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Reincarnated by A.I., Arizona Man Forgives His Killer at Sentencing
The letters came streaming in: from battalion brothers who had served alongside Christopher Pelkey in Iraq and Afghanistan, fellow missionaries and even a prom date.
A niece and nephew addressed the court.
Still, the voice that mattered most to Mr. Pelkey’s older sister, Stacey Wales, would most likely never be heard when it was time for an Arizona judge to sentence the man who killed her brother during a 2021 road rage episode — the victim’s.
Ms. Wales, 47, had a thought. What if her brother, who was 37 and had done three combat tours of duty in the U.S. Army, could speak for himself at the sentencing? And what would he tell Gabriel Horcasitas, 54, the man convicted of manslaughter in his case?
The answer came on May 1, when Ms. Wales clicked the play button on a laptop in a courtroom in Maricopa County, Ariz.
A likeness of her brother appeared on an 80-inch television screen, the same one that had previously displayed autopsy photos of Mr. Pelkey and security camera footage of his being fatally shot at an intersection in Chandler, Ariz. It was created with artificial intelligence.
“It is a shame we encountered each other that day in those circumstances,” the avatar of Mr. Pelkey said. “In another life, we probably could have been friends. I believe in forgiveness and in God, who forgives. I always have and I still do.”
While the use of A.I. has spread through society, from the written word to memes and deepfakes, its use during the sentencing of Mr. Horcacitas, who got the maximum 10 and a half years in prison, appeared to be uncharted.
It reverberated far beyond the courtroom, drawing headlines, questions and debate. Critics argued that the introduction of A.I. in legal proceedings could open the door to manipulation and deception, compounding the already emotional process of giving victim impact statements.
One thing was certain: The nearly four-minute video made a favorable impression on the judge, Todd Lang, of the Maricopa County Superior Court, who complimented its inclusion moments before sentencing Mr. Horcasitas.
“I loved that A.I.,” Judge Lang said, describing the video’s message as genuine. “Thank you for that. And as angry as you are, and justifiably angry as the family is, I heard the forgiveness. And I know Mr. Horcasitas appreciated it, but so did I.”
Much in the same way that social media apps have been placing labels on A.I.-generated content, the video opened with a disclaimer.
“Hello, just to be clear, for everyone seeing this, I am a version of Chris Pelkey recreated through A.I. that uses my picture and my voice profile,” it said. “I was able to be digitally regenerated to share with you today.”
While many states provide an opportunity for victims and their families to address the court during sentencings, some are more restrictive in the use of video presentations and photographs, according to legal experts.
But victims have broader latitude in Arizona. Ms. Wales said in an interview on Wednesday that she had discovered that fact as she bounced the idea of using A.I. off a victims’ rights lawyer who represented Mr. Pelkey’s family.
“She says, ‘I don’t think that’s ever been done before,’” Ms. Wales said.
Ms. Wales had been preparing her victim’s impact statement for two years, she said, but it was missing a critical element.
“I kept hearing what Chris would say,” she said.
Ms. Wales said that she then enlisted the help of her husband and their longtime business partner, who had used A.I. to help corporate clients with presentations, including one featuring a likeness of a company’s chief executive who had died years ago.
They took Mr. Pelkey’s voice from a YouTube video that they had found of him speaking after completing treatment for PTSD at a facility for veterans, she said. For his face and torso, they used a poster of Mr. Pelkey from a funeral service, digitally trimming his thick beard, removing his glasses and editing out a logo from his cap, she said.
Ms. Wales said that she had written the script that was read by the A.I. likeness of her brother.
“I know that A.I. can be used nefariously, and it’s uncomfortable for some,” Ms. Wales said. “But this was just another tool to use to tell Chris’s story.”
Vanessa Ceja-Cervantes, a spokeswoman for the Maricopa County attorney, said in an email that the office was not aware of A.I. being used before to give a victim’s impact statement.
Jason D. Lamm, a defense lawyer for Mr. Horcasitas, said in an interview that it would have been difficult to block the video from being shown.
“Victims generally have extremely broad latitude to make their voices heard at sentencing, and the rules of evidence don’t apply at sentencing,” Mr. Lamm said. “However this may be a situation where they just took it too far, and an appellate court may well determine that the court’s reliance on the A.I. video could constitute reversible error and require a resentencing.”
Ms. Wales emphasized that the video of her brother’s likeness was used during only the sentencing phase of the case, not in either of Mr. Horcasitas’s two trials. Both ended with convictions. He was granted a second trial because prosecutors did not disclose certain evidence during the first, according to court records.
On Nov. 13, 2021, Mr. Pelkey was stopped at a red light in Chandler when Mr. Horcasitas pulled up behind him and honked at him, prompting Mr. Pelkey to exit his vehicle and approach Mr. Horcasitas’s Volkswagen and gesture with his arms as if to say “what the heck,” according to a probable cause statement. Mr. Horcasitas then fired a gun at him, hitting Mr. Pelkey at least once in the chest.
