Minnesota
‘Dreaming’ big: Minnesota exhibit explores connections and rich history of Indigenous painters
Historian Brenda J. Child stares at a buttery yellow sky framed by converging treelines reflected upon a lake. The scene is a painting by Duluth-based artist Jonathan Thunder and it’s called “On the Grave of the Giant.”
Below the sky’s glow is a couple harvesting wild rice from a canoe. On the lake bottom are the skeletal remains of Paul Bunyan and Babe the Blue Ox.
The painting is on public view for the first time as part of the new exhibition “Dreaming Our Futures: Ojibwe and Očhéthi Šakówiŋ Artists and Knowledge Keepers” at the Katherine E. Nash Gallery at the University of Minnesota.
Child, the Northrop Professor and Chair of the Department of American Studies and former Chair of American Indian Studies, co-curated the exhibition with gallery director Howard Oransky.
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Small canvases by late Minnesota Ojibwe painter George Morrison.
Alex V. Cipolle | MPR News
It features paintings by 29 mid-century and contemporary Ojibwe and Očhéthi Šakówiŋ (Dakota and Lakota) artists from, or connected to, the region.
It is the inaugural exhibition of the George Morrison Center for Indigenous Arts, an “interdepartmental study center to support the creation, presentation and interpretation of Indigenous art in all its forms.”
Child is the founder of the new center, which was sparked by the success of the 2016 Nash gallery exhibition that she curated, “Singing Our History: People and Places of the Red Lake Nation.”
Untitled 1959 artwork by George Morrison on loan from the collection of the Tweed Museum of Art at the University of Minnesota Duluth.
Courtesy of George Morrison Estate
The center is named in honor of the internationally renowned abstract expressionist, a member of the Grand Portage Ojibwe from Minnesota, who died in 2000. Morrison also taught art at the University of Minnesota in the 1970s and 1980s.
“We tend to think in Minnesota, ‘Oh, George Morrison. He’s like a local guy who’s done well in the art world,’” Child says. “But he’s a very important figure in American abstract expressionism.”
Back in the gallery, Child is focused on that yellow sky. “What I really like about this work, and I wouldn’t have known this unless Jonathan had told me,” Child begins.
She pauses and walks to the opposite gallery wall, which features a string of paintings by the famous mid-century painter Patrick DesJarlait. Like Child and Thunder, DesJarlait was from the Red Lake Nation in northern Minnesota. DesJarlait is one of their heroes, she says.
“Because I come from a family of fishermen and women -even my grandmother was a commercial fisherwoman- I’ve always loved his painting in the collection of the Minnesota Museum of Art called ‘Red Lake Fishermen,’” says curator Brenda J. Child. The 1946 watercolor painting is by Patrick DesJarlait of the Red Lake Band of Ojibwe.
Courtesy of Minnesota Museum of American Art
In addition to paintings like “Red Lake Fisherman” (also on view), DesJarlait is also famous for his 1950s redesign of the Land O’Lakes maiden, adding an Ojibwe floral pattern to her attire.
“So Jonathan’s nod to Patrick is the bright butter yellow that he used in this painting,” Child says.
Over the phone from his Duluth studio, Thunder says Land O’Lakes discontinued DesJarlait’s design, and the maiden, in 2020, soon before he began working on the painting in 2021.
“With the yellow sky in that painting and the two points of land that come together, that’s obviously a nod to the Land O’Lakes butter box,” Thunder says. “From what I understand, the two points of land that come together, they can be seen in Red Lake where the upper and lower Red Lake kind of join.”
“Different Star Woman,” 2023, by Los Angeles-based Spirit Lake Dakota and Diné artist Avis Charley. Another work by Charley on view in the exhibition, the 2022 “Smile Now, Cry Later” is the first artwork by a Dakota artist purchased by the Minnesota Museum of Art.
Courtesy of Avis Charley
That year, Thunder had gone to see the Red Lake vista.
“It was like seeing a cartoon come to life or something,” Thunder says. “It’s very much a tribally significant image with or without the butter maiden.”
Thunder says the painting was also inspired by the time when he and his wife decided to learn how to harvest wild rice around Walker, Minn. In the painting, a pipeline takes the shape of a tentacle reaching into the canoe above the watery grave of Bunyan and Babe.
