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What's Making Us Happy: A guide to your weekend reading and listening

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What's Making Us Happy: A guide to your weekend reading and listening

ATEEZ performs at the Sahara Tent during the 2024 Coachella Valley Music and Arts Festival in Indio, Calif., in April.

Frazer Harrison/Getty Images for Coachella


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Frazer Harrison/Getty Images for Coachella

This week, we girded ourselves for the possibility of bidding “Cheddar, Bye!” to Cheddar Bay. A famous travel destination for poor boys and pilgrims with families enjoyed a moment of grace. And when we asked ourselves: If you can’t antitrust Ticketmaster, who can you antitrust?

Here’s what NPR’s Pop Culture Happy Hour crew was paying attention to — and what you should check out this weekend.

Books by Megan Abbott

Megan Abbott writes domestic-meets-horror-thriller novels. I started with her short story “The Little Men” — it was exceptional and creepy and very vividly rendered. So I moved on to her other books, You Will Know Me, which is about a teen gymnast and some drama that happens to her family. And Give Me Your Hand, which is about two rival post-doc researchers and their shared history. These books are really immersive. They have creepy touches that I did not expect. There’s become sort of a formula to women’s thriller writing, and everything I’ve read so far from Megan Abbott just takes that formula and knocks it on it’s you-know-what. — Roxana Hadadi

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“Bouncy (K-Hot Chilli Peppers)” by ATEEZ


ATEEZ(에이티즈) – ‘BOUNCY (K-HOT CHILLI PEPPERS)’ Official MV
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ATEEZ became the first K-pop boy group to perform at Coachella earlier this year. Aside from the fact that I find them all very pretty, their music is really fun and they’re very electric performers. They have this cyberpunk Western aesthetic that relates to the dystopian storyline that they’re unspooling — involving a world government that suppresses people’s emotions. But honestly, I think you should enjoy their music without knowing any of this. In the song “Bouncy (K-Hot Chilli Peppers),” cheongyang gochu is a type of Korean chili pepper that’s known for being way spicier — so basically they’re saying their vibe is a different level of spicy. It’s so silly and bombastic and catchy. I love it. — Mallory Yu

“Bird of a Feather” from Billie Eilish’s new album, Hit Me Hard and Soft


Billie Eilish – BIRDS OF A FEATHER (Official Lyric Video)
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Hit Me Hard and Soft is the new album by Billie Eilish. It is nice to hear an inventive, creative, ethereal pop record. It does synth pop really well — you can hear the woozy effervescence of it all. But this record goes a little harder and deeper and gets a little stranger. Songs take hairpin turns partway through and explore different sides of her sound. Billie Eilish is at such an interesting point in her career. She and her brother Finneas are coming off their second Oscar win for “What Was I Made For?” from Barbie. This album uses that song as a jumping off point. It’s still exploring that torch-ier side of her voice, but it’s taking it in some pop-ier directions at the same time. I’m going to keep coming back to this record all summer. — Stephen Thompson

Valley Heat podcast

Valley Heat is a scripted comedy podcast that pretends it is neither one of those things. Do not jump in to the most recent episodes. Start at the beginning because this thing builds. The less you know about it going in, the better. (The premise, a middle-aged white guy making a podcast about his neighborhood initially made me think: meh, maybe not for me.) Just know that it is bone dry, that it builds and builds and builds, that the cast of characters keeps growing and getting weirder. If you know the comedy team of Scharpling & Wurster think of this as a very West Coast version of that. — Glen Weldon

More recommendations from the Pop Culture Happy Hour newsletter

by Glen Weldon

Hazbin Hotel is an adult animated series about a demon who’s trying to reform the souls in Hell because … well, to go into that would take more time than I have in this blurb. There’s plenty of lore underpinning this show, is my point. Other things underpinning it: Showtunes! Queer characters! Stylish design! A great voice cast! And plenty of solid, well-earned, bounce-a-quarter-off ‘em jokes!

The Completely Made-Up Adventures of Dick Turpin is a very, very British historical comedy series about an infamous (in the U.K., at least) highwayman who’s something of a folk hero. Noel Fielding essentially plays himself as Turpin, and as you might imagine, the whole thing lives in that well-carved out liminal English-comedy space where the jokes are very silly but the delivery is very dry.

Brokeback Mountain. The Power of the Dog. Almodovar’s Strange Way of Life. The upcoming National Anthem. Queer cowboys have been around since the very first cowman made … “friends” with a farmer. It’s easy to forget that, so it’s nice that Orville Peck and Willie Nelson teamed up to remind us.

