Culture
Think Dan Lanning will leave Oregon? Check the ink
EUGENE, Ore. — Somewhere in those 6.5 hours of perpetual pain, Dan Lanning’s phone lit up. But he didn’t see it. He was wincing. He was breathing deeply. Alec Turner, the artist tasked with completing the massive tattoo on the left side of Lanning’s chest, saw the name on the screen, and his eyes bulged.
The incoming call? Phil Knight.
So Turner removed the needle piercing the ribs of Oregon’s gregarious football coach and deadpanned: “Hey, man, you should probably answer this.”
When Phil Knight calls, you stop what you’re doing. Lanning sat on the table, swiped his phone screen and took a respite to talk to the founder of Nike and Oregon’s most famed alumnus and donor. Lanning told Knight where he was and what he was cramming into one session.
The permanent portrait of Lanning’s wife, Sauphia, is sprinkled with various homages to their journey through life —and football — together.
Before Turner dipped the needle in ink on Jan. 4, 2023, he offered Lanning numbing cream. Lanning declined but now admits that, as the hours dragged on, he regretted that decision. He thought to himself: I’m a football coach, right? I should be able to handle this.
“I just didn’t have a big window of time,” Lanning says. “Pain is weakness leaving the body. Let’s go. Knock it out.”
He had just finished his first year as head football coach at Oregon, where the Ducks won 10 games, were in the College Football Playoff conversation most of the season and had a top-10 recruiting ranking for the 2023 class. He was already hooked on life in Eugene.
These were the first steps in Lanning’s project to not only build Oregon into a winner his way, but to sustain it for years to come. His second season with the Ducks in 2023 was another step forward, showcased by a record-setting offense that wowed even a fan base accustomed to them.
But nearly a year to the date he had his map charted in ink, the ultimate test of allegiance arose.
On Jan. 10, 2024, Alabama’s Nick Saban announced his retirement, rocking the college football universe. Lists of candidates to replace the seven-time national championship-winning head coach were formulated by the sport’s insiders almost immediately. Most put Lanning at the epicenter of the speculation cycle.
The Lanning-to-Alabama conjecture lasted not even 24 hours, despite false reports that he was in Tuscaloosa interviewing to replace the legend for whom he’d once worked. It ended with a close-up of Lanning, puffing smoke from a cigar, announcing that he was — as he says again and again — “10 toes down” in Eugene.
Ask Lanning if he turned down Alabama, and he flashes a grin. “When you’re in a situation where your answer is already going to be no, people don’t ask you those questions.”
At Oregon, Lanning enjoys a fully guaranteed deal that pays more than $7 million a year through the 2029 season and requires a $20 million buyout to leave early, in addition to the perks of running a program with the support of Nike’s deep pockets. But conventional wisdom posits that most coaches linked to the highest profile and most illustrious job in the sport would at least open up a lane for communication.
Lanning, turns out, isn’t all that conventional.
The digital clock inside Lanning’s office runs vertically on the wall to the right of his vast desk. The Ducks-green seconds tick away alongside the minutes and hours to tell Lanning how much time he has. On this visit, he would turn 38 the next day, but Lanning would rather talk about anything else.
“Twenty-one is the last time I celebrated a birthday,” he says.
So what about how, at 19, on a waiter’s salary at Outback Steakhouse, he purchased a house on Elizabeth Street in Liberty, Mo., while balancing life as a Division II linebacker at William Jewell College? He had four teammates move in who helped pay the mortgage. It’s been nearly 20 years since they huddled together for Nintendo 64 tournaments. If a roommate was short one month, Lanning would cover for them. But he wouldn’t forget about it.
Leaning forward in a chair, Lanning says, “Realizing early you can create your own success with hard work is something that stuck out with me.”
Trent Figg, head coach at Division III Calvin University in Grand Rapids, Mich., is one of Lanning’s former teammates and roommates. Figg says Lanning hasn’t changed since he’s ascended college football’s coaching ladder. Figg’s scouting report of his friend Dan Lanning (not head football coach Dan Lanning) is succinct:
- He’s a social butterfly and the life of the party at all times.
- He loves action movies.
- He likes to smoke a cigar.
- He likes to cook steak on his own stovetop.
- He still wears white Nike dress socks to work every day.
“That,” Lanning says, “is mostly true.”
