New York
Unpacking Mamdani’s Viral Victory Speech
Eugene V. Debs (1855-1926), a labor leader and five-time Socialist Party presidential candidate, spoke these words in 1918 while awaiting sentencing after being convicted under the Espionage Act of interfering with the World War I draft. He ran for president from prison in 1920, as Convict No. 9653, and received nearly one million votes.
Mr. Mamdani has promoted raising the city’s minimum wage to $30 an hour by 2030, which would be a boon to workers like deliveristas, but is opposed by many business owners.
The speech was notably short on conciliatory language, echoing the rancor of the late stages of the campaign. Neither Mr. Cuomo nor Mayor Eric Adams called Mr. Mamdani to congratulate him, though Curtis Sliwa, the Republican candidate, did.
Mr. Mamdani won with just over 50 percent of the vote. Former Mayor Bill de Blasio claimed a mandate after winning 73 percent of the vote in 2013, and then ran into opposition from Mr. Cuomo, then the governor, that thwarted much of his agenda. Eric Adams won 67 percent of the vote in 2021.
Steinway Street in Astoria, Queens, includes a section known as Little Egypt, and is part of a stretch of Queens and Brooklyn neighborhoods that has been dubbed the “Commie Corridor.”
In Arabic, ana minkum wa alaikum translates roughly as “I’m one of you and I’m for you” (or “We are of you and you are of us”).
New York City has an estimated 4,000 to 6,000 Yemeni-owned bodegas, or small grocery stores, according to the Yemeni American Merchant Association.
More than 90 percent of the city’s taxi drivers were born outside the United States.
Among South Asians, “auntie” is a term of respect for any older woman. Mr. Mamdani was criticized for referring to a relative of his father’s, who he said was afraid to ride the subway after the Sept. 11 attacks, as his “aunt.”
During the campaign, Mr. Mamdani made repeated visits to Kensington and Midwood in Brooklyn and Hunts Point in the Bronx, neighborhoods that do not typically get much attention from candidates. He took only 19 percent of the vote in Midwood but handily won the other two.
According to the real estate website Zillow, the average rent for a studio apartment in New York City is $3,225.
The Bx33 bus runs between Harlem in Manhattan and Port Morris in the Bronx. Mr. Mamdani has vowed to make city buses fast and free. But the governor controls the transit authority.
In 2021, when he was still an assembly member representing Astoria, Mr. Mamdani joined a hunger strike by taxi drivers to lower the price of medallions, which they need to drive. After 15 days, the city agreed to drastic cuts in drivers’ monthly payments.
Mr. Gerson, the speechwriter, said Mr. Mamdani had added this sentiment so supporters could pause to reflect on how far they had come since the start of the year, when Mr. Mamdani was polling at 1 percent.
His parents are the filmmaker Mira Nair and Mahmood Mamdani, a professor at Columbia University.
One New York Post article described Rama Duwaji as Mr. Mamdani’s “aloof wife” and claimed she was quietly running the campaign. Thereafter, “aloof wife” became an ironic badge of honor on social media. Hayati is Arabic for “my life.”
Barack Obama’s 2008 presidential victory speech, which focused on hope and unity, was an early model for Mr. Mamdani’s address.
Nehru (1889-1964), India’s first prime minister, made this declaration in August 1947, on the eve of the country’s independence.
A number of Mr. Mamdani’s plans are expensive and beyond the sole authority of the mayor, requiring support from the governor and Albany legislators. In his concession speech, Mr. Cuomo said those who voted against Mr. Mamdani “did not vote to support a government agenda that makes promises that we know cannot be met.”
La Guardia (1882-1947), a New Deal-supporting Republican who served three terms as mayor, sometimes referred to himself as a socialist. He is considered by many — including Mr. Mamdani — to have been the city’s best mayor.
The New York City Housing Authority, the city’s biggest landlord, manages over 177,000 apartments that are home to more than half a million legal tenants. The buildings need repairs and renovations totaling some $78 billion, according to the latest estimate by the authority.