“At the time, the Line Three protests were happening across Minnesota and I was starting to see some of the division it was creating in the communities there,” Thunder explains. ”You see statues of Paul Bunyan kind of littered throughout the landscape, which is significant of a time when they were coming through clearing forests. Paul Bunyan was the noble face of that cause. In the wake of all that, it’s nice to see that people can still go out and rice and practice those traditional ways.”
“Ultime Grida Dalla Savana,” a 2011 painting by Ojibwe artist Andrea Carlson on loan from the collection of the Plains Art Museum.
Courtesy of Andrea Carlson
Thunder says he’s excited to be placed in the gallery next to DesJarlait, an artist “I’ve seen my whole life.” He adds that, when he was growing up in the Twin Cities, he used to play basketball at the Minneapolis American Indian Center. It was there he discovered the 94-foot-long wood mural “Turning the Feather Around” that Morrison created in 1974 (and which was recently restored and reinstalled).
“That’s a huge development for the campus,” Thunder says of the new center.
“Dreaming Our Futures” is a web of these overt and covert dialogues and relationships between artworks, artists and generations. Oscar Howe “is a mid century artist, and he was kind of awesome in that he was moving in his own direction,” says curator Brenda J. Child. Pictured here is Howe’s 1975 painting “Creation of Weotanica” on loan from the collection of the University of South Dakota.
Courtesy of Oscar Howe Family
On view, of course, are the abstracted rainbow-colored canvases of Morrison himself, as well as the paintings of other blue chip artists such as Dyani White Hawk, Frank Big Bear, Jim Denomie, Oscar Howe and Andrea Carlson.
“I felt very privileged to be considered part of something like ‘Dreaming Our Futures,’ that big and centered around our artists and our worldview,” says Bismarck-based artist Holly Young.
Courtesy photo
“This exhibit shows the history of American Indian art, fine art, in the United States and where it’s been in the last half-century, especially with Howe, Morrison and DesJarlait,” Child explains.
“Dreaming Our Futures” acts as an important marker in time, too: Fifty years ago, Morrison, DesJarlait and Howe participated in an exhibition of contemporary Indian painting in Washington, D.C. Child says that “Dreaming Our Futures” also shows how contemporary artists “have been very influenced by those foundational figures.”
A watercolor painting on view by ledger artist Holly Young.
Courtesy photo
These include artists like Thunder and Dakota artist Holly Young, of Bismarck, N.D. Young uses the mediums of beadwork, quillwork, and ledger art, an art form that originated in cave and hide painting that has evolved to also use parchment and actual historical “ledger” documents as a canvas.
Young also created the illustration for the cover of “The Seed Keeper,” the 2021 novel by Minnesota Native writer Diane Wilson, the wife of Denomie. Denomie died in 2022. Wilson wrote an essay, “Jim Denomie at Home,” for the exhibition catalog.
Four of Young’s ledger-style watercolor paintings are on view, featuring Native women dressed in a combination of historical regalia and contemporary attire. “A lot of what I draw is kind of based off of real life,” Young says. “I enjoy the look of the old things, but I’m also living in today’s world as a contemporary artist.”
Timberwolves have 2 chances to eliminate Nuggets in NBA Playoffs
Timberwolves’ players Ayo Dosunmu and Rudy Gobert spoke to reporters after practice on Wednesday at Mayo Clinic Square. The Timberwolves can eliminate the Denver Nuggets from the NBA Playoffs in Game 6 Thursday night at Target Center. If they lose, there will be a decisive Game 7 in Denver.
MINNEAPOLIS (FOX 9) – Thursday has a chance to be a historic night for the Minnesota professional sports scene.
The Timberwolves and Wild both have home playoff games, both lead 3-2 in their best-of-seven series and each can advance on the same night with a victory. If the Timberwolves and Wild both lose, they had back on the road for decisive Game 7s.
Timberwolves have 2 chances to close out Nuggets
The backstory:
The Minnesota Timberwolves host the Denver Nuggets at 8:30 p.m. Thursday in Game 6 on ESPN, with a chance to end Denver’s season. The Timberwolves had a 3-1 lead, but lost Game 5 125-113.
The Timberwolves committed 25 turnovers, and allowed 125 points without Anthony Edwards and Donte DiVincenzo.
Chris Finch says Timberwolves had ‘soft mentality’ in Game 5
The Minnesota Timberwolves practiced Wednesday at Mayo Clinic Square ahead of Game 6 against the Nuggets. Chris Finch spoke with reporters and said the team had a soft mentality that led to their Game 5 loss in Denver. The Timberwolves can close out the series with a win Thursday night.
