Lifestyle
What’s With All the Dancing at the Fashion Show?
The models were dancing. Again.
Here, during the first full weekend of the men’s fall shows, a noticeable number of fashion houses had decided that merely showing off their new clothes wasn’t enough. No, no, the audience should be given a performance right out of Alvin Ailey. Runway shows are out. Free Jazz dance recitals are in.
At Brioni on Saturday, the designer Norbert Stumpfl paused a walk-through of his collection of one-percenter signifiers (croc-skin coats, vicuña jackets, cashmere sweaters looped devil-may-care style over jackets) to allow me to take in the gyrational stylings of a dancer. For a few minutes, a man wiggled and pliéd across a red carpet. He swished his coat about like a matador with a cape, as if to say: “Look ma! No lining!”
Hours later, at a presentation at Corneliani, more dancers skittered along a rotating platform, doing some pseudo-break dancing in marbled gray sweaters and slate suits. They paused between slides to hug it out.
“I think male dancers are very emotional,” said Stefano Gaudioso Tramonte, the label’s style director.
Beyond providing some Instagrammable drama, the performance, which was choreographed by Kate Coyne, the artistic director of the Central School of Ballet in London, expressed that the label’s pressed trousers and flat suits weren’t as restrictive as they seemed.
“All the fabrics are very rigorous,” Mr. Guadioso Tramonte said, “but we wanted to show that they’re quite fluid also.”
The fledgling label Mordecai didn’t need a dance routine to demonstrate that its clothes were fluid — that was pretty evident from the slouchy way its Abominable Snowman parkas and slack, striped trousers hung on the models at its presentation on Saturday afternoon. Still, Ludovico Bruno, the label’s founder and designer, had the static models come to life, bending and stomping like monks listening to Kraftwerk.
“It’s not a dancing class, it’s more like a wave,” Mr. Bruno said.
Movement has long been a part of fashion presentations. In the 1990s, models would sashay down the catwalk, surviving with verve. (Watch “Unzipped,” the mighty fashion documentary about Isaac Mizrahi, for some footage of that.) To this day, brands like Issey Miyake employ dance troops to jitter down the runway, highlighting the pliability of their clothes.
That dancing has become such a common motif in Milan speaks to the nature of the brands that operate here. Many are traditionalists whose collections barely budge from season to season. To unkind eyes, dance routines distract the audience from this fact. A kinder take, of course, would be that the routines show the elegance and grace of the clothes.
There is also, of course, the social media of it all: Every performance I witnessed this weekend was captured by the iPhone-holding throngs in the audience. I could watch them all later on Instagram. How’s that for savvy free marketing?
Labels like Mordecai represent the other, though comparatively tiny, faction in Milan: younger companies that are, perhaps, not yet confident enough for the runway but not resigned to the static “oh, whatever” feel of a showroom, which, to the uninitiated, looks like a well-stocked retail store.
They should take that leap to the runway, instead of half-measuring with some choreography. Their audiences at fashion week, after all, are better suited to judge a topcoat than a two-step.
Lifestyle
Travis Kelce Sneaks Taylor Swift Reference Into Postgame Interview
@TheFan965
Travis Kelce‘s stellar performance on the field has him in his “Red” era … ’cause he made a reference to one of his GF’s famous songs after the Chiefs playoff win.
The tight end chatted with reporters after the Chiefs beat the Houston Texans Saturday … eeking out a 23-14 victory while Taylor Swift cheered from her usual suite at Arrowhead Stadium.
When asked if he feels like a 25-year-old youngin’ again, Travis responds he actually feels like he’s “22” … seemingly a reference to Swift’s hit 2012 song of the same name.
Travis’ eyes light up just a bit when he makes the crack — so, it seems he knew exactly what he was saying … shouting out his GF who showed a lot of love for the K.C. fans Saturday.
TikTok/ @katiebops1
On her way to her seat, Taylor said hello to a few diehard Swifties … flashing a toothy grin and giving them a little wave.
New Heights
And, it looks like she’s got a new famous pal, too … yucking it up with WNBA phenom Caitlin Clark — who recently did an interview on Travis and Jason Kelce‘s “New Heights” podcast and is clearly tight with the bros now.
The Stephen A. Smith Show
Travis recently admitted that he couldn’t be happier in his relationship … and, it looks like he can’t help but give Tay a little nod.
Happy, free, confused and lonely at the same time … it seems Taylor and Travis’ love is the fountain of youth!
Lifestyle
First Lady Fashion at Inaugurations, in Photos
For the most part, presidential inaugurations are moments of communal pageantry. There is music and poetry. There are oaths to recite and vows to make. Everyone smiles for the cameras, and everyone dresses up — for the inauguration on the steps of the U.S. Capitol, and later for a series of balls that have come to symbolize the great promise of a new administration.
Where does the first lady fit into all of this? She has never said much amid the ceremony and ritual. But in ideal circumstances, she helps humanize the president while adopting a persona as American royalty. She is, for better or worse, the hostess of what is often presented as a modern fairy tale.
Perhaps that was why so many people had a visceral reaction when Rosalynn Carter recycled a dress she already worn when her husband, Jimmy Carter, was inaugurated as president in 1977. The Carters had been hoping to channel the idea that they felt the economic pain of regular people, an old pledge from the campaign trail. But nobody wanted them to be regular people, not during the inauguration and not when they were dancing at their galas.
