Marking his first solo U.S. exhibition, Idris Khan’s “Repeat After Me” at the Milwaukee Art Museum is an impressive and expansive overview of the artist’s creative evolution thus far. Beginning with his early digital work in photography, video and sculpture, leading us into his more recent work in painting, and culminating in a new collection of watercolor works created specifically for the show, viewers are given a masterfully curated insight into the artist’s unique creative language. Khan’s work uses repetition as the main recurring motif regardless of medium, exploring themes such as time, memory and loss. Following a chronological timeline, each gallery is both an exciting departure and a continuation from the last as we travel along with Khan in discovering how repetition can be used to better understand time and remembrance.

The show begins with Khan’s early work in photography in which he takes existing media of a similar subject matter and meticulously layers them all into one large file. The resulting images are blurred, overly saturated and difficult to comprehend—and they are meant to be. Khan has stripped away the preconceived understanding that photography produces clear, carbon copy images of one moment in time and instead has created deeply layered and complex works exploring time itself. His works such as “every…William Turner Postcard from Tate Britain” (2004) feel deeply familiar yet distant almost as though they are the result of closing your eyes and conjuring up a William Turner painting from memory.

Idris Khan, “Overture,” 2015, oil on glass with aluminum frame, 96″ x 78″ x 156″/Photo: Idris Khan and Sean Kelly

Advertisement

Following his work with photography, we move onto his text-based work. Applying the same methodologies from before, Khan combines every scanned page of a book into one single image. Just as with the subject matter of the photographs, the “subject” or text becomes impossible to discern. However, it is not the text itself that is important but rather the resulting powerful visual story. This is furthered once again in the next room in which the text from literature is replaced with musical compositions. It is here that his exploration of time really begins to resonate as each musical score exists in its entirety simultaneously.

The first half of the exhibition features Khan working primarily with pre-existing media. In one of the largest departures in the show, we now enter into an exciting place in his practice in which he begins to create pieces created solely by his own hand. It is also where we begin to see his work with sculpture and painting. Repetition remains the driving force behind his art but we are introduced to it being shown in a new light. His work “Overture” (2015), a large-scale sculpture featuring seven large panels of glass hanging vertically, one in front of the other, introduces his work with stamps and his exploration of global crisis and displacement. Each panel of glass is stamped repeatedly with his own writing, creating densely layered abstract shapes where the writing is illegible except for the edges of shapes where broken phrases start to become visible. The repetition becomes deeply personal in his work “My Mother,” a cast of around 360 stacked photos representing his mother’s entire life in photographs.

Idris Khan, “The Seasons Turn,” 2021, oil on mounted paper, twenty-eight panels, each: 25 1/2″ × 21 1/2″/Photo: Idris Khan and Sean Kelly

The exhibition once again takes new form as we begin to view Khan’s work with painting in “The Seasons Turn,” a collection of twenty-eight (seven for each season) watercolor works created during the COVID-19 pandemic. Each painting features colors specially chosen to represent a particular season and is stamped with the music of Vivaldi’s “Four Seasons.” Through these works, not only do we see a continuation of his work with musical compositions and repetition, but we are also introduced to a new caliber of his artistic skill—his masterful use of color. When viewed together as one large piece, the colors converse with one another in a symbiotic relationship.

The final room features a new collection of paintings Khan has created specifically for the exhibition. Taking inspiration from five master paintings in the museum’s collection, he has created colorful reinterpretations of paintings stamped with musical compositions created with a digital program directly using the colors from each historical painting. The show is deeply compelling and brilliantly curated to create a powerfully intimate viewing experience. If you were to enter the show not knowing anything about Idris Khan, you will leave a fan excited and eager for future work.

“Idris Khan: Repeat After Me” is on view at Milwaukee Art Museum, 700 North Art Museum Drive, Milwaukee, Wisconsin, through August 11.

MILWAUKEE — UW-Milwaukee’s chancellor says if the campus protest encampment does end soon, the school will take action to ensure that it does.

Demonstrators have been camped out for 10 days, demanding that UWM cut all ties with Israel over the war in Gaza.

in a letter shared with students and staff today, Chancellor Mark Mone called the camp a safety concern, and said the school is actively negotiating with the group, and is “asking protesters to end the encampment in no way equates to asking protesters to be silent.”

Read the full statement from the chancellor below:

“Dear UWM Students, Faculty and Staff,

We are bearing witness to history, not just at UWM, but across the nation and the world. For the past 10 days, UWM’s portion of this historic chapter has unfolded as an encampment on the lawn outside of Mitchell Hall. It tests us in ways not seen in generations and reminds us that such tests rarely come with one-size-fits-all answers. Knowing all this, I write to provide more clarity about UWM’s position, its obligations, and my personal hopes for how we move forward.

Conflict in the Middle East, as it has done for decades and centuries, inevitably sparks the deeply felt and seemingly diametrically opposed responses we see today. For many of our students and many more in the surrounding community, the encampment has become a focal point to voice these beliefs. Since the encampment’s inception, UWM leadership has sought the precarious balance required of a public university that serves a broadly diverse community. We’ve also made it clear that the encampment is unlawful, and that it must end.

UWM remains committed to preserving the safety of everyone within our campus community and to respecting free speech rights that are guided by Universities of Wisconsin policy and Wisconsin state law. I appreciate that the protests have remained peaceful and have not disrupted daily campus operations. And it is laudable that so many learning opportunities have been incorporated into life inside the encampment. This is a reflection of our campus community as a whole – and I salute the many instances of people coming together, discussing issues of the day, and welcoming the diverse people and opinions on our campus.

It’s in that spirit that UWM has used the widest possible amount of patience and restraint while the protesters exercise their free speech rights. Throughout conversations with community members and representatives of the protesters, UWM has been consistent in its desire for a peaceful resolution. We’ve maintained this approach even as protesters erected barriers, expanded their camp, and used rhetoric that’s offensive to many in our community. I recognize that many people believe UWM has offered too much leeway, while others will say we’ve not offered enough. I also recognize that people can strongly disagree with what others say while still supporting their right to say it.

It’s important to note some specifics about UWM’s approach, which has been engaged and hands-on, because it has differed from many others across the nation that have drawn media attention.

• UWM Police have continually monitored the encampment but not intervened. UWM has not called in law enforcement mutual aid for enforcement purposes. We do not want to take such action. But in the event of a public safety concern or an emergency, UWM Police will exercise its authority to keep the campus community safe.
• The UWM Foundation has shared its message addressing protesters’ concerns about its investments. In summary, it confirmed UWM’s consistently stated position of having no direct investments in weapons manufacturers or with Middle East governments, though it does hold mutual equity funds that include a variety of major industries.
• We are actively negotiating with representatives of the protest group and have addressed the protesters’ demands as much as state laws and policy allow. We’ve also explained how UWM, as a public university, cannot take political stances or infringe on academic freedom.

The protesters have said they want the encampment to end, and I believe we all genuinely share this goal. However, they have remained steadfast about not leaving their encampment until all of their demands are met, including those that are legally impossible for UWM to meet. Therein lies the conundrum.

UWM is simply not equipped nor properly resourced to support and safeguard a long-term outdoor campground. This is part of why such encampments are unlawful under Chapter 18 of the Wisconsin Administrative Code, and why Gov. Tony Evers, Milwaukee Mayor Cavalier Johnson and Universities of Wisconsin President Jay Rothman have all said the encampments must end. The longer the encampment stays, the greater safety concerns grow, be it from a counter protest flashpoint or bad actors deliberately targeting the encampment. This is why we’ve gone to such great lengths to work with protesters to bring an end to the encampment. However, if the encampment doesn’t end soon, UWM will have to take action to ensure that it does.

Asking protesters to end the encampment in no way equates to asking protesters to be silent. On the contrary, our actions have shown how much UWM encourages and supports everyone’s right to make their voices heard. This will not change.

UWM’s only request to the protesters is that they abide by the law. It is my great hope that we can find common ground on this and remove the barriers that keep us from seeking answers together.”

It’s about time to watch on your time. Stream local news and weather 24/7 by searching for “TMJ4” on your device.

Available for download on Roku, Apple TV, Amazon Fire TV, and more.

Report a typo or error // Submit a news tip

It was always going to be tough for the Milwaukee Brewers to repeat as division champions this season, but the Brew Crew heads home for a chance to take on the struggling St. Louis Cardinals.

The classic rivalry is set up as a contrast of sorts from preseason expectations. While the Brewers were expected to take a step back after losing players like Corbin Burnes, the Cardinals were hopeful a fresh corps of starters and offensive bounce backs could lead to contention.

Instead, the Brewers have a chance to build on their early standing in the division while adding to the Cardinals’ struggles. The Cardinals’ 15-21 record leaves them sitting six games behind the Brewers. Their inability to match other competitive teams has been a notable narrative during their season with a 7-14 record against teams with at least a .500 winning percentage.

After the team’s hot start, the Brewers have played to a fairly middling pace over the last two weeks. Entering play on Wednesday, Milwaukee ranked 14th in runs scored and 17th in ERA over the last 15 days. That’s hardly a bad omen, but it shows the recent struggles to build on their dominant start. Although the squad has scuffled offensively, there is still an abundance of lineup options to work through any issues.

