Lifestyle
Richard Pryor’s daughter studies the N-word — a word he used, then disavowed
Comedian Richard Pryor performs on stage at the Los Angeles Hollywood Bowl on Sept. 19, 1977.
Lennox McLendon/Associated Press
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Lennox McLendon/Associated Press
Historian Elizabeth Stordeur Pryor has spent much of her career tracing the N-word through slavery, Jim Crow, the civil rights movement and hip-hop. But what she didn’t tell her audiences was that her father, Richard Pryor, was the comedian who put the word at the center of American comedy in the 1970s.
“I was a scholar of the N-word — and so was he,” Pryor says of her father.
As the child of a white mother and a Black father, Pryor describes her own relationship to the N-word as a “super complicated” one. She remembers teaching a college class in which one of her white students used the word while quoting Blazing Saddles — a film her father co-wrote. Pryor froze: She had vowed never to use the word in her classroom, but suddenly there it was.
“I [was] just kind of like like a deer in the headlights,” Pryor says. “I was really worried about the Black students. … Something I had never considered when I thought about teaching is what happens when the racism that we study and we teach comes in? … How do I work through that in the moment?”
Pryor’s new book, Something We Said: Richard Pryor, A Notorious Word, and Me, is part memoir and part history of one of the most divisive words in the English language. Late in his career, after spending time in Kenya, Richard Pryor vowed never to use the word again.
“One of the things I admire about that moment when he disavows the word is he said, ‘This is for me. I’m not telling you what to do,’” she says. “There is a piece [of him] where he understood that the word had a function in Black culture. He does talk about, though, as an artist, losing control of what the word was doing.”
Interview highlights
On her father’s use of the N-word
[In] one of the first meaningful conversations I ever had with [my dad] as a little girl, he told me, “Don’t let nobody ever call you that.” And then he used it, and then his friends used it. …
I think it’s really important to emphasize that when I’m saying that he used the word that it was in the subversive way, that it was the language of protest, and that he was building on a Black tradition of protest, that Black people had used this word kind of as a slap in the face to white racism. You know, “We know how to take our punches and our knocks, and we’re not afraid of this thing that you’re trying to demean us as.” And so bringing that use, the way that Black people perceived of the N-word, onto stage was really powerful in the 1970s.
On talking about the N-word with her college students
Teaching the word is still incredibly difficult. I have to say, the conversations are always hard, but I feel like it’s important because my students walk away knowing that this is not a conversation, like I said, about free speech. It’s really about how how we interact, how we want to bring as many people as we can to the table. And if we do that, that means that we’re going to be thinking about who we’re sitting at the table with and how things will impact them.
On meeting her dad for the first time when she was 6
We were in Newark, New Jersey, … and my mom is acting kind of … nervous. And we knocked on the door of a hotel room, and he opened in a towel. And I was like, this is my father. Like, not only do I get a father, but I get this guy. What? I just felt like I won. I loved him immediately. Instantly. His eyes were so warm, and he was so handsome. And I just fell head over heels. … I saw my face [in his face]. … He created a bridge immediately between us and invited me to cross over.
On vying for her father’s attention as a kid
I wanted to be smart enough and creative enough, and I would try to show off. I did theater. I did improv. He would come to my plays and come to my performances. [I] tried to get intellectual with him, like when I was in college. And I had a Black awakening and he basically, like, sent me some stuff so I could awake Blackly, I guess. … He sent me the documentary on Malcolm X that had been filmed, I think, in 1972. And then he sent me The Last Poets’ [song] … “N-words are Scared of Revolution,” to listen to. And I did. I felt like he was inviting me into a secret world, and I wanted to go there. …
At the end of his life, when he couldn’t speak anymore, I would go over and read from the narrative of Frederick Douglass to him, and I could see that he was feeling proud … of being read Frederick Douglass by me.
On Richard Pryor’s upbringing with a sex worker mother and the first laugh that changed everything.
