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Revisiting the Sexual Harassment Complaints Against Andrew Cuomo

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Revisiting the Sexual Harassment Complaints Against Andrew Cuomo

Dave Sanders for The New York Times

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Four years ago, Andrew M. Cuomo resigned as governor of New York under a cloud of multiple sexual harassment accusations. He seemed chagrined, embarrassed for acting “in a way that made people feel uncomfortable.”

But as he prepared to make his political return, his tone changed. He said he had been driven out of office by a political hit job. He sued the state attorney general and moved to sue one of his accusers. And he began to portray himself as the victim. “That which doesn’t kill you makes you stronger,” he told The Daily Beast recently.

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Now, as he runs for mayor of New York City, Mr. Cuomo is treating the scandal as ancient history, even as some of the complaints are still being contested in court.

Here is a look at all of the known sexual harassment allegations, where they stand and what Mr. Cuomo has said about them. (Some of the accusers’ names were shielded, in part or whole, by state investigators in their reports.)

2019-2021

Cuomo’s third term as governor

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Litigation ongoing

Brittany Commisso

Executive assistant, governor’s office

Ms. Commisso said Mr. Cuomo grabbed her buttocks; reached under her blouse and fondled her breast; held her in close, intimate hugs; and asked her about her relationship with her husband, including whether she had ever “fooled around” or had sex with anyone else. She recalled his saying something to the effect of “if you were single, the things I would do to you,” and said he once complimented her on showing “some leg.” During their hugs, she said she would try to lean away from his pelvic area, because she “didn’t want anything to do with whatever he was trying to do at that moment.”

Litigation ongoing
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Charlotte Bennett

Executive assistant, governor’s office

Ms. Bennett, who was 25 at the time, said the governor asked if she had been with older men and if she practiced monogamy, and told her he was lonely and would date someone as young as 22. Mr. Cuomo, she testified, also told her he “wanted to be touched,” and, upon learning that she planned to get a tattoo, advised her to get it on her buttocks. She said she felt as though Mr. Cuomo was grooming her. In a conversation about a speech Ms. Bennett was about to give at her alma mater about sexual assault, she recalled his pointing at her and intoning, “You were raped, you were raped, you were raped and abused and assaulted.” It was “something out of a horror movie,” she texted a colleague that day. “It was like he was testing me.”

State Entity Employee #1

Anonymous state employee

While posing for a photo at a work event in September 2019, the governor “tapped the area” between the employee’s buttocks and thigh, she told investigators, and then moved his fingers upward to “kind of grab that area.” “I felt deflated and I felt disrespected and I felt much, like, smaller and almost younger than I actually am,” she said. She said she had reported the governor’s conduct to investigators to support the women who had come forward with “more extreme” stories and to help establish that they were part of a pattern. “If I could do that, I felt that it was my responsibility to do that,” she said.

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Alyssa McGrath

Executive assistant in the governor’s office

Ms. McGrath said she was taking dictation from the governor in 2019 when she noticed the governor had stopped talking. She said she looked up and saw him staring down her shirt. The governor then asked what was on her necklace, whose pendant was hanging between her breasts and her shirt. She said it was a Virgin Mary and an Italian horn. The governor would also ask questions that made her uncomfortable, she said, including about her divorce and whether, if Ms. Commisso were to cheat on her husband, she would tell anyone.

State Entity Employee #2

Director at State Department of Health

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This state employee, a doctor, performed a televised Covid test on the governor at a March 2020 news conference. Beforehand, he asked her not to put the swab in “so deep that you hit my brain.” She said she would be “gentle but accurate.” “Gentle but accurate,” he responded. “I’ve heard that before.” She found his demeanor flirtatious and understood his statement to have sexual undertones. At the news conference, when the doctor appeared in personal protective equipment, the governor said, “You make that gown look good.” The woman told investigators that she “felt that in my professional standing I should share these facts, whatever they are, in order to support if there are any other women. I can’t say there are or not, who are saying they have been put in an uncomfortable position, or if there is any sexual harassment, that you have the facts that you might need.”

