Mortgage payments in Greater Boston still rank among the highest in the nation. But a shift has taken place. No longer are prospective buyers getting caught up in the frenzy of bidding wars and stretching their purchase price and mortgage payment to the maximum they can afford. Instead, real estate professionals say that buyers are taking a more cautious approach today, thinking twice about what they’re willing to pay.

According to data recently released by LendingTree, the average mortgage payment on home purchases fell 2.4 percent in 2025, from $1,990 in 2024 to $1,942 per month (for principal and interest only). Still, home affordability remains a challenge: LendingTree reported that one in 10 borrowers are significantly cost-burdened, with 10.2 percent of borrowers nationwide spending 40 percent or more of their income on new mortgage payments.

According to the data, Greater Boston ranked seventh for metros with the highest average new mortgage payments in 2025. The average mortgage payment in the area was $2,784 a month, and 31.4 percent of borrowers spent at least 30 percent of their income on their mortgage payment.

Of course, if you add the other costs that get rolled into mortgage payments — property taxes, home insurance, and private mortgage insurance — that monthly housing cost goes up even higher, and that doesn’t even include utilities and homeowners association fees. While LendingTree couldn’t provide a total monthly housing cost for the Boston metro, WalletHub recently released data on the states where people spend the most and least for housing, and Massachusetts ranked third on that list, with average homeowners there paying about 34 percent of their income on housing costs, second only to Hawaii and California.

“Boston’s core issue is simple: too many people are chasing too few homes,” said Matt Schulz, LendingTree’s chief consumer finance analyst. “The area has struggled with housing supply for years, and that is unlikely to change anytime soon.”

The good news is that despite the price pressure and challenge of bidding wars, local experts say that buyers today are not stretching their budgets just to get into a home and then find that they became cash-poor in the process.

“People today are a little more strategic,” said Melvin A. Vieira Jr., a real estate agent with Re/Max Real Estate Center in Boston. “Buyers are more educated, and they’ve heard about the bidding wars of the past, so they’re making reasonable decisions rather than emotional ones.”

Consider Sarah, 36, and Mike McCracken, 38. When they were searching for their first home, they were approved for a $900,000 mortgage and could have easily afforded the four-bedroom, three-bath Colonial in Sudbury that they fell in love with. But Sarah was nervous about owing more than $650,000. So, they expanded their search and found a smaller Cape Cod-style home in Walpole, which they purchased for $575,000.

“We could have made the numbers work with the original house,” said Sarah, who has since become a real estate agent for Coldwell Banker. “But being more conservative and making a decision that made sense for the present, rather than a hypothetical future, allowed us to have a smaller mortgage payment and keep other costs lower so we could travel when we want to and were able to do a renovation when we needed to. Giving ourselves the flexibility to make decisions as they came up because we hadn’t locked in that higher payment was the best decision.”

Robyn A. Friedman is an award-winning freelance writer who has covered real estate and personal finance for over two decades. Follow her @robynafriedman.

“Nothing happens only when it happens,” writes Ross Gay in “Be Holding,” his acclaimed book-length 2021 poem that spins a single iconic basketball move from 1980 into a passionate meditation on togetherness, care and Black life in America.

Now the live performance built around the poem, which premiered in 2023, in Philadelphia, is itself happening again as part of the 59^th Carnegie International.

The remounted show features two performers reciting the poem, inspired by Hall of Famer Julius “Dr. J” Erving’s famous “baseline scoop” basket in Game 4 of the 1980 NBA finals, with live music and a small troupe of student performers. It gets two performances on the International’s opening weekend, Sat., May 2, and Sun., May 3, at the Hill District’s Thelma Lovette YMCA. (The May 2 show is sold out.)

The International, Pittsburgh’s largest showcase of international art, features work by some 60 artists and collectives. Opening weekend includes a number of performances and special events at the museum and other satellite locations.

The Carnegie’s Ryan Inouye says he and his fellow International co-curators commissioned the new version of “Be Holding” after seeing the 2023 premiere production.

“We were just floored by it,” Inouye said. He said the show’s blend of poetry, new music and theater with community performers in a community space expressed the themes of collective effort suggested in the International’s title, “if the word we.”

“This is really emblematic of what we are trying to build within the exhibition,” he said.

‘Black flight and Black genius’

Gay is known for works like his best-selling 2019 collection “The Book of Delights.” He’s a basketball player and fan who grew up near Philadelphia, but was just 5 when the 76ers’ Dr. J seemed to defy gravity in a baseline drive against Kareem Abdul-Jabbar’s Los Angeles Lakers that ended in a reverse layup.

As Gay describes the move, Erving left his feet on the baseline and, finding his path to a straightforward dunk blocked by a Lakers defender, “simply decided, in the air, to knock on other doors by soaring more.”

Bill O’Driscoll

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90.5 WESA

“Have you ever decided anything … anything … in the air?” Gay asks in the poem.

Gay studied the play obsessively on YouTube, and produced a poem that marries an anatomy of that moment to thoughts about the Middle Passage, Black flight, music and more. “Ross Gay takes one fluid human gesture and through it expands the lungs of personal and communal history so they might hold all joy, terror, and violence of this world,” wrote the American poet and editor Gabrielle Calvocoressi.

