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Where Is “Down East” Anyway?

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Where Is “Down East” Anyway?


By Will Grunewald
From our July 2024 issue

Driving over the Penobscot Narrows Bridge never fails to stir a certain hard-to-define feeling, a mixture of awe and calm and anticipation conjured up by the span’s swooping lines, the sight of its namesake river slowly unspooling seaward, and the impression, however foggy, of crossing a threshold. Coming from the south, the midcoast is all of a sudden in the rearview, and the down east region lies somewhere ahead. But exactly where down east begins has long been a source of disagreement. Some people contend it starts halfway across the bridge, upon entering Hancock County. Others exclude Mount Desert Island, on account of its seasonal crowds feeling contrary to the area’s otherwise quiet vibrations. Another point of view holds that only Washington County, the state’s easternmost, truly qualifies (the “real down east” is a familiar refrain). Ask however many Mainers to define the region, get as many differences of opinion. 

The Penobscot Narrows Bridge. Photo by Dave Waddell

The lack of consensus owes, at least in large part, to the fact that down east started out not as the name of a place but as an Age of Sail directional term. To reach Maine from Boston, a ship headed downwind and east, or down east for short. It was a purely relative concept (and that’s what inspired this magazine’s name almost 70 years ago). The notion of down east as a separate region within Maine seems to have developed both gradually and arbitrarily. But perhaps, finally, we can consider the debate over the boundaries settled. Last year, President Joe Biden signed legislation, supported by Maine’s congressional delegation, to designate a Downeast Maine National Heritage Area, which notably comprises both Hancock and Washington counties, in their entireties. So that’s that, right?

Going forward, the National Park Service will administer the new heritage area, though a heritage area is, unlike a national park, neither a federally owned nor cohesively managed unit. Rather, the designation primarily enables nonprofits and municipalities and other organizing groups within the defined area — and there are more than 60 such areas across the country — to tap into some federal funds and technical assistance for projects related to historic preservation, environmental conservation, and economic development.

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The appeal of such an arrangement is clear enough, but it also begs a new question: What’s so uniquely heritage-y about this one part of Maine? Heritage, after all, is slippery — it implies something to do with history and culture, but history and culture exist everywhere humans have ever set up shop. There is something to be said for tight-knit communities, deep-rooted families, and traditional ways of making a living from the land and the sea. But is any of that particular to down east?

Maybe heritage is one of those sum-is-greater-than-its-parts, know-it-when-you-see-it kind of things, and you just have to discover for yourself whether the past is somehow more present down east. What follows here is hardly a comprehensive guide to the region but rather a sort of primer, an introduction with an eye toward sites with something to say about that nebulous idea of heritage. So point your car downwind and east, sail on up Route 1, and see if you think the membrane between then and now is truly thinner in Hancock and Washington counties. See if you experience another one of those hard-to-define feelings.

Where to Stay

You’ll find far more options for accommodations in the western half than the eastern half of the region, but there are options nonetheless throughout down east, and a number of them check some heritage-y boxes. The Queen Anne–style Pentagöet Inn, in Castine, was built in 1894 to capture the turn-of-the-century summering crowd, and it retains historic touches throughout. If 1894 isn’t old enough for your tastes, consider instead the Pilgrim’s Inn, on Deer Isle, which dates from 1793 and was originally the private home of a prominent gristmill and shipyard owner. Continuing eastward, there are too many offerings to count on Mount Desert Island, then a dry stretch until the Chandler River Inn, in Jonesport, which occupies a 1797 home high above its namesake river and leans into antique and vintage décor. All the way down east, in Lubec, the 1860 Peacock House Bed & Breakfast was built by a sea captain and was subsequently lived in by a family that owned a sardine cannery. In Eastport, a similar feel from a similar era comes in the form of the 1887 Kilby House Inn. Of course, if lodging that comes with historic vibes isn’t a priority, your range of options becomes considerably wider.

Where to Eat

Food, surely, is an important part of any heritage. Down east, that means lots of seafood, especially lobster, and lots of blueberries. For the former, there’s a high degree of futility in enumerating all the can’t-go-wrong establishments along the coast. The key test is to make sure you’ve got a view of the water. And Bagaduce Lunch warrants some special attention, since the James Beard Foundation conferred its America’s Classic award on the little takeout operation back in 2008 and it’s still going strong. Fried haddock, scallops, or clams all make for solid orders there too. Those seafood staples (along with heaping breakfasts and more) are also available at the hundred-year-old WaCo Diner, in Eastport, and if that doesn’t count as heritage, tough to say what does. As for blueberries, those always taste best straight from the grower, whether at a farmstand or a pick-your-own operation. Plus, if you stop during your travels to hike, say, Great Pond Mountain or Tunk Mountain, watch for freebie berries you can pluck fresh along the trail. 

