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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator

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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator


“The joy is in the work,” said Detroit-based artist Rashaun Rucker.

On Sunday, Feb. 16, Rucker will receive the Alain Locke Recognition Award at the Detroit Institute of Arts (DIA), alongside fellow artist (and Michigan native) Titus Kaphar, who will receive the Alain Locke International Award.

“It’s funny,” Rucker said. “I had this award on a vision board 17 years ago. When I moved here, it was one of the things I wanted to accomplish. And I saw people I knew getting it, like Hugh Grannum and Tylonn Sawyer — friends and family and peers. It was something I always had on my bucket list.

“I got a little emotional when I found out because it’s like a career award. You win the Alain Locke because of sustained excellence in art in our area; you don’t normally see people get it who haven’t been at it for a long time. This feels like validation of my sustained discipline.”

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Along with his art practice, Rucker, a former Detroit Free Press photographer, now teaches art to grades kindergarten through eight at Charles Wright Academy of Arts and Science. It is this work he says that has been the most rewarding for him.

“I never thought about any of the big things, getting work in the Smithsonian and other museums,” he said. “I never thought about winning an Emmy at the Freep. All I ever wanted to do was be a middle school art teacher. My middle school art teacher in Winston-Salem, North Carolina, Kathy Williams, was the first person that made me believe I could be an artist, and told my parents I could be an artist. She would stay after school with me and work with me all through middle school, and I grew wanting to be Kathy Williams for the next person.

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“This is my first year working in a public school as an art teacher. After being in journalism for 20 years, and doing visiting lectures at colleges and different things, it’s kind of serendipity to get this award when I’m back to my original career goal from when I was a kid.”

He said finds he’s learning as much as the students are.

“Sometimes, you go to school and get a lot of education, and then you only follow those rules,” he said. “What’s great is the ability to break rules and create freedom. Kids have this artistic freedom that you eventually lose once you learn too many rules. Part of my education from them is being able to see that and find out for myself, because I can be very rigid in my own practice.

“Being a public schoolteacher, the kids look at you like a big brother. But you’re also a second parent, you are a social worker, you are a caterer, you are a party store. You’re everything. I had a big moment last week — it’s Black History Month, and the kids in the third grade dress up as somebody that had a profound effect on Black history. One of the students wants to be me. That lets me know I’m making a difference, I’m hitting that mark that I need to hit with these kids.”

Rucker said students run up in the halls and excitedly show him sketchbooks full of work they’ve created at home.

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“And now,” he said, “when I’m on lunch duty, I see kids drawing in the cafeteria and I know I’m having an impact.”

He said his biggest surprise in this role has been how much children need.

“How much more love is needed,” he said, “how much more exposure, how much more education is needed. I don’t think you can understand that unless you’ve been a teacher. Even if you give 100%, our kids need so much more. Sometimes, I’ll go home and I’m exhausted, but my parents are both teachers. If you give 100% to this job and you care about it, it’s going to exhaust you, but you know you’re doing the right thing, and I can say that about all the teachers I work with in this building.”

Last year’s Alain Locke Recognition Award recipients were David and Linda Whitaker, art collectors, philanthropists, and major guiding forces in Detroit’s art community. Linda also spent her career in education, including many years as a principal in Detroit.

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“We have breakfast in the same place a couple times a week,” Rucker said. “On the weekend, I’ll go there and we see each other. Linda and I talk about education, and she told me something last week that really touched me. She said, ‘You can’t be a good teacher and be afraid to lose your job. You’ve got to be a fearless educator.’ ”

Linda has great admiration for Rucker and his career work.

“Rashaun Rucker’s photography, drawings, and printmaking capture the spirit of African-American life,” she told the Free Press in a written statement. “He connects with us by creating artwork that exhibits our spirituality, sense of community, and social commentary. His works stimulate our thought processes because (they) can make you feel at home with a sense of belonging or make you take a stand for justice and equality. His works scream, ‘I care.’

“Rucker also utilizes his talents to support and interact with the artistic educational process of our youth and young adults. He is a multifaceted star.”

Detroit Public Schools Community District (DPSCD) superintendent Dr. Nikolai Vitti echoed the commendation of Rucker’s educational work.

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“We are immensely proud to have Mr. Rucker as part of our DPSCD team, where he inspires and educates our visual arts students at Charles H. Wright,” said Vitti. “In a remarkably short period, Mr. Rucker has captivated students with the essential elements and principles of visual art, offering them fresh perspectives on the world around them. We celebrate Mr. Rucker’s lifelong dedication to the arts and his well-deserved recognition with the Alain Locke Award.

“The Alain Locke Recognition Award celebrates local artists and contributors. The award highlights the transformative power of art and its role in enriching cultural heritage and community life. Mr. Rucker’s contributions are a testament to the transformative power of education and the arts.”

Rucker is represented in metro Detroit by Ferndale gallery M Contemporary Art. Owner Mellanie Chard spoke of him as an inspiration.