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Beth Novey adapted the Pop Culture Happy Hour segment “What’s Making Us Happy” for the Web. If you like these suggestions, consider signing up for our newsletter to get recommendations every week. And listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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Stephen Colbert takes his last bow in late night : Pop Culture Happy Hour

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Stephen Colbert takes his last bow in late night : Pop Culture Happy Hour

The Late Show with Stephen Colbert on Monday May 18, 2026.

Scott Kowalchyk/CBS Broadcasting Inc.


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Scott Kowalchyk/CBS Broadcasting Inc.

The Late Show With Stephen Colbert comes to an end this week amid a lot of changes in the business and the country. Some of the sources of tension include the economics of late night, the approaching merger of Paramount and Warner Brothers, and President Donald Trump’s constant criticism of late-night hosts. But for Colbert’s fans, it’s the end of a friendly, funny, candid show. So we’re talking about the legacy of Stephen Colbert in late night.

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The Debrief | Inside The Swatch x Audemars Piguet Global Frenzy

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The Debrief | Inside The Swatch x Audemars Piguet Global Frenzy
As Swatch and Audemars Piguet sparked a global retail frenzy over the weekend with a $400 plastic pocket watch, BoF’s Cathaleen Chen and Mimosa Spencer dissect whether high-low collaborations democratise luxury or dilute brand equity in an industry built on exclusivity.
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After the Kars4Kids ad is banned in California, we check in on nostalgic jingles past

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After the Kars4Kids ad is banned in California, we check in on nostalgic jingles past

Kars4Kids advertisements, like this TV commercial on a hot-pink set, feature children turning the charity’s phone number into a catchy jingle. But they do not disclose that most of the proceeds go to a Jewish nonprofit that supports programming for young adults.

Kars4Kids/Screenshot by NPR


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Kars4Kids/Screenshot by NPR

The “Kars4Kids” jingle — with its chipper melody and high-pitched, pre-tween singers — has been wedged firmly in many Americans’ heads for two decades. But it may soon go off the air in California after a judge banned it for being “deceptive.”

Judge Gassia Apkarian of the Orange County Superior Court ruled earlier this month that the ad violates California’s laws against unfair competition and false advertising because it does not disclose Kars4Kids’ religious affiliation.

The case has put the jingle — and the charity behind it — in the headlines. And it inspired us to check in on some other nostalgic favorites (more on that below).

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The Kars4Kids case, explained 

Kars4Kids says it gives most of its proceeds from used-car donations to Oorah, an Orthodox Jewish nonprofit based in New Jersey that provides opportunities like summer camps, adult matchmaking services and trips to Israel.

Kars4Kids makes the connection to its “sister nonprofit” clear on its website, though not in its infamous jingle: “1-877-Kars4Kids / K-A-R-S Kars for Kids / 1-877-Kars4Kids / Donate your car today.”

That omission prompted California resident Bruce Puterbaugh to sue Oorah in 2021.

According to the judge’s order, Puterbaugh testified that he donated a 2001 Volvo station wagon after hearing the Kars4Kids advertisement “over and over,” believing the money would benefit California kids in need. Puterbaugh, a self-described “not a computer person” in his 70s, said he never visited the charity’s website and only learned the truth from a casual conversation with his Lake County neighbor after the car was picked up.

“He testified that he felt ‘taken advantage of’ upon discovering — only after the donation — that the funds did not stay in California but supported a specific religious mission in the Northeast,” Apkarian wrote.

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The neighbor, Neal Roberts, is a lawyer who went on to represent him in the case. Roberts told NPR that the ad — which has aired on the radio since the turn of the millennium and on TV since 2014 — is ubiquitous in California. But he said Apkarian, the judge in the case, doesn’t watch TV and hadn’t heard the jingle until it was played at the four-day trial in November.

“She heard it the first time, and then she heard it the second time, and then the rule in the court was, ‘Do not play that jingle again,’” he said with a laugh. “So I thought that gave us some idea that we might have a chance.”

According to the judge’s order, Kars4Kids’ Chief Operating Officer Esti Landau confirmed at trial that the charity’s primary function is not helping economically disadvantaged children but “Jewish kids and families throughout their lives.” She said the charity has “no functional programs in California beyond a ‘backpack giveaway’ characterized as a branding exercise,” the judge wrote.