Even though the Brewers have slowed from their torrid pace, the problems in St. Louis are much more magnified. The offense hasn’t come close to resembling the blueprint that the Cardinals would have had upon the start of the season. Over the past 30 games, St. Louis ranks 28th in runs scored while averaging a mere 3.2 runs per game. A recent injury to Willson Contreras will sting the Cardinals even more as he was their only hitter performing at an All-Star level. Players to watch in his absence include Alec Burleson and Nolan Arenado, who have both found some form in recent weeks.

The pitching for St. Louis has been better than last season, but not good enough to carry the team through their offensive slump. The three big additions to their rotation have performed more than well enough to keep the team competitive, but the lineup hasn’t held up its end of the bargain. Sonny Gray (0.89 ERA) has continued his Cy Young form from last season. Lance Lynn (3.28 ERA) and Kyle Gibson (3.68 ERA) have been solid, but their underlying numbers hint towards that production possibly regressing in the future.

Probable Pitching Matchups

Thursday, May 9 @ 6:40 p.m: Tobias Myers (6.23 ERA) vs. Sonny Gray (0.89 ERA)

The Brewers most difficult test of the series will come in Game 1 as they face down Sonny Gray. The runner-up in last year’s Cy Young race, Gray has continued right where he left off. Not only is his 0.89 ERA a stunning statistic, but he’s pitched even better than his exceptional 2023 campaign.

He is striking out batters at a career-high rate. Batters can’t square up his pitches, with just a 29.6% hard-hit rate allowed. His two breaking balls have been untouchable. His curveball and sweeper have allowed batting averages of just .133 and .138, respectively. He’s been one of the best pitchers in baseball over the past year and one of the few highlights of this Cardinals season.

Tobias Myers has stumbled out of the gates in his rookie season, so it will be fascinating to see how he attacks this Cardinals lineup. Myers’ 6.23 ERA doesn’t offer much for encouragement, but there is still plenty of room for growth. He has succeeded at getting batters to chase out of the zone, but he has had problems with his cutter. As he adapts his approach and pitch mix, his development will be an interesting storyline.

Friday, May 10 @ 7:10 p.m: TBD vs. TBD

Saturday, May 11 @ 7:10 p.m: Freddy Peralta (3.49 ERA) vs. Kyle Gibson (3.68 ERA)

Freddy Peralta has been ace-adjacent this year, but he hasn’t lived up to the standards he would set for himself. His first four starts were excellent, but his three most recent outings have left something to be desired. He didn’t make it through six innings in any of those games while allowing a 6.00 ERA.

Peralta is still one of the most dominant strikeout pitchers in baseball, so his dip in production is likely to be a short-term issue. He is in the 91st percentile in strikeout rate and his slider has allowed a .050 batting average- which seems like it’s hardly a real number. He has allowed more damage on his fastball, but Peralta is more than capable of making the adjustments necessary.

Kyle Gibson has some terrible expected stats (5.44 xERA) but has continued to find success with a high groundball rate. He has stranded runners at a high clip this year even as his strikeout rate has dipped to his worst since 2016. Another pitcher for the Cardinals without elite velocity, Gibson has found success with a variety of breaking balls and offspeed pitches. His sweeper has allowed more hits this year, but he has forced a 41.2% whiff rate on the pitch.

His ability to mix-and-match with a variety of pitches has helped his sinker play up without needing to blaze past hitters. Lefties have had a particularly difficult time against Gibson this season with a .212 batting average. Just like Lynn, though, Gibson has been prone to hard contact.

Sunday, May 12 @ 1:10 p.m: Bryse Wilson (2.40 ERA) vs. TBD

Bryse Wilson has been one of the most unexpected breakouts of the season for Milwaukee. His 2.40 ERA has been a boon to the pitching staff, but his path to get to this point has been funky. In 2022, he pitched a career-high 115 ²⁄₃ innings with the Pirates with a 5.52 ERA. He moved to the bullpen when he came to Milwaukee, lowering his ERA to 2.58.

As this season developed, Wilson morphed once again into a starter, but has been excellent this time around. He’s now providing length and limiting damage. Over his last three starts, he has pitched to a 1.65 ERA while pitching six innings in his recent two outings. He allowed just eight hits in that time but needs to reduce the walks allowed to avoid more traffic. He doesn’t have an elite wipeout pitch, but his four primary pitches all have whiff rates over 20%. His performance has been unexpected, but his continued results will be a welcome sight in Milwaukee.

Prediction

The Brewers should be able to add to the Cardinals’ misery in this four-game showdown. Pitchers like Lynn and Gibson have been able to pitch to a low ERA so far, but it seems like a potentially combustible mix for the Cardinals if the Brewers can put together competitive at-bats throughout the entirety of the lineup. Not only is it potentially a get-right series for many of the Brewers hitters, but the St. Louis offense has played poorly this season. The Brewers could see several hitters break out of a slump, just as the Cardinals unfortunately lost their best hitter in Contreras. Although a four-game sweep isn’t out of the question, the Brewers have a chance to confidently take three out of four.