Mr. Mamdani proposed this new city agency to help address crime through treatment for mental health and drug abuse, moving some responsibility away from police officers and to health care professionals.
President Trump’s notable firings include Carla Hayden, the librarian of Congress; Lisa Cook, a Federal Reserve governor; and Gwynne Wilcox of the National Labor Relations Board.
During the campaign and after, Mr. Mamdani has drawn criticism from some Jewish New Yorkers for his support for Palestinian rights and tepid condemnation of the slogan “globalize the intifada.” He has reached out to Jewish leaders to assuage their doubts.
More than 20 billionaires contributed to super PACs opposing Mr. Mamdani, including Michael Bloomberg ($13.3 million), the Lauder family ($2.6 million), Joe Gebbia of Airbnb ($2 million), Bill Ackman ($1.75 million) and Barry Diller ($500,000). Mr. Mamdani has proposed a 2 percent tax increase on incomes of more than $1 million.
Mr. Trump has incorrectly called Mr. Mamdani a communist and threatened to deport him or deny federal funds to New York City if he was elected. But after Election Day, the president said he might “help him a little bit maybe,” because he wanted New York City to succeed. Mr. Mamdani used Mr. Trump’s antagonism — and his support for Mr. Cuomo — as a talking point.
Many speculated that “turn the volume up” referred to a song by the rapper KRS-One. But Mr. Gerson, the speechwriter, said it did not.
As of the 2020 Census, 40 percent of New Yorkers were foreign-born. The city has had at least two dozen immigrant mayors, most recently London-born Abraham Beame, who ran the city from 1974 to 1977 and oversaw the city’s fiscal collapse.
Mr. Mamdani gives unacknowledged shout-outs here to former Gov. Mario Cuomo, Andrew Cuomo’s father, who spoke of poetry and prose, and to Ronald Reagan, who immortalized the image of a “shining city on a hill,” which he adapted from a 1630 sermon by John Winthrop, governor of the Massachusetts Bay Colony.
The median rent in a stabilized apartment is $1,570. Mr. Mamdani pays $2,300 for a stabilized one-bedroom apartment.
By some estimates, child care in New York City costs $15,000 to $20,000 per year. Many people are quite happy on Long Island.
Numerous members of the Adams administration, including the mayor himself, faced indictments or investigations. After Mr. Trump’s Justice Department abandoned the charges against Mr. Adams, apparently in exchange for his help with the president’s deportation agenda, the backlash quashed Mr. Adams’s diminishing hopes for re-election.
Mr. de Blasio, whom Mr. Mamdani has called the city’s best mayor in his lifetime, made universal pre-K his signature legislation.
Zohran K. Mamdani, Paramount Theater, Nov. 4, 2025
Thank you, my friends. The sun may have set over our city this evening, but as Eugene Debs once said, “I can see the dawn of a better day for humanity.”
For as long as we can remember, the working people of New York have been told by the wealthy and the well-connected that power does not belong in their hands.
Fingers bruised from lifting boxes on the warehouse floor, palms calloused from delivery bike handlebars, knuckles scarred with kitchen burns: These are not hands that have been allowed to hold power. And yet, over the last 12 months, you have dared to reach for something greater.
Tonight, against all odds, we have grasped it. The future is in our hands. My friends, we have toppled a political dynasty.
I wish Andrew Cuomo only the best in private life.
But let tonight be the final time I utter his name, as we turn the page on a politics that abandons the many and answers only to the few. New York, tonight you have delivered. A mandate for change. A mandate for a new kind of politics. A mandate for a city we can afford. And a mandate for a government that delivers exactly that.
On January 1st, I will be sworn in as the mayor of New York City. And that is because of you. So before I say anything else, I must say this: Thank you. Thank you to the next generation of New Yorkers who refuse to accept that the promise of a better future was a relic of the past.
You showed that when politics speaks to you without condescension, we can usher in a new era of leadership. We will fight for you, because we are you.
Or, as we say on Steinway, ana minkum wa alaikum.
