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Wedding Day Beauty Tips For a Natural Glow

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Wedding Day Beauty Tips For a Natural Glow

As couples embrace more authentic wedding styles, brides are following suit with fresh-faced makeup that enhances their natural features. Taking cues from celebrity brides like Sofia Richie and Vanessa Hudgens, brides are opting for barely there makeup over the heavily contoured looks that once defined wedding day beauty.

“You don’t want your makeup to look dated in your wedding photos,” said Lisa Eldridge, London-based celebrity makeup artist and founder of Lisa Eldridge Beauty. “When I see photos of someone like Grace Kelly on her wedding day, I think it could have been yesterday.”

Five celebrity makeup artists share some of their go-to makeup products and tips to help you achieve the perfect glow on your wedding day.

“Your wedding day look should be whatever makes you feel the most beautiful,” Ms. Eldridge said. “Also keep in mind that less is more when it comes to makeup application, especially when dealing with perceived problem areas, such as blemishes or patches of redness. Use light, targeted application on the areas with minimal product to keep your makeup looking as natural as possible.”

“This medium-coverage foundation is clinically proven to last for a minimum of 12 hours and photographs beautifully. These types of formulations can sometimes be a little more drying to last all day, so you may need to compensate by adding more moisturizer beforehand and using less setting powder than normal.”

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“I always keep this French pharmacy moisturizer in my kit. It’s a makeup artist’s favorite for a reason — it’s inexpensive and works really well as a primer for makeup. I like using it on skin that is drier or if the bride is getting married in a cold climate.”

“Smudge-proof, waterproof mascara is a must for all of those happy tears. This mascara’s flexible formula prevents flaking or running. It’s also buildable for fluffy, fanned-out lashes.”

New York-based celebrity makeup artist, founder of Pat McGrath Labs and the creative director for Louis Vuitton’s new beauty brand

“Brides are embracing lit-from-within complexions with glowing skin, neutral and rosy tones on the eyes and lips and an overall look that feels refined, yet romantic,” Ms. McGrath said. “To achieve this, avoid techniques or products that can overpower your face, such as heavy contouring, overly drawing eyebrows or using ultra-matte finishes, which can look flat in natural light and photos. Opt for more light-handed makeup applications and breathable, long-wearing formulations.”

“I always begin makeup application with this essence to hydrate and prep skin for a smooth base and radiant finish. It’s a lightweight emulsion formulated with floral antioxidants that protect and calm skin.”

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“Layering your base is key for luminous skin that looks as stunning in person as in photos. This set includes a makeup primer, lightweight foundation and setting powder to create a flawless complexion. If you’re using concealer to cover imperfections, such as dark circles under the eyes and blemishes, apply small amounts before foundation.”

“I swear by this budge-proof, creamy lipstick. It offers intense color and stays put through every kiss and dinner course without feeling dry. Line lips to define and shape before applying lip color. Then, add a layer of lip gloss over the lipstick to create dimension. Avoid anything too glossy or slippery, as it won’t provide the longevity needed for a big day.”

Celebrity makeup artist and Chanel beauty ambassador based in New York City

“Overly glammed makeup looks have become less popular as more brides seek to feel comfortable and genuine on their wedding day. While dramatic looks have their place, the shift toward more intimate and intentional celebrations has encouraged a preference for makeup that feels fresh, light, and natural,” Ms. Komarovski said.

Chanel Rouge Coco Baume Satin, $48, chanel.comCredit…Chanel

“This is one of my go-to formulations for lips at the moment. It lives up to what it promises —hydrating, buildable color. It feels incredibly comfortable throughout the day and adds just the right amount of color without looking overly ‘lipsticky’.”

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“I’m loving soft and delicate eye makeup in neutral shades with a subtle shimmer to enhance the eye shape. This cream eye shadow is easy to use and the shade in ‘Undertone’ is a great base that works well on all skin tones and looks beautiful either alone or layered.”

