Lifestyle
What’s With All the Dancing at the Fashion Show?
The models were dancing. Again.
Here, during the first full weekend of the men’s fall shows, a noticeable number of fashion houses had decided that merely showing off their new clothes wasn’t enough. No, no, the audience should be given a performance right out of Alvin Ailey. Runway shows are out. Free Jazz dance recitals are in.
At Brioni on Saturday, the designer Norbert Stumpfl paused a walk-through of his collection of one-percenter signifiers (croc-skin coats, vicuña jackets, cashmere sweaters looped devil-may-care style over jackets) to allow me to take in the gyrational stylings of a dancer. For a few minutes, a man wiggled and pliéd across a red carpet. He swished his coat about like a matador with a cape, as if to say: “Look ma! No lining!”
Hours later, at a presentation at Corneliani, more dancers skittered along a rotating platform, doing some pseudo-break dancing in marbled gray sweaters and slate suits. They paused between slides to hug it out.
“I think male dancers are very emotional,” said Stefano Gaudioso Tramonte, the label’s style director.
Beyond providing some Instagrammable drama, the performance, which was choreographed by Kate Coyne, the artistic director of the Central School of Ballet in London, expressed that the label’s pressed trousers and flat suits weren’t as restrictive as they seemed.
“All the fabrics are very rigorous,” Mr. Guadioso Tramonte said, “but we wanted to show that they’re quite fluid also.”
The fledgling label Mordecai didn’t need a dance routine to demonstrate that its clothes were fluid — that was pretty evident from the slouchy way its Abominable Snowman parkas and slack, striped trousers hung on the models at its presentation on Saturday afternoon. Still, Ludovico Bruno, the label’s founder and designer, had the static models come to life, bending and stomping like monks listening to Kraftwerk.
“It’s not a dancing class, it’s more like a wave,” Mr. Bruno said.
Movement has long been a part of fashion presentations. In the 1990s, models would sashay down the catwalk, surviving with verve. (Watch “Unzipped,” the mighty fashion documentary about Isaac Mizrahi, for some footage of that.) To this day, brands like Issey Miyake employ dance troops to jitter down the runway, highlighting the pliability of their clothes.
That dancing has become such a common motif in Milan speaks to the nature of the brands that operate here. Many are traditionalists whose collections barely budge from season to season. To unkind eyes, dance routines distract the audience from this fact. A kinder take, of course, would be that the routines show the elegance and grace of the clothes.
There is also, of course, the social media of it all: Every performance I witnessed this weekend was captured by the iPhone-holding throngs in the audience. I could watch them all later on Instagram. How’s that for savvy free marketing?
Labels like Mordecai represent the other, though comparatively tiny, faction in Milan: younger companies that are, perhaps, not yet confident enough for the runway but not resigned to the static “oh, whatever” feel of a showroom, which, to the uninitiated, looks like a well-stocked retail store.
They should take that leap to the runway, instead of half-measuring with some choreography. Their audiences at fashion week, after all, are better suited to judge a topcoat than a two-step.
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
Ben Margot/AP
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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