Tastes, of course, have evolved. (Hello, sequins. Goodbye, fur.) And first ladies make personal choices. But in the end, it is largely about a carefully constructed image and conveying messages about priorities — something that has often been done through fashion.
Pat Nixon, in pink, and Betty Ford, in blue, wore pastels on Aug. 9, 1974, which was a miserable day for President Richard Nixon. After Mr. Nixon resigned amid scandal, his vice president, Gerald Ford, was sworn in to replace him.
When President Harry Truman, far right, took the oath of office for a second term in 1949, he made a speech that The New York Times described as “profoundly solemn.” Family members, including his wife, Bess, far left, dressed the part in muted tones and dark coats. Vice President Alben Barkley is next to Mr. Truman.
Vanessa Friedman contributed reporting.
Produced by Christy Harmon
Lifestyle
L.A. Affairs: I asked my late husband for a sign. Then a man flagged me down on the 101
On July 1, 2020, my life changed forever.
What should have been a regular Wednesday, hunkering down with my family just four months into the COVID-19 pandemic, was the day my husband died. He had two sudden massive heart attacks, and after trying to save him for 45 minutes, the paramedics had to let him go.
Life quickly became a blur of depression, sadness, disbelief and anger. I lost my 56-year-old husband. We had been married for 15 years, and he was my life partner.
I was overwhelmed. How was I going to take care of my two teenage daughters by myself? How would I ever recover from this?
The answers were just as surprising — and unpredictable — as my husband’s death.
It was another regular day some 14 months later, and I had to drive the kids to school. We were late. The kids were mouthing off at each other in the back seat, and I began yelling at my older daughter. She started crying, which made me cry, and I didn’t dare look at my younger daughter to see if she was crying. I dropped them off at school, feeling defeated.
On my way home, I stopped by the cemetery to visit my husband’s grave. I wanted to yell at him for leaving me with all this to do on my own. I wanted to cry with him and let him take in my tears of loneliness and grief. Over and over I said, “I just want to be with you.” I was not suicidal, but I felt that somehow, through some magical turn of events, it would be possible to be with him.
I asked for a sign. It was something I‘d never done before — I’m not prone to superstition — but I’d heard other widows talk about it. “Tony, please send me a sign that I should be with you. Or send me a sign that I should not be with you,” I said, before driving home and spending the day working.
About 5 p.m., I left the house to pick up my kids from school — right back on the 101 Freeway south through Hollywood, driving a mind-numbing 8 mph. I had been crying and upset, thinking that by the time I arrived at school, I would try to pull it together for the sake of the kids.
At the Sunset Boulevard exit, I absently looked at the car to my left. The driver was smiling at me. I smiled back and kept driving. A few moments later, when I looked in my rear-view mirror, I realized that the man in the car was trying to catch up, weaving through traffic to get next to me. He was in a black muscle car — a Dodge Charger.
My heart started racing. Was he crazy? Would he pull a gun on me? As I watched him in my mirrors, I had a feeling that this guy wasn’t going to hurt me. Just before my exit at Silver Lake, he pulled up alongside me and rolled down his passenger-side window.
“You are so cute. Are you married?” he asked. I hadn’t heard that question in years. I was caught off guard but somehow managed to squeak out “No.” He asked if he could give me his number. I took it, messaged him a quick “hi” and then exited the freeway.
David instantly started texting me, and just like that, we were having a conversation.
At 47 and a native Angeleno, I had never been picked up on the freeway before. Over the coming days and weeks, I told this story to my friends, and they too said they had never been picked up on the freeway. How bizarre. After all, Angelenos spend years of our lives slogging through traffic on the 101, the 405, the 110 and the 5, and this never happens, right?
I was pulling into the parking lot of the girls’ school when it hit me. That was the sign from Tony. It jump-started my pulse. It made me optimistic about the future. A realization exploded in me like a bomb: Tony didn’t want me to be with him. He wanted me to stay here and live my life to the fullest.
David and I texted each other incessantly for days. He was 17 years younger than I was, and we lived very different lives. At one point, he told me that he was a physical therapist and that he gave the best massages. Wait. We were flirting over text? I had never done this before, not even with Tony.
David and I met for coffee a few days later. There were no uncomfortable pauses. The only discomfort I felt was that I was at Starbucks on a date with someone other than Tony. The whole date was an out-of-body experience, like I was watching us chat from above. When David told me that he had the same last name as Tony, my married name, that was it. I was positive Tony had sent this guy to me. At the end of the date, David and I kissed. My body became electrified, as if I were waking up from a long slumber.
Over the next few months, David and I had fun. He just might have saved my life. I helped him through difficult times as well. Though it didn’t work out romantically, we are still friends.
My other friends suggested I get on the apps and start dating — strike while the iron was hot. I had to learn how to swipe right. For a while, it was the typical story of flakes, ghosting, horrible dates and bad sex. But I kept at it, bolstered by the idea that Tony was guiding me.
Now I am in a long-term relationship with a man whom I love. We’ve been together for almost two years. I still miss my husband every day and continue to love him and cherish him. Now I understand that Tony would never want me to suffer. I am also capable of holding all kinds of love at the same time.
Tony sent me a sign: Life is inexplicable. You never know who is waiting for you at the next stoplight.
The author took up writing as a hobby after her husband died. She lives in Hollywood with one daughter (her other daughter is away at college) and her fox terrier. She’s on Instagram: @stacykass
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
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