Thank you to those so often forgotten by the politics of our city, who made this movement their own. I speak of Yemeni bodega owners and Mexican abuelas. Senegalese taxi drivers and Uzbek nurses. Trinidadian line cooks and Ethiopian aunties. Yes, aunties.
To every New Yorker in Kensington and Midwood and Hunts Point, know this: This city is your city, and this democracy is yours too. This campaign is about people like Wesley, an 1199 organizer I met outside of Elmhurst Hospital on Thursday night. A New Yorker who lives elsewhere, who commutes two hours each way from Pennsylvania because rent is too expensive in this city.
It’s about people like the woman I met on the Bx33 years ago who said to me, “I used to love New York, but now it’s just where I live.” And it’s about people like Richard, the taxi driver I went on a 15-day hunger strike with outside of City Hall, who still has to drive his cab seven days a week. My brother, we are in City Hall now.
This victory is for all of them. And it’s for all of you, the more than 100,000 volunteers who built this campaign into an unstoppable force. Because of you, we will make this city one that working people can love and live in again. With every door knocked, every petition signature earned, and every hard-earned conversation, you eroded the cynicism that has come to define our politics.
Now, I know that I have asked for much from you over this last year. Time and again, you have answered my calls — but I have one final request. New York City, breathe this moment in. We have held our breath for longer than we know.
We have held it in anticipation of defeat, held it because the air has been knocked out of our lungs too many times to count, held it because we cannot afford to exhale. Thanks to all of those who sacrificed so much. We are breathing in the air of a city that has been reborn.
To my campaign team, who believed when no one else did and who took an electoral project and turned it into so much more: I will never be able to express the depth of my gratitude. You can sleep now.
To my parents, Mama and Baba: You have made me into the man I am today. I am so proud to be your son. And to my incredible wife, Rama, hayati: There is no one I would rather have by my side in this moment, and in every moment.
To every New Yorker — whether you voted for me, for one of my opponents, or felt too disappointed by politics to vote at all — thank you for the opportunity to prove myself worthy of your trust. I will wake each morning with a singular purpose: to make this city better for you than it was the day before.
There are many who thought this day would never come, who feared that we would be condemned only to a future of less, with every election consigning us simply to more of the same.
And there are others who see politics today as too cruel for the flame of hope to still burn. New York, we have answered those fears.
Tonight we have spoken in a clear voice. Hope is alive. Hope is a decision that tens of thousands of New Yorkers made day after day, volunteer shift after volunteer shift, despite attack ad after attack ad. More than a million of us stood in our churches, in gymnasiums, in community centers, as we filled in the ledger of democracy.
And while we cast our ballots alone, we chose hope together. Hope over tyranny. Hope over big money and small ideas. Hope over despair. We won because New Yorkers allowed themselves to hope that the impossible could be made possible. And we won because we insisted that no longer would politics be something that is done to us. Now, it is something that we do.
Standing before you, I think of the words of Jawaharlal Nehru: “A moment comes, but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance.”
Tonight we have stepped out from the old into the new. So let us speak now, with clarity and conviction that cannot be misunderstood, about what this new age will deliver, and for whom.
This will be an age where New Yorkers expect from their leaders a bold vision of what we will achieve, rather than a list of excuses for what we are too timid to attempt. Central to that vision will be the most ambitious agenda to tackle the cost-of-living crisis that this city has seen since the days of Fiorello La Guardia: an agenda that will freeze the rents for more than two million rent-stabilized tenants, make buses fast and free, and deliver universal child care across our city.
Years from now, may our only regret be that this day took so long to come. This new age will be one of relentless improvement. We will hire thousands more teachers. We will cut waste from a bloated bureaucracy. We will work tirelessly to make lights shine again in the hallways of NYCHA developments where they have long flickered.
Safety and justice will go hand in hand as we work with police officers to reduce crime and create a Department of Community Safety that tackles the mental health crisis and homelessness crises head on. Excellence will become the expectation across government, not the exception. In this new age we make for ourselves, we will refuse to allow those who traffic in division and hate to pit us against one another.
In this moment of political darkness, New York will be the light. Here, we believe in standing up for those we love, whether you are an immigrant, a member of the trans community, one of the many Black women that Donald Trump has fired from a federal job, a single mom still waiting for the cost of groceries to go down, or anyone else with their back against the wall. Your struggle is ours, too.
And we will build a City Hall that stands steadfast alongside Jewish New Yorkers and does not waver in the fight against the scourge of antisemitism. Where the more than one million Muslims know that they belong — not just in the five boroughs of this city, but in the halls of power.
No more will New York be a city where you can traffic in Islamophobia and win an election. This new age will be defined by a competence and a compassion that have too long been placed at odds with one another. We will prove that there is no problem too large for government to solve, and no concern too small for it to care about.
For years, those in City Hall have only helped those who can help them. But on January 1st, we will usher in a city government that helps everyone.
Now, I know that many have heard our message only through the prism of misinformation. Tens of millions of dollars have been spent to redefine reality and to convince our neighbors that this new age is something that should frighten them. As has so often occurred, the billionaire class has sought to convince those making $30 an hour that their enemies are those earning $20 an hour.
They want the people to fight amongst ourselves so that we remain distracted from the work of remaking a long-broken system. We refuse to let them dictate the rules of the game anymore. They can play by the same rules as the rest of us.
Together, we will usher in a generation of change. And if we embrace this brave new course, rather than fleeing from it, we can respond to oligarchy and authoritarianism with the strength it fears, not the appeasement it craves.
After all, if anyone can show a nation betrayed by Donald Trump how to defeat him, it is the city that gave rise to him. And if there is any way to terrify a despot, it is by dismantling the very conditions that allowed him to accumulate power.
This is not only how we stop Trump; it’s how we stop the next one. So, Donald Trump, since I know you’re watching, I have four words for you: Turn the volume up.
We will hold bad landlords to account because the Donald Trumps of our city have grown far too comfortable taking advantage of their tenants. We will put an end to the culture of corruption that has allowed billionaires like Trump to evade taxation and exploit tax breaks. We will stand alongside unions and expand labor protections because we know, just as Donald Trump does, that when working people have ironclad rights, the bosses who seek to extort them become very small indeed.
New York will remain a city of immigrants: a city built by immigrants, powered by immigrants and, as of tonight, led by an immigrant.
So hear me, President Trump, when I say this: To get to any of us, you will have to get through all of us. When we enter City Hall in 58 days, expectations will be high. We will meet them. A great New Yorker once said that while you campaign in poetry, you govern in prose.
If that must be true, let the prose we write still rhyme, and let us build a shining city for all. And we must chart a new path, as bold as the one we have already traveled. After all, the conventional wisdom would tell you that I am far from the perfect candidate.
I am young, despite my best efforts to grow older. I am Muslim. I am a democratic socialist. And most damning of all, I refuse to apologize for any of this.
And yet, if tonight teaches us anything, it is that convention has held us back. We have bowed at the altar of caution, and we have paid a mighty price. Too many working people cannot recognize themselves in our party, and too many among us have turned to the right for answers to why they’ve been left behind.
We will leave mediocrity in our past. No longer will we have to open a history book for proof that Democrats can dare to be great.
Our greatness will be anything but abstract. It will be felt by every rent-stabilized tenant who wakes up on the first of every month knowing the amount they’re going to pay hasn’t soared since the month before. It will be felt by each grandparent who can afford to stay in the home they have worked for, and whose grandchildren live nearby because the cost of child care didn’t send them to Long Island.
It will be felt by the single mother who is safe on her commute and whose bus runs fast enough that she doesn’t have to rush school drop-off to make it to work on time. And it will be felt when New Yorkers open their newspapers in the morning and read headlines of success, not scandal.
Most of all, it will be felt by each New Yorker when the city they love finally loves them back.
Together, New York, we’re going to freeze the… [rent!] Together, New York, we’re going to make buses fast and… [free!] Together, New York, we’re going to deliver universal… [child care!]
Let the words we’ve spoken together, the dreams we’ve dreamt together, become the agenda we deliver together. New York, this power, it’s yours. This city belongs to you.
Thank you.
New York
How a Museum Security Guard and Artist Lives on $51,000 in Parkchester
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
Ryan Compton knows a thing or two about gigs. To make it in New York, he has worked as a retail associate inside the Museum of Modern Art’s gift store, a cashier for a downtown taqueria and a paint mixer for Takashi Murakami. He has experienced the paradox of a city both known for its artists and for pricing artists out.
Financial constraints forced Mr. Compton, who is from South Jersey, to move away from New York twice over the course of two decades. He has lived in Baltimore, Chicago and Philadelphia, but remains convinced the resources and people inside New York are unparalleled.
“You never know who you’re going to run into,” he said. “Everyone’s curious about each other.”
Since moving back in 2022, he has whittled down his source of income to a single gig as a security guard at the Metropolitan Museum of Art, where he made $51,000 before taxes last year. It’s his second time at the museum. He first worked there part-time in 2011 before leaving in 2015 to earn his master’s degree in sculpture from the School of the Art Institute of Chicago.
“I know I couldn’t afford graduate school and the cost of living in New York at the same time,” he said.
A third try at New York life has forced Mr. Compton, now 46, to confront the sustainability behind a career as both an interdisciplinary artist and a security guard — even inside one of the most famous museums in the world.
Love at First Sight (With New York)
As an undergraduate student at the Maryland Institute College of Art, Mr. Compton looked forward to spending weekends at his friend’s apartment gallery in the East Village in Manhattan.
A combination of showing face and knowing the right person led to his side project at the time — fashioning 3-d printed stuffed animals with skull faces — which were featured in an issue of Vogue Japan. He even sold a few inside a handmade craft store in Tokyo’s Ginza district for about $1,000.
“I was interested in the contrast between fuzzy-shaped animals and skulls,” he said, later adding, “You know, stuff when you’re a 20-something-year-old being kind of edgy.”
The early moment of success propelled Mr. Compton to chase after opportunities to showcase his work. While supporting himself financially through retail and service jobs, he helped write the artist Roman Ondak’s interactive performance piece at MoMA, “Measuring the Universe;” and worked as a collaborator for “No Souls for Sale,” an experimental project temporarily at Dia Chelsea and later, the Tate Modern in London. Both went unpaid.
“The chance to work in modern art before I was 30 is unheard of,” Mr. Compton said. “It only happens in New York.”
A Slower Pace
Tens of thousands of people flock to the Metropolitan on weekends, and it’s Mr. Compton’s job — one he has found increasingly difficult — to make sure the art is untouched. He believes social media has altered the way visitors engage with the museum. Think more selfies and poses leaned against Hellenistic marble.
The one hour work commute from Parkchester in the East Bronx gives him time to prepare for a long day ahead. He splits a two-bedroom with a co-worker for $1,000 a month and pays $50 in utilities. Heat and water are included in his rent, and his roommate covers the cost of Wi-Fi. He pays $90 each month for his phone bill.
The slower pace of the residential neighborhood matches the stage of life he’s in now. In the last few years, Mr. Compton has slowed down as he has come to terms with the expenses behind his art.
He no longer has free access to fabrication laboratories pegged to his university, and he has opted for the more cost-friendly hobbies of zine-making and book binding. He is, however, eyeing a $1,000 3-d printer. For now, he has settled on $20 a month Photoshop subscription.
The largest constraint tempering Mr. Compton’s spending is his $100,000 student loan debt from graduate school. The window for his deferment period closed, and even with some money he inherited after his mother passed, he says he needs a miracle to finish paying off his loans. “I’m not sure what to do anymore,” he said.
Splurging on Plants and Experimental Harsh Noise Records
Mr. Compton may not have any children, but he is a proud “plant dad.”
His apartment houses $1,000 worth of plants sourced through Facebook groups, pop-ups and by following Brooklyn Horticulture online. He typically pays $30-$50 for medium to large sized plants, but he is constantly on the lookout for deals.
When he isn’t at home with his plants, Mr. Compton treks into Manhattan to do his weekly grocery shopping at Trader Joe’s. He prefers the prices there to local spots in the Bronx and estimates he spends $70 each week.
A cash guzzler of Mr. Compton’s food budget is the $20 a day — an additional $80 a week — he spends at the Metropolitan’s staff cafeteria for breakfast and lunch. When working 12 hour shifts, “I’m not gonna go home and make something to bring the next day,” he said.
On his days off, he seeks out affordable food deals. He frequents Vanessa’s Dumplings in Chinatown for their $8 dumpling special.
When in the mood to treat himself, Mr. Compton rides the train a few more stops out to Ridgewood, Queens and Bushwick, Brooklyn, to visit his favorite record stores like Fringe Records and Nexus Records. An experimental harsh noise aficionado, he spends no less than $100 each visit.
His biggest and most recent splurge was a 10-day trip to Tokyo, Kyoto and Osaka in Japan in February. He was able to cut his $900 round trip ticket to $700 with credit card points. Add in the cost of hotels, meals and souvenirs, he spent close to $5,000 total.
“I wanted to go because my artwork had been to Japan, but I haven’t been to Japan,” he said.
Looking Ahead
Mr. Compton wants to strike a balance between saving and enjoying the life he dreamed of in New York. To help pay off his loans, he considered applying to be an art handler for the Metropolitan, a job with a slight pay bump. But without his present benefit of overtime pay, he’s afraid he would be making less than he does currently.
Over the years, Mr. Compton has found community among other security guards at the Metropolitan, who, like him, are artists. He has also built inroads with notable names at the museum, one being Sheena Wagstaff, the former chairman of modern and contemporary art, who he said took the time to know Mr. Compton not only as a co-worker, but also as an individual, too.
Because of his connections, he feels like he has nowhere else to go. He considered a quieter lifestyle upstate in Westchester or the Catskills, but believes he will make less money outside of the city. And, of course, he would have to leave the place he’s called home for the majority of his adult years.
“I did four other cities, and they weren’t as good or great as I like New York,” he said. “I always end up here.”
We are talking to New Yorkers about how they spend, splurge and save.
New York
10-Minute Challenge: The Ceiling at Grand Central
You made it time. If you want to look a little longer, just scroll back up and press “Continue.”
Look up.
Before you commute home to suburbs like Tarrytown and Larchmont, or race toward the next stop on your tourist map, take a minute.
Look up to see the stars.
One hundred and twenty-five feet above you are 2,500 stars and six signs of the zodiac along the ecliptic, a line that represents the path of the sun across the sky:
The signs are joined by a few others: Orion, Pegasus, Triangulum and, in the center of it all, Musca Borealis (the Northern fly, or sometimes called Apis, the bee). The Milky Way streaks across the ceiling in the opposite direction. The whole thing is ringed by intricate plaster moldings along the clerestory windows. Fifty-nine of the stars twinkle.
Who says there isn’t magic in Midtown?
The original early 1900s plan for the ceiling was to build a massive skylight so commuters could look up at the actual stars:
But time and money were short, so the architects asked the artist Paul Helleu to design a version of the sky on the ceiling instead. Helleu took inspiration from star atlases from the 1600s. His main resource was the Uranometria from 1603, a lushly illustrated volume that was the first detailed cataloging of individual stars, their positions and brightness. See how similar the figures are. This is Aries:
Here’s Taurus, the bull:
A heart balloon — one of several — had floated up the day we took this photograph, nestling between Orion’s club and Taurus’s horn (maybe an earthly sign that this heavenly hunt might finally resolve).
Converting the flat drawings of a spherical sky re-projected onto a semi-cylindrical vaulted ceiling would have been no easy task. The design work was done by a famous scenic designer and muralist, James Monroe Hewlett, and was overseen by the Columbia astronomy professor Harold Jacoby, who in 1910 assured a panicked public that Halley’s comet would not hit Earth.
Dozens of painters got to work. The terminal opened at midnight on Feb. 2, 1913. The New York Central Railroad boasted “that many school children will go to the Grand Central Terminal to study this representation of the heavens.”
