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Look inside Roof Depot Warehouse shows ‘bones are strong’

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Look inside Roof Depot Warehouse shows ‘bones are strong’


Despite the $6.5 million authorized by the legislature to begin the process of turning the vacant Roof Depot warehouse in South Minneapolis into an urban farm with retail and residential space, few people have seen inside the 230,000-square-foot structure in the last decade.

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Until now.  Last year the City of Minneapolis conducted a video inspection of the structure to document its condition.  FOX 9 obtained the video through a public records request. 

“I knew, because the nature of the building – steel, concrete, and brick — that it would be relatively safe from decay,” said Dean Dovolis, president of the board of the East Phillips Neighborhood Institute (EPNI), which saved the building from the wrecking ball.

Dovolis had a brief tour of the building five years ago and said he was relieved by what he saw on the video.

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“You can see the bones. Very strong, very simple.  And that’s the beauty of this building,” Dovolis said.

A Silent Tour

The eight-minute, silent walking video tour, shows the gutted offices and showrooms of the former business, Roof Depot. 

Copper thieves appeared to have stripped the building’s electrical system.  But Dovolis said the offices and showroom account for only a fraction of the space, about five thousand square feet. 

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The prize is the large warehouse space itself, and Dovolis said the video shows the cavernous space has “held-strong.”

There are some water puddles on the warehouse space floor, presumably from leaks in the roof. 

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The video lingers on several bent columns supporting the warehouse structure. 

Dovolis said the City of Minneapolis has argued those bent columns indicated a possible structural failure, but he disagrees. He believes the columns can simply be braced.

“That’s forklift damage, no big deal to repair,” he said while watching the video. 

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Inside the Roof Depot warehouse building (City of Minneapolis / Supplied)

Built to Last

Built in 1949 as a Sears-Roebuck warehouse, the building was reportedly designed to last one hundred years. 

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The area has a long history of industrial pollution.

Adjacent to Roof Depot is a separate property, a former pesticide manufacturer, which was designated as an EPA Superfund site in 2007. The soil is contaminated with arsenic 13 feet below the surface. 

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The City of Minneapolis purchased the site in 2016 and wanted to demolish the building as part of a plan to consolidate its Public Works Department, which has facilities scattered around the city.

The demolition and construction would have required mitigation of arsenic contaminated soil. 

That made it a tough sell in East Phillips, one the most racially and ethnically diverse neighborhoods in Minnesota, which also has some of the highest levels of asthma and heart disease, according to state and federal health reporting.

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Pretty Far Gone?

City officials have previously said the Roof Depot building was “unsalvageable and unsafe” and once called its demolition “non-negotiable.”

In a Zoom call with FOX 9 in February, Minneapolis city officials and members of the environmental remediation firm hired by the city, Braun Intertec, described several issues with the site and the obstacles for any alternative plans for an urban farm. 

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During that interview, city officials said demolition of the building would not affect the arsenic below the ground surface. Arsenic has not been detected inside the building.

“There’s no electricity, there’s no water, which means there’s no heating, there’s no air conditioning,” said Barbara O’Brien, director of Property Services for the City of Minneapolis.

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“In short, the building is pretty far gone,” she said.

‘They Banded Together’

For EPNI the building is a blank canvas of possibilities, from an aquaculture urban farm, a community garden, space for a recording studio, and a bicycle repair shop that would face out on to a bike trail. It would also involve some kind of retail and residential living space.

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But it almost didn’t happen.  The building was scheduled for demolition in March.

EPNI filed a lawsuit against the City of Minneapolis and in February a Hennepin County judge issued a temporary junction prohibiting demolition.

Dovolis credited the work of activists, including some key members of Black Lives Matter, who helped catalyze the issue. 

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Activists occupied the site at E. 28th Street and Longfellow Avenue, shouted down Minneapolis City Council members at a confrontational meeting, and were largely successful in framing the Roof Depot project as a symbol of the city’s intransigence versus a neighborhood’s collective will. 

But it was state lawmakers, specifically the Minneapolis delegation, who held the cards and the checkbook. 

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“They banded together, and basically said, if you don’t support Phillips, Minneapolis, we won’t support you,” Dovolis recounted. 

With hundreds of millions of state funds at risk, the city agreed to sell the site in April and began negotiating with EPNI.  

Roof Depot renderings 1/6

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Shape of the Deal

Slipped into a broader legislative spending bill earlier this month was $4.5 million for the City of Minneapolis to abandon its plans with the Roof Depot and to look for a new location, and another $2 million in earnest money for the urban farm. 

