Lifestyle
Why Anthony Fauci approaches every trip to the White House as if it's his last
Dr. Anthony Fauci testifies before the House Oversight and Accountability Committee Select Subcommittee on June 3.
Chip Somodevilla/Getty Images
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Chip Somodevilla/Getty Images
For much of the past four years, Dr. Anthony Fauci has been the public face of the government’s response to the COVID-19 pandemic — a status that garnered him gratitude from some, and condemnation from others.
For Fauci, speaking what he calls the “inconvenient truth” is part of the job. He spent 38 years heading up the National Institute of Allergy and Infectious Diseases at the National Institutes of Health, during which time he advised seven presidents on various diseases, including AIDS, Ebola, SARS and COVID-19.
Fauci still recalls the advice he received when he first went to the White House to meet President Reagan: A colleague told him to pretend each visit to the West Wing would be his last.

“And what he meant is, you should say to yourself that I might have to say something either to the president or to the president’s advisers … they may not like to hear,” Fauci explains. “And then that might lead to your not getting asked back again. But that’s OK, because you’ve got to stick with always telling the truth to the best of your capability.”
During the COVID-19 pandemic, Fauci clashed repeatedly with President Trump. “He really wanted, understandably, the outbreak to essentially go away,” Fauci says of Trump. “So he started to say things that were just not true.”

Fauci says Trump downplayed the seriousness of the virus, refused to wear a mask and claimed (falsely) that hydroxychloroquineoffered protection against COVID-19. “And [that] was the beginning of a situation that put me at odds, not only with the president, but more intensively with his staff,” Fauci says. “But … there was no turning back. I could not give false information or sanction false information for the American public.”
Fauci retired from the NIH in 2022. In his new memoir, On Call: A Doctor’s Journey in Public Service, he looks back on the COVID-19 pandemic and reflects on decades of managing public health crises.
Interview highlights
On appearing before the House Select Subcommittee on the Coronavirus Pandemic to answer questions about the pandemic response

If you look at the hearing itself it, unfortunately, is a very compelling reflection of the divisiveness in our country. I mean, the purpose of hearings, or at least the proposed purpose of the hearing, was to figure out how we can do better to help prepare us and respond to the inevitability of another pandemic, which almost certainly will occur. But if you listened in to that hearing … on the Republican side was a vitriolic ad hominem and a distortion of facts, quite frankly. As opposed to trying to really get down to how we can do better in the future. It was just attacks about things that were not founded in reality.
On his interactions with President Trump concerning COVID-19

He is a very complicated figure. We had a very interesting relationship. … I don’t know whether it was the fact that he recognized me as kind of a fellow New Yorker, but he always felt that he wanted to maintain a good relationship with me. And even when he would come in and start saying, “Why are you saying these things? You got to be more positive. You got to be more positive.” And he would get angry with me. But then at the end of it, he would always say, “We’re OK, aren’t we? I mean, we’re good. Things are OK,” because he didn’t want to leave the conversation thinking that we were at odds with each other, even though many in his staff at the time were overtly at odds with me, particularly the communication people. … So it was a complicated issue. There were times when you think he was very favorably disposed, and then he would get angry at some of the things that I was saying, even though they were absolutely the truth.
On reading reports of a mysterious illness afflicting gay men in 1981 (which later became known as AIDS)
I knew I was dealing with a brand new disease. … The thing that got me goosebumps is that this was totally brand new and it was deadly, because the young men we were seeing, they were so far advanced in their disease before they came to the attention of the medical care system, that the mortality looked like it was approaching 100%. So that, you know, spurred me on to … totally change the direction of my career, to devote myself to the study of what was, at the time, almost exclusively young gay men with this devastating, mysterious and deadly disease, which we ultimately, a year or so later, gave the name of AIDS to.
On the trauma of caring for patients with AIDS in the early years of the epidemic
All of a sudden I was taking care of people who were desperately ill, mostly young gay men who I had a great deal of empathy for. And what we were doing was metaphorically like putting Band-Aids on hemorrhages, because we didn’t know what the etiology was until three years later. We had no therapy until several, several years later. And although we were trained to be healers in medicine, we were healing no one and virtually all of our patients were dying. …
Many of my colleagues who were really in the trenches back then, before we had therapy, really have some degree of post-traumatic stress. I describe in the memoir some very, very devastating experiences that you have with patients that you become attached to who you try your very, very best to help them. … It was a very painful experience.
On working with President George W. Bush on the President’s Emergency Plan for AIDS Relief (PEPFAR), which aimed to combat the global HIV/AIDS crisis
The president, to his great credit, called me into the Oval Office and said we have a moral obligation to not allow people to die of a preventable and treatable disease merely because of the fact [of] where they were born, in a poor country, and that was at a time when we had now developed drugs that were absolutely saving the lives of persons with HIV, having them go on to essentially a normal lifespan here in the United States, in the developed world. So he sent me to Africa to try and figure out the feasibility and accountability and the possibility of getting a program that could prevent and treat and care for people with HIV. And I worked for months and months on it after coming back from Africa, because I was convinced it could be done, because I felt very strongly that this disparity of accessibility of drugs between the developed and developing world was just unconscionable. Luckily, the president of the United States, in the form of George W. Bush, felt that way. And we put together the PEPFAR program. … We spent $100 billion in 50 countries and it has saved 25 million lives, which I think is an amazing example of what presidential leadership can do.
On personally treating two patients with Ebola during the 2014 outbreak

The fundamental reason why I wanted to be directly involved in taking care of the two Ebola patients that came to the NIH is that if you look at what was going on in West Africa at the time — and this was during the West African outbreak of Ebola — is that health care providers were the ones at high risk of getting infected, and hundreds of them had already died in the field taking care of people in Africa — physicians, nurses and other health-care providers. So even though we had very good conditions here, in the intensive care setting, of wearing these spacesuits that would protect you, these highly specialized personal protective equipment, I felt that if I was going to ask my staff to put themselves at risk in taking care of people … I wanted to do it myself. I just felt I had to do that.
We took care of one patient who was mildly ill, who we did well with. But then the second patient was desperately ill. We did have contact with him, and we did get these virus-containing bodily fluids — everything from urine to feces to blood to respiratory secretions — we got it all over our personal protective equipment. And that was one of the reasons why you had to very meticulously take off your personal protective equipment so as not to get any of this virus on any part of your body. So the protocols for taking care of persons with Ebola in that intensive care setting were very, very strict protocols, which we adhered to very, very carefully. But it was a very tense experience, trying to save someone’s life who was desperately ill at the same time as making sure that you and your colleagues don’t get infected in the process.
Sam Briger and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz and Meghan Sullivan adapted it for the web.
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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