“What I find so inspiring about Rashaun,” she said, “is his ability to convey artistic intent regardless of the material he is using. I’ve seen him make incredible work with just colored pencils. But whether he is drawing, printmaking, painting or reinterpreting a familiar object, you know it’s him. You can tell it’s his work. To me, that is what makes a true artist. It doesn’t matter what medium he is working in, the intention is always clear.”

Rochelle Riley, the city of Detroit’s director of arts and culture, had high praise for both Rucker and Kaphar.

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“The entire city should be proud of what the Friends of African and African American Art at the DIA are doing, recognizing brilliance because it is necessary and it is right,” she said. “That this year’s honors are going to MacArthur genius Titus Kaphar and Detroit genius Rashaun Rucker — who are both known, as the Friends noted, for ‘dismantling classical structures’ — is vitally important.

“I’ve known Rashaun for a quarter-century and marveled at his pivot from news photographer and editor to renowned artist whose work is in the National Museum of African American History and Culture, the ‘Blacksonian.’ The Locke Awards ceremony is a moment that should make all Detroiters, all Michiganders stand and cheer.”

Rucker’s latest solo show, “Patron Saints of a Black Boy,” recently left the University of Texas at Austin and is headed to the University of North Carolina Charlotte this spring. It has been four years since his last big solo show in Detroit; he hopes to deliver another in the region next year.

“I think all of this is a testament to just staying with it,” Rucker said of his career achievements. “One of my eighth graders was just telling me about what they couldn’t draw something, and I said, ‘Don’t start with the excuses. Excuses are the tools of the incompetent. Don’t specialize in excuses. They’ll lead you nowhere. A lot of people I graduated college with are not working in this field, and when they see me, they always tell me, ‘Man, you made it and I didn’t!’ The only difference between me and them is I never stopped making art.

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“When I worked at the Freep, I was always making art. I never stopped. I tell my students, ‘The thing between you and your dreams is work. And you can’t skip the work.’ I think between social media and influencers, young people think that you can skip the work now. The work is always gonna be the work. I told him, ‘You can fail, just fail forward. And if you have to start over, at the end of the day, it’s just a piece of paper.’ Everything in life is like that: You do the work to get better. I smile when I see kids who cross some kind of barrier they reached with an art project. It makes me happy that they figured it out.”

“The joy,” he said, “is in the work.”

He said finding his calling as a public school teacher has reinvigorated him.

“As an artist, you breathe life into something,” he said. “What I like about my job is watching students breathe life into their pieces every day when I come in here. And just like they do with their pieces, I have to breathe life into them. Belief, confidence — that’s a strong thing to give somebody.

“I wish everybody gave others confidence. The world would be a better place.”

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The 32nd annual Alain Locke Awards will be held Sunday, Feb. 16, at the DIA, 5200 Woodward Ave., Detroit. Tickets are sold out.

Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@freepress.com.



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Family of girl whose throat was slashed in Detroit park files $50M lawsuit

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Family of girl whose throat was slashed in Detroit park files M lawsuit


Saida Mashrah said her sleep is still filled with nightmares and she’s fearful when strangers walk past her house more than a year after police said a strange man slashed her throat while she played in a Detroit park.

“Sometimes (at school) I get scared and have to take a break with a teacher,” the soft-spoken 8-year-old said Wednesday.

Saida joined attorneys for her family during a press conference where they announced the recent filing of a $50 million civil suit against the suspect, 74-year-old Gary Lansky.

“We don’t know what types of assets … (Lansky) may have but I can assure you for every dollar that he has we want to take that away from him,” said Nabih Ayad, counsel for Saida’s family. “This person deserves to rot in hell and rot in jail.”

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Authorities said that Saida and four other children were playing in Ryan Park, near the Dearborn border in east Detroit, on Oct. 8, 2024. Lansky, of Detroit, allegedly approached Saida, grabbed her head, tilted it back and slashed her throat. Saida kicked him and escaped.

While she has fully recovered from the physical injuries, Ayad said the young girl will likely always carry with her the trauma she endured that day.

“Forever she will be haunted by this, traumatized by this and is currently seeking therapy and probably will for the rest of her life,” he said.

Lansky has been charged with assault with intent to murder and assault with a dangerous weapon. Ayad said Lansky is currently in the process of being evaluated for competency to stand trial. Online records show he remains behind bars at the Wayne County Jail, held on a $2 million bond.

An attorney for Lansky did not immediately return a call seeking comment.

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Following the alleged attack last year, advocates called on state and federal authorities to prosecute the case as a hate crime. Ayad believes Lansky, who is White, specifically targeted Saida based on her race. She was the only Arab American girl in the park that day, he said; all other children were Black.

After Saida ran away from her attacker, Lansky then approached the girl’s grandmother, who was in the park with her, Ayad said. The older woman was wearing a hijab, making her a target for a hate-based attack, advocates said. Lansky allegedly fled the scene after Saida and other children began to scream.

“My daughter still smiles sometimes but it’s not the same smile. It’s the kind of smile that hides tears,” Saida’s mother, Amirah Sharan, said in a statement read by attorney William Savage during Wednesday’s press conference. “… As a mother, it’s the worst pain imaginable to see your child hurt and know there’s nothing you can do about it.”

mreinhart@detroitnews.com

@max_detroitnews

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NFC NORTH: Where all four teams stand heading into Week 8

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NFC NORTH: Where all four teams stand heading into Week 8


MINNESOTA

Week 7 result: Philadelphia 28, Minnesota 22

Offensive rank: 20th (318.7)

Scoring offense: 15th (24.2)

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Defensive rank: 9th (301.7)

Scoring defense: 10th (20.8)

Star performer: Wide receiver Justin Jefferson recorded five receptions for 79 yards in Minnesota’s loss Sunday. Jefferson has 529 career receptions and surpassed DeAndre Hopkins (528 receptions) for the second-most receptions by a player in his first six seasons in NFL history. Only Jarvis Landry (564 receptions) has more. Jefferson has 34 receptions on the season for 528 receiving yards.

Quotable: “The main issue was in the red zone today, just hurting ourselves and causing us to go backwards instead of forward,” Jefferson told vikings.com of their 1-for-6 performance in the red zone vs. Philadelphia Sunday. “We’ve got to execute our plays to the fullest, take one play at a time, and when the opportunity comes, make those plays.

“One of those red zone drives is, that’s me dropping the touchdown and not pulling the ball all way the in. I’m always critical of myself and always, especially, my opportunities are very, very slim, so those opportunities, I’ve got to make the most of them.”

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Twentyman: Sunday was a good test for the Vikings squaring off against the defending Super Bowl champs. Eagles quarterback Jalen Hurts maxed out his NFL passer rating (158.3) by completing 19 of 23 passes for 326 yards and three touchdowns. Scoring in the red zone (1-for-6) and allowing big plays on defense lead to Minnesota’s downfall Sunday. The red zone has been an issue for the Vikings all season (ranked 20th). It’s something they must clean up in an ultra-competitive division like the North.

Next up: at Los Angeles Chargers (4-3), Thurs., Oct. 23, 8:15 p.m.



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Why did officials go to monitor twice in Lions vs. Bucs? Pool report offers explanation

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Why did officials go to monitor twice in Lions vs. Bucs? Pool report offers explanation


Sometimes, all it takes is a week for the pendulum to swing.

After being on the wrong end of some controversial officiating in a loss at the Kansas City Chiefs in Week 6, the Detroit Lions benefitted from a rather confusing sequence involving the referees in their 24-9 win over the Tampa Bay Buccaneers on Monday.

The play in question came with 11:36 remaining in the fourth quarter. Bucs quarterback Baker Mayfield dropped back to pass on fourth-and-medium and found tight end Cade Otton over the middle of the field. Otton, covered by linebacker Alex Anzalone, extended for the line to gain. The ball came loose, and the Bucs recovered. A fumble on fourth down can’t be advanced by the offense unless it’s collected by the player who fumbled. Otton didn’t get on top of the ball, but the referees’ initial ruling was Otton had gained enough yards for a first down.

Lions head coach Dan Campbell threw the challenge flag. Confusion first arose because it was announced in the stadium that the Lions were challenging whether Otton completed the process of the catch. In the postgame pool report, however, NFL vice president of instant replay Mark Butterworth said Campbell specified he was challenging the line to gain. Regardless, “all reviewable aspects of the play are under review” during a challenge, according to Butterworth, no matter what the challenge is for.

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Also drawing some controversy was the replay review itself. Officials made their way to the monitor and initially upheld the call on the field, giving the Bucs, trailing by 15 points and near midfield, a first down. The referees then went back to the monitor for what appeared to be a second look at the replay. They returned with a different ruling, this time saying Otton was short of the first down. Also of note: Otton was down before he fumbled.

Butterworth explained the second review was triggered because there was access gained to a camera angle that was not available when they first went to the monitor.

“Later in the process we received an enhanced view from broadcast that showed that when the knee was down, the ball was short of the line to gain,” Butterworth said. “We were having issues with the referee’s O2O (official-to-official communication system), which is why he (the referee on the field) was brought back to the monitor. We did not show him anything on the screen at that point, it was simply to communicate to clean up the ruling on the field.”

Mayfield said after the game he was “still pretty damn confused about the double review.”

“A lot of things in that game that were a little questionable, but a lot of frustration at the end of that (game),” Mayfield said. “It might be displaced onto (NFL official) John Hussey in the moment, but it’s — I work my ass off and I put a lot into this game, so when things that I don’t see are deemed fair, I’m going to let somebody know.”

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rsilva@detroitnews.com

@rich_silva18



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