What we learn about Hart Island, one of many largest mass grave websites within the nation, we all know from fragments. Fragments of historical past, reminiscence, testimony.

Because the 1800s, this potter’s subject in Lengthy Island Sound has been the ultimate resting place for the marginalized, the unidentified and the sick. New York Metropolis’s homeless with no subsequent of kin, stillborn infants and victims of epidemics, together with yellow fever, tuberculosis, AIDS and Covid-19, have all been buried on the 100-acre cemetery.

Till just some years in the past, town’s Division of Correction used to ship inmates from Rikers Island every week to dig trenches and heave pine containers for 50 cents an hour on the website, half a mile east of the Bronx. That each one modified in 2019, after Mayor Invoice de Blasio signed a invoice to switch jurisdiction to the Division of Parks and Recreation; penal management of Hart Island formally ended on July 1, 2021.

The story of Hart Island is the story of over a million lives anonymized by time and misfortune. How do you inform the tales of one thing unknowable, or of somebody whose existence might not even be a reminiscence?

Kristjan Thor and Tracy Weller have discovered a method of their multimedia manufacturing, “Hart Island.” Thor, the director, recounted the imaginative and prescient Weller shared for the play. She stated, “‘There are such a lot of tales that want rescuing,’ and I believed it was such a gorgeous method to consider it,” he defined. “There are such a lot of tales that may very well be misplaced. The goal is to each rescue and revitalize and provides voice to these tales,” he stated.

A number of years within the making, “Hart Island” was impressed by an investigation into the mass graves by The New York Occasions in 2016. After studying it, Weller stated, she stood in her kitchen holding the paper in her hand, coronary heart pounding. She stated she felt “an crucial” to create a chunk of theater that “meditates upon some side of this place and the experiences related to it.”

The consequence, a collaboration with the immersive theater firm Mason Holdings, opened this week on the Fitness center at Judson in Manhattan. With mantra-like narration, distorted audio, flashing visuals and an earthy set, it explores the connections between people and islands because it goals to animate the family members of the buried and the inmates who dug their graves.

A mulch-filled lot scattered with memorabilia (a online game controller, a frayed yellow cooler, a tattered life vest) sits heart stage, flanked by two ladders that appear to achieve up and away from the cemetery, someplace past the graves. A forged of seven tells the story: The narrator (Weller) presents chilly, medical info (one plot can maintain 150 grownup corpses — or 1,000 infants), and 6 somber archetypes present piecemeal anecdotes — together with one a couple of Rikers correctional officer rallying his detainees for a day journey, one other in regards to the nurse of an aged affected person who handed away with no household to bury her and a 3rd a couple of mom whose new child died three days after delivery.

Thor stated he was struck that the island was comparatively unknown, regardless of its proximity. “It’s an enormous piece of humanity that’s sitting inside our metropolis that no one is aware of about,” he stated. “That seems like a tragedy to me.”

As town continues to bury victims of Covid-19, the island’s historical past holds a mirror to pandemic quandaries of late. How can we isolate the diseased? How can we isolate ourselves from the diseased?

Above all, how can we go on?

In spring 2020, as Covid-19 overwhelmed morgues, interments on Hart Island elevated about fivefold to 120 per week from 25. As many as one in 10 individuals who died from the virus in New York Metropolis could also be buried within the mass graves, in accordance with one evaluation.

Reflecting on the previous two years, Weller stated, “We all know demise in a method that we didn’t earlier than; we all know isolation in a method that we didn’t earlier than.” She added, “We have to know demise. The extra we take a look at demise, the extra we perceive life.”

It wasn’t till April 2020 that town started hiring hazard-suit-clad contractors to interchange the incarcerated staff. Till that time, inmates uncovered to the virus at Rikers may have doubtlessly been digging their very own graves — a degree that caught with Weller.

The play poses a variety of questions, in regards to the useless and the dwelling: amongst them, why is demise an occasion so many can’t afford?

However the spine of “Hart Island” is the narrator, an actress performed by Weller who arrives at an audition for a voice-over job she is aware of nothing about. She places on her finest easy jazz radio timbre and falteringly reads a script on the historical past of New York Metropolis’s islands with the precision of a PowerPoint presentation.

“Within the East River tidal strait the place New York Higher Bay, the Lengthy Island Sound and the Harlem River meet, the turbulent convergence of tidal forces is chargeable for hundreds of shipwrecks and sailor ghosts.”

From a recording studio that looms over the set like a guard tower, she calls up darkish accounts of Rikers Island (“a troubled place constructed on troubled land”); Roosevelt Island (“a spot of illness however not essentially of therapeutic”); Randalls and Wards Islands (“islands of undesirables”), and the accompanying histories of psychiatric compounds, smallpox outbreaks and juvenile correctional amenities. Pictures of hospitals and penitentiaries flash in succession behind the narration, every reality interspersed with the press of a digital camera shutter or the blare of a jail cell buzzing to launch an inmate.

Each the narrator and the viewers are left with info overload and a sense of “‘It’s simply an excessive amount of,’” Thor stated.

The story of survival, of dealing with being alone, is all too acquainted. A haunting line of the narration cuts to the core: “Regardless of how we would attempt to bury the previous, it someway at all times revisits us.”