward us with the bright, urgent expression of someone who had already decided we were all having a drink together. She was drunk, her mascara intact, but only just.

“What do you guys do?” she asked.

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I told her I was a first-year teacher in Queens. Luis said he would be graduating in the spring and was looking for a job in marketing.

She studied us for a moment with theatrical longing, and then she leaned in so far that her shoulder nearly touched mine.

“I have a secret,” she said, beaming. “You can’t tell anyone.”

We promised.

She glanced toward the open windows, then back at us.

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“I have my second interview with the C.I.A. tomorrow,” she whispered.

Luis and I looked at each other.

“If anyone asks,” she added, “tell them I’m interviewing with the Culinary Institute of America.”

A few minutes later, we paid our check, wished her luck and promised not to tell a soul.

— David Reyes-Mastroianni

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Dear Diary:

I was walking out of Central Park on a cold February evening when a woman who couldn’t have been five feet tall approached me.

“Have you seen the moon?” she asked.

I tried to brush her off, but she repeated herself.

I turned to see the most brilliant full moon shining above the park. It stopped me in my tracks on a day when I had been in constant motion.

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I turned to thank the woman, but she was gone. It was as if the moon herself had come down to demand attention and had left as soon as attention was paid.

— Rebecca Falcon


Dear Diary:

Late one night after I moved to Manhattan from the rural South in 1989, I was riding the No. 6 train home from my job at Mortimer’s when I sat down across from what appeared to be a man completely wrapped in a sheet and lying across several seats.

He was wrapped so tightly that there seemed to be no way he could have done it himself.

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I couldn’t discern any movement. Not a breath. Not a sound. Did he need help? Was he dead? Was this performance art? What should I do?

No one else seemed to be paying any attention, but my agitation must have been visible, because finally, an impeccably dressed older woman wearing white gloves and a hat with a lace veil leaned toward me.

“I don’t think he wants to be disturbed,” she said.

— Brian McMaster


Dear Diary:

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I was walking down 79th Street when I heard a woman with a large, coral-colored cockatoo on her shoulder say: “Excuse me. Can you hold my bird?”

I looked around. Was she talking to me?

She huffed at my two seconds of confusion.

“Just put your arm out!” she said.

I did, and while this woman answered her phone, her imposing bird with claws as big as my hands hopped onto my wrist, then sidled up my arm and onto my shoulder.

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She was heavier than I expected. Not quite like having a dog on my shoulder, but maybe a cat.

I wanted to look at her. It’s not every day you have a large bird sitting on you, but I was afraid that if I did, she might gouge out my eyeballs with her imposing beak.

I decided to fix my eyes on a nearby street sign and hope for the best. The bird told me her name was Peaches, that she was 7 years old and also that she was pretty.

My first thought was: Well, aren’t we a little full of ourselves? But then I caught myself. Good for you, Peaches, I thought. I wish I had your confidence.

I told Peaches I had an appointment and hoped her owner would get off the phone soon.

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Then Peaches gripped my shoulder a little tighter with her claws and stretched the top of her body up and over my head so that I was wearing her like a pair of earmuffs.

“I love you,” she said.

We stayed in this magical bird hug for a minute or two before her owner whisked her off my shoulder with a halfhearted “Thanks” and hurried away.

Peaches turned her head 180 degrees, seemed to look at me longingly and disappeared into the day.

— Eileen Kelly

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Dear Diary:

It was a Saturday, and I was on Fifth Avenue and 14th Street. Two young women were walking and talking behind me.

“Is there anything you need at the market?” one said.

“The will to live,” the other replied.

I couldn’t help myself.

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“I don’t think they sell that there,” I said.

We all laughed and kept going.

— Nancy Lane

Read all recent entries and our submissions guidelines. Reach us via email diary@nytimes.com or follow @NYTMetro on Twitter.

Illustrations by Agnes Lee

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