Lanning’s former roommates and former employers offer up a common theme: He carries with him a unique devotion to people who believe in him.
“He’s the most loyal person I’ve ever been around,” says Figg. “Like, if you talk about why he stayed in Eugene instead of going to Alabama, he sees the value in how people have invested in him, and he fully believes in himself. He’s a very confident person. And he totally believes in what he has at Oregon.”
It’s been over a decade since Lanning left his post as recruiting coordinator at Sam Houston State in Huntsville, Texas. Longtime head coach K.C. Keeler remembers when Lanning approached him and said he got a call from Saban to join Alabama’s staff as a graduate assistant for the 2015 season. Lanning’s body language was telling, Keeler says; he wasn’t grinning. He felt like he was going to let Keeler down.
Keeler told Lanning he had to go, because that’s where he’d meet someone who would eventually notice him as a future head coach.
“It doesn’t take you long to figure out Dan Lanning’s style,” Keeler says. “I remember telling my wife back then, ‘I’m going to have this guy for a year.’ This guy was always on a different path.”
That path is forever detailed on his ribs, shown through Sauphia’s portrait.
The Oregon symbol on her neck features a yellow ribbon in the center, commemorating her battle with an aggressive type of bone cancer in 2016. Their three sons, Caden, Kniles and Titan, are there. There’s the state of Texas outline for Sam Houston State, the Sun Devils pitchfork from Lanning’s time as a graduate assistant at Arizona State, the Pitt emblem for his year with the Panthers and Alabama’s signature “A.” There’s a boomerang honoring Outback Steakhouse, where Dan and Sauphia met as co-workers. The “816” is the area code of Lanning’s hometown in Missouri, and 33-18 is the score of Georgia’s win over Alabama in the national championship after the 2021 season when he was the Bulldogs defensive coordinator.
“It definitely hurt,” Lanning says.
The tribute to his life’s work isn’t meant as an ode to himself. It’s to his wife, his kids, his faith, his journey, the night shifts at Outback when he was courting Sauphia by paying for her 18th birthday dinner. It’s also a reminder to Lanning that the work is just starting.
“The seat I sit in now, I remember what it was like when I wasn’t sitting in it,” Lanning says. “Loyalty to me is giving the best you got every day, 10 toes down on the job that you’re responsible for and owning that and realizing success will come from that. I get to live my dream. I get to do exactly what I signed up for and what I’d hoped.”
Existing in one’s dream doesn’t mean it’s without its constant demands. The home office where he does video calls lately doesn’t have an impressive array of trophies and photos in the background; the office is his closet. It’s where he can tap in when needed to talk to players, parents or recruits. And when that’s done, it’s done, and he’s out on the couch informing his three boys the night’s movie is “Field of Dreams” or “Back to the Future.”
“In a lot of ways in our jobs now, you’re a doctor on-call,” he says. “Something can happen at any moment and it requires your attention. What I think I’m getting better at is making sure I take advantage of those moments when it does arise. I’ve been poor at that. I’ve gone through basketball seasons where I got to see my son play once. That’s not something I’m proud of. I want to get better at it.”
He may sound like how a football coach is supposed to sound when he’s dissecting depth charts in media scrums, but Lanning is not a caricature of a football coach. It’s helped, he says, that the stops that brought him to Oregon have meant working for Saban, Georgia’s Kirby Smart, Florida State’s Mike Norvell and others.
“Great head coaches have to be themselves,” Lanning says. “If they try and be something else, or if you do what you think everybody else is doing, then you catch yourself in a trap.”
One avoids such traps by staying a step ahead. And Lanning, his friends and colleagues say, always has been. Since he was a 26-year-old on-campus recruiting coordinator at Arizona State, he possessed a preternatural ability to recruit.
And apparently he doesn’t miss when a window into his world swings open. Before Oregon’s 42-6 trouncing of Colorado last September, Lanning allowed ABC cameras into the Ducks’ locker room to capture a speech that went viral. Speaking of Deion Sanders’ Buffaloes becoming the topic du jour of the sports world, Lanning told his team, “They’re fighting for clicks, we’re fighting for wins.”
It was a flashpoint in the 24-hour news cycle. The payoff was a glimpse for recruits to see that what you see with Lanning is what you get.