Blue Hill Peninsula 

Soon after the Penobscot Narrows Bridge, the Blue Hill Peninsula juts south, forming the ragged eastern edge of Penobscot Bay. The rural roads that wind from town to town have a leisureliness to them, especially after driving on Route 1. In Castine, Maine Maritime Academy, itself a connection to the region’s centuries-old tradition of producing commercial seafarers, is home to the Bowdoin, a 1921 schooner and the official vessel of the state of Maine. Although the Bowdoin mostly spends its summers plying far-flung waters, it’s available for public day sails in the fall. On the other side of the peninsula is charming little Blue Hill, home to the Blue Hill Fair, a classic affair that got its start as an agricultural showcase in the 1800s — and helped inspire elements of Charlotte’s Web, by E.B. White, who lived in nearby Brooklin (Aug. 29–Sept. 2, 2024). Speaking of Brooklin, that’s where the Wooden-Boat School does its part to preserve traditional maritime ways, offering classes in boat-building and sailing — plus a gift shop if you’re just passing through. Heading all the way down to Stonington, on Deer Isle, you’ll find the most productive lobster fleet in the country hard at work. And up in Brooksville, the Good Life Center is situated on the Forest Farm homestead of Helen and Scott Nearing, who inspired legions of back-to-the-landers to settle in the area. Today, the center is open to visitors throughout the summer and hosts workshops on everything from composting to building stone walls, plus talks on everything from microplastics to presidential politics. While breezing through the Blue Hill Peninsula in a day is manageable, the easy rhythm of the place sinks in better with a night’s — or several nights’ — stay. Plus, it’s a good home base for forays farther down east.

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Clockwise from left: Class at the WoodenBoat School, in Brooklin (photo by Tara Rice), and scenes from the Blue Hill Fair (photos by Jeff Klofft).

Ellsworth to Cherryfield

Leaving the Blue Hill Peninsula behind, Route 1 soon passes through downtown Ellsworth and then neighboring Hancock, where the Downeast Scenic Railroad departs on weekends and select weekdays through mid-October. The restored passenger cars run on a line that was built 140 years ago to carry well-heeled city folk to rusticate on Mount Desert Island. Nowadays, ducking south to Mount Desert Island to explore Acadia National Park, the heart of the region’s recreational history, requires traveling by car. Continuing farther east along Route 1, vestiges of the quarrying industry appear. In Franklin, a short detour leads to the Robertson’s Quarry Galamander, one of two rare stone-hauling vehicles known to have survived in Maine. In Sullivan, the Granite Art Garden, five minutes off Route 1, is part historical site, part outdoor sculpture gallery, part trail network around an old quarry, while the nearby Gordon’s Wharf, on Mount Desert Narrows has a few informational plaques that help visitors to imagine how the now-tranquil site was once a hotbed of activity, massive granite blocks being loaded onto schooners for shipping down the Eastern Seaboard. For even more granite, but in unhewn form, loop down through Acadia National Park’s Schoodic section and pull off at Schoodic Point, where huge ledges slope toward the ocean — and offer impressive views back across the water toward the main section of the park. Farther along Route 1, evidence of past industrial prosperity takes the shape of grand old homes. Cherryfield, once a shipbuilding hub, has quite a few, including the exceedingly well-kept William M. Nash House, a sprawling Second Empire mansion that’s perched on a hill above the Narraguagus River. It’s on the National Register of Historic Places, but take note: it’s a private residence, so don’t turn around in the drive as you continue making your way down east.

Clockwise from left: view from the Schoodic Peninsula (photo by Dave Waddell); Downeast Scenic Railroad (photo courtesy of Downeast Scenic Railroad); William M. Nash House (photo by Tara Rice), in Cherryfield; sculpture at the Granite Art Garden, in Sullivan (photo by Dave Waddell).

Deeper Ties

The Wabanaki can measure their down east heritage by millenia, not just centuries. 