Cynthia Godsoe, a professor at Brooklyn Law School and a former public defender who helps write best practices for lawyers for the American Bar Association, said in an interview on Thursday that she was troubled by the allowance of A.I. at the sentencing.
“It’s clearly going to inflame emotions more than pictures,” Ms. Godsoe said. “I think courts have to be really careful. Things can be altered. We know that. It’s such a slippery slope.”
In the U.S. federal courts, a rule-making committee is currently considering evidentiary standards for A.I. materials when parties in cases agree that it is artificially generated, said Maura R. Grossman, a lawyer from Buffalo who is on the American Bar Association’s A.I. task force.
Ms. Grossman, a professor at the School of Computer Science at the University of Waterloo, who also teaches at the Osgoode Hall Law School, both in Canada, did not object to the use of A.I. in the Arizona sentencing.
“There’s no jury that can be unduly influenced,” Professor Grossman said. “I didn’t find it ethically or legally troubling.”
Then there was the curious case of the plaintiff in a recent New York State legal appeal who made headlines when he tried to use an A.I. avatar to make his argument.
“The appellate court shut him down,” Ms. Grossman said.
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San Francisco Film Patrons Are Found Dead on Side of Highway
Three San Francisco couples set out Monday for their annual road trip to Ashland, Ore., for the town’s famous Shakespeare festival. They drove separately and planned to meet at 6:30 p.m. on the terrace of their favorite Japanese restaurant there.
They had booked a table for six, but only four showed up for dinner.
Judith and Wylie Sheldon were found dead in their running car on the side of the road to Oregon, shocking their friends and family and leaving a hole in San Francisco’s arts and film world.
Ms. Sheldon, 84, was the daughter of William Wyler — who won three Oscars for best director — and chaired the board of the San Francisco Silent Film Festival. Mr. Sheldon, 86, was a prominent lawyer.
David Smith, who had befriended the couple more than 40 years ago, said in an interview that he and the others at the dinner table had grown nervous as time ticked on and their friends did not answer repeated calls to their cellphones. They learned they had not checked into their hotel either.
The friends eventually learned from one of the couple’s sons that the California Highway Patrol had found the couple at 5:46 p.m., both dead inside their running Jeep Compass. It was parked on the side of Interstate 5, north of Redding, Calif., more than 100 miles from their destination, the authorities said. Ms. Sheldon was driving, while Mr. Sheldon was in the passenger seat, according to the authorities.
The Redding area on Monday was under an extreme heat warning issued by the National Weather Service. Temperatures reached 109 degrees, according to the Weather Service.
Mr. Smith said he learned from the son that the couple had been found without any water or other liquids in the car. The fan was on high, but the air conditioning was not working, meaning they might have been blasted with hot air, Mr. Smith said. The windows were rolled down. The car had plenty of gas, and there were no signs of mechanical failure or foul play, Mr. Smith said the son told him.
“They didn’t crash. They stopped. They both just died there,” Mr. Smith said. “The entire thing is so bizarre. We’re still in a state of shock.”
The circumstances and cause of the couple’s death is under investigation but “appears to be medically related,” the Highway Patrol said in a statement.
Whether the heat contributed to the couple’s death “may be determined” by an autopsy, a spokesman for the Shasta County Sheriff’s Office said, adding that one had not been scheduled yet and could take several weeks to complete.
“We’ll just have to see,” the spokesman, Tim Mapes, said.
The Sheldons met at Stanford University and had two sons. They lived in a large home in San Francisco’s upscale Pacific Heights neighborhood that had views of the bay from the front and a garden out back.
They hosted many parties there on behalf of the San Francisco Silent Film Festival and sometimes let revelers pose for photos with Mr. Wyler’s Oscar statuettes. Ms. Sheldon fell in love with silent movies after first seeing those created by her father — before his better known blockbusters like “Ben-Hur” and “Roman Holiday” — only about 30 years ago, said Anita Monga, artistic director of the festival.
Stacey Wisnia, the festival’s executive director, said the couple was generous, delightful and unassuming.
Back in Ashland, Ore., Mr. Smith said the four remaining friends had distracted themselves from their grief by attending plays, including “A Midsummer Night’s Dream” and “Come From Away.” They were able to give away their friends’ tickets.
Ms. Monga had last seen Ms. Sheldon just last month at the film festival, which was held at the newly remade Castro Theater.
“This is such a shock,” Ms. Monga said of the deaths. “Also because it’s still a mystery.”
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Luigi Mangione’s lawyers withdraw plans for psychiatric defense
Luigi Mangione appears for a pretrial hearing at Manhattan Criminal Court in New York, June 17, 2026.
Angelina Katsanis/AP
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Angelina Katsanis/AP
New York — In a dramatic reversal, Luigi Mangione’s legal team on Thursday backed away from a plan to use a psychiatric defense when his case goes to trial in state court in September. Mangione has pleaded not guilty to murdering health insurance CEO Brian Thompson in 2024 on a Manhattan street.
