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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator

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Detroit artist Rashaun Rucker receives career award, rediscovers purpose as educator


“The joy is in the work,” said Detroit-based artist Rashaun Rucker.

On Sunday, Feb. 16, Rucker will receive the Alain Locke Recognition Award at the Detroit Institute of Arts (DIA), alongside fellow artist (and Michigan native) Titus Kaphar, who will receive the Alain Locke International Award.

“It’s funny,” Rucker said. “I had this award on a vision board 17 years ago. When I moved here, it was one of the things I wanted to accomplish. And I saw people I knew getting it, like Hugh Grannum and Tylonn Sawyer — friends and family and peers. It was something I always had on my bucket list.

“I got a little emotional when I found out because it’s like a career award. You win the Alain Locke because of sustained excellence in art in our area; you don’t normally see people get it who haven’t been at it for a long time. This feels like validation of my sustained discipline.”

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Along with his art practice, Rucker, a former Detroit Free Press photographer, now teaches art to grades kindergarten through eight at Charles Wright Academy of Arts and Science. It is this work he says that has been the most rewarding for him.

“I never thought about any of the big things, getting work in the Smithsonian and other museums,” he said. “I never thought about winning an Emmy at the Freep. All I ever wanted to do was be a middle school art teacher. My middle school art teacher in Winston-Salem, North Carolina, Kathy Williams, was the first person that made me believe I could be an artist, and told my parents I could be an artist. She would stay after school with me and work with me all through middle school, and I grew wanting to be Kathy Williams for the next person.

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“This is my first year working in a public school as an art teacher. After being in journalism for 20 years, and doing visiting lectures at colleges and different things, it’s kind of serendipity to get this award when I’m back to my original career goal from when I was a kid.”

He said finds he’s learning as much as the students are.

“Sometimes, you go to school and get a lot of education, and then you only follow those rules,” he said. “What’s great is the ability to break rules and create freedom. Kids have this artistic freedom that you eventually lose once you learn too many rules. Part of my education from them is being able to see that and find out for myself, because I can be very rigid in my own practice.

“Being a public schoolteacher, the kids look at you like a big brother. But you’re also a second parent, you are a social worker, you are a caterer, you are a party store. You’re everything. I had a big moment last week — it’s Black History Month, and the kids in the third grade dress up as somebody that had a profound effect on Black history. One of the students wants to be me. That lets me know I’m making a difference, I’m hitting that mark that I need to hit with these kids.”

Rucker said students run up in the halls and excitedly show him sketchbooks full of work they’ve created at home.

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“And now,” he said, “when I’m on lunch duty, I see kids drawing in the cafeteria and I know I’m having an impact.”

He said his biggest surprise in this role has been how much children need.

“How much more love is needed,” he said, “how much more exposure, how much more education is needed. I don’t think you can understand that unless you’ve been a teacher. Even if you give 100%, our kids need so much more. Sometimes, I’ll go home and I’m exhausted, but my parents are both teachers. If you give 100% to this job and you care about it, it’s going to exhaust you, but you know you’re doing the right thing, and I can say that about all the teachers I work with in this building.”

Last year’s Alain Locke Recognition Award recipients were David and Linda Whitaker, art collectors, philanthropists, and major guiding forces in Detroit’s art community. Linda also spent her career in education, including many years as a principal in Detroit.

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“We have breakfast in the same place a couple times a week,” Rucker said. “On the weekend, I’ll go there and we see each other. Linda and I talk about education, and she told me something last week that really touched me. She said, ‘You can’t be a good teacher and be afraid to lose your job. You’ve got to be a fearless educator.’ ”

Linda has great admiration for Rucker and his career work.

“Rashaun Rucker’s photography, drawings, and printmaking capture the spirit of African-American life,” she told the Free Press in a written statement. “He connects with us by creating artwork that exhibits our spirituality, sense of community, and social commentary. His works stimulate our thought processes because (they) can make you feel at home with a sense of belonging or make you take a stand for justice and equality. His works scream, ‘I care.’

“Rucker also utilizes his talents to support and interact with the artistic educational process of our youth and young adults. He is a multifaceted star.”

Detroit Public Schools Community District (DPSCD) superintendent Dr. Nikolai Vitti echoed the commendation of Rucker’s educational work.

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“We are immensely proud to have Mr. Rucker as part of our DPSCD team, where he inspires and educates our visual arts students at Charles H. Wright,” said Vitti. “In a remarkably short period, Mr. Rucker has captivated students with the essential elements and principles of visual art, offering them fresh perspectives on the world around them. We celebrate Mr. Rucker’s lifelong dedication to the arts and his well-deserved recognition with the Alain Locke Award.

“The Alain Locke Recognition Award celebrates local artists and contributors. The award highlights the transformative power of art and its role in enriching cultural heritage and community life. Mr. Rucker’s contributions are a testament to the transformative power of education and the arts.”