The deal still has plenty of moving parts.  EPNI has until September 8 to raise $3.7 million, which Dovolis is confident the group can secure.

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Next year the legislature will need to reimburse the City of Minneapolis $16.7 million its already sunk into the project and to repay a municipal water fund.

EPNI will still need to raise another $10 million for the renovation of the building including restoring the electrical work, heating, air conditioning, and what could turn out to be expensive roof repairs.

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There are still big questions about the project, like will the roof support a massive array of solar panels? 

And not least of which, what about the arsenic below? Dovolis says it is safer to leave the contamination where it is.  The planned aquaculture farming doesn’t require soil. 

“Why disturb what doesn’t need to be disturbed? And that was our belief all along,” Dovolis said.

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The Waiting

Dovolis doesn’t believe there will be a problem with fundraising.  He said philanthropic and non-profit resources are eager to be a part of the project.

There are federal funds and grants available through the U.S. Department of Agriculture (USDA) geared towards urban farming and issues of equity and diversity that the project will likely be eligible for.

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The closing date on the building is a year from now, June 15, 2024, and the plan is for construction to start shortly after.

EPNI is still waiting for the city’s approval to tour and inspect the condition of the building.  Dovolis said the city has a few hurdles before they can enter the building, including having $1 million in personal liability insurance.



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Minneapolis, MN

Blackbird Revolt: Transforming Minneapolis' vacant spaces | Minnesota Spokesman-Recorder

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Blackbird Revolt: Transforming Minneapolis' vacant spaces | Minnesota Spokesman-Recorder


Credit: Blackbird Revolt Website

Revitalizing Minneapolis Through Art, Culture, and Community Engagement

The Arts & Culture Vibrant Storefronts Initiative is redefining downtown Minneapolis by transforming vacant spaces into thriving hubs of creativity, culture, and innovation. Led by the City of Minneapolis, this initiative subsidizes rent for previously empty storefronts, empowering creative businesses to establish a vibrant presence in the Harmon Place Historic District and beyond. This two-year program supports five exceptional awardees, giving them the opportunity to refine their business models while engaging the public through art.

Each storefront will feature dynamic quarterly programming, turning what were once empty spaces into centers of artistic expression and community connection. By offering support to these creative businesses, the initiative is ensuring that art and culture become integral parts of the fabric of the city. The transformation of these vacant spaces represents the core mission of the initiative: to turn vacancy into vibrancy in Minneapolis.

First Up: Blackbird Revolt – An Abolitionist Design Studio

Creating Designs that Shift Culture and Build Power

Among the five businesses chosen for this initiative is Blackbird Revolt, an abolitionist design studio that strives to create designs that not only reflect culture but challenge and reshape it. Founded in 2016, Blackbird Revolt emerged from the desire to address the ongoing lack of representation and exclusion of diverse voices in mainstream narratives. The studio seeks to create a platform for conscious creatives who want to transform their communities and advance causes of racial justice, liberation, and abolition.

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At Blackbird Revolt, design is more than aesthetics; it is a tool for activism and movement work. The studio aims to break down the political and social barriers that trap marginalized communities, using their art to inspire engagement, foster change, and promote collective action. They are committed to co-creating solutions with their community and changing the way people experience and engage with the world around them.

The Meaning Behind the Name

The name Blackbird Revolt is deeply tied to the music of Nina Simone. The iconic song “Blackbird” speaks to the struggles and resilience of Black women, and its lyrics capture the intersectionality that Blackbird Revolt seeks to address. “So why you wanna fly, Blackbird, You ain’t ever gonna fly…,” Nina Simone’s voice echoes the harsh realities faced by those who are marginalized by oppressive systems. At Blackbird Revolt, these experiences of exclusion and oppression are central to their mission.

“We unapologetically center these voices,” says co-founder Terresa Moses, a justice-centered designer and creative director. “Racial justice, abolition, and liberation drive what we do and how we do it.” The team is committed to ensuring their design work reflects a vision of a radically just future. Whether through projects or partnerships, Blackbird Revolt is a powerful force for change in the community.

A Commitment to Community

Terresa Moses, co-founder and creative director of Blackbird Revolt Credit: Ivy Vanio

Art and design have always been intertwined with movements for social change, and Blackbird Revolt sees their work as part of that ongoing legacy. Terresa Moses, co-founder and creative director, is a Black queer woman who has dedicated her life’s work to the liberation of Black and brown people. A professor, illustrator, and community-engaged scholar, Moses centers anti-racism, abolition, Black feminism, and Black liberatory futures in her work. Her designs are grounded in the understanding that art is a tool for resistance, reflection, and progress.