At a hearing only a day earlier before state Judge Gregory Carro, Mangione’s attorneys confirmed that Mangione had been undergoing psychiatric evaluation. They signaled that his defense would be based at least in part on the argument that Mangione was experiencing “extreme emotional disturbance.”

But in a one-line letter sent to Carro on Thursday, Mangione’s team said that “at this time” they no longer intend to introduce psychiatric evidence during the trial. It’s unclear what sparked the shift. Mangione’s team didn’t respond to NPR’s request for comment.
Former Manhattan prosecutor and legal analyst Gary Galperin told NPR it was a “stunning reversal” for Mangione to withdraw from the psychiatric defense. “One can only speculate at this point as to the reasons,” he said.
“What remains, of course, at this point is the question of what defense they will pursue at trial,” he added.
This maneuver came after Carro ordered Mangione’s attorneys to quickly share psychiatric information with prosecutors.
“They need to know what the malady is that this defendant suffers and how that triggered extreme emotional distress,” he said, during Wednesday’s hearing. “I’m not going to let you surprise people on the eve of trial. Get it done.”
Assistant Manhattan District Attorney Joel Seidemann repeatedly complained that Mangione’s team was “stonewalling” the prosecution by withholding medical information about his psychiatric state. “We have gotten nothing,” Seidemann said.
Mangione’s lead attorney Karen Friedman Agnifilo denied her team was delaying the court process or improperly withholding information.
But legal analyst Richard Schoenstein says by withdrawing the psychiatric defense, Mangione’s team “is avoiding the court deadline to produce its psychiatric evidence.”
According to Schoenstein, this latest move “does not entirely foreclose” Mangione’s team from returning to some form of psychiatric argument during the trial, but he added that such a defense would now be far more difficult.
Mangione’s case has drawn worldwide attention. Legal experts say the 28-eight-year old has drawn an unusual level of public support because of his criticism of the health insurance industry. Thompson, a father of two, was CEO of UnitedHealthcare at the time of his murder.
During Wednesday’s hearing, Carro also indicated that a tranche of court documents would be made public that apparently relate to Mangione’s potential psychiatric defense. On Thursday, Carro reversed course.
In a signed order, he said that because Mangione will no longer present psychiatric evidence, “the court’s previous order sealing certain transcripts, emails, and documents, remains in effect.”
Mangione’s state trial is scheduled to begin in early September, with a federal trial expected to take place later.
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Inside Trump’s Touring Exhibition of American Heroes
The museums, designed by conservative nonprofits and Trump appointees, tell the story of early America, from colonization to revolution. The one exhibition looking beyond the early years is the “Wall of American Heroes.” It is a list of 51 people, chosen to illustrate 250 years of American history.
A White House spokesman said they were “individuals who shaped this nation’s history, culture and spirit across generations.”
The people pictured on this national honor roll — and the people left out — help illustrate what this administration sees as the highlights of American history.
Amid the administration’s efforts to reshape the nation’s relationship with its past, Trump appointees heavily weighted the list toward a single era of American history — and a few specific kinds of hero.
The other exhibitions in the Freedom Trucks were crafted by a pair of conservative nonprofits, PragerU and Hillsdale College. But the “Wall of American Heroes” was created by Freedom 250, a nonprofit effort whose leaders were chosen by President Trump and that was created to lead the planning of celebrations of the nation’s 250th birthday, overshadowing a bipartisan congressional commission.
A spokeswoman for Freedom 250 said Mr. Trump was not directly involved in the selection of those featured.
But the list clearly tracks Mr. Trump’s own lifetime and the heroes of the conservative political movement.
The wall’s tilt toward heroes of the baby boomer generation, for instance, extends beyond Hollywood stars and musicians. Of the four religious leaders on the list, two — Archbishop Fulton Sheen and the Rev. Billy Graham — also appeared on TV regularly in the 1950s and 1960s. The only painter on the list is Norman Rockwell, known for his idealized depictions of American life in that period.
By contrast, there is only a handful of figures from the first decades of American independence.
“That’s a disservice, if your intention is to present the last 250 years,” said Sarah Weicksel, the executive director of the American Historical Association. “Because all of the people on this list are building on the work and struggles and progress that was made by the people in the 150 years prior.”
The “Wall of American Heroes” was inspired by a similar display in a traveling museum created by the State of Virginia. But Virginia’s display celebrates little-known historical figures.
Mr. Trump’s, by and large, celebrates people who are already well-known — and, often, people who were famous in their own time. For example, it praises P.T. Barnum, a circus impresario who used hoaxes and freak shows to draw crowds. The wall calls him an “icon of American sensationalism.”
The spokeswoman for Freedom 250 said that many of the names on the wall were drawn from a list of 250 people that Mr. Trump wants to include in a “Garden of American Heroes” in Washington.
The spokeswoman declined to say what criteria were used to narrow down the list.
The only president whose name appears on the wall — not on the list of heroes, but alongside his quotation — is Mr. Trump himself.
Explore the Wall of Heroes
Navigate the display by dragging from side to side.
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