Oh, my dad. He told me a story about being 5 years old and, I don’t know why, but he’s wearing a little cowboy suit, and he was in front of the house and all the people were there, his grandmother, all the sex workers, and his father and his uncle. And he slipped in dog poop and they just start cracking up. And so he got up and he made himself slip in it again, and they couldn’t stop laughing. And so he did it again and again. And it’s pretty painful to think of the lengths that he felt that he needed to go to get their adoration and attention.
Anna Bauman and Thea Chaloner produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.
Nope, it’s not AI. It’s just a really big flag with bright lights, draped on Hoover Dam for the next several weeks.
As a display to mark the 250th anniversary of U.S. independence, the states of Nevada and Arizona and the federal Bureau of Reclamation teamed up to hang and illuminate an enormous American flag on the dam on Memorial Day.
The display, scheduled to be in place through July 4, is visible to anyone crossing between Arizona and Nevada on U.S. Route 93, which goes across the top of the dam. The flag is 150 feet tall and 300 feet long, spread on the south-facing side of the dam and lit by 550 LED lights (powered by dam-generated electricity).
A wider view of the illuminated U.S. flag at Hoover Dam.
(Michael Bittle)
It’s a spectacle that comes at a challenging moment for Hoover Dam, as experts warn that Lake Mead’s dwindling water levels could threaten the dam’s ability to generate hydropower. “Slap a flag on it, that’ll fix it,” suggested one of several Reddit commenters who were moved to snarkiness by the flag image.
The dam, a frequent day-trip destination from Las Vegas, stands 35 miles east of the Las Vegas Strip, about 295 miles northeast of Los Angeles. The site features a visitor center and overlook, and guided and self-guided tours.
Installation of the display involved dozens of riggers and two cranes. The flag, which is roughly the dimensions of a football field, has been previously used for celebrations at Indianapolis Colts and Las Vegas Raiders football games.
Within two days after it was hung, gusts of wind up to 50 mph prompted organizers to lower the flag last Wednesday as the National Weather Service declared a wind advisory for the area. Organizers raised the flag again late Friday.
Strong winds are not uncommon in the area. Organizers said weather “may periodically require the flag to be temporarily lowered.” Updates on the flag’s status can be found on the Hoover Dam Facebook page.
The Las Vegas Convention and Visitors Authority paid for the display. A spokeswoman said the cost, including flag, production, installation costs and six weeks of lighting, will be between $750,000 and $1 million.
The dam, a five-year construction job that was completed in 1936 during the depths of the Great Depression, is often hailed as one of the nation’s most impressive works of infrastructure. Though this is not the first time a flag has been draped on it, organizers have called the display “the most ambitious long-duration installation ever attempted at Hoover Dam.”
Is dog poop a scourge in your area?
borisz/simplehappyart/Getty Images/Photo Illustration by NPR
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borisz/simplehappyart/Getty Images/Photo Illustration by NPR
Left-behind dog poop is annoying. But it’s also a sign of anti-sociality.
Spotting unidentified poop outside is an unfortunate and unavoidable part of being alive, but in some cities, there’s a scourge being left behind by some people’s four-legged friends. Manuela López-Restrepo, writer and producer at All Things Considered, couldn’t stop noticing it – and she wondered if it might be a sign of something deeper going on. Paired with dogs popping up in places they maybe shouldn’t be – she wondered: can dogs be a vector for anti-social behavior? And what would it look like for people – and their pets – to share space more harmoniously?
Manuela shares her reporting with Brittany and they get deeper into the story of the dookie.
For more episodes about culture and how we share public space, check out:
The Coldplay kiss cam & moral surveillance
Crime is down. Why don’t people feel safe?
In search of a safe place to cry…
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was concepted and reported by Manuela López-Restrepo. It was produced by Liam McBain. It was edited by Neena Pathak. We had engineering support from David Greenburg. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
Lifestyle
L.A. Times Concierge: ‘I’m interested in photography. What great L.A. historic sites should I capture?’