The most well-known and oft-visited museum in Maine dedicated to indigenous peoples is the Abbe Museum, a Smithsonian affiliate in the middle of downtown Bar Harbor. Its core exhibit, People of the First Light, provides a wide-angle view of 12,000 years of tribal history across what’s now Maine, while rotating shows tend to focus more tightly on certain elements of culture, contemporary life, and the arts. Nowadays, the Passamaquoddy are the only tribe with lands down east, split between reservations at Pleasant Point, near Eastport, and Indian Township, northwest of Calais. At Pleasant Point, also called Sipayik, the concise but thoughtful Sipayik Museum is managed by Passamaquoddy-language specialist Dwayne Tomah — one of few remaining fluent speakers — and displays traditional examples of clothing, tools, baskets, and canoes, among other artifacts. Hours at Sipayik vary, so it’s best to call ahead. In downtown Calais, the small Wabanaki Culture Center and Museum includes objects from both the Passamaquoddy and Penobscot tribes and has informational dioramas as well as a birch-bark canoe (39 Union St.). No experience of the down east region — no effort to understand what heritage means there — is complete without taking into account the past and present roles of Wabanaki tribes.

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Clockwise from top left: a diorama and a traditional basket at the Wabanaki Culture Center and Museum, in Calais; examples of tribal clothing and tools at the Sipayik Museum; Dwayne Tomah, who runs the Sipayik Museum; a teepee reconstruction at the Wabanaki Culture Center and Museum. Photos by Dave Waddell.

Harrington to Machias

Eastbound from Cherryfield, the next two small towns you pass through are Harrington and Columbia Falls. Then, jumping off Route 1, a scenic loop can be made through the fishing village of Jonesport. Its harbor, best viewed while crossing the bridge to Beals Island, is chock-full of lobsterboats, whose now-familiar design got its modern shape from local boatbuilders. Outdoorsy travelers ought to continue along Beals to Great Wass Island, where a Nature Conservancy preserve provides several miles of trails through pristine, hushed coastal woods and bogs, reminding that conservation is a major part of down east’s past and present. All throughout this stretch of down east, too, is wild-blueberry country. Barrens of the scrubby low-bush plants line Route 1 — and turn brilliant red in the fall. In Machias, consider stopping for a slice of rightfully renowned blueberry pie at Helen’s Restaurant, especially during harvest season in late summer, for a satisfying taste of agricultural heritage. If you hunger for a history lesson as well, stop by the Burnham Tavern Museum. That’s where, in 1775, locals convened to discuss what to do about the arrival a British navy vessel and two merchant ships, looking to procure supplies that British troops needed in Boston, following the battles of Lexington and Concord. What ensued was the first naval engagement of the Revolutionary War, with Machias’s gutsy militiamen emerging the victors. 

Clockwise from left: Burnham Tavern , in Machias (photo by Tara Rice); blueberry barren in the fall (photo by Benjamin Williamson); blueberry pie at Helen’s, in Machias (photo by Tara Rice); Jonesport Harbor (photo by Benjamin Williamson).

Cutler to Lubec

Boot Head, Cutler, MaineBoot Head, Cutler, Maine
The Cutler coast. Photo by John K. Putnam

Something happens the farther down east you go: the fewer must-see sights around, the greater the sense you’re getting a real feel for the area. Heading toward Lubec, leave Route 1 behind and angle toward the tiny community of Cutler. The road skirts the shore for a time, then rolls along through bucolic scenery. A little farther, if you brought your hiking boots, find an excellent — but minimum-half-day — stop at the Cutler Coast Public Reserved Land (parksandlands.com). The trail there traverses the boldest section of a long stretch of shoreline known as the Bold Coast, combining some of the grandeur of Schoodic with some of the quietude of Great Wass. Is the hike instructive on the matter of heritage? Your mileage may vary, but here’s betting you’re a little more attuned afterward to what’s so special about the region’s terrain. The same can be said of Cobscook Bay, where the down east coastline’s massive tides are acutely felt, the basin emptying and swelling twice a day, many species of birds and other wildlife flocking to the marshes and grasslands. En route to Lubec, the Cobscook Shores network of parks provides a number of options for fairly quick strolls along the shore (cobscookshores.org). Then, in Lubec, consider what the waterfront would have felt like in the late-19th and early-20th centuries, when seafood canneries and smokehouses had their heydays, with about 50 such facilities in Lubec alone. Not a single one still operates there, although the McCurdy Smokehouse remains atop its pilings as a small museum that offers a glimpse into that defunct industry (mccurdysmokehouse.org). Ten minutes outside town is the sight probably most visitors come to see, West Quoddy Head Light, standing sentinel over the easternmost point in the contiguous U.S., with its iconic red and white stripes marking the entrance to the Quoddy Narrows (westquoddy.com). It might also serve as a reminder to travelers: follow the narrows, on toward Eastport.