Oregon coach Dan Lanning catches raindrops on his tongue before the Ducks’ game against Cal on Nov. 4, 2023. (Ali Gradischer / Getty Images)
For much of the past decade, Oregon fans felt slighted, because they invested in two head coaches who vowed that Eugene was the place for them, that they’d guide the Ducks to title contention, only to leave for other jobs. Willie Taggart spent one year as head coach in 2017 before leaving for Florida State. His replacement, Mario Cristobal, coached four years at Oregon and ultimately left to coach his alma mater, Miami.
So imagine the level of paranoia when college football pundits listed Lanning as their guy to replace Saban. Lanning quashed it with the minute-long video. “When good things happen, speculation occurs — and there’s been a lot of good things that happened to us at Oregon,” Lanning says.
Before it saw the light of day on social media, on the night of Jan. 10, Lanning was on the phone with the mother of a recruit who was afraid that their decision to choose Oregon would be fleeting. She’d read the headlines connecting him with the Alabama job.
“I said, ‘If I made an announcement for you, would that make it clear exactly what we’re going to do?’” Lanning recalls. “The mom said that, ‘Yeah, that makes it really clear.’ And then I told her, ‘Hopefully at some point they’ll stop asking the question.’”
New Oregon quarterback Dillon Gabriel says even though he’s been on campus for only four months, Lanning’s confidence in his program is infectious.
“How cool is that? That’s who I committed to,” Gabriel says. “That coach is the guy everyone wants for the right reasons. He’s great at connecting with people, he listens, he understands, he can translate that into action from a guy who’s been in it for a long time. Everything he’s said has come to fruition. He just keeps it real, and I think you can appreciate that. He just does the easy things at an elite level. He’s mastered it. That’s exactly why people want him.”
The Ducks are 22-5 in two years under Lanning and have cultivated one of the sport’s most explosive offenses with offensive coordinator Willie Stein calling the plays. With Heisman Trophy finalist Bo Nix at the helm last year, the Ducks ranked No. 2 in the country in total offense. Oregon’s defense finished top 25 in overall team defense, too. But the undoing of the team’s College Football Playoff aspirations were two agonizingly close losses to rival Washington.
The Ducks now prepare for a new era as they enter the Big Ten alongside the Huskies, USC and UCLA. Asked why he thinks this year’s Ducks have a shot at contending in the expanded 12-team playoff, Lanning says they’ve always been aggressive in looking to increase the talent on their roster, through recruiting high school players (the Ducks ranked No. 3 in the 247Sports recruiting team composite rankings in 2024) and in the NCAA transfer portal.
During the winter portal window, they added Gabriel (Oklahoma), cornerbacks Jabbar Muhammad (Washington) and Kam Alexander (UTSA), wide receiver Evan Stewart (Texas A&M) and former five-star recruit and UCLA QB Dante Moore. In the last week, the Ducks have further bolstered their defense with safety Peyton Woodyard (Alabama) and defensive lineman Derrick Harmon (Michigan State). Lanning staying put and believing he’s in Eugene for the long term has set up Oregon for both the present and the future.
“Dan likes to prove people wrong,” Figg says. “Dan knows he can win a national championship at Oregon, and he wants to show the world he can do it.”
Oregon is no longer an upstart. The Ducks made a national championship appearance, though it was nearly a decade ago in 2015. Lanning believes the program can win it all in this quaint remote town thousands of miles away from where the Southeastern Conference has reigned supreme the past two decades.
“I love being part of a program that’s proactive,” Lanning says. “They’ve always wanted a great product. This is a place where you can create that.”
Lanning talks about making the jump from good to great. The Ducks being agonizingly close in big games has to change in the Big Ten era. Ohio State visits Oct. 12, and three weeks later, the Ducks go to The Big House to face reigning national champion Michigan on Nov. 2.
With his ribs aflame with pain after being tattooed, Lanning posed for Turner so he could share the work done in one sitting on Instagram. Turner was born and raised in Eugene. For years, he has tattooed Oregon players and the “O” symbol on fans. Never could he have imagined Chip Kelly or Mike Bellotti walking into his shop. But in talking to Lanning, Turner says he felt like the head coach is sold on the life and pace of his hometown.
Before Lanning walked out the doors, he told Turner something the artist now fully believes.
“He told me he wanted to retire here,” Turner says.
(Illustration: Eamonn Dalton / The Athletic; photos: Tom Hauck / Getty Images)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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