Rucker is represented in metro Detroit by Ferndale gallery M Contemporary Art. Owner Mellanie Chard spoke of him as an inspiration.

“What I find so inspiring about Rashaun,” she said, “is his ability to convey artistic intent regardless of the material he is using. I’ve seen him make incredible work with just colored pencils. But whether he is drawing, printmaking, painting or reinterpreting a familiar object, you know it’s him. You can tell it’s his work. To me, that is what makes a true artist. It doesn’t matter what medium he is working in, the intention is always clear.”

Rochelle Riley, the city of Detroit’s director of arts and culture, had high praise for both Rucker and Kaphar.

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“The entire city should be proud of what the Friends of African and African American Art at the DIA are doing, recognizing brilliance because it is necessary and it is right,” she said. “That this year’s honors are going to MacArthur genius Titus Kaphar and Detroit genius Rashaun Rucker — who are both known, as the Friends noted, for ‘dismantling classical structures’ — is vitally important.

“I’ve known Rashaun for a quarter-century and marveled at his pivot from news photographer and editor to renowned artist whose work is in the National Museum of African American History and Culture, the ‘Blacksonian.’ The Locke Awards ceremony is a moment that should make all Detroiters, all Michiganders stand and cheer.”

Rucker’s latest solo show, “Patron Saints of a Black Boy,” recently left the University of Texas at Austin and is headed to the University of North Carolina Charlotte this spring. It has been four years since his last big solo show in Detroit; he hopes to deliver another in the region next year.

“I think all of this is a testament to just staying with it,” Rucker said of his career achievements. “One of my eighth graders was just telling me about what they couldn’t draw something, and I said, ‘Don’t start with the excuses. Excuses are the tools of the incompetent. Don’t specialize in excuses. They’ll lead you nowhere. A lot of people I graduated college with are not working in this field, and when they see me, they always tell me, ‘Man, you made it and I didn’t!’ The only difference between me and them is I never stopped making art.

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“When I worked at the Freep, I was always making art. I never stopped. I tell my students, ‘The thing between you and your dreams is work. And you can’t skip the work.’ I think between social media and influencers, young people think that you can skip the work now. The work is always gonna be the work. I told him, ‘You can fail, just fail forward. And if you have to start over, at the end of the day, it’s just a piece of paper.’ Everything in life is like that: You do the work to get better. I smile when I see kids who cross some kind of barrier they reached with an art project. It makes me happy that they figured it out.”

“The joy,” he said, “is in the work.”

He said finding his calling as a public school teacher has reinvigorated him.

“As an artist, you breathe life into something,” he said. “What I like about my job is watching students breathe life into their pieces every day when I come in here. And just like they do with their pieces, I have to breathe life into them. Belief, confidence — that’s a strong thing to give somebody.

“I wish everybody gave others confidence. The world would be a better place.”

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The 32nd annual Alain Locke Awards will be held Sunday, Feb. 16, at the DIA, 5200 Woodward Ave., Detroit. Tickets are sold out.

Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@freepress.com.



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Detroit, MI

Sunda New Asian brings bold flavors to Detroit

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Sunda New Asian brings bold flavors to Detroit


Modern Southeast Asian cuisine joins the Detroit food scene

Detroit’s dining scene just got even more flavorful with the opening of Sunda New Asian, bringing modern Southeast Asian cuisine to the city.

Restaurant owner Billy Dec joins the show to share what guests can expect from the new hotspot, from bold dishes and incredible cocktails to an energetic atmosphere.

Watch the video above to see what’s cooking up at Sunda New Asian.

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What Lions’ offseason moves might indicate about 2026 season

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What Lions’ offseason moves might indicate about 2026 season


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By this point in the offseason, it’s well documented who the Detroit Lions have added, as well as who they’ve lost.

Former Carolina Panthers center Cade Mays was the prize of free agency. He’ll replace Graham Glasgow in the middle of Detroit’s offensive line. Clemson’s Blake Miller, selected 17th overall in April’s draft, is poised to quickly take over at the tackle spot opposite Penei Sewell, stepping in for Taylor Decker. The pass rush was overhauled across from Aidan Hutchinson, with Ahmed Hassanein and Tyler Lacy being the only other edge defenders still on the roster from last season.

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Today, we’ll try to take our analysis a step further, identifying a few patterns within Detroit’s offseason approach and exploring what those acquisitions, retentions and departures mean for a Lions team looking to bounce back and reemerge as a title contender in 2026.

Emphasis on interior pass rush

Detroit’s offense had its own share of issues throughout 2025. But what the defense produced down the stretch with the season on the line failed to meet reasonable expectations. Opponents averaged 28.1 points and 382.1 yards per game from Weeks 12-18, a stretch that resulted in four losses. Pinning all of Detroit’s defensive woes on one factor would be foolish (and you can’t ignore the role injuries played), but an inconsistent, at best, pass rush certainly didn’t help. The Lions owned the third-slowest time to pressure (2.86 seconds) in the NFL last season, according to Next Gen Stats.