Before he’d even finished writing “Be Holding,” his friend Brooke O’Hara, a theater artist, convinced him it should also be the basis for a live performance.

“It is a beautiful poem about Black flight and Black genius, and it definitely addresses how we look at each other and how we engage each other through the point of holding and caring for and embracing each other, and through joy,” O’Harra said. “There are moments when [Gay] kind of analyzes a kind of looking that is about violence and pain, but always is turning back to how do we look with joy, and how do we look at Black images, and understand and experience the Black experience as one of genius and flight and joy.”

The show was created in collaboration with Pulitzer Prize-winning composer Tyshawn Sorey and New York-based new-music quartet Yarn/Wire.

‘Embody these moves’

O’Harra developed choreography for the original show with a small ensemble of high-school students and the Philadelphia-based poets and performers David Gaines and Yolanda Wisher, who performed the text in the premiere production, at Philadelphia’s Girard College.

“Be holding is a Black epic poem, which we don’t really see many of them. A 90-page poem about a five second YouTube clip,” said Gaines. “And Black in a way that it is still human that anyone can get anything from the piece.”

Gaines again takes a lead role in the Pittsburgh production, this time joined by Gay himself. Yarn/Wire will perform the partly improvised score on two grand pianos and a pair of large percussion ensembles including drums, chimes and gongs. And a group of performers from Pittsburgh-area high schools worked with O’Harra to develop their version of the show.

“We are just letting them embody these moves and see what it looks like on stage or with the music,” said O’Harra during a Sunday rehearsal this past February, in Downtown’s Trust Arts Education Center.

The general idea is to turn basketball moves into dance moves, to the tune of composer Sorley’s atmospheric score.

“I like the basketball aspect,” said Isaac Walker, a Mt. Lebanon High School sophomore who’s in the show. “I’m not on a team, but I would say I’m pretty good. And it was an interesting opportunity.”

As Gay learned after publishing “Be Holding,” few young folks recall Dr. J, who retired from the NBA in 1987, let alone his iconic baseline move against the Lakers. (In 1980, Michael Jordan was still in high school and LeBron James was not yet born.)

“I would say it’s about Ross’ like point of view in life, like with basketball and without, like his experiences in just being Black in America,” Walker said.

‘A grounded setting’

“Be Holding” performer Gigi Dutrieuille, a City High student and aspiring actor, said in February she hadn’t yet read Gay’s entire poem. “I got through like half of it, low-key, and left it in my bedroom for the time being,” she said.

Because all the show’s adult performers are based in other cities (O’Harra in Philadelphia), rehearsals were confined to one weekend in February and the week before the show. This past Monday, students met O’Harra in the Thelma Lovette gym to finalize the choreography.

Courtesy of Brooke O’Harra

Despite challenges like getting transportation to the venue for the late-afternoon-into-evening rehearsals, and finding time to complete homework, the young performers remained enthused about the project, doing movement exercises and passing basketballs as a way of establishing communication.

The Y’s gym was closed for several days for the load-in, on-site rehearsals and this weekend’s performance. The court sat outlined with audio, video and power cables, with a monitors facing out to the low bleachers where the audience will sit, and a screen for projected video suspended above the floor at half-court.

David Gaines, who’d performed “Be Holding” in the gym of Girard College, said the venue remains apt.

“I love being in a gym space because this poem is clearly about practicality, it is about togetherness, it is about community and it’s about basketball!” he said. “And so to be able to do a piece like this in a grounded setting, reflects really all the values that the poem is about.”

May is almost here, bringing with it warmer weather, bright spring blooms and of course, Mother’s Day, this year falling on Sunday, May 10.

Looking for an activity to celebrate the women in your life outside of the house? Luckily, Connecticut has plenty of fun Mother’s Day events that mom, aunt or grandma would enjoy, all the way from a casual day of shopping at the farmers market to an elgant brunch inside a castle.

Here are eight of Connecticut’s best Mother’s Day activities to check out with mom this year.

Cruise the Connecticut River

For moms who would love a day on the water, the Connecticut River Museum hosts special Mother’s Day cruises on RiverQuest, a tour boat that explores the river’s ecology and wildlife.

On May 10, RiverQuest will offer hour-long cruises at 10 a.m., noon and 2 p.m. Tickets are $10 for mom and one child, $15 for children under 12 or $20 for other adults.

Visit a vineyard

Does mom love a good glass of wine? Treat her to an afternoon at a vineyard. On Sunday, May 10, Stonington Vineyards will host a Mother’s Day celebration full of wine, sandwiches and sweet treats, shopping from local vendors and live music. Plus, create a custom bouquet with or for mom at the onsite Bloom Bar.

Stonington’s Mother’s Day event is free to attend, with no registration required. The vineyard is located at 523 Taugwonk Road in Stonington.

Go flower picking

If mom is a fan of flowers, take her to Wicked Tulips, a flower farm with the biggest you-pick-tulip event in New England, complete with over 1.5 million blooming tulips of various colors and 75 varieties.

Admission, which includes 10 tulips, costs $5.50 for children, $24.95 for adults on weekdays or $29.95 for adults on weekends. Additional tulips can be purchased for $1.50 per stem. Online tickets for Wicked Tulips must be reserved for a specific date and time, though guests can stay as long as they want after entering. Tickets are also sold at the door, but entry is more expensive and not guaranteed.