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Patsy Grimaldi, Whose Name Became Synonymous With Pizza, Dies at 93

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Patsy Grimaldi, Whose Name Became Synonymous With Pizza, Dies at 93

Patsy Grimaldi, a restaurateur whose coal-oven pizzeria in the shadow of the Brooklyn Bridge won new fans for New York City’s oldest pizza style with carefully made pies that helped start a national movement toward artisan pizza, died on Feb. 13 in Queens. He was 93.

His nephew Frederick Grimaldi confirmed the death, at NewYork-Presbyterian Queens hospital.

Mr. Grimaldi began selling pies in 1990 under the name Patsy’s. In those days, legal skirmishes periodically disturbed the city’s pizza landscape, and it wasn’t long before threatening letters from the lawyers of another Patsy’s led him to rename the place Patsy Grimaldi’s, then simply Grimaldi’s. Many years later, he reopened his restaurant with a name that pays tribute to his mother. Today that sign reads Juliana’s Pizza.

Under any name, Mr. Grimaldi’s pizzerias attracted long lines of diners outside, on Old Fulton Street, who were hungry for house-roasted peppers, white pools of fresh mozzarella and tender, delicate crusts baked in a matter of minutes by a scorching pile of anthracite coal.

Like the cooks he trained, Mr. Grimaldi hewed to the techniques he had learned in his early teens working at Patsy’s Pizzeria in East Harlem, owned by his uncle Pasquale Lancieri. Mr. Lancieri was one of a small fraternity of immigrants from Naples, including the founders of Totonno’s Pizzeria Napolitana in Brooklyn and John’s of Bleecker Street in Greenwich Village, who introduced New Yorkers to pizza in the early 20th century.

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Mr. Grimaldi reached back to those origins when, after a long career as a waiter, he opened a place of his own with a newly built coal oven. At the same time, the minute attention he brought to his craft — picking up fennel sausage at a pork store in Queens every morning, for instance, while other pizzerias were buying theirs from big distributors — anticipated the legions of ingredient-focused pizzaioli who would follow him.

“It was the first artisan-style pizza” in the city, Anthony Mangieri, the owner of Una Pizza Napoletana in Lower Manhattan, said in an interview.

“He was really the first place that opened up that had that old-school connection but was thinking a little further ahead, a little more food-centric,” he added.

Patsy Frederick Grimaldi was born on Aug. 3, 1931, in the Bronx to Federico and Maria Juliana (Lancieri) Grimaldi, immigrants from southern Italy. His father, a music teacher and barber, died when Patsy was 12. To help support his mother and five siblings, Patsy worked at his uncle’s pizzeria, first as a busboy, then as an apprentice at the coal oven and eventually as a waiter in the dining room. Apart from a brief leave in the early 1950s to serve in the Army, he stayed until 1974.

Patsy’s Pizzeria kept late hours in those days, and Mr. Grimaldi grew adept at taking care of entertainers, mobsters, off-duty chefs and other creatures of the night, including Humphrey Bogart and Lauren Bacall, Rodney Dangerfield, Joe DiMaggio and Frank Sinatra.

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The bond he formed with Mr. Sinatra lasted for decades. Mr. Grimaldi personally made deliveries from Patsy’s — two large sausage pies — when Mr. Sinatra stayed in his suite at the Waldorf Astoria. In 1953, they ran into each other in Hawaii, where Mr. Sinatra was filming “From Here to Eternity.”

“What are you doing here?” the singer asked the waiter. Mr. Grimaldi had been sent by the military to play bugle in an Army band.

Mr. Grimaldi met his wife-to-be, Carol, at a New York nightclub and took her to Patsy’s Pizzeria on their first date. They married in 1971.

A short time later, Mr. Grimaldi left Patsy’s to wait tables at a series of restaurants, including the Copacabana and the jazz club Jimmy Ryan’s. He was 57 and working at a Brooklyn waterfront cafe when he noticed an abandoned hardware store on Old Fulton Street with a “for rent” sign in the window and a pay phone bolted to a wall nearby. He picked up the phone and dialed the number. Not long after, he was showing off the nuanced, elemental pleasures of coal-fired pizza to people who had never tried it.

Matthew Grogan, an investment banker, ate at Patsy’s just a few weeks after it had opened. Until that moment, he thought he knew what good pizza was.

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“I said, ‘I’ve been living a fraud all these years. This is the greatest food I’ve ever had,’” he recalled in an interview. (He later founded Juliana’s with the Grimaldis.)

Others seemed to agree, including critics, restaurant guide writers and customers. Some of them were well known, like Warren Beatty, who brought Annette Bening, his wife. (“So, are you in the movies, too?” Mrs. Grimaldi asked her.) Others were obscure until Mr. Grimaldi decided that they resembled someone famous. “Mel Gibson’s here tonight!” he would call out. Or: “Look, it’s Marisa Tomei!” He was more discreet when the actual Marisa Tomei walked in.

According to an unpublished history that Mrs. Grimaldi wrote, when the mob boss John Gotti was on trial in 1992 at the federal courthouse in Downtown Brooklyn, his lawyers became frequent takeout customers.

“We would wrap each slice in foil and they would put it in their attaché cases so that John would be able to have our pizza for lunch,” she wrote.

In 1998, the Grimaldis decided to sell the pizzeria to Frank Ciolli and try their hand at retirement. It didn’t last. Neither did their relationship with Mr. Ciolli, who opened a string of Grimaldi’s around the country that they believed failed to uphold the standards they had set in Brooklyn. When they learned that their old restaurant was being evicted, they snapped up the lease.

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Mr. Ciolli, who moved Grimaldi’s to the building next door, sued to stop them from reopening. Mr. and Mrs. Grimaldi, he claimed in an affidavit, were trying to “steal back the very business they earlier sold to me.”

A truce was eventually reached. These days the lines outside Juliana’s are often indistinguishable from the lines outside Grimaldi’s.

Mr. Grimaldi, who lived in Queens, is survived by his sister, Esther Massa; a daughter, Victoria Strickland; and a grandson. His wife died in 2014. A son, Pat, died in 2018.

An alcove at Juliana’s holds a small Sinatra shrine. The jukebox at its forerunner, Patsy’s (a.k.a. Patsy Grimaldi’s a.k.a. Grimaldi’s), was stocked with Sinatra records, interspersed with a few by Dean Martin. Mr. Grimaldi maintained a strict no-delivery policy with one exception: for Mr. Sinatra.

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Judge Zahid Quraishi Ejects New Jersey Federal Prosecutor From Court, Orders Testimony on Office Leadership Structure

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Judge Zahid Quraishi Ejects New Jersey Federal Prosecutor From Court, Orders Testimony on Office Leadership Structure

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MR. ROSENBLUM: He is not personally supervising anything to do with this case.

THE COURT: The office, I’m talking about.

The

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represent are running it, that are the leaders of the U.S. Attorneys Office that are operating it, is the exact same triumvirate, Ms. Fox and Mr. Lamparello and Mr. Fontecchio,
the same triumvirate that Judge Brann ruled was unlawful,

9 right?

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MR. ROSENBLUM: Correct, Your Honor.

THE COURT: Okay.

All right. Well, I’m going require their testimony, as

I directed before. I’m going to schedule a hearing in two

14 weeks. I will determine the date and time later this

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afternoon. I will text order it, but I’m going to require the testimony of this triumvirate. So all three, Ms. Fox, Mr. Lamparello, and Mr. Fontecchio will testify. They will be sequestered. Just to be clear, they will be sequestered.
19 They will not be sitting in this courtroom listening to each 20 other testify, and they’re going to answer my questions about who is running this office and how.

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And then we will have a proper factual record, I believe, for me to then determine if I need legal briefing on how you can proceed with this sentencing hearing, or I might be able to just make the determination after I have that

United States District Court
District of New Jersey

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Video: Fast-Moving Fire in Queens Kills 4, Including a Child

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Video: Fast-Moving Fire in Queens Kills 4, Including a Child

new video loaded: Fast-Moving Fire in Queens Kills 4, Including a Child

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Fast-Moving Fire in Queens Kills 4, Including a Child

Fierce winds fueled a blaze in a mixed-use building on Monday, killing four people and injuring 12 others, officials said.

I can tell you that the Fire Department did an extraordinary job under difficult circumstances, putting this fire out and saving people. I can’t thank them enough for their continued efforts and commitment to life safety.

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Fierce winds fueled a blaze in a mixed-use building on Monday, killing four people and injuring 12 others, officials said.

By Jamie Leventhal and Jackie Molloy

March 16, 2026

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How an Artist Lives on $36,000 a Year on the Upper West Side

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How an Artist Lives on ,000 a Year on the Upper West Side

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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“I’m really lucky,” Gaya Palmer said, sitting in the cheerful kitchen of the 380-square-foot studio apartment she moved into around 1972. She has had many different jobs — she even drove a cab for a year — and currently describes herself as an artist, jewelry designer, novelty product designer, voice-over artist, songwriter, short story author and children’s book writer.

Her luck comes in the form of a rent-stabilized apartment in the Upper West Side neighborhood of Manhattan. When she signed the lease, she paid around $215 a month. Now, her rent is $977.

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Sure, she had to do some plastering and painting herself when she moved in, and a mouse once lived in the oven, but she’s got 11-foot ceilings, a huge window and a little patio. Her income is around $36,000 a year, with $4,000 being withdrawn annually from 401(k) accounts and the rest from Social Security.

She loves the community she has built. “I was born when I came to New York City,” she said. She knows just about everyone on her street and has friends all over town. Plus, her sister lives in the building next door. “That’s the gift of the landlord gods,” she said.

She is energized by being around other creative New Yorkers each day and acknowledges that affordable rent makes it possible.

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“The invisible vitality of New York City is the creative force of artists, actors and writers,” she said. “If you take away rent-stabilized apartments, you’re going to end up with a bunch of boring suits walking around looking for where the next bank is going to open.”

A Custom Space, Decades in the Making

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Ms. Palmer’s red, black and white apartment is impeccably organized, with everything in its place. “I’m a double Virgo,” she explained. Last year, she and her unique space starred in a video that was widely shared on social media.

Quite a bit of Ms. Palmer’s furniture was found on the street, although she bought the three dressers in her living room at Housing Works for $150.

She has polka-dot seating made from foam cushions that sit on plywood boxes, with storage inside. The seats were custom-built by a gentleman who is no longer in the picture, whom she referred to as “Mr. Wrong.”

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The building was constructed in the 1880s, and her apartment used to be the front parlor. Ms. Palmer, 76, sleeps in a loft bed in what is technically a hallway. Her father built the wood bed about 40 years ago.

“I call it heaven because it is heavenly, it’s soft — the bed is like all foam — and comfortable,” she said. “In the winter it’s cozy, in the summer my air-conditioner is right above.” Plus, she added, “I have a library up there.”

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No Need for a Dishwasher

Underneath the sleep loft is her workstation, where she creates jewelry and kinetic wall sculptures. She sells her creations on her website and keeps the business side of things running by paying for services like Google One storage for $10 and Canva for $13.

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There are no laundry facilities in the building, so she carts her clothes, towels, sheets and comforters to a laundromat a few blocks away, where it’s about $45 to get everything cleaned and dried.

And Ms. Palmer doesn’t live alone. She has Betty, a 13-year-old rescue Chihuahua whom she adopted about three years ago. Betty sees the vet every couple of months, which costs about $90, and goes through a lot of kibble, at around $25 a month.

Ms. Palmer’s efficient kitchen includes a bar made from a repurposed bookcase that she found on the street and a compact, counter-height refrigerator. “Thank goodness it doesn’t hold ice cream,” she joked. It does, however, hold Boursin cheese, one of her favorite foods. “It’s $10 at Fairway,” she said, “so I go to Trader Joe’s — it’s $5.”

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There’s a sign in her kitchen that reads, in all capital letters, “YOU CAN DESIGN YOUR LIFE.” She took it from the wall of a poolside bar in the Dominican Republic, years ago, and considers it her central ethos.

She doesn’t dream of having a dishwasher, a doorman or other luxury amenities. “I’m grateful, thankful, joyful that I have a roof over my head,” she said.

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“My home is my mansion,” she said, “and I don’t need anything more than this.”

Out and About

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Ms. Palmer has a standing monthly lunch date with a close friend; they always go to Cafe Luxembourg. “We meet at 2:30, and we leave after the candles are brought out for dinner,” she said.

Ms. Palmer usually orders a burger, a couple of cosmopolitans and a hot fudge sundae, spending around $125, including the tip. “They have the best burger in New York City,” Ms. Palmer insisted. “Even my sister-in-law from Ohio said it was the best burger she’s ever had.”

Her friends invite her to Broadway shows and events at Lincoln Center. She also loves to visit the Museum of Modern Art ($22) because creativity is central to her life. She used to work as a lead document processing operator at large law firms. “I still would come home and make art because I had to have that balance,” she said. “Once I resigned, I was able to make art all the time.”

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Sometimes she stays in and reads, or watches the news, home decorating shows or detective shows. Her Spectrum cable TV bill is around $87, and she pays $83 for YouTube TV.

Every now and then, she takes a $25 cab instead of the subway or walking. She doesn’t shop much. She hasn’t traveled out of the country in a few years. But if she sold a large piece of artwork and had an extra $1,500, she would spend it on a trip, maybe to Rio, she said.

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In the meantime, she often hosts friends for wine and cheese. And just the other day, her apartment was the setting for a spontaneous dance party with some Juilliard students she’d run into.

She can’t imagine living anywhere else. If she were back in Ohio, where she grew up, she said: “I’d have a husband that I’d be divorced from by now, and I’d be mowing the lawn.”

“That’s not a life I want,” she said.

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“When I wake up, if I can stand up — and I’m standing up and I’m in New York City — that’s all that’s important,” she said. “I’m vertical and I’m in New York.”

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