“I go for this light-to-medium coverage foundation because it’s very buildable, but allows your skin to shine through. After applying, add a touch of cream highlighter on the cheekbones, brow bones and the bridge of the nose to accentuate your features.”

Celebrity makeup artist based in New York City

“Even if you don’t normally wear much makeup, having a good foundation base and softly defined brows, eyes and lips will make you look polished on your wedding day and enhance your natural features in photos,” Ms. Wiles said.

“Makeup formulations have come a long way since I started in the early ’90s, which is great for weddings and long-wear products. Lips stains are perfect for longevity. Apply a lip liner first then add a little gloss on top of the stain to the center of your lips if you want some shine.”

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“Some long-lasting cheek colors can get dry or waxy, but I like the lightweight formulation of this liquid blush that melts into your skin.”

“I prefer very fine-point gel eyeliners for smooth and precise application. This waterproof liner stays in place with without smudging or fading and it’s buildable for more definition.”

Celebrity makeup artist based in New York City

“A flawless complexion is the basis of every bridal makeup look and always remains a top trend. While the rest of the look can be tailored to highlight your unique features, such as your eyes or cheekbones, the key is to keep the overall style timeless, as your photos will be cherished forever,” Ms. Shahzada said.

Dior Forever Skin Perfect Multi-Use Foundation Stick, $52, dior.comCredit…Dior

“For a flawless yet breathable finish, apply a lightweight moisturizer under this foundation stick. I like how it provides impressive coverage and a naturally dewy glow while maintaining hydration.”

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“This primer ingeniously creates a smooth, shine-free base, while strategically adding glow to the high points of your face, such as your nose and cheekbones, and prevents an overly matte or greasy finish.”

“This eye primer not only locks in eye shadow, but also has a correcting tint to enhance color payoff and controls oil throughout the day.”

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My Dad’s Death Taught Me How to Pray

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My Dad’s Death Taught Me How to Pray

As part of “Believing,” The New York Times asked several writers to explore a significant moment in their religious or spiritual lives.

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I was many weeks into reciting kaddish, the traditional Jewish prayer of mourning, for my father when I realized I did not know how to pray.

Oh, I knew the words and the melodies for the daily services I was attending — my father made sure of that, bringing me and my sisters to synagogue every Shabbat of our childhoods. I even knew what they meant, thanks to seven years at a Hebrew-speaking summer camp and four serving as Jerusalem bureau chief of The New York Times. I knew the choreography: when to sit, stand, bow, touch my fingers to my forehead or open my palms skyward.

I knew it all well enough to occasionally take my rightful place, as a mourner, leading the little group at my local Conservative synagogue some Sunday mornings.

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What I was clueless about was God. How to talk to God, how to think about God, whether I believed in God, what he — my father — had believed. I knew what the words of the ancient texts meant in English, but not what they meant to me.

I decided maybe a year before Dad died that when the time came, I would take on the obligation of saying the Mourner’s Kaddish daily for 11 months, as outlined in Jewish law.

I had always found Jewish mourning rituals to be the most powerful part of our tradition. The communal aspect spoke to me: Kaddish is one of the prayers that require a quorum of 10 Jews, known as a minyan, and I appreciated both that I had to show up in public to fulfill this commandment and that strangers had to show up to make it possible. The daily commitment was daunting, but also appealing; a challenge, an opportunity, a statement to myself, to everyone around me and to my dead father that he and our tradition mattered to me.

Kaddish was also something I associated with Dad, whose booming voice whenever he was reciting the prayer on the anniversary of a loved one’s death still echoed in my head.

In the days following his death at 82, some of the loveliest memories people shared with us revolved around this ritual. How Dad made sure that prayer leaders did not go too fast for newbies or drown out women. Or how Dad had reconciled with his own father after decades of distance so he could say kaddish for him with less baggage.

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I was excited, as a feminist and mostly Reform Jew, to take on an obligation that historically was the province of Orthodox men. The pandemic had made kaddish much more accessible and diverse: There was a Zoom minyan somewhere to dial into most hours of the day, some rooted in the traditional morning service, others involving meditation, study or song.