Moses states, “Our work can never be separate from community. We are dedicated to centering community and a collective vision for the future.” This ethos guides everything Blackbird Revolt does. From their designs to their collaborations, community engagement is at the heart of their mission.

The Role of Blackbird Revolt in the Arts & Culture Vibrant Storefronts Initiative

As part of the Arts & Culture Vibrant Storefronts Initiative, Blackbird Revolt will be bringing their vision of justice, culture, and liberation to the Harmon Place Historic District. Their storefront will be more than just a space for creative output—it will be a place where people can gather, engage, and learn. Throughout the two-year program, Blackbird Revolt will host quarterly programming that reflects the core values of racial justice and community empowerment. These programs will give the public an opportunity to experience the transformative power of art in new and meaningful ways.

Blackbird Revolt’s participation in this initiative is a testament to the power of creative businesses to drive change. By revitalizing a vacant storefront, they are not only contributing to the cultural vibrancy of Minneapolis but also amplifying the voices of those who have historically been marginalized. The initiative allows Blackbird Revolt to further their mission while continuing to build power through art and design.

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A Vision for the Future

At the heart of Blackbird Revolt’s work is a commitment to creating a radically just future. They believe that art can be a powerful tool for liberation, and they are using their design studio to engage with their community in meaningful ways. By participating in the Arts & Culture Vibrant Storefronts Initiative, Blackbird Revolt will continue to push boundaries, challenge the status quo, and advocate for justice.

As part of the initiative, Blackbird Revolt’s storefront will be a place where people can come together to reflect, create, and grow. It will be a space for art, dialogue, and activism—a space where the community can connect and co-create solutions for a better future.

For more information, visit Blackbird Revolt.

vibrant storefronts

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Minneapolis, MN

Man charged in fatal stabbing at downtown Minneapolis bus shelter

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Man charged in fatal stabbing at downtown Minneapolis bus shelter


Authorities have arrested and charged a man suspected of stabbing another man to death late Monday on Nicollet Mall in downtown Minneapolis.

According to police, 58-year-old Joseph Davis was arrested and charged Friday with first-degree assault. Additional charges are expected to be sent to the Hennepin County Attorney’s Office, and Davis’ first court appearance is scheduled for Monday.

Davis was arrested on Dec. 23, the night of the assault, but he was released days later as charges were pending.

The man who was stabbed was taken to HCMC for treatment, where he died Friday. He was identified Saturday as Devin Andrew Fischer, 34, of Minneapolis.

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“He is a son, a brother, a cousin and most importantly a father to a little girl,” said Fischer’s aunt, Kelly Huehn, in an online fundraiser. “He is such a kind soul. Look at his smile, it’s very easy to see.”

Charging documents show the attack happened shortly before midnight Monday, when officers responded to a stabbing at S. 5th Street and Nicollet Mall.

They found Fischer on the ground and bleeding from a stab wound to his neck. A large blood trail led from outside the nearby bus shelter.

Officers tracked down Davis later that night, recovering a knife from him before arresting him and transporting him to HCMC for a head injury.



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Minneapolis, MN

Minneapolis man dies of fatal stab wound near bus shelter, suspect arrested

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Minneapolis man dies of fatal stab wound near bus shelter, suspect arrested


Morning Digital Headlines: Dec. 28, 2024

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Morning Digital Headlines: Dec. 28, 2024

02:08

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MINNEAPOLIS — A man is in custody after allegedly stabbing another man to death in Minneapolis.

According to Minneapolis Police Chief Brian O’Hara, officers arrested a 58-year-old man for a fatal stabbing that occurred near a bus shelter at Nicollet Avenue and South Fifth Street.

A criminal complaint says that on Monday at approximately 11:52 p.m., Minneapolis police officers located a man described to be in his 30’s on the ground and bleeding from potentially life-threatening stab wounds. 

Despite offering aid at the scene, the man later succumbed to his injuries on Friday at Hennepin Healthcare.  

Police say they tracked the suspect’s movements on camera until he was located and arrested near Colfax Avenue an Lake Street at approximately 12:21 a.m. 

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The man as taken to Hennepin Healthcare for evaluation of an injury he sustained prior to his arrest. The man was booked into the Hennepin County Jail and later released pending charges from jail on Thursday. 

Then, on Friday, the man was formally charged with first-degree assault and an arrest warrant was issued, said a criminal complaint. The man was arrested later that day and remains in police custody. 

“I am grateful to the officers and investigators who worked quickly to bring justice for the victim and his family,” said O’Hara. “While nothing can bring back this man, I hope that our work brings some sense of justice for his family during this difficult time.”  

Police are still investigating the cause of the stabbing. 

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