I live in Santa Barbara and I’m interested in photography. Where are some historical places to take pictures in Los Angeles? I’m interested in old movie palaces, movie and TV show locations, historic homes and buildings, World War II–related sites and airplane museums. — William Lemons
Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.
Here’s what we suggest:
It’s cool to hear that you’re interested in capturing the beauty and history of Los Angeles through your camera lens, William. Given that you’ll be traveling from out of town, I am recommending spots that you can visit in a single day, if you’d like. They’re mostly in and around Downtown L.A.
First off, if you don’t feel like driving and paying for parking all over town, I’d suggest taking Amtrak from Santa Barbara to L.A. You can take take photos of the gorgeous view along the way and once you step off the train, you’ll already be at the first historic site on the list: the true stunner that is Union Station.
Open since 1939, it’s one of the country’s last great train stations and considered to be the largest railroad passenger terminal on the West Coast. Designed by father-and-son architect team John and Donald Parkinson, it blends Art Deco, Spanish Colonial and Streamline Moderne styles. Travel writer Christopher Reynolds, a.k.a. the person in the newsroom that everyone goes to for trip advice, tells me, “With its clock tower, big arches and high ceilings, Union Station feels like a secular church.” He notes that security guards will often shoo you off if you use a tripod without advance approval, so it’s best to bring a handheld camera instead.
Next, walk across the road to Olvera Street, one of the oldest streets in L.A. It’s part of El Pueblo de Los Angeles Historic Monument that’s been fighting to stay open since the pandemic. As you stroll through the area and take pictures, check out the Mexican marketplace, capturing the pottery, clothing and art along the way, and grab some authentic cuisine. Times food editor Daniel Hernandez swears by Cielito Lindo, a taquería that’s been around since the 1934, and still makes the most “perfectly rolled taquitos.” (The family-owned restaurant is currently raising funds to stay open due to economic hardship.)
Next, hop on an e-scooter or take a quick bus ride to the Historic Broadway Theater District, which has 12 stunning movie theaters — all of which were built between 1910 and 1931. The Los Angeles Conservancy even hosts walking tours of the famous district. You can register online for the next ones on June 6, 13, 20 and 27.
You’ll probably be hungry after the tour, so you might as well visit Grand Central Market, the city’s largest and oldest public market. Open since 1917, the market has more than 40 food stalls including China Cafe (open since 1959), Villa’s Tacos, Egg Slut and more. Afterward, take a brisk walk to L.A.’s most beautiful library, the L.A. Central Library, which turns 100 this year. Grab your camera and marvel at the exterior of the Art Deco-style building, which draws inspiration from Egyptian and Mediterranean Revival architecture. Then head inside on the second floor rotunda to see the marvelous California history mural and the breathtaking globe chandelier.
Now for some rapid-fire suggestions across L.A.: There’s Frank Lloyd Wright’s 1920s-era Hollyhock House at Barnsdall Art Park in East Hollywood. (If you go here, I suggest stopping by nearby Ululani’s Hawaiian Shave Ice for a delicious sweet treat.) Or check out any one of L.A.’s most iconic TV houses including “The Brady Bunch” home in Studio City, “The Golden Girls” residence in Brentwood and the “Seinfield” Koreatown apartment building. (These are private residencies, so you won’t be able to go inside but you can snap a photo of the exterior.) If it’s architecture you’re into, peruse this guide to L.A.’s iconic homes that you can tour IRL, including the Adamson House in Malibu, the Eames House in Pacific Palisades and the Lummis Home (El Alisal) near Mount Washington. Finally, if you’re open to joining a group of fellow photographers, I suggest following Instagram pages for collectives like L.A. Photo Club and the 85 Mil Photo Walk Series, which host meetups and walking tours regularly.
L.A. is filled with so many beautiful historical sites, so I hope that these suggestions help get you started, and most importantly, that you continue taking awesome pictures. Have a great time!
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