Clockwise from top left: Lubec Landmarks now owns the McCurdy Smokehouse (photos by Dave Waddell); view down the Cutler Coast (photo by Tara Rice); Cobscook Bay at sunset (photo by Benjamin Williamson); lobsterboat off Quoddy Head (photo by Matt Trogner).

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Eastport and Beyond

statue at the Saint Croix River International Historic Site.statue at the Saint Croix River International Historic Site.
A statue at the Saint Croix River International Historic Site. Photo by John K. Putnam

In Eastport, signs of a working waterfront are everywhere in the harbor-fronting downtown, from the fishing boats at their moorings to the tugboats that can pilot large ships into the deepwater port. At one point in the early 1800s, Eastport was the second-busiest trading port in the entire country, after only New York (although it’s far from that busy these days, and all the less so since the pandemic and the war in Ukraine threw global supply chains out of whack). While strolling around town, stop by the Raye’s Mustard gift shop. The museum and factory, with the country’s only traditional stone mustard mill still in operation, has churned out mustards since 1900 but is undergoing renovations and isn’t offering tours. After Eastport, you face a choice: either make the return trip the way you came (heading “up west,” one supposes?) or explore a little ways up the Saint Croix River, toward the border town of Calais. In the latter case, stop to check out the Saint Croix Island International Historic Site, where a French expedition landed in 1604. The group of settlers moved along after enduring a brutal winter, but French colonization in North America — and Acadian influence in Maine — was underway. Finally, head west via Route 9. Known as the Airline, it’s indeed a breezy way to travel — light on traffic, thick with woods. The relaxing drive is a good time to really absorb everything you’ve seen down east.

From top left: Route 9, aka “the Airline”; Scenes from around Eastport’s working waterfront (photos by Dave Waddell).

May 2024, Down East MagazineMay 2024, Down East Magazine

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Maine

'Liars' is an autopsy of a bitterly disappointing marriage

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'Liars' is an autopsy of a bitterly disappointing marriage


“Elegies are the best love stories because they’re the whole story,” Sarah Manguso writes in her fierce second novel, Liars, an autopsy of a bitterly disappointing marriage, from first meeting to painful aftermath.

Of course, there are always at least two sides to every story, and especially every marriage. But this requiem for a failed relationship is from the point of view of a survivor, the wife left behind. Elegiac is not a word I would use to describe it.

The novel’s narrator is a successful writer named Jane who bears more than a passing resemblance to the author we know from Manguso’s three incisive memoirs. Jane discounts her husband’s side of the story because she considers him such a liar. In this scathing account of their 14-year marriage, she cites many examples of his selfish behavior, distorted self-image, and the falsehoods he peddles about her mental instability. She repeatedly tries to reframe and succinctly encapsulate their increasingly unsatisfactory situation in order to process it. “I began to understand what a story is,” she writes. “It’s a manipulation. It’s a way of containing unmanageable chaos.”

Manguso’s chilling first novel, Very Cold People, along with her celebrated memoirs, which include Ongoingness and 300 Arguments, feature short, sharply honed, double-spaced paragraphs that scrutinize aspects of life made more difficult by autoimmune disease, depression, and the aftermath of trauma.

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Liars is similarly distilled, though it is her longest book yet. It’s a tour de force, but it is also relentless. Like Leslie Jamison’s Splinters, it is an old, oft-told tale about the challenges of not losing one’s autonomy when hitching one’s wagon to another person, and of combining marriage and motherhood with a successful writing career. Its pages are filled with rage and lined with red flags, which the narrator deliberately chooses not to heed until that strategy becomes untenable. I kept wanting to avert my eyes — or shout warnings.

Here’s how the novel starts:

The couple meet at a film festival in upstate New York. Jane is attracted to John Bridges, a Canadian filmmaker, whose work she admires. Both are in their early 30s and live in New York City. She is drawn to his calm and his drive. “[H]e thought clearly, felt deeply, worked hard, made art, was dark and handsome, and wanted to marry me. I’d ordered à la carte and gotten everything I wanted,” she writes.

But she soon discovers John’s hidden flaws. He lied to her about his relationship status. His writing was barely literate, and he was terrible with money. He sulked and undermined her when her career advanced and his didn’t.

She essentially takes over as his unpaid assistant, and her life is filled with “a thousand tasks,” including teaching him how to open and sort mail into four piles — shred, trash, file, action items.

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“And yet,” she writes, “no woman I knew was any better off, so I determined to carry on.” She adds disturbingly, “After investing five years of my life, I didn’t want to have to start over again.”

So, reader — no surprise, and no spoiler alert necessary — she not only marries him, but has a child with him. Which of course eats into her writing time. Repeated moves between New York and California for her husband’s work — several failed startups which earn him a full-time salary with health insurance while the last — undercut her ability to get a tenure-track teaching job, so she’s stuck with low-paying adjunct positions, plus full responsibility for childcare and housekeeping. “I was in charge of everything and in control of nothing,” she writes. “What could I do? I kept going for the child’s sake.”

Jane acknowledges that she’s “a control freak, a neat freak, a crazy person,” and that her constant disappointment in John must have been hard on him. For her part, she finds her husband’s disdain and lack of attention and respect soul-sapping.

Questions that haunt the narrator include: Why did she marry him? And why had she stayed with him so long? Is commitment a trap or a gift?

We can’t help but wonder: If this “maestro of dishonesty” is so terrible, why is this woman so “annihilated” when he leaves her?

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Well, for starters, because rejection never feels good. And he cheated on her. Plus, despite her many gripes, she’d loved his calm, and his body, and the idea of a long marriage in which the couple was a team. But perhaps most upsetting, the decision was taken out of her hands, heightening her sense of powerlessness.

Hoping to swear off future entrapment, Jane reminds herself that “A husband might be nothing but a bottomless pit of entitlement.”

Bitterness is never attractive. But good writing is. Liars makes an old story fresh.

Copyright 2024 NPR

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Teen shot by homeowner after targeting Maine house in ding-dong-ditch prank: authorities

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Teen shot by homeowner after targeting Maine house in ding-dong-ditch prank: authorities


A teen was shot and wounded after a group of pals pulled a prank on a gun-toting Maine homeowner pre-dawn Saturday, according to authorities.

Vincent Martin, 30, allegedly opened fire on the teens after they targeted his house in a game of ding-dong-ditch, at around 1 a.m., the Cumberland County Sheriff’s Office said, according to reports.

After the teens knocked on the door of his Waterford Road house and fled, Martin opened the door and rattled off several shots, striking one of the pranksters in the right calf, the sheriff’s office said, according to News Center Maine.

Vincent Martin, 30, is facing multiple charges for the shooting. Cumberland County Sheriff

The teenager, whose age and gender were not released by officials, walked into the hospital in stable condition.

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When authorities arrived at the scene, deputies found a trail of blood on the roadway and arrested Martin.

He’s facing felony charges of elevated aggravated assault and aggravated reckless conduct, as well as two misdemeanor counts of discharging a firearm, the station reported.


Martin opened the door and rattled off several shots at the group who played the prank on his home.
Martin opened the door and rattled off several shots at the group who played the prank on his home. Alicia Devine/Tallahassee Democrat / USA TODAY NETWORK

A new take on ding-dong-ditch has become an ongoing TikTok trend where teens bang or kick a door and run away in what they call the “Door Knock” challenge.

A Texas police department warned youngsters earlier this year not to partake in the social media craze because a homeowner could confuse the prank with a burglary and start shooting. 



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Tumbling for cheese at Belfast’s Maine Celtic Celebration Cheese Roll Championship

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Tumbling for cheese at Belfast’s Maine Celtic Celebration Cheese Roll Championship


BANGOR, Maine (WABI) – The Maine Celtic Celebration Cheese Roll Championship took place Sunday at 2 p.m. in Belfast.

The championship featured age group rounds ranging from young children to people over 60-years-old.

Each cheese roll championship is made up of 10 contestants lined up at the top of the hill. The cheese championship begins with a selected official rolling a cheese wheel down the hill. The goal of each contestant is to run down the wheel first. The contestant who comes up with the cheese, usually out of pile, wins! If there are more than ten contestants, contestants must race up the hill and the first ten to find an open chair positioned in the hill moves on to the cheese roll chasing.

The winners of the cheese roll championships were each awarded with the cheese wheel they ran down, and a box of artisan cheeses.

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Two young cheese champions spoke about what was going through their minds as they were chasing the cheese.

“It feels amazing. 13–17-year-old boys champion Brady Winslow said. “I was just running after the cheese, I saw someone drop the cheese, and I went, ‘ok’, and I dived right for it.”

“CHEESE, CHEESE, CHEESE!” 8–12-year-old girls champion Scarlett Wagner said.

The Maine Celtic Celebration is run entirely by volunteer staff. The cheese roll championships always draw an enthusiastic crowd.

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