Aside from the retooling opposite Hutchinson, the Lions also seemingly put an emphasis on acquiring interior defensive linemen who can get after the passer. Levi Onwuzurike is back after his contract tolled last season — Josh Paschal, a run-defending lineman who also had his contract tolled but was released in March, wasn’t afforded the same opportunity — and the Lions spent a couple of late-round draft picks on Texas Tech’s Skyler Gill-Howard and Tennessee’s Tyre West. Both players were drafted because of the flashes they’ve shown as pass rushers, particularly Gill-Howard, whose win rate in 2025 (14.4%) ranked 10th out of the 512 FBS interior defenders who rushed the passer on at least 100 snaps, according to Pro Football Focus.

More nickel?

Copying the Super Bowl champions isn’t always wise — every team’s personnel has its own set of skills — but it’s striking how much Detroit’s defense differed from that of the Seattle Seahawks, who rode their defense on the way to winning the franchise’s second title. The Lions led the league in use of base defense (three linebackers) last season, deploying those packages for 657 plays, according to Next Gen Stats. The Seahawks were last, with 66 plays. It was the opposite for use of nickel defense (five defensive backs), with the Seahawks leading the league (815) and the Lions at 32nd (355). Of course, Seattle is unique, given head coach Mike Macdonald’s defensive system and nickelback Nick Emmanwori’s immediate impact as a rookie.

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The Lions won’t overhaul their entire scheme in one offseason, but it’s difficult to see their moves in totality and not come away thinking they could lean more on nickel packages in 2026. Alex Anzalone, one of the league’s better linebackers against the pass, allowed the Lions to play base defense as much as they did, as he was comfortable in coverage. He’s now with the Tampa Bay Buccaneers. The Lions added a number of viable options to play nickelback next season, including veterans Christian Izien Jr. and Roger McCreary, as well as fifth-round rookie Keith Abney II (Arizona State).

Youth movement up front

Assuming the starting five, from left to right, winds up being Sewell, Christian Mahogany, Mays, Tate Ratledge and Miller, Detroit’s offensive line will have an average age of 25.2 next season. That’s down from 2025 (27.8) and 2024 (29.8). In no way does the influx of youth indicate surefire success, but the Lions would certainly be set up for sustained success if each of the five projected starters reach their ceilings. The offensive line could be even younger if 2025 fifth-rounder Miles Frazier, who is 11 months younger than Mahogany, wins the starting job at left guard. Juice Scruggs, another contender at left guard, is nine months older than Mahogany. Ben Bartch, 27, is the veteran option.

Whether Mays continues ascending at center will be key to Detroit’s success in 2026. He’s only started 20 games at the position over his four seasons in the NFL, and all of those starts have come within the last two years. He showed week-to-week growth in his 12 starts in 2025, enough for the Lions to commit $25 million ($14 million guaranteed) to him over the next three years. Mays surrendered 13 pressures last season and didn’t allow sack, according to PFF.

rsilva@detroitnews.com

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Detroit PWHL team names Michigan native Josh Sciba head coach

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Detroit PWHL team names Michigan native Josh Sciba head coach


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Josh Sciba comes to the Detroit Professional Women’s Hockey League team with a tremendous recent accolade.

Named to coach the ninth franchise in the PWHL’s history on Thursday, May 28, Sciba joins the team fresh off having served as an assistant coach with the women’s team that won the gold medal at the 2026 Milano Olympics.

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“I’m incredibly honored and excited for the opportunity to become the coach of PWHL Detroit and beyond grateful for the trust placed in me to help lead the organization from the beginning,” Sciba said in a statement. “This is home and especially meaningful for me and my entire family, knowing Detroit’s rich hockey history and identity firsthand and how much the women’s hockey community has been yearning for this moment.”

The Detroit PWHL team has taken shape over the past month: From being introduced on May 6 in a gala event at Little Caesars Arena (where the team will play starting late November/early December 2026) to naming Manon Rheaume general manager on May 15.

“Josh is a highly respected coach with a knowledge of the game and experience at all levels of women’s hockey that set him apart, and his passion for teaching and individual character are qualities I value in a leader,” Rhéaume said in a release “Hockeytown is in his blood, and this is an opportunity I know he is eager to embrace with an understanding of what it means to represent this city and be part of its legacy.”

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Next on the agenda is shaping the roster itself, which will happen at the June 17 expansion draft at Detroit’s Fox Theatre.

Sciba, 41 and a native of Westland, has spent the past two seasons as an assistant coach for the PWHL’s New York Sirens and brings more than 15 years of coaching experience to the role.

Contact Helene St. James at hstjames@freepress.com. Read more on the Detroit Red Wings and sign up for our Red Wings newsletter



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