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What Happened to the Bulky Sneaker? They Are Getting Smaller

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What Happened to the Bulky Sneaker? They Are Getting Smaller

After years of the ever bigger, ever bulkier sneaker, there seems to be bit of a backlash: Sneakers have become sleek, streamlined and, in a word, skinny.

“There was a shift, I think it was in the fall of 2023, where you saw a lot more Sambas on the street, with that slick sole,” said Federico Barassi, the vice president of men’s wear at the Canadian e-commerce site SSENSE, citing the popular Adidas style. “People started to have some fatigue with those big bubble-y, older sneakers.”

Recent runways were awash with aerodynamic and attenuated versions, from Prada’s slipper-like Collapse sneaker with its elasticized foot opening ($975) to Dries Van Noten’s suede sneakers ($475) that referenced 1970s running shoes. Ganni is offering little ballerina lace-ups ($495), while Maison Margiela has released a flattened and cleated riff ($820) on its own popular Replica style. Miu Miu, the reigning cool girl brand, recently released the low-profile Plume ($895), an elegant entrant into the slim sneaker canon.

Larger sportswear brands have picked up on this sylphlike silhouette. Puma brought its classic Speedcat, first introduced in 1999, out of retirement last summer, while Adidas revived its svelte Taekwondo and Tokyo models. Nike is resurrecting the Total 90 III, with a futuristic feel and off-kilter laces, this spring and summer; in late-January the designer Jacquemus sent the horizontally inclined Moon Shoe, a track sneaker introduced in 1972, down his runway as part of a collaboration with the company. In addition to a smaller, sleeker appearance, these styles often have a smooth, tapered profile, akin to a bullet. Or, as GQ recently named them, “torpedo sneakers.”

“It really benefits the big brands that have been around for long enough to have shoes from those eras like the 1960s and 1970s,” said Brendan Dunne, who heads up sneaker coverage at Complex and who also name-checked the Samba’s popularity as a catalyst for the current movement. “One of the interesting things happening in sneaker consumption right now is the rise of brands like On or Hoka taking market share from big brands. And if you think about the slim sneaker trend, I don’t think On or Hoka can participate in that because they’re all about techy shoes and shoes that just have a little bit more girth to them.”

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In keeping with fashion’s cyclical nature, these shoes can be seen as a pendulum swing away from what came before, best exemplified by Balenciaga’s influential Triple S sneaker. That shoe, with its built-up sole, created a mania for brawnier footwear and led to the popularity of “dad sneakers” from brands such as New Balance and Asics. In a quest for newness, brands are now countering with slender designs. (Balenciaga, it should be noted, has remained dedicated to its bigger-is-better approach.)

These footwear offerings are also a reaction to the changing cut in ready-to-wear, namely the looser clothing silhouettes dominating apparel, seen particularly in the rise of fuller, relaxed-cut trousers. “Skinny pants and jeans are fading away,” Mr. Barassi said. “And you can style these with the wider trousers, and bell-bottoms, that are trending right now.”

Wide-legged pants are gaining so much traction that they’ve even infiltrated the formal wear category, as demonstrated by flashier dressers like Colman Domingo, Omar Apollo and Robert Downey Jr. at last week’s Academy Awards ceremony.

“The shape of the shoes and the shape of the pants we wear, there’s this inverse correlation,” Mr. Dunne said. “Look back eight years ago when every rapper was wearing skinny jeans and gigantic Balenciaga trainers. Now it’s the other way around: slim, low silhouettes and gigantic pants.”

Additionally, these shoes build upon the already crowded overlap between sport and fashion. They’re leveraging activities like martial arts, rock climbing, wrestling and even the enduring popularity of ballet slippers.

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“There’s all these adjacent gorpcore shoes, or low-pro shoes, that put us in this zone,” Mr. Dunne said. “I think of something like the popularity of the Salomon XT-6, which isn’t in this same zone, necessarily, but it sets us up, it bridges the gap between the chunky shoe and this.”

