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Indianapolis museum honors Oscar Robertson, Black Hoosiers who made history

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Indianapolis museum honors Oscar Robertson, Black Hoosiers who made history


NBA legend Oscar Robertson poses for a photo outside Crispus Attucks High School. (Photo via Robert Chester)

The NBA’s premier event returns to Indianapolis for the first time in 39 years for the 73rd edition of NBA All-Star. While the city holds a rich history of basketball triumphs, it’s a complex history of a community that was once deeply divided over race and segregation. 

The Crispus Attucks Museum, which is attached to the Indianapolis Public School’s Crispus Attucks High, documents it all. From the unprecedented achievements of NBA legend Oscar Robertson to the newest exhibit on the history of lynching in America, each gallery tells a story of the Black experience in Indianapolis and the country. 

The museum, located at 1140 Doctor M.L.K. Jr. St., is open Tuesday-Sunday. 

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The NBA and Indiana Pacers organization are paying homage ahead of All-Star weekend, unveiling plans for an upcoming statue of Robertson to be installed in front of Crispus Attucks.

“We are thrilled to join the Pacers in commissioning a statue in recognition of Oscar’s extraordinary impact on the game and his hometown,” NBA commissioner Adam Silver said.

Each element of the statue will be catered to his Indiana roots and illustrious basketball career. Robertson, the first high school player from Indianapolis to be named an NBA All-Star in 1961, selected the image for the 11-foot-5 statue. The metal will come from Cincinnati, where Robertson attended college and started his professional career with the Cincinnati Royals (now Sacramento Kings).

A smaller replica of the statue will be on display throughout All-Star weekend. 

In March, author Jack McCallum will release his new book, “The Real Hoosiers: Crispus Attucks High School, Oscar Robertson, and the Hidden History of Hoops.” 

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Breaking barriers through basketball

Before Robertson became an NBA legend, he and his high school basketball team at Crispus Attucks became the first all-Black school in the nation to win a state championship in 1955. Led by Robertson and coach Ray Crowe, who had developed a more free style of basketball that helped pioneer the modern game, the Tigers claimed their second championship in 1956 to secure back-to-back state titles. 

Before that, during Robertson’s sophomore season in 1954, the Crispus Attucks team reached the state quarterfinals where they lost to future state champions Milan, an all-white team that is the subject of the popular basketball drama film “Hoosiers.”

Nearly 70 years later, the unrivaled story of Indiana’s 1955 state title game has yet to be recognized on that same Hollywood scale. NBA.com’s Steve Aschburner once examined why it should be.

The Crispus Attucks Museum tells a story of the Black experience in Indianapolis and the country. (Photo via Robert Chester)

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Numerous changes have transformed Crispus Attucks High since Robertson attended. It faced closure at one point and solely operated as a middle school for years. The downsizing in student enrollment left underutilized space throughout the building, which sparked the idea of a museum.

Historian Robert Chester and the Indianapolis community sought to highlight the legacy of the first all-Black high school in the state of Indiana and the first all-Black high school in America to win a state championship. 

We are now in the 26th year into this wonderful experience of sharing the history, legacy and integrity of the first all-Black high school in the state,” Chester said.


Curating the museum 

To understand the essence of the Crispus Attucks Museum, it’s important to know the history that forced the school into existence.

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In the early 1920s, the Indianapolis School Board announced the need for a segregated high school for Black students, with much pressure coming from the state’s Ku Klux Klan.

The School Board initially planned to name the institution after Thomas Jefferson — former United States president and slave owner — but the Black community resisted. In 1927, the school was built and named in honor of Crispus Attucks, the first person killed by British troops in the Boston Massacre in 1770. 

“The first gallery of the museum tells the story of the high school and the early Black community, but entering the museum, you see the representation of Crispus Attucks, the man,” Chester said.

The museum opened in 1998 inside the school’s former auxiliary gymnasium. In 2006, the school became a high school again after 20 years of serving students at the junior high and middle school level. Not only is the museum embedded into one of the most historic high schools in the country, but it’s also the only museum in the country attached to a functioning public high school.