Everything made sense except the prayer part.

Kaddish may be the most famous Jewish prayer, infused into the broader culture — Sylvester Stallone recited it in “Rocky III,” and one of Allen Ginsberg’s most famous poems shares its title. It dates back to the first century B.C., and its Aramaic text does not mention death. Rather, it is a paean to God’s strength and sovereignty.

May your great name be blessed for ever and ever, is the central line. Blessed are you, whose glory transcends all praises, songs and blessings voiced in the world.

Scholars interpret this prayer being used for mourning as a declaration of acceptance that death is part of God’s plan. That works if you believe there is such a plan; if you believe in God; if you know what you believe.

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Most mourners say kaddish in the same place most days, but my Reform synagogue only has services on Shabbat, so I stitched together a mosaic of minyans. (I’d decided to say kaddish once daily, not the traditional three times, usually at a morning service.)

On Sundays, I went to the Conservative shul in my town, and on Fridays, the Reconstructionist one. The other days, I’d video call into congregations across the United States, sometimes joining the ones where my sisters were saying kaddish, in Washington and Chicago. I said kaddish at a joint Passover-Ramadan breakfast, aboard New Jersey Transit commuter trains and outside a refugee center in Tbilisi, Georgia. I was good at focusing on Dad during the kaddish itself. But during the rest of the half-hour service — listening to the other prayers, reading memorial messages posted in the virtual chat on the side of the screen — my mind often wandered. Sometimes I checked Slack or email. I worried that I really wasn’t doing it right.

Back in religious school, I’d learned the mystical concept of keva and kavanah, Hebrew words that translate to “routine” and “intention.” The idea is that if you chant the same words every day, eventually, moments of connection will come. Kavanah is also translated as “sincere feeling” or “direction of the heart.”

I remembered asking, as a kid, how we would know when we got to kavanah. I don’t remember getting a good answer. Decades later, I was stuck in rote recitation — keva, keva, keva.

Until, as part of a Jewish study retreat in Maryland, I went on a walk in the woods with Rabbi Brent Chaim Spodek.

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He called it a “soul stroll,” which sounded pretty hokey, but also as if it had a decent chance for kavanah. He led a little group on a light hike around a pond, stopping at beautiful spots to offer a few thoughts about the meaning of our familiar prayer book.

When we got to the central prayer, 19 blessings known as the Amidah, Rabbi Spodek summed it up as “Wow! Please? Thank you.” And that’s where it happened. I learned how to pray on my own terms.

“Wow” — shevach in Hebrew, or praiseworthiness — is about God’s awesomeness. Rabbi Spodek said he spends a minute or two pondering the miracle that is creation. That there is a (narrowing) climate in which humans can thrive. Plants and animals to nourish us.

“Please” — bakashot, or requests — is where we ask for things. Let my husband’s surgery succeed. Help my kid find his footing. Make me listen more. Big things, hard things, things we really need.

“Thank you” — hoda’ot — is like a gratitude journal. A yummy breakfast. A talk with an old friend. A walk in the woods.

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It was hokey. But it worked. For the rest of my 11 months, whenever my mind wandered, I’d close my prayer book and close my eyes and try a little wow-please-thank you.

It did not instantly transform me into a believer. I still struggle, especially on the “wow” part, sometimes finding myself wow-ing God for making humans who figured out some technological, athletic or artistic miracle.

There are always plenty of pleases. And thanks, especially, for the nine other Jews who showed up so I could say kaddish for Dad, whatever he believed.

Jodi Rudoren is head of newsletters at The New York Times, where she previously spent 21 years as a reporter and editor. From September 2019 to April 2025, she was editor in chief of the Forward, the leading Jewish news organization in the United States.

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Gisele Bündchen Shares First Look at Child with Joaquim Valente

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Gisele Bündchen Shares First Look at Child with Joaquim Valente

Gisele Bündchen
Another Reason to Celebