Milwaukee, WI
Seasons Turn: “Idris Khan: Repeat After Me” at Milwaukee Art Museum
Idris Khan, “every…William Turner Postcard from Tate Britain,” 2004, chromogenic print, 40″ × 50″/Photo: Idris Khan and Sean Kelly
Marking his first solo U.S. exhibition, Idris Khan’s “Repeat After Me” at the Milwaukee Art Museum is an impressive and expansive overview of the artist’s creative evolution thus far. Beginning with his early digital work in photography, video and sculpture, leading us into his more recent work in painting, and culminating in a new collection of watercolor works created specifically for the show, viewers are given a masterfully curated insight into the artist’s unique creative language. Khan’s work uses repetition as the main recurring motif regardless of medium, exploring themes such as time, memory and loss. Following a chronological timeline, each gallery is both an exciting departure and a continuation from the last as we travel along with Khan in discovering how repetition can be used to better understand time and remembrance.
The show begins with Khan’s early work in photography in which he takes existing media of a similar subject matter and meticulously layers them all into one large file. The resulting images are blurred, overly saturated and difficult to comprehend—and they are meant to be. Khan has stripped away the preconceived understanding that photography produces clear, carbon copy images of one moment in time and instead has created deeply layered and complex works exploring time itself. His works such as “every…William Turner Postcard from Tate Britain” (2004) feel deeply familiar yet distant almost as though they are the result of closing your eyes and conjuring up a William Turner painting from memory.
Idris Khan, “Overture,” 2015, oil on glass with aluminum frame, 96″ x 78″ x 156″/Photo: Idris Khan and Sean Kelly
Following his work with photography, we move onto his text-based work. Applying the same methodologies from before, Khan combines every scanned page of a book into one single image. Just as with the subject matter of the photographs, the “subject” or text becomes impossible to discern. However, it is not the text itself that is important but rather the resulting powerful visual story. This is furthered once again in the next room in which the text from literature is replaced with musical compositions. It is here that his exploration of time really begins to resonate as each musical score exists in its entirety simultaneously.
The first half of the exhibition features Khan working primarily with pre-existing media. In one of the largest departures in the show, we now enter into an exciting place in his practice in which he begins to create pieces created solely by his own hand. It is also where we begin to see his work with sculpture and painting. Repetition remains the driving force behind his art but we are introduced to it being shown in a new light. His work “Overture” (2015), a large-scale sculpture featuring seven large panels of glass hanging vertically, one in front of the other, introduces his work with stamps and his exploration of global crisis and displacement. Each panel of glass is stamped repeatedly with his own writing, creating densely layered abstract shapes where the writing is illegible except for the edges of shapes where broken phrases start to become visible. The repetition becomes deeply personal in his work “My Mother,” a cast of around 360 stacked photos representing his mother’s entire life in photographs.
Idris Khan, “The Seasons Turn,” 2021, oil on mounted paper, twenty-eight panels, each: 25 1/2″ × 21 1/2″/Photo: Idris Khan and Sean Kelly
The exhibition once again takes new form as we begin to view Khan’s work with painting in “The Seasons Turn,” a collection of twenty-eight (seven for each season) watercolor works created during the COVID-19 pandemic. Each painting features colors specially chosen to represent a particular season and is stamped with the music of Vivaldi’s “Four Seasons.” Through these works, not only do we see a continuation of his work with musical compositions and repetition, but we are also introduced to a new caliber of his artistic skill—his masterful use of color. When viewed together as one large piece, the colors converse with one another in a symbiotic relationship.
The final room features a new collection of paintings Khan has created specifically for the exhibition. Taking inspiration from five master paintings in the museum’s collection, he has created colorful reinterpretations of paintings stamped with musical compositions created with a digital program directly using the colors from each historical painting. The show is deeply compelling and brilliantly curated to create a powerfully intimate viewing experience. If you were to enter the show not knowing anything about Idris Khan, you will leave a fan excited and eager for future work.
“Idris Khan: Repeat After Me” is on view at Milwaukee Art Museum, 700 North Art Museum Drive, Milwaukee, Wisconsin, through August 11.
Milwaukee, WI
Same name keeps coming up in mock drafts as possible Bucks selection
Bucks co-owner Jimmy Haslam talks greater involvement, Giannis future
Bucks co-owner Jimmy Haslam says that he will have a greater involvement with the team and that includes the decision on if to re-sign Giannis Antetokounmpo.
The Milwaukee Bucks know their placement in the 2026 NBA Draft, slotted No. 10 for their first lottery pick in a decade. Who are some of the possible selections at that spot when June 23 rolls around?
Check out what the first post-lottery wave of mock drafts has to say, most of them pointing to same prospect, that being Nate Ament of Tennessee, a 6-10 freshman small forward.
Nate Ament, forward, Tennessee
From Spencer Woo of ESPN: “While Ament’s stock has slipped from an early top-five projection, he had productive stretches this season within a tricky team context and has room to help himself in workouts. Although scouts are split on whether he has star potential or projects better as a long-term supporting player, there is still plenty of intrigue around Ament in the lottery. As a tall skill player with shotmaking upside, Ament fits a player archetype that teams often love to swing on. As Milwaukee considers a post-Antetokounmpo future, a malleable upside swing such as Ament could be a fit.”
Kevin O’Connor of Yahoo! Sports: “The Bucks should take a swing to jump-start their new era, whether or not Giannis Antetokounmpo is part of it. Players who can handle, shoot off the dribble, and stand at 6-foot-10 don’t grow on trees. This physical foundation kept Ament in lottery consideration even after a dreadful start to his freshman season when he struggled to score efficiently and make an impact defensively. But over the second half of the year for Tennessee, he flipped a switch and shots began to fall. He averaged 23.8 points over a six-game stretch in January and February that reminded everyone why he was a top recruit in the country. Then he dealt with an ankle injury that ruined his momentum entering March and he severely struggled during the tournament. Bucks general manager Jon Horst has never been afraid to take risks though. If Ament pans out, it could look like a stroke of genius.”
Gary Parrish of CBS Sports: “Ament had an up-and-down freshman season for the Vols – but the upside isn’t hard to spot. Less than a year ago, the 2025 McDonald’s All-American was considered a possible top-five pick. So getting Ament here would be nice for a Bucks franchise that seems on the verge of rebuilding after presumably trading Giannis Antetokounmpo this offseason.”
The Ringer: “Barring some transactional magic, this could be Milwaukee’s best bite at the talent apple in the draft for a while. The Bucks don’t currently have control over a first-round pick until 2031. If Giannis Antetokounmpo decides it’s time to move on, this roster will be rudderless and talent-deprived. If Giannis decides not to move on, it’ll have a rudder but still won’t go anywhere. Less than ideal, but that makes this a ‘best player available’ scenario, or rather ‘best wager available.’ There are definitely more stable options in this range, but Ament’s higher possible outcomes justify this pick. Ament fell short of expectations this past season, and he slid from top-five consideration as a result, but the jumbo-sized, smooth-moving ball handler is still a worthy bet here. Handling the ball at 6-foot-10 is an intriguing enough skill to instill some belief that he could develop into a quality asset. And the Bucks can take the risk given their circumstances.
Adam Finkelstein of CBS Sports: “Ament is a polarizing prospect with a wide range of outcomes on draft night. A late-blooming 6-foot-10 combo-forward who is fluid, has touch, and skill, he’s also inconsistent and needs to get stronger. While his freshman year was up and down, Ament’s overall arc has been linear, and there’s still glaring potential. That upside makes him a logical choice for a Milwaukee team that has a very uncertain future ahead of them.”
Brian Lewis of New York Post: “After the run on guards, taking an upside swing on a gifted developmental player here seems like a worthy gamble for a Bucks team that could be in full-on rebuild in a post-Giannis era.”
Two other names mentioned
From Eric Nehm of The Athletic: “This was an incredibly difficult pick to make without knowing what the Bucks are going to do with Giannis Antetokounmpo. If the 10-time All-Star forward remains in Milwaukee, it might make more sense to look at someone like Yaxel Lendeborg, who could make an impact right away and give the Bucks more size and skill. Instead, though, I went with Philon, who has a lot of offensive upside and could be protected on the defensive end by Ryan Rollins. Philon is an electrifying offensive player who shot 50 percent from the field and 39 percent from 3 while averaging 22 points, 3.5 rebounds and five assists per game last season.”
From Kurt Helin of NBC Sports: “The Bucks need all the backcourt help they can get, and Burries may not be flashy, but he does a lot of things well — he can play on and off the ball, can knock down catch-and-shoot jumpers but also attack closeouts, and he gets downhill off screens and has a midrange pull-up game.”
Milwaukee, WI
Brad Paisley to perform at BMO Pavilion in Milwaukee on Sept. 4
Brad Paisley (Photo by Scott Dudelson/Getty Images)
MILWAUKEE – Brad Paisley is scheduled to perform at the BMO Pavilion in Milwaukee on Sept. 4.
Ticket information
What we know:
The ticket pre-sale for Brad’s fan club members, Paisley Nation, begins on Tuesday, May 12 at 10 am. All tickets available at BradPaisley.com.
The tour will also offer a variety of VIP packages and experiences for fans to take their concert experience to the next level.
FREE DOWNLOAD: Get breaking news alerts in the FOX LOCAL Mobile app for iOS or Android
Packages vary but include premium seats, a guided backstage tour, VIP-exclusive gift item, early entry & more. VIP package contents vary depending on the selected offer. For more information, visit VIPnation.com.
The Source: The information in this post was provided by Live Nation.
Milwaukee, WI
WSJ: Billionaire Milwaukee Bucks co-owner targeted in extortion scheme – UPI.com
Billionaire Wes Edens, co-founder of Fortress Investment Group and co-owner of the Milwaukee Bucks NBA club, is shown at Sun Valley, Idaho, on July 9, 2015. The Wall Street Journal on Sunday identified Edens as the victim of a billion-dollar extortion plot allegedly hatched by an ex-lover. File Photo by Andrew Gombert/EPA
May 10 (UPI) — Wes Edens, the billionaire co-founder of Fortress Investment Group and an owner of the NBA’s Milwaukee Bucks, was the target of a billion-dollar extortion scheme allegedly perpetrated by an ex-lover, the Wall Street Journal reported Sunday.
A spokesman for Edens, 64, confirmed to the newspaper that the financier is the unnamed alleged victim in a federal indictment brought against Changli “Sophia” Luo of New York City.
Edens, one of world’s most successful global investment management firm leaders with Fortress, has developed and owned businesses in real estate, transportation, infrastructure, health care, financial services, media and entertainment.
He is also a high-profile sports team owner, including the Bucks and soccer club Aston Villa of the English Premier League. He is credited turning the Bucks from a perennial cellar dweller into a champion squad over a five-year span, culminating in the 2021 NBA championship.
But he also fell victim to a lurid alleged “sextortion” scheme, his spokesman confirmed to the WSJ, admitting the Edens is the unnamed “Victim 1” cited an indictment filed last year in Manhattan federal court against Luo.
The indictment reportedly accuses her of trying to extort Victim 1 of more than $1 billion by threatening to release videos and photos of them engaged in sex. Prosecutors alleged Luo also threatened to contact the victim’s family members and business partners in a threat to destroy his fortune if he did not pay up.
According to the indictment, Luo was arrested June 14 at JFK International Airport as she tried to board a flight to China, the New York Post reported.
“Mr. Edens will be making no comment on the case as the indictment speaks for itself with respect to the charges against the defendant,” his spokesman told the Journal. “Mr. Edens expects to testify under oath at the upcoming trial.”
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