Landau confirmed on the stand that in 2022 — among other expenditures — Oorah transferred $16,500,000 to North Africa and the Middle East, and spent $16.5 million to purchase a building in Israel. She testified that while the Kars4Kids ad features kids ages 8 to 10, the programs Oorah funds “often target young adults (17-18) and matchmaking as well as Jewish families.” And she conceded that a donor would “have to go to the website” for that information.

Neither Kars4Kids nor Oorah responded to NPR’s requests for comment. But in a lengthy statement on its website, Kars4Kids said the judge mischaracterized its work and its testimony at trial.

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“Kars4Kids’ ads have one purpose: to remind listeners that Kars4Kids offers a quick and easy way to dispose of an unused vehicle,” it wrote. “The ads are targeted to vehicle owners, not specifically to people considering donating to charity.”

The charity said “helping children often means engaging parents and families as well,” and stressed that its mission and religious affiliation are prominently stated on its website.

But the judge ultimately sided with Puterbaugh, writing that “a reasonable consumer is not required to be ‘computer savvy.’” She gave the charity 30 days to stop airing the ad in California unless it is updated to include an “audible disclosure of its religious affiliation and the geographic location of its primary beneficiaries and the age of the beneficiaries.”

The judge also ordered the charity to pay Puterbaugh $250, the value of the car he donated, though acknowledged that “money cannot ‘un-donate’ a car or restore the donor’s belief that they were helping a local, needy child.”

Kars4Kids says on its website that it plans to appeal the ruling, which it said is “deeply flawed, ignores and misrepresents the facts that were presented at trial, and misapplies the law.”

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The charity also called the case as “a lawyer-driven attempt to siphon off charitable funds for their own gain.” Roberts dismissed that accusation, saying the only money his client stands to gain is the $250 for the car and lawyers’ fees. The bigger win, he said, is putting Kar4Kids — and potentially other charities nationwide — on notice about the consequences of false advertising.

“I think anyone who knows the facts would think that there was wool being pulled over people’s eyes,” Roberts said.

Where are they now?

A still from J.G. Wentworth's "Viking Opera" commercial.

J.G. Wentworth’s catchy “Viking Opera” commercial, featuring elaborately costumed, structured settlement-winning opera singers in need of cash, has been airing on and off since 2008.

J.G. Wentworth/Screenshot by NPR


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J.G. Wentworth/Screenshot by NPR

This story sent us down a head-bopping rabbit hole of nostalgic jingles, confirming they never truly leave the depths of your brain. And it turns out, some of them are — in a sense — new again.

Remember Zoo Pals, the early-aughts, dipping sauce-friendly paper plates shaped like animals (pig, bee, frog, duck) that, per their peppy theme song, “make eating fun!”? Hefty discontinued the onetime birthday-party staple in 2014, but brought the plates back in 2023 — and has also introduced disposable cups and plastic bags in the years since. No word yet on whether the commercial might make a comeback too.

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Folgers, the coffee brand, has had people humming “The best part of wakin’ up / is Folgers in your cup” since the cozy jingle first aired in 1984. Its various iterations have managed to hold viewers’ attention in the years since (the 2009 sibling version inspired a slew of parodies and fan fiction). In 2021, public performance royalties for the song — which is actually titled “Real Snowy Morning” — were auctioned off online. The winning bidder, identified as “Josh C.,” paid $90,500.

And earlier this year, the brand released remixed versions of the ad, fusing the original jingle with several popular wake-up songs spanning genres and generations (including the Everly Brothers’ “Wake Up Little Susie” and “Bring Me to Life” by Evanescence).

Just this week, comedian John Oliver parodied JG Wentworth’s Viking opera (“877-cash-now”) jingle for an episode examining the structured settlement factoring industry. Oliver’s version, warning people to be skeptical of such companies, features stars like singer Megan Hilty, actor Victor Garber and Larry David, in a nod to the original earworm’s prominent cameo in the final season of Curb Your Enthusiasm.

Sometimes a jingle outlives the very thing it’s advertising. Consider: “I’m a Toys R Us Kid,” the toy store ditty belted enthusiastically by generations of trike-riding kiddos since the 1980s. The franchise shuttered due to bankruptcy in 2018, though it has since been partially revived through a partnership with Macy’s. The jingle has staying power — much to the delight of prolific thriller author James Patterson, who helped write the lyrics in his early career in advertising.

“That’s a big moment in my life,” Patterson said when asked about it in a 2024 appearance on Live with Kelly and Mark. “That’s a fun one, and kids obviously loved it. And we do remember it, which is great.”

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