Anna Ruch

Guest at wedding of a senior aide to Mr. Cuomo

At the wedding of an aide, the governor approached Ms. Ruch, shook her hand, and then put his hand on her bare back, she told investigators. She said she grabbed his wrist to move it, at which point the governor said, “Wow, you’re aggressive,” and cupped her face in his hands. “Can I kiss you?” he asked. She turned her head, she said, and he kissed her cheek. (Ms. Ruch was hired by the New York Times photo department in 2022.)

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2015-2019

Cuomo’s second term as governor

Litigation ongoing

Trooper #1

Member of Cuomo’s protective detail

The trooper said she first remembered the governor touching her inappropriately in an elevator going up to his Midtown Manhattan office, where he stood behind her, placed his finger on her neck, and then ran it slowly down her back, touching her bra clasp.“Hey, you,” she recalled him saying. In a separate incident, she recalled him running his palm across her stomach, “between my chest and my privates,” while she was holding a door open for him, an act that made her feel “completely violated.” A witness corroborated the account of Mr. Cuomo touching the trooper’s stomach.
The trooper said he would also say sexually suggestive and sexist things, and told her to keep their conversations private. Among other things, he requested she help him find a girlfriend who could “handle pain,” and he asked why she did not wear a dress, she said.

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Lindsey Boylan

Chief of staff at Empire State Development and then deputy secretary for economic development and special adviser to the governor

Mr. Cuomo paid so much attention to Ms. Boylan that her supervisor concluded the governor had a “crush” on her, both she and her boss testified. Her boss asked if Ms. Boylan needed help managing the situation. She said no. Mr. Cuomo would also compare her to an ex-girlfriend, even allegedly calling Ms. Boylan by that ex-girlfriend’s name. And, she said, he would touch her legs, waist and back.
On an airplane, Ms. Boylan recalled Mr. Cuomo suggesting, seemingly in jest, that they play strip poker. Ms. Boylan’s boss at first claimed not to remember those remarks. After Ms. Boylan sent her boss what he described as a “disparaging” message that he found “threatening,” he corroborated her account. “I’ve been sexually harassed throughout my career,” she told investigators, “but not in a way where the whole environment was set up to feed the predator.”

Virginia Limmiatis

Employee, National Grid

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Ms. Limmiatis said she had been waiting to meet the governor at a 2017 event when Mr. Cuomo approached her and pressed his fingers into her chest, pausing atop each letter of the energy company’s name that adorned her shirt. Then he leaned in so his cheek touched hers and, in her telling, shared his cover story: He would just say there had been a bug on her shirt. Then, she said, he brushed the pretend bug from the area between her shoulder and breast and walked away. After seeing Mr. Cuomo say during a news conference on March 3, 2021, that he had “never touched anyone inappropriately,” she felt compelled to come forward. “I am a cancer survivor,” Ms. Limmiatis told investigators. “I know an oppressive and destructive force when I see it.” 

Kaitlin

Aide in the governor’s office

Kaitlin met Mr. Cuomo at a fund-raiser that her employer, a lobbying firm, was hosting at the Friars Club. When she introduced herself, he pulled her into a dance pose and told her he was going to have her work for the state. Though she told investigators she had never shared her contact information with him or his staff, nine days later she received a voicemail message inviting her to interview for a job in his office, at his behest. It turned out that two of Mr. Cuomo’s aides had been told to find Kaitlin’s contact information. Her colleagues urged her to accept the job, and she did. “I knew that I was being hired because of what I looked like,” she told investigators. The governor paid undue attention to her physical appearance and would comment on her clothes and makeup, she said.

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Stephanie Miner

Former mayor of Syracuse

In a new book, Ms. Miner recounted Mr. Cuomo’s kissing her at public events against her will, actions she believed were an expression of his will to dominate. “His kissing me was about power,” she wrote in “Madam Mayor: Love and Loss in an American City.” She went on: “I never viewed it as sexual. We were gladiators in a public ring and that’s how he showed he was boss.”