These sneakers also faintly recall the popular shoes of the Y2K era, a now-mythical pre-internet time that continues to cast a spell on younger generations.

“I remember the Prada America’s Cup, everyone wanted that sneaker,” Mr. Barassi said of the brand’s futuristic patent leather and technical mesh sneaker introduced in 1997. “And it had this thinner profile.”

Torben Schumacher, who oversees Adidas Originals, the fashion and lifestyle division of the company, said that once the company noticed the popularity of its Samba and the Gazelle styles, it began to search for new models to resurrect from its archives. Ultimately, it landed on the Tokyo and Taekwondo.

“The latter was designed for martial-arts athletes in the 2000s, but one look at the shoe and you can immediately envision it on a runway or city street,” Mr. Schumacher wrote in an email. Still, Mr. Schumacher wrote that, regardless of the cultural factors leading us to this moment, perhaps the most compelling reason to wear a slim shoe was the most straightforward: “There’s a sense of effortlessness to these low profile styles — both in style and in function.”

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James Burrows, director of classic shows ‘Cheers’ and ‘Friends,’ dies at 85

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James Burrows, director of classic shows ‘Cheers’ and ‘Friends,’ dies at 85

Director James Burrows attends the “Will & Grace” start of production kick off event and ribbon cutting ceremony at Universal City Plaza on August 2, 2017 in Universal City, California.

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LOS ANGELES — James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as “Cheers,” “Taxi,” “Friends” and “Will and Grace,” died Friday. He was 85.

His family confirmed his death in a statement to People, saying he “passed away peacefully today surrounded by his family.” No location or cause of death was provided.

Burrows spent his career behind the camera specializing in situation comedies. Few viewers recognized him or knew his name, other than to see it flash quickly on the screen in the opening credits. But they knew his work.

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Burrows got his start in television relatively late at age 35 in 1974, directing episodes of “The Mary Tyler Moore Show,” “The Bob Newhart Show,” and “Laverne & Shirley.”

He co-created “Cheers,” directing 243 of the 273 episodes, as well as all 246 episodes of “Will and Grace.”

He also helmed multiple episodes of such hits as “Frasier,” “Friends” and “Mike & Molly,” and the pilots of “Two and a Half Men” and “The Big Bang Theory.”

“When I direct a television show, I try to reach that sweet spot where the best script meets the best performance and the best chemistry between performers,” Burrows wrote in his 2022 memoir “Directed by James Burrows.” “Hitting that exact moment, where these factors land in combination, results in the sweetest and most enduring laugh.”

His family said, “Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television.

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“But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated,” the family statement said.

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Beer, with a twist? SoCal dads find solidarity through an unexpected activity

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Beer, with a twist? SoCal dads find solidarity through an unexpected activity

For a few minutes, the atmosphere inside Captain Fatty’s Brewery in Santa Barbara County was quiet, different from the usual Friday night clamor.

On this late May evening, the 15 men gathered there were contemplating tackling something few had previously had the courage or skill to take on. Austin Nieves, a recent transplant to the area and the man who had brought this brave group together, broke the strained silence by handing out beers.

Within minutes, the men, who ranged in age from 30 to 60, began chatting among themselves.

Then they started braiding hair.

The May 22 event — Goleta’s version of the viral U.K.-inspired “Pints and Ponytails” night — was sold out. The idea is to have expert hairstylists train uninitiated or intimidated fathers on how to comb and braid their kids’ hair, using salon-type head mannequins but in a setting for bros.

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“When the first guys got there, they were stiff,” said Nieves, a Pasadena native who moved to Santa Barbara in April 2025. “Then after that first beer, they went from sitting around the edge of the bar to jumping right into learning and giving it a shot.”

Dads group members Dan Ucko, left, and Eric Schalla participate in the hairstyling event at Captain Fatty’s Brewery in Goleta.

The gathering was one of several father functions by the Santa Barbara Dads group, which Nieves founded last spring.

May’s papa party offered, along with the suds, a learning experience and camaraderie among fathers, which Nieves believes is much needed.