A sculpture of Crispus Attucks is located in the museum. (Photo via Samantha Johnson/WTHR-TV)

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Nearly 100% of items inside the museum are donated by members of the community and the general public. Chester, who has spent his life “growing gray” in this museum, wants to tell the story of not just the basketball experience, but the overall Black experience in Indianapolis. 

He recalls one particular interaction with a group of elderly white men visiting the museum and discussing the adversity Robertson and his team dealt with. “One of the gentlemen said, ‘We didn’t like you all. We never rooted for you all. We rooted for everyone against you all.’”

In other words, Chester says, “They never liked Black people.”

Many of the all-white teams playing against Crispus Attucks in the 1950s felt the same way. They mocked the Tigers because of their rickety bus and faded uniforms, or the fact their socks and sneakers didn’t match. They heckled, laughed and made all sorts of gestures that were akin to the time. 

“‘That was fun until you guys got us out on the court,’” Chester recalls the visitor saying. “‘You all could have lashed out, but you didn’t. You just kept it sportsmanlike on the court.’” 

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That interaction, among countless others, serves as a reminder to Chester about the invaluable history the museum holds and why the story of Robertson and the 1955 team must be preserved.

“(It went from) one of America’s first, highly despised and rejected high schools,” he said, “to America’s most celebrated high school today.”

* * *

Michaela Gilmer is a producer for NBA.com.

The views on this page do not necessarily reflect the views of the NBA, its clubs or Warner Bros. Discovery.

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Indianapolis, IN

Tony award-winning musical ‘MJ’ to stop in Indianapolis

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Tony award-winning musical ‘MJ’ to stop in Indianapolis


INDIANAPOLIS — One of the most famous Hoosiers of all-time, Michael Jackson, really is coming back to Indiana! Well, through a Tony award-winning musical anyway.

The world-wide touring musical, MJ, will play from Jan. 13 – Jan. 18, 2026, at the Old National Centre.

The show will center around the making of the 1992 Dangerous World Tour, and while it will feature dancing and singing, it looks to further explore Jackson’s creative mind and collaborative spirit.

To learn more about the show, and purchase tickets view here.

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Indianapolis, IN

Indianapolis Jazz Foundation empowers youth through comprehensive jazz education

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Indianapolis Jazz Foundation empowers youth through comprehensive jazz education


INDIANAPOLIS (WISH) — The Jazz Futures program, organized by the Indianapolis Jazz Foundation, aims to inspire high school musicians through a comprehensive curriculum more than 22 sessions spanning seven months. Classes are held Sundays from 3 to 5 PM at the Luddy School of Informatics, 335 West Michigan St.

Founded in 1996 as a 501(c)(three) organization, the Indianapolis Jazz Foundation promotes jazz heritage in the community. One of its flagship events, the Indy Jazz Fest, celebrates the city’s historical contributions to jazz, featuring legendary artists like Cole Porter and Wes Montgomery who shaped Indianapolis’ vibrant music scene.

The Jazz Futures program focuses heavily on education, providing young musicians with training in jazz repertoire, improvisation, history and more. “Well, that’s one of the pillars of the Indianapolis Jazz Foundation, you know, the education part of it,” said Pavel. “We have legacy and other things, but the education is like, okay, let’s get, you know, the young musicians interested early enough so they can develop a career.”

The program not only nurtures musical talent but also instills valuable life skills. Local jazz legend Rob Dixon noted, “Yeah, I mean, it’s a program that I think we’ve had great results with a lot of the students. And one of the things about it, too, is they get to understand that jazz is an American art form and it educates them in a way that I think a lot of the past Jazz Futures students, even though they don’t go into music, they become successful in life.” His perspective highlights the broader impact of music education on personal development, with alumni achieving success in various fields.

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Pavel and Rob were excited about the current cohort of students, emphasizing the importance of bringing jazz to a younger audience, particularly those who may not have access to small group combos.

Their work with the students represents a culmination of years of effort to improve access to jazz education throughout Indianapolis, especially in underserved communities.

The foundation aims to reverse negative effects caused by urban development, which has fragmented traditionally Black neighborhoods and marginalized their rich cultural history.

The Indianapolis Jazz Foundation is committed to advancing artists of color through education and performance opportunities. They strive to ensure that the legacy of influential artists is not only preserved but also celebrated through ongoing community engagement at events like the Indy Jazz Fest.

The Jazz Futures program will continue through its seven-month curriculum, offering performances and learning experiences for the students. The Indianapolis Jazz Foundation plans to maintain its commitment to jazz education and community involvement with various events throughout the year.

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Indianapolis, IN

If Anthony Richardson Can’t Beat Out 44-Year-Old Philip Rivers, That’s A Big Problem

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If Anthony Richardson Can’t Beat Out 44-Year-Old Philip Rivers, That’s A Big Problem


Indianapolis’s playoff chances collide with player development as Rivers challenges a cleared Richardson for QB1.

After Daniel Jones suffered a season-ending torn Achilles, the Indianapolis Colts turned to 44-year-old Philip Rivers. Rivers, who hadn’t taken an NFL snap since January 2021, immediately stepped into the team’s starting lineup and nearly led the team to a shocking upset over the Seattle Seahawks. 

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But there’s a new wrinkle. Anthony Richardson, the quarterback the Colts selected with the No. 4 overall pick in the 2023 NFL Draft, was cleared to return to football activities. Richardson suffered a freak pregame orbital fracture on Oct. 12. 

Now the question for the Colts is simple: Who starts at quarterback when Richardson is healthy enough to play? The decision would be easy if the Colts were out of playoff contention. They would start the young quarterback and hope he shows some of the flashes he displayed during his very short rookie season. 

But the Colts are still very much in the AFC postseason picture, currently sitting at 8-6. They are one game behind the Houston Texans for the seventh and final playoff spot with a game against Houston scheduled for Week 18. 

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They are also two games behind the Jacksonville Jaguars for the AFC South lead, and the two teams meet in Week 17. The Colts don’t control their own postseason destiny; even if Indianapolis wins out, the Texans would get in over the Colts if Houston wins its other two remaining games. 

Still, the first step is to win the final three games. That starts with a Monday Night Football matchup against the San Francisco 49ers in Week 16. Rivers is going to start that game, according to head coach Shane Steichen. 

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This isn’t surprising news, since Richardson hasn’t practiced yet. But there’s going to be a decision between the two starters soon. Who gives them the best chance to win once both QBs are healthy? 

Richardson vs. Rivers for Colts QB1 

If the answer is Rivers, that’s a death knell for the career of Richardson. Losing the starting job to Daniel Jones was one thing, but failing to start over a 44-year-old QB who spent nearly five years out of the NFL is another matter entirely. 

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Despite going 6-5 as a starter last season, Richardson completed less than 50% of his passes and threw more interceptions (12) than touchdown passes (8). Of course, Richardson does a lot of his damage on the ground, rushing for 499 yards and 6 touchdowns in his 11 starts in 2024. 

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Rivers didn’t light up the Seahawks’ defense on Sunday, but he was efficient. He completed 18 of 27 passes for 120 yards, 1 touchdown and 1 interception. The interception came on a desperation heave on the team’s final possession with the game virtually out of reach. Rivers got the ball out quickly, taking only one sack against a very good Seattle defense. 

Head coach Shane Steichen was hired prior to the team drafting Richardson, so he has some motivation to ensure Richardson succeeds in the NFL. But he’s not going to put that above the team’s short-term future, which includes an opportunity to reach the playoffs. 

Ultimately, Steichen is going to start the quarterback he believes gives him the best chance to win the next three games. If that quarterback is Philip Rivers, it means Anthony Richardson’s NFL future is very, very bleak. 

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