2011-2015

Cuomo’s first term as governor

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Ana Liss

Aide in governor’s office

Mr. Cuomo would kiss her cheek and would almost always address her as “sweetheart” or “darling,” Ms. Liss said. He spoke to her, she said, like she was “a little girl, almost.” She said she considered Mr. Cuomo’s behavior improper, but not sexual harassment. (A judge, apparently referring to Ms. Liss, said a complainant’s legal conclusion on that matter was “irrelevant.”) Ms. Liss said she had spoken up because “the other young women that had come forward with more egregious allegations weren’t being believed, and I believed them, and I wanted to share an account that was less egregious and spoke to the broader culture that allowed for the things that happened to them to happen to them.”

1997-2001

Cuomo’s tenure as HUD secretary

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Karen Hinton

Consultant to U.S. Department of Housing and Urban Development

While Ms. Hinton was working as a consultant for the Housing Department under Mr. Cuomo, he held her in a “very long, too long, too tight, too intimate” hug, she told The Washington Post. She told WNYC that Mr. Cuomo was “aroused” during the embrace. Years after the encounter, Ms. Hinton worked for Mr. Cuomo’s antagonist, Mayor Bill de Blasio of New York City.

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Read the Ruling on the Judgment Against Trump in the E. Jean Carroll Case

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Read the Ruling on the Judgment Against Trump in the E. Jean Carroll Case

Case: 24-644, 09/08/2025, DktEntry: 134.1, Page 28 of 70

statements at issue in this case were made three years earlier than the statement

in Carroll II, the statements were identical in material respects because both

accused Carroll of fabricating the sexual assault allegations for improper
purposes. Compare supra pp. 6-8 (June 2019 statements), with supra pp. 13-14 (October 2022 statement). 14
The truth or falsity of Trump’s statements in both 2019 and 2022
turned on whether Carroll was lying, that is, whether Trump sexually assaulted Carroll in 1996, irrespective of the specific sexual act committed. 15 The jury in

14



For example, in the 2022 statement which the Carroll II jury determined to be false — Trump stated, among other things: “I have no idea who [E. Jean Carroll] is.” Carroll, 690 F. Supp. 3d at 401. In the June 21, 2019 statement at issue here, Trump said: “I’ve never met this person in my life.” App’x at 1887. Moreover, in the 2022 statement, Trump said: “She completely made up a story that I met her . . . and, within minutes, ‘swooned’ her. It is a Hoax and a lie,” “it never happened,” and “for the record, E. Jean Carroll is not telling the truth, is a woman who I had nothing to do with, didn’t know, and would have no interest in knowing her if I ever had the chance.” Supp. App’x at 108. In the June 21, 2019 statement, Trump said: “Shame on those who make up false stories of assault to try to get publicity for themselves,” “I would like to thank Bergdorf Goodman for confirming that they have no video footage of any such incident, because it never happened,” and “[f]alse accusations diminish the severity of real assault.” App’x at 1887.

15

In other words, the application of issue preclusion to the falsity element is proper because Trump’s 2019 and 2022 statements did not turn on the specific sexual act he committed. He did not deny, for example, digital penetration specifically. In all statements, he denied any sexual assault, full stop. The Carroll II jury found Trump’s 2022 statement to be false because it found that he sexually abused Carroll. See Tannerite Sports, LLC v. NBCUniversal News Grp., a division of NBCUniversal Media, LLC, 864 F.3d 236, 242 (2d Cir. 2017) (Under New York law, “to satisfy the falsity element of a

28

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13 Off Broadway Shows to See in September

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13 Off Broadway Shows to See in September