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“When my wife had our son, she immediately became part of at least five mom groups and classes that offered her help, advice, friendship and training,” Nieves said. “As a first-time father, I really only had my brothers, who had children themselves, to turn to.”

Scientific studies have shown that as fathers have taken a more active role in child rearing, they’ve faced loneliness, doubt and confusion.

Researchers Chris Knoester and David J. Eggebeen wrote in 2006 in the “Journal of Family Issues” that fatherhood leads “to declines in feelings of well-being and participation in social activities” as fathers spend less time with friends.

Clinical psychologists Hillary Halpern and Maureen Perry-Jenkins documented that the transition from single life to fatherhood is often accompanied by a roller coaster of emotions. And researchers from Stockholm’s Karolinska Institute determined in a 2021 study that fathers might require help “during their transition to fatherhood.”

Eric Drachman, of Santa Barbara, center, pays close attention as hair stylist Chi Jou Lin, left, teaches

Eric Drachman, of Santa Barbara, center, pays close attention as hair stylist Chi Jou Lin, left, teaches a group of dads how to style their daughters’ hair.

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A mannequin head sits on a tripod at Captain Fatty's Brewery

A detail of one of the mannequin heads.

One such way to assist men is specifically a fathers group, according to the 2021 study.

Most men “were mostly satisfied with participating in father groups and described that they positively impacted their relationship with their partner and child.”

The increased contact also helped improve “their self-confidence and family equality and decreased their loneliness.”

Nieves agreed that his leisure time and focus changed sharply after the birth of his child, Hudson, now 3 years old, as did his friend group updates.

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“They were talking about all this crazy fun or TV shows and I was talking about my son being able to lift his head,” Nieves said. “That’s when I knew I had to branch out.”

Nieves, then living in Costa Mesa with his wife, Katie, created the Orange County Dads club in October 2023.

Dads learn how to style their daughters' hair on a mannequin.

Scientific studies have shown that as fathers have taken a more active role in child rearing, they’ve faced loneliness, doubt and confusion.

His group of merry men held meetups at coffee shops, beer halls and the zoo, hosted holiday hootenannies and even offered CPR classes.

Its success helped spawn a chapter in the Whittier area.

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Though strictly a fathers club, the group, Nieves said, has grown thanks to wives and partners sharing his social media posts with their husbands.

Mikhail Alfon, founder of Blue Light Media, a social media strategy agency, took his son, Santos, to multiple Orange County meetups.

“This is our first child and obviously life changes a lot,” said Alfon in a social media post. “Finding peers and friends that are in the same stage of life is great.”

That sense of community, however, faced a challenge as Nieves and his family purchased a home in Santa Barbara and moved in April 2025.

Childhood friends Peter Aguilar and Fredy Medel, from left, style a mannequin's hair.

Peter Aguilar, left, and Fredy Medel work on their technique. Medel’s partner, Daniela Fajardo, holding their 1-year-old daughter, Faylani, records the event.

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Within a month, however, he had established a Santa Barbara-based dads group. Their first meetup was in May 2025, and they’ve made a point to gather once a month.

Austin Jones, a Santa Barbara-based real estate agent and investor, found Nieves through Instagram.

“I’m a husband, a dad and businessman, and it ends up being a lot of hats but very little support, at times,” Jones said. “It’s nice to find people in the trenches with you.”

Jones was intrigued by Pints and Ponytails as he’s battled the hair-care needs of his 2 ½-year-old daughter, Noa, and her textured, curly locks.

In a short while, Jones had gained enough confidence in whipping his mannequin’s hair into a ponytail that he vowed to try with his daughter soon.

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“I was only pretty good at putting on a headband before this,” he quipped.

The six mannequin heads and the hour of instruction came courtesy of Santa Barbara cosmetologist Chi Jou “Belle” Lin, who offers area mobile services.

“I saw the social media post and a lot of people reached out to me to teach the class,” Lin said. “I had to help.”

