Connect with us

Lifestyle

What was the worst year of your life and what did you learn from it? We want to hear

Published

on

What was the worst year of your life and what did you learn from it? We want to hear

We want to hear from you.

Katherine Du/NPR


hide caption

toggle caption

Advertisement

Katherine Du/NPR

As 2024 draws to a close it’s a time to reflect on the past and prepare for the future.

Whether it was the loss of a loved one, an unexpected expense or a new job this year has challenged many of us in one way or another. But we also know we’re a resilient bunch and can learn from each other.

All Things Considered wants to hear your stories. What was your worst year ever, how did you get through it, and what did you learn from it?

Advertisement

Let us know in the survey below, or you can attach a voice recording of 2 minutes or less. An NPR producer may reach out to you and your answers could be used on air or online.

Your submission will be governed by our general Terms of Use and Privacy Policy. As the Privacy Policy says, we want you to be aware that there may be circumstances in which the exemptions provided under law for journalistic activities or freedom of expression may override privacy rights you might otherwise have.

Advertisement
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Lifestyle

Why Chanel Chose Matthieu Blazy

Published

on

Why Chanel Chose Matthieu Blazy
The designer, fresh off a star turn leading Bottega Veneta, succeeds Karl Lagerfeld and Virginie Viard as artistic director at the French couture and beauty giant, the industry’s most coveted creative post. Fashion president Bruno Pavlovsky breaks down the logic behind the historic choice.
Continue Reading

Lifestyle

Remembering Dominique Brown, co-founder of Black Girl Disney

Published

on

Remembering Dominique Brown, co-founder of Black Girl Disney

Dominique Brown died last week following a medical emergency. She’s shown above attending an April 2024 event at Walt Disney Studios in Burbank, Calif.

Leon Bennett/Getty Images


hide caption

toggle caption

Advertisement

Leon Bennett/Getty Images

Disney influencer Dominique “Domo” Brown died last week after experiencing a medical emergency at an event in Los Angeles hosted by pop culture merchandise retailer BoxLunch. She was 34.

Brown co-founded Black Girl Disney in 2018, an online community dedicated to making the Disney influencer space more inclusive to people of color.

“As Disney fans in the earlier days of Instagram, we followed every Disney style, blogger, and merch pages we could find. The theme of the majority of the pages… melanin deficient.” Brown and her cofounder, Mia Von, explained on their website. “Like Most things that lack representation, new platforms are created out of a necessity to see yourself. We wanted to create a space where we were not only represented, but CENTERED!”

Advertisement

Brown continues to be a pillar in the Black Disney creator community, as many fans and followers mourn her loss.

“Just being in the space as Black creators, we won’t get that anymore.” Disney Influencer Juju Green, also known as Straw Hat Goofy, said in a remembrance video on TikTok. “She embodied everything that you wanted from a friend, [she was] one of the kindest people you will ever meet in your life.”

Green was also present at the BoxLunch event, though he arrived late and didn’t see Brown before she was taken in an ambulance.

Between her own Instagram, @dominiquebrown, and the @blackgirldisney platform, Brown had over 40,000 followers to share her Disney adventures and fashion with.

Advertisement

Her last post shows her sporting a Winnie the Pooh cardigan from BoxLunch and a plush Pooh hat from the Disney Store.

“I will miss my sister and best friend and that infectious smile she always had,” Brown’s brother, Patrick Ramos, commented on that final post.

BoxLunch told NPR they are “devastated” by Brown’s death.

“Our hearts go out to her family and friends, and we will do everything we can to support them and the members of the BoxLunch Collective and our team during this painful time.”

Advertisement

BoxLunch is offering grief counseling for BoxLunch Collective staff and influencers. The company is also conducting an independent investigation into Brown’s death.

A change.org petition started by Marcus Medley, who said he was a close friend of Brown, in the wake of Brown’s death alleges that she was allergic to peanuts and that the venue was not equipped to respond to severe allergies. The petition calls for legislation requiring EpiPens to be available at all food-serving establishments, staff training on recognizing and treating allergic reactions, and ingredient transparency.

The community response to Brown’s death sheds light on the issue of food allergies, which about 33 million people in the United States have, according to the nonprofit organization Food Allergy Research and Education.

8.5% of Black adults report having at least one food allergy, making them the most likely demographic to have a food allergy. According to the National Library of Medicine, 1 in 3 people with food allergies report having an allergic reaction while dining out.

“Dominique was simply magical – a beloved daughter, sister, aunt, and friend, unfairly taken at 34,” the petition states. “All of us [want] justice for Domo. But we also want change.”

Advertisement

Continue Reading

Lifestyle

John Galliano exits Maison Margiela, where he got a 'second chance' after Dior ouster

Published

on

John Galliano exits Maison Margiela, where he got a 'second chance' after Dior ouster

Maison Margiela’s creative director John Galliano, the iconoclastic couturier who previously headed artistry at Givenchy and Christian Dior, is leaving his post at the luxury French fashion house after a decade-long run.

The British designer, 64, announced his goodbye Wednesday via Instagram after employees at Maison Margiela were informed about his exit ahead of the company Christmas party, Women’s Wear Daily reported. Galliano’s departure also marks the end of his groundbreaking partnership with Diesel founder turned Italian fashion mogul Renzo Rosso, whose OTB Group is the parent company to Maison Margiela, Marni and Viktor & Rolf.

