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With Video Mapping, Destination Weddings Can Happen Anywhere

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With Video Mapping, Destination Weddings Can Happen Anywhere

When Jonathan Dubin, 34, and Madison Bigos Dubin, 30, hosted their wedding reception last October, they transported their guests to Upper Antelope Canyon in Arizona.

Only the reception was held at Cipriani 25 Broadway in downtown New York.

The couple accomplished this sleight of hand through video mapping, or video projections that effectively paint large surfaces like walls and ceilings.

“I had to remind myself that I was in a ballroom because the atmosphere was so immersive,” said Hutton Cooney, a guest who flew in from Chicago.

Mr. Dubin said the images of Upper Antelope Canyon were intended to evoke the feeling of celebrating inside the canyon, which is near the resort where the couple would be honeymooning in Utah.

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Panoramas of the New York City skyline followed. The finale was aerial views of the Empire State Building as the D.J. and a saxophonist played a rendition of Jay-Z’s “Empire State of Mind,” while many of their 250 guests sang and danced.

Mr. and Ms. Dubin, both real estate entrepreneurs in New York, said that video mapping appealed to them because it immersed their guests in places they love. For Ms. Dubin, who is from Minnesota, it was an opportunity to give family and friends from home “a quintessential New York experience.”

With couples increasingly integrating technological innovations into their weddings, video mapping is gaining popularity at ceremonies and receptions, according to event planners and other wedding experts.

Julie Novack, a founder and chief executive of PartySlate, an event planning platform, said that video mapping has its roots in the corporate and nonprofit world. (It has also long been used in contemporary art.) “It was first widely adopted by companies around a decade ago for product launches and to project their logos,” she said. “It’s now finding its way into social events like weddings. ”

Victoria Dubin, Mr. Dubin’s mother and an event planner in New York, said such projections are increasingly an element of the weddings she plans (including her son’s). One couple she worked with in May 2022 chose one that evoked an Italian Renaissance garden with mossed walls, fountains, statues and frescoes on the walls. “The bride and groom thought about getting married in Europe but chose to bring their vision of Europe to New York,” she said.

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Video mapping can come at a high cost, with pricing falling within a broad range. Patrick Theriot, a projection designer and the founder of See-Hear Productions, based in Covington, La., who has designed projections for Victoria Dubin said, “Projecting on the side of a forty-story building may require $100,000 or more in just hardware rental, but projecting on a wedding cake may require an equipment rental of less than $5,000.”

According to data from the wedding platform Joy, video mapping was a $3.9 billion market globally in 2023 and is projected to surpass $4.8 billion this year. The company’s chief executive, Vishal Joshi, estimates that wedding video mapping is currently a $100 million industry in the United States, with couples projecting onto cakes, dance floors or entire venues.

The Temple House in Miami has an in-house production team that creates content. Couples can choose from their extensive projection library, which includes a starry night, fireworks, sparkling rain, disco balls and the Italian Riviera. They can also request custom projects.

Omar Lopez, director of events at Candela La Brea, a venue set in a 1920s building in Los Angeles’s Miracle Mile, said, “We host around eight weddings a year that use video mapping, and that number is growing steadily.”

Henry Rodriguez, 46, who works for an education nonprofit, and Suriel Castro, 35, an office manager who lives in Long Beach, hosted their ceremony and reception there last August, which was attended by 225 guests.

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Both events included backdrops of cherry blossom trees. When it was time to dance, the room alternated between rotating disco balls and flashing lights. “We wanted to create a nightclub ambience,” Mr. Rodriguez said. He said they spent more than $3,000 to include the projections, and “the expense was well worth it.”

Video mapping isn’t limited to indoor areas.

Alyssa Carrai, 27, a photographer, and Daniel Carrai, 26, a creative director and founder of the production studio Sever, who live in Charlotte, N.C., included it in their wedding reception last April. The celebration, which 75 guests attended, was at the Andrews Farm, in Midland, N.C, in an outdoor area with a swimming pool and white house.

Mr. Carrai, who has used video mapping in his work with music artists, designed an abstract chrome silver projection that was displayed on the home’s exterior and resembled moving water.

“It felt like you were moving through water when you walked by,” he said. “Our guests told us the projection was unlike anything they had ever seen.”

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Corey Feldman Performs ‘Jessie’s Girl’ at Las Vegas Club, on Video

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Corey Feldman Performs ‘Jessie’s Girl’ at Las Vegas Club, on Video

Corey Feldman
I’m the Emperor of Caesars Palace …
Crashes Club, Performs ‘Jessie’s Girl’

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Gisèle Pelicot tells her story in ‘A Hymn to Life’

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Gisèle Pelicot tells her story in ‘A Hymn to Life’

Gisèle Pelicot poses during a photo session in Paris on February 4, 2026.

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In September of 2020, Dominique Pelicot, a man in his 60s, was caught filming up women’s skirts at a supermarket in southeastern France. Reports of his behavior led to an investigation that unearthed troves of graphic videos of a heavily sedated woman being sexually abused by him and dozens of other men over the span of nearly a decade.