Lin said the mannequins she brought varied in hair length and type, from straight to coily, but also fine in texture, as she tried to replicate young children’s hair.

A pint sits among hairstyling tools.

A pint of beer, hairstyling tools and sprays.

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She also taught the fathers basic hair-care techniques, including shampooing, detangling, checking for lice and how to tie ponytails and braids.

Even if they started out reticent, the fathers became active participants, asking questions about creating a neat French braid, what to do about tangled ponytails and how to deal with frightened children, Lin said.

“I was really impressed with the dads and their skills and the real-life questions,” said the stylist, who has personal experience at home in her 2 ½-year-old daughter, Lotus. “Not all men have the courage to ask questions.”

For Nieves, the secret in gaining new dads and retaining others is simplicity.

“If you open the door, the fathers will follow because everyone can use some help,” Nieves said. “But they just need to know it exists and they’re not alone.”

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Dads cheers one another while attending a Santa Barbara Dads Group event called "Pints & Ponytails."

Dads Gabriel Sandoval, left, Jose Guerrero and David Talavera toast one another at the May 22 Santa Barbara County Dads’ “Pints and Ponytails” event in Goleta.

Days after the Goleta get-together, Santa Barbara dad Eric Drachman became a celebrity at the preschool of his daughter, Noa, who is soon to be 3.

“When the videos of the event were posted, the teachers at the school recognized me,” Drachman said. “They would ask my daughter, ‘Who did your hair?’”

The query that means most, however, is when Noa asks her father to fix her hair.

“She asks occasionally,” he said. “It‘s such a fun dynamic we have.”

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This Pride month, teen flicks are recasting familiar tropes with a queer sensibility

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This Pride month, teen flicks are recasting familiar tropes with a queer sensibility

Stacy Clausen and Joe Bird in Leviticus.

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Summer movies aimed at high-schoolers — comedies, romances, horror flicks — have been a tradition for ages. Think Fast Times at Ridgemont High, Dirty Dancing and the original Friday the 13th, which all drew hot-weather crowds back in the 1980s.

This summer, the movies are queer — not just in casting, but in method and purpose. These three teen flicks transform familiar movie styles by bringing them an LGBTQ sensibility.

A raunchy comedy: She’s the He

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You know the drill: a bonkers lose-my-virginity plan is hatched by inseparable high-school best buds who are so eager to get girls to notice them, they can hardly think straight.

So, they don’t think … straight. For reasons that could only make sense to horny 17-year-olds, Ethan and Alex decide the way to catch the attention of the school’s hottest girls is to pretend to be trans.

Filmmaker Siobhan McCarthy uses that premise to tell a sweet story about Ethan (who realizes mid-scam that she really is trans), while also mocking some of the more ridiculous transphobic notions — “bathroom scare,” anyone? — that have been politically weaponized recently.

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When the whole football team decides that donning women’s attire is a small price to pay to get access to the girls’ locker room, McCarthy prompts boisterous laughs while also establishing how idiotic and unlikely this scenario would be in real life. Casting trans men — say, team captain played by Emmett Preciado — as the cis male characters allows McCarthy to further poke at conservative anxieties.

As leads Alex and Ethan, Nico Carney (a sharp trans comic whose read on toxic masculinity proves hilarious), and Misha Osherovich (sweetly affecting as Ethan discovers her true self) head a terrific, mostly trans and non-binary cast. And a similarly queer team behind the camera helps make She’s the He a raucous, touching, seriously fun charmer — think Some Like It Hot meets American Pie with a Heartstopper vibe.

The romance: Girls Like Girls

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This gentle teen love story sprang from a hit song Hayley Kiyoko released in 2015. The music video that accompanied the song pictured a budding lesbian romance and has since racked up over 160 million YouTube views. In 2023, Kiyoko penned a young adult book version, which debuted at the top of bestseller lists. Now, she’s brought all of those elements together in a movie about Coley (Maya da Costa) and Sonya (Myra Molloy), two 17-year-old girls navigating a summer romance that takes both of them by surprise.

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