Henrik Ibsen’s searing dissections of bourgeois hypocrisies appear to be in sync with our angry times. The Norwegian playwright is even getting high-profile movie adaptations, with the Tessa Thompson-starring “Hedda” dropping in October. In New York, Simon Godwin’s production of this semi-obscure effort from 1884, about a family’s secrets coming to light, follows recent revivals of “An Enemy of the People,” “A Doll’s House” and “Ghosts.” (Through Sept. 28, Theater for a New Audience)

In their hip-hop musical, Nygel D. Robinson and Brian Quijada portray an enslaved man and the sharecropper-turned-soldier he meets at the Rio Grande. The story looks at a different kind of Underground Railroad while also connecting to our current turbulence with an era-transcending message of solidarity. David Mendizábal directs the two-man show, which is part of Audible Theater’s series. (Sept. 9-Oct. 11, Minetta Lane Theater)

Grier Mathiot and Billy McEntee’s lovely “The Voices in Your Head” was staged for about 20 people at a time in a storefront church last year. McEntee’s “Slanted Floors” goes even smaller: The actors Kyle Beltran and Adam Chanler-Berat portray a couple living out their domesticity under the watch of five audience members in a Brooklyn apartment. (Sept. 9-Oct. 10, Slanted Floors Play).

A collaboration between Hansol Jung (“Wolf Play”) and the collective The Pack, co-directed by Jung and Dustin Wills, “Last Call, a Play with Cocktails” takes place in various New York City apartments, so the audience size varies depending on where the show lands on any given day. One constant: There will be drinks. (Sept. 19-Oct. 13, En Garde Arts)

Alec Duffy’s original staging of “Family,” an early work by the playwright-turned-filmmaker Celine Song, took place in a Brooklyn apartment for audiences of about 30. The production — outré, operatically gothic, near-feral at times — is returning for an encore run, but in a more traditional theatrical space. Let’s see how Duffy recalibrates the show. (Sept. 12-28, La MaMa)

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“Can you be Black and not perform?” Such is the question driving Eisa Davis’s new piece, in which she leads a cast of four. A Pulitzer Prize finalist for her haunting play “Bulrusher” and the co-creator of the concept album “Warriors” with Lin-Manuel Miranda, Davis remains a frustratingly underrecognized writer and performer with a lyrical, fiercely poetic voice all her own. Here is an opportunity to watch her confront and subvert the expectations placed on Black artists. (Sept. 10-28; Here Arts Center)

John Leguizamo’s stage career is paved with solo shows, sometimes autobiographical, in which he brings to life a gallery of characters. At first glance it looks as if his latest piece might be more of the same since it involves a Colombian American New Yorker, like the writer-performer himself. But while Leguizamo does play that central character, Nelson, he is far from alone onstage: “The Other Americans,” directed by Ruben Santiago-Hudson, is a family drama with an actual cast — it’ll be exciting to watch Leguizamo jostle with costars. (Sept. 11-Oct. 19, Public Theater)

Chloë Grace Moretz was only 17 when she starred in Scott Z. Burns’s “The Library” at the Public Theater, in 2014, but her screen career was already buzzing. Still, few expected that it would take over a decade for Moretz to return to the New York stage. At long last here she is again, under the direction of the ever-reliable David Cromer (whose recent credits include “Dead Outlaw” and “Good Night, and Good Luck”). The three characters in Preston Max Allen’s new play are all members of one family, with Moretz in the middle as the daughter of the character played by Amy Landecker (“Transparent”) and the mother of young Caroline (River Lipe-Smith). (Sept. 12-Oct. 19, MCC Theater)

After its successful country musical “Music City” last year, the Bedlam company returns to one of its foundational authors: Jane Austen (Kate Hamill’s adaptation of “Sense and Sensibility” was an early Bedlam hit in 2014). Now Emily Breeze’s new take on “Pride and Prejudice” looks like it’s going to have fun with the Regency superstar’s best-seller: “I haven’t reread the source material since I skimmed it in high school,” Breeze claims. (Sept. 14-Oct. 19, West End Theater)