In a lengthy statement, the celebrated and controversial artist said he was grateful for “this life-saving creative moment and the safe space we have built together” and the “second chance” that Rosso and Martin Margiela gave him.

“My heart overflows with joyous gratitude, and my soul smiles,” he wrote. “For I am 14 years old today — 14 years sober. Living a life better than I ever dreamt possible.”

Although Galliano did not say what he plans to do next, the flamboyant and theatrical designer said he would share details in due time. Maison Margiela has not yet disclosed who will succeed Galliano, but the company has seen exponential growth in its luxury business since his appointment in 2014. Sales increased by 24% in 2022 and 23% in 2023, Vogue reported.

Advertisement

“The rumors… Everyone wants to know, and everyone wants to dream,” he wrote. “When the time is right, all will be revealed. For now. I take this time to express my immense gratitude. I continue to atone, and I will never stop dreaming. I, too, need to dream.”

Galliano dressed countless celebrities during his tenure, including Kim Kardashian, Zendaya and Gwendoline Christie at the 2024 Met Gala and Miley Cyrus at the Grammy Awards this year, as well as Ariana Grande, Jennifer Lawrence, Rihanna and Katy Perry for other red-carpet events.

In his statement, the only post on his Instagram grid, Galliano reflected on his time at Maison Margiela — formerly Maison Martin Margiela — and how he was given the keys to the kingdom by its ultra-private namesake, who told him “take what you will from the DNA of the House, protect yourself, and make it your own.”

Galliano’s appointment came after a pivotal time in his life and career: The designer, who has been candid about his addictions to drugs and alcohol, had been fired by by Dior and ousted by his own design label after delivering antisemitic and racist rants in Paris in 2010 and 2011, which ultimately played out in French court.

Sometimes referring to his past self in the third person in his two-page statement, Galliano that he “mourned the loss of JG and my previous identity” and that he’s much happier now and strives daily “to be a better version of this person.” He also expressed his gratitude to Rosso for inviting him to assume the position of artistic director at Margiela after that tumultuous period in his life. (Galliano’s body of work was the subject of the 2024 documentary “High & Low.”)

Advertisement

“The greatest, most precious gift he gave me was the opportunity to once again find my creative voice when I had become voiceless. My wings mended, and I better understood the all-consuming act of creativity.” In front of Rosso and Margiela, Galliano said he had an epiphany and was “ready.”

“I would surround myself with like-minded people, strong people who shared the same work ethic. I informed Renzo I would take him up on his kind offer, but my recovery would have to come first — and it did,” he wrote. “Ten years later, I am forever grateful for this safe space to create and build a new family that supports me with courage and dignity. Although little had changed in the industry then, my perspective on it has radically shifted. I begin to see changes all around me: compassion and empathy.”

“I’ll readily admit I’m demanding and difficult to run with when challenged, but look at what we have built,” he wrote. “This is when the family — the fashion industry — is at its best when we collectively support each other, not judge. When we accept, forgive, and help one another see the error of our ways. Being brave enough to unlearn, to re-educate ourselves from the past — for it is societally learnt — to share, empathize, and practice compassion.”

Galliano eased back into the spotlight and debuted his first runway collection for Maison Margiela in January 2015, sending a small couture collection down a London runway in front of a curated audience of 100 people at the end of London’s Men’s Fashion Week. This past January, he was widely applauded for his viral spring 2024 Maison Margiela Artisanal show — the one that showcased Pat McGrath’s viral, glass-like makeup — which WWD described as putting “full-throttle creativity back on the industry agenda” and propelling Galliano “to the very top of the fashion heap.”

Advertisement

“Margiela’s business steadily climbed in recent years as Galliano infused its collections with campy, theatrical innovations, deconstructed designs and a gender-fluid sensibility as well as pushing the craftsmanship and creative impact of its ‘Artisanal’ line to new heights,” Business of Fashion reported. “Sales rose 22% in 2023 even as the wider luxury market slowed.”

The reformed designer on Wednesday touted “slow and ethical fashion” and its influence, as well as the design house’s sociopolitical messaging that he said centers trans and queer rights, gender equality in the workplace, anti-racism and mental health advocacy.

“I celebrate the genderless collections we now produce, reinforced by how they are brought and supported. My co-ed collections, whether Artisinal or [Ready-to-Wear], represent diversity and individuality,” he wrote in his statement. “I celebrate the magical relationships with my muses, who challenge me to create safe spaces where we can dream and make believe. You inspire everything I do. You are my life. All my muses have battled society’s norms and restrictions on gender and body identity. I rejoice in self-expression and freedom. “

He also indicated a desire to “celebrate the joy” he found in the ways he communicated creatively, embracing cultures that celebrate fashion through theater, cinema and digital media.

Advertisement

In a statement to the Associated Press, Rosso lauded Galliano for making Maison Margiela “the most cutting-edge couture house in the world.” He added that the last decade “of incredibly intense work, amazing shows and installations, extraordinary beautiful product, have laid the foundations for the future.”

Continue Reading

Trending