Two weeks later, a commuter from New Rochelle (and a hobby astronomer) looked up at the ceiling and realized that west was east and east was west and the sky was not, actually, in a proper arrangement. Only Orion was shown in the “correct” orientation. He wrote a “wrathful” letter to the station. As The New York Times reported in 1913, officials at Grand Central “did not deny the charge that things were a bit mixed, but held that it was a pretty good ceiling for all that.”
How this happened is still a matter of debate, given Professor Jacoby’s astronomical blessing.
Michael Allison, a former NASA planetary scientist at the Goddard Institute for Space Studies (and a former adjunct in the Columbia astronomy and astrophysics department), met me last month at the great clock under the ceiling to explain his theory.
“I’ve stared at the ceiling I don’t know how many hours,” he said. “I keep hoping I can discover one more thing.”
The liberties taken, Mr. Allison said, like re-sizing the constellations to fit the space and flipping Orion (in relation to the rest), were carefully done. Ultimately, a good marriage of art and science. He thinks Jacoby was a victim of big project bureaucracy, that it was all a mixup.
Jacoby probably expected the design he approved to be projected overhead, where the result would match the plans if you held them above you. The painters put them on the floor instead. Hence, the flip.
But this “heavenly view” — the stars as if they could be seen from above, looking down — may not be a bad view at all.
“There are just so many bad things happening in the world now that I think the sky offers a perspective that can lift us above that,” Mr. Allison said.
For Deirdre Newman, the great-granddaughter of the muralist Hewlett, who painted the ceiling, the imperfection “is what art is.”
Ms. Newman, it turns out, is also a painter of murals and ceilings. But these days, if she has to flip an image, she just hits a button on the projector.
“Anytime I make a mistake painting, I’m like, this proves that it’s art,” she said. “It is not perfection, and it shouldn’t be — it would be a sad thing if it was.”
The stories that we’ve given to the stars over millenniums, some of the most retold tales in history, are hardly orderly — stories of fate, violence, betrayal, revenge, sex and punishment. Cancer helps Hera in pinching a rival’s foot. Orion, son of Poseidon, is placed in the stars by Zeus, locked in an eternal hunt. The two fish of Pisces (Aphrodite and Eros) are linked together to escape the monster-of-all-monsters, Typhon.
Or the stories are totally different if you were Babylonian or Egyptian, Greek or Roman. Today, the stars mean something else again to a devoted user of the horoscope app Co-Star, seeking reassurance after a breakup. And to a commuter standing in Grand Central, looking up while waiting for the train, the stars might just be a momentary diversion, a decorative way to pass the time. Or more.
Take what you want. Take what you need.
***
By the 1940s, the ceiling had fallen into disrepair, so they painted a whole new one on four-foot-by-eight-foot asbestos sheets over the old one. This is the version that exists today. Eventually that second ceiling, too, grew dark with grime and had to be cleaned from 1996 to 1998. The difference was stark. As you were zooming in, you may have noticed a little dark square by Cancer. They deliberately left one bit of the uncleaned ceiling here:
The best time to take all of it in — the ceiling, and the majesty of the station — might just be coming this weekend. The setting sun will line up with Manhattan’s street grid and should (pending clouds) bathe the terminal in a beautiful golden glow Saturday at 8:19 p.m. and Sunday at 8:20 p.m. I plan to be on the east balcony looking west on Sunday for that moment.
See you there.
How we took the photograph
To generate a high-resolution panorama of the ceiling, The Times captured 232 close-up images. We then used software to stitch these photos into an equirectangular projection, to approximate the curve of the ceiling. We also developed custom computer vision software to ensure consistent color blending across varying lighting conditions. To optimize for display efficiency and clarity during navigation, the image was then re-projected into the shape of a cube. We think it’s still a pretty good picture for all that.
This is an installment in our series of experiments on art and attention. If you liked this one, you may like these past exercises: a finished, unfinished portrait; a sudden rain over a bridge; a unicorn tapestry; some buckets from Home Depot; and a Whistler painting.
Sign up to be notified when new installments are published here. And let us know how this exercise made you feel in the comments.
New York
Metropolitan Diary Challenge Day 2: How to Write Your N.Y. Story
Welcome to Day 2 of the Metropolitan Diary challenge, part of our celebration of the column’s 50th anniversary. On Day 1, we gave you tips for identifying your New York City story. Today, we’ll help you write it. (Missed Day 1? It’s not too late to start.)
What makes for a good Diary? It’s simply a good story that happens to be set in, and capture, the essential New York-ness of the city. While this isn’t a full writing course, we do have guidance on the kinds of elements that the submissions we publish include. They typically have: a beginning, middle and end; sharp details; catchy dialogue; a bit of surprise; some humor, warmth or emotion. But there is no formula, so flouting these loose rules can be worthwhile.
Don’t worry if you don’t think of yourself as a “writer.” Focus on being a “storyteller.” Pretend you are telling your story to the person who’d most appreciate it, using whatever conversational language or pacing that would hold their attention. Do it out loud if you want, maybe give that person a call and tell them your story (or tell it to them again). Then write it down.
That’s the big picture. For more tips, read on.
Here is an example of a published Diary that we (and readers) really liked, and a few thoughts on why that may help crystallize yours.
Unacceptable
Dear Diary:
I went to a new bagel store in Brooklyn Heights1 with my son.
When it was my turn to order, I asked for a cinnamon raisin bagel with whitefish salad and a slice of red onion.2
The man behind the counter looked up at me.
“I’m sorry,” he said. “I can’t do that.”3
— Richie Powers
One of this item’s best qualities is that it is short and snappy. Only 53 words! Although we will use stories of up to 300 words, many don’t need to be that long and the column doesn’t work if we don’t have a mix of long, medium and short, so we are always looking for stuff like this. Here’s another one!
At Attention
Dear Diary:
It was December 1967. I had just finished basic training at Fort Dix in New Jersey and was traveling to Boston in uniform. For reasons I no longer recall, I stopped in New York City on the way.1
Walking on the Upper East Side2 in a snowstorm, I spied another man in a uniform. He was older, and his cap bore the familiar gold band that identified him as an officer.
I rendered a snappy salute. It was not returned. 3The uniform was unfamiliar, so I guessed he was a foreign officer. Military courtesy still required me to salute.
A little farther down the street, I encountered another officer and offered another salute that went unacknowledged.4 His uniform was strange to me as well.
The third time it happened, the man I saluted ignored me while holding the door for a couple 5on their way into a large apartment building.
I realized I had been saluting doormen.6
— Stephen Salisbury
To get your storytelling muscles going, think through or jot down the answers to some of these questions.
Let’s start with setting the scene.
- When and where in the city did this happen? Is this place well-known?
- Was there anything particular about that point in your life that’s relevant?
- What did you see, hear, smell? Was there something notable about the weather?
Now, let’s move to the middle, the meat of the story.
- Did you have an exchange with someone?
- What details are important to how events unfolded, especially in setting up the ending?
And now, the end.
- What’s the resolution? Is there a punchline?
- Does the story end with a sense of shared humanity or some other warm feeling that lingers? You don’t need to name it. A good description will often allow readers to feel it too.
- Why has this experience stayed with you?
- Lines like “and that’s why I love New York” are almost always unnecessary.
That’s it. Keep your story simple and use the kind of plain language you use in conversation. You are sketching a moment in time. The details are important. Let them move the story along. Have fun and good luck.
Once you’re done, read through what you’ve got. What details are less important and can be left out? (Remember, there is a strict 300-word limit.)
Write your Metropolitan Diary however you like, on paper, on your phone or wherever! When you’re happy with what you’ve written, put your diary entry into the box below, fill out your information and submit it. You might just hear from me about including it in a future column.
This is the official submission form, so make sure to double-check your work before hitting submit.
That’s it! Submit your Metropolitan Diary.
By transmitting your submission, you grant The New York Times Company a perpetual, royalty-free license to use the submission in any medium. They may be edited, and may be republished and adapted in all media. You may reprint your story elsewhere after it appears in The Times.
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