“I thought we had a soft mentality,” Timberwolves’ coach Chris Finch said after Wednesday’s practice at Mayo Clinic Square.
Aside from the turnovers, Jaden McDaniels had two early fouls as the Timberwolves started slow. Nuggets’ role players Spencer Jones and Cam Johnson also combined for 38 points.
Game 6 – What’s at stake
Why you should care:
The Timberwolves have another chance to eliminate the Nuggets, but this time can do so on their home floor in front of what will be a raucous crowd at Target Center. If they win, the Timberwolves advance to the Western Conference Semifinals for the third straight year.
If they lose, they head back to Denver for a Game 7. The team knows what’s at stake.
“We’ve got to come out, have fun, stay together. That’s what I told the guys. The game is going to swing, that’s basketball. It’s all about staying together and sticking to the game plan. I’m excited to play in front of the best fans in the world,” guard Ayo Dosunmu said.
“Obviously a lot is at stake, but it’s basketball. This is the moment you dream about,” center Rudy Gobert said. “It’s huge having the home crowd, but it’s basketball. At the end of the day, it’s on us to bring it.”
If the Timberwolves advance, they’ll face the San Antonio Spurs, who eliminated the Portland Trail Blazers Tuesday night.
Wild host Dallas Stars for Game 6 Thursday
Dig deeper:
Over in St. Paul, the Minnesota Wild host the Dallas Stars in Game 6 Thursday night at Grand Casino Arean. Puck drop is set for just after 6:30 p.m., and the game will be broadcast on TNT as well as FanDuel Sports Network.
Minnesota Wild can eliminate Dallas Stars Thursday night
The Minnesota Wild has a 3-2 lead over the Dallas Stars in the Stanley Cup Playoffs, and can close out the series with a win in Game 6 Thursday night at Grand Casino Arena. Wild coach John Hynes spoke to reporters on Wednesday ahead of the pivotal game.
The Wild can end the Stars’ season with a win, after earning a 4-2 win at Dallas in Game 5. Michael McCarron scored what ended up being the game-winning goal at the 7:47 mark of the third period, which gave the Wild a 3-1 lead. Up 3-2, Kirill Kaprizov sealed the game with an empty-net goal.
Does the Wild’s mentality or approach change with a potential closeout game Thursday night? John Hynes says no.
“I just think it’s the mindset we’ve had as a group – you take each game for what it is. Each game has been highly-competitive, tomorrow night isn’t going to be any different,” Hynes said.
What’s next:
If the Wild lose Game 6, they will head back to Dallas for a decisive Game 7. The Wild is looking for its first playoff series win since 2015. If they advance, they face the Colorado Avalanche.
Minnesota
NHL announces start time for Dallas Stars/Minnesota Wild Game 6 on April 30 | Dallas Stars
FRISCO, Texas — The National Hockey League announced that the start time for Game 6 of the 2026 Stanley Cup Playoffs First Round series between the Dallas Stars and Minnesota Wild has been set for 6:30 p.m. CT on Thursday, April 30 at Grand Casino Arena.
Minnesota
Minnesota Gov. Tim Walz has shocking reaction to FBI raids at day care centers — after previously slamming Trump admin
Lame-duck Minnesota Gov. Tim Walz made a stunning about-face after the federal raids on Minnesota day care centers Tuesday — after previously denouncing fraud investigations as “white supremacy.”
In a thread on X, Walz — the 2024 Democratic nominee for vice president — said he was putting criminals “on notice” and tried to take credit for the investigations.
“If you commit fraud in Minnesota you’re going to get caught — and that’s exactly what we saw today. We catch criminals when state and federal agencies share information. Joint investigations work, and securing justice depends on it,” he wrote.
“Today’s raids by state and federal law enforcement happened because our state agencies caught irregular behavior and reported it. That’s how the system is supposed to work, and our agencies will keep at it as long as there are fraudsters around to put behind bars,” he said in uncharacteristically full-throated support for the law enforcement action.
However, he also added a call to investigate the killing of two Minnesotans by federal immigration agents earlier this year.
“Now let’s work on a joint investigation into the killings of Alex Pretti and Renee Good — instead of cherry-picking when we seek justice and when we turn a blind eye,” he said.
In January, Walz announced he would not seek a third term as governor after being accused of allowing mass fraud — largely among Somali immigrants — to fester under his watch.
This is a breaking story. Please check back for updates.
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