After dedicating a decade to his “Rhinebeck Panorama” project, which includes the Apple, Gabriel and Michael family cycles, the writer-director Richard Nelson set out for war-torn Kyiv to work with the local Theater on Podil on a staging of his 2008 play “Conversations in Tusculum.” So inspired was he by the experience that he wrote the company this piece, about Ukrainian actors performing “Macbeth” in 1920. The resulting production (in Ukrainian with English supertitles) settles at Nelson’s frequent artistic home, the Public Theater, for a short run. (Sept. 16-21, Public Theater)

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These days weather reporters like Stacey (Julia McDermott) are called upon to deliver apocalyptic accounts of a world either drowning in floods or bursting into flames along with their forecasts. Written by Brian Watkins (the creator of the time-travel Western series “Outer Range”), this solo play straddles satire and warning. (Sept. 16-Oct. 12, St. Ann’s Warehouse)

The most intriguing pairing this month may well be that of Elizabeth Marvel and Tim Blake Nelson. They are not onstage together, though: Marvel stars in this new play by Nelson, who somehow finds time to write (he also has a novel, “Superhero,” coming out in December) in between gigs as an ur-character actor (next up: the film “Bang Bang” and the series “The Lowdown”). Marvel plays a lawyer in a near-future society where the justice system is even more out of whack than our current one. (Sept. 19-Nov. 2, La MaMa)

The title character of Monet Hurst-Mendoza’s play is a young Mexican woman, portrayed by Jacqueline Guillén, who yearns to make a space for herself in bullfighting — which the WP Theater’s site noncommittally refers to as “a controversial practice that we neither condemn nor condone.” Tatiana Pandiani choreographs and directs. (Sept. 20-Oct. 19, WP Theater)

Sally Carson’s play premiered in Britain in 1935 and takes place just a couple of years earlier, in Germany — you can guess what the title refers to. The show, based on Carson’s own novel, presciently tracks the rise of Nazism through the prism of a divided Bavarian family. (Sept. 20-Nov. 1, Mint Theater)

N.Y.U. Skirball plays a vital role in the New York cultural ecosystem by programming radical theatermakers from around the world, albeit for blink-and-you’ll-miss-them runs. Such is the case with this piece by the experimental German company Rimini Protokoll (“Remote New York”) in which Helgard Haug intertwines the disappearance of a Malaysia Airlines flight in 2014 with her father’s slide into dementia. Bonus: a live score by the exquisite Berlin-based musician Barbara Morgenstern and Zafraan Ensemble. (Sept. 25-27, N.Y.U. Skirball)

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Take a Closer Look at These ‘Great’ New York City Trees

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Take a Closer Look at These ‘Great’ New York City Trees
Species Magnolia grandiflora

In 1968, this magnolia tree, then over 40 feet tall, was supposed to be cut down to make way for an apartment complex. Hattie Carthan jumped into action. Ms. Carthan, an environmentalist and activist in the Black community, moved to Brooklyn in 1928 and had a deep love for trees. In 1966, she founded the Bedford-Stuyvesant Beautification Committee, which planted more than 1,500 trees and also taught youth groups about caring for them — not a popular mission at the time. “When I first suggested that we buy trees, I almost got thrown out of the block association,” Ms. Carthan told The New York Times in 1975. “They said, ‘Oh, trees make leaves and you have to sweep.’”

Ms. Carthan was so determined to save the magnolia on Lafayette Avenue, which was estimated to have been planted in about 1885, that she campaigned for it to be designated by the city’s Landmarks Preservation Commission as a living landmark — and won. Today it is the sole remaining landmark tree in New York City.

In 1972, Ms. Carthan created the Magnolia Tree Earth Center, which, despite her death in 1984, continues to educate young people about environmental issues. The center is facing financial hardship, but there is hope that it will be revitalized, said Wayne Devonish, the chairman of its board. “We need to embrace all that it represents in terms of being like a little urban oasis, smack dab in central Brooklyn,” he said. “If we show the tree, and the center, love, hopefully there’s another good 100 — or 200 — years.”

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