The woman in the video was his wife of nearly 50 years, Gisèle Pelicot. Her story made headlines around the world after Gisèle opted for a public trial — exposing both the breadth of her abuse and the identities of most of the men responsible for it.

Gisèle Pelicot's memoir, A Hymn to Life, written by Gisèle Pelicot, with journalist and novelist Judith Perrignon, was released on February 17, 2026.

Gisèle Pelicot’s memoir, A Hymn to Life, written by Gisèle Pelicot, with journalist and novelist Judith Perrignon, was released on February 17, 2026.

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In December of 2024, Dominique Pelicot was found guilty of all charges and received the maximum sentence of 20 years. The 50 other defendants were also found guilty of rape or other sex crimes. Another 20 or so men seen in the tapes were unidentifiable and remain at large.

Gisèle wrote about this experience in a new book, A Hymn To Life. She spoke with NPR’s Morning Edition host Michel Martin from Paris, France, through an interpreter.

Below are four takeaways from this conversation.

She says she “did not recognize” herself in the images

When French police called Gisèle Pelicot in to notify her of her husband’s abuse, she was confronted with graphic images of events she did not recall because her husband drugged her.

“I did not recognize that woman,” she said. “It was like some rag doll disguised and I didn’t recognize the people. Like, my brain just wouldn’t, couldn’t understand it.”

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Gisèle said it took her “a long time” to use the word rape to describe what was done to her.

She says “shame needed to change sides,” when it came to having an open trial

In the lead-up to the trial against her husband and the other defendants, Gisèle Pelicot said she planned to have a closed tribunal.

Yet, “little by little,” she said the decision to make the trial public came to her.

“I said to myself that shame needed to change sides and by having the closed trial, I was giving them a gift,” she said. “All these men, their names wouldn’t have been known and what they did wouldn’t have been known.”

The trial was closely followed by international media and Gisèle was often greeted by scores of supporters who thanked her for her bravery in exposing how she had been harmed — which sparked larger conversations about rape and sex assault across the world.

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She was accused of being a willing participant, but video evidence proved otherwise

“I experienced total humiliation. I was considered consenting, complicit, a suspect,” she said of having to defend herself in court and in the public eye.

Unlike many other sexual assault cases, hers was well documented thanks to the video evidence Dominique Pelicot kept for years and used to recruit other men on the dark web.

She still believes in the strength of love

In the midst of grappling with her husband’s abuse, Gisèle met a new man who she writes about in the book, sharing that he was part of her support system throughout the legal proceedings. She concludes A Hymn to Life with her thoughts on the power of love.

“I still need to believe in love. … I even believe that I knew how to give it. I now know that it comes from a deep wound within me that makes me vulnerable. But I accept that fragility, that risk, still. To fight the emptiness I need to love,” she wrote.

She closed our conversation by saying, “I think love can save the world. And I’ve just had the great fortune of being in love again. And I think if you don’t love, you don’t exist. If I don’t love, I don’t exist. And I need to keep on loving.”

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For more on Gisèle Pelicot’s case, Morning Edition also spoke to Lisa Fontes, an expert in coercive control and sexual violence

Tamara McGinnis provided the interpretation for this interview. 

You can hear the full conversation with Gisèle Pelicot on NPR’s The Sunday Story

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Influencers want to adopt the ‘analog lifestyle’ for 2026. Here’s how to join them

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Influencers want to adopt the ‘analog lifestyle’ for 2026. Here’s how to join them

At the dawn of 2026, social media influencers at home and abroad proclaimed it the year of the “analog lifestyle,” a call to reduce digital connectivity as smart tech and screen time dominate a person’s attention span.

Selly Tan, an influencer from California, said people are “craving something real again,” and vowed to print her photos, read more books and magazines and take up hobbies that don’t need Wi-Fi.

Rosie Okatcha, an influencer from the U.K., proclaimed the year would be “The Age of Analog” with consumers swapping music streaming for iPods and vinyl records, and choosing crafting over doomscrolling.

Sanchi Oswal, an influencer from Germany, said in a post she felt going analog would reduce her “exposure and reliance on digital stimuli” and, in particular, to her phone.

For a generation that grew up in an entirely digital world, dependence on technology is a familiar habit that some are trying to break.

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“From noon to 5 p.m., I’m looking at screens all day and then I’m going home and I’m just looking at my phone, scrolling on social media,” said Lillie Beacope, a senior at USC enrolled in a class on entertainment, marketing and culture. “I just feel like there’s not a chance for us within our day-to-day lives, to really get a break from technology.”

Spend any time outside, and you’ll see people of all ages are constantly on their smartphone or other digital devices for day-to-day tasks including communication, translation, navigation, delivery services, planning and entertainment. According to Pew Research Center data released in 2025, an estimated 91% of U.S. adults own a smartphone, up from 35% when the center first surveyed smartphone ownership in 2011.

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The goal of the “analog lifestyle” trend is to wean people off constant digital connectivity by doing tangible activities that help a person reclaim their time.

But the smartphone isn’t the villain in this story, it’s a tool, said Natalia Khodayari, a postdoctoral researcher in the UC Davis Department of Psychiatry and Behavioral Sciences.

“It’s a handy tool, but this tool can be challenging to manage,” she said.

Why now?

Smartphone dependence has existed for years, but experts say it was compounded for people when the COVID-19 pandemic forced people indoors for weeks and months on end.

“People were upset, depressed and scared,” and all they had were their phones, Zoom and immediate family, said Karen North, a professor of digital social media and psychology at USC.

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But years removed from the lockdowns, people are starting to notice how compelled they still are to look at their phones for information, to shop, or for nothing at all.

“It’s almost like biting your nails or another nervous habit,” North said.

Not only can the device itself be addictive, but many phone apps are designed to capture and keep a person’s attention, though people are becoming increasingly aware of this, said Dr. Anna Lembke, professor of psychiatry and behavioral sciences at Stanford.

“There are enormous opportunity costs to engagement on these platforms that suck [people] in, where they end up spending way more time than they plan to or want to,” Lembke said. “It’s very clear from survey studies that people are less happy now than they were 15 to 20 years ago.”

This, however, won’t be the first time people have tried to exit the online world, even if just temporarily.

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In 2010, Mintel, a global market intelligence and research agency, promoted a “switching off” trend because it anticipated consumers would want to take significant breaks from their digital devices because modern technology had created “inescapable levels of connectivity.”

But the fear of missing out, or “FOMO,” that comes with disconnecting can be equally daunting, some say.

“It kind of sucks to be accessible all the time and having to reply to everything, but at the same time I think in the digital age where you are so readily accessible, to not respond is then to not be a part of a community,” said USC senior Maya Din.

Experts say these feelings are coinciding with the advent of the internet, digital media and this concept of 24/7 access.

People are trying to make sense of their unhappiness, which is leading them to “making a valid connection between their online lives and their overall psychological state of being, which is not good,” Lembke said.

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Studies have shown a correlation between heavy digital dependence and mental health challenges including depression, anxiety and stress.

Even though the concept of stepping away from our digital lives isn’t new, North said TikTok challenges and social media trends “tell us, ‘It’s not just you, it’s everybody,’” and here’s what you can do about it.

How is the ‘analog lifestyle’ trend different?

The analog trend is a different way to kick the digital habit because by embracing old technology and spending time on crafting projects experts say people are trying to be entertained or relax in ways that don’t involve being online.

The goal of this trend “is a desire to rebalance time and energy and reduce distractability and related stress,” said Khodayari, whose research focuses on the mechanisms of attention and emotion.

Generally, it’s really easy to get distracted given the diversity and convenience modern-day life offers.

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“Imagine when there exists one space which houses your work, relaxation, communication, music, daily planner and food services, it can be quite challenging for individuals to really stay present towards one activity or one goal on a day-to-day basis,” she said.

In 2018, a study published in the National Library of Medicine observed how many times 216 participants checked their smartphones over the course of 56 days. The study led by Dr. Larry Rosen, professor emeritus and past chair of the psychology department at Cal State Dominguez Hills, found that participants unlocked their phones more than 60 times a day for three to four minutes each time, which equaled a total of 220 daily minutes of use.

Not surprisingly, the analog lifestyle is being adopted by young adults and younger generations as a way to be more mindful, more intentional.

“I think that’s a really big theme here, is creating boundaries,” Khodayari said.

How to reduce your digital connectivity

There isn’t a one-size-fits-all approach to reducing or creating a boundary with your digital life. But as it happens, sometimes suggestions on how to go about it have to be spread online.

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Influencers are posting about their “analog bag,” a canvas bag filled with craft supplies or purchasing a refurbished iPod to participate in this trend.

The recommendation has increased the search for “iPods” on EBay more than 1,200 times an hour globally between January and October 2025, according to the company. The iPod third-generation models saw a 50% increase in average sales price from global EBay users in 2025 compared with 2023. The iPod Nano third generation saw a 60% increase, while the iPod Classic sixth generation had a 40% increase.

In terms of crafting, Market Research Future, a global market research company, is projecting the craft supplies market to steadily grow from $42.83 billion globally in 2025 to $64.95 billion by 2035 that’s due in part to “individuals seeking creative outlets.”

You don’t have to spend money to participate in the analog lifestyle trend because making a drastic change or taking up a trendy hobby might not be helpful because it’s not something you’ll stick with long term, Khodayari said.

If you want to really stick with reducing your overall digital use, start with small adjustments to your habits, she said.

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“Do something that makes a change that you really feel you can be consistent with,” she said.

Here are some common small adjustments people make to their routines to live the analog lifestyle:

  • Remove your phone from view when you’re working on another task. Put it in a drawer or in another room entirely.
  • Remove an app from your phone’s home screen or delete it entirely.
  • Mute or stop unnecessary notifications.
  • Swap your doomscrolling time on social media with another activity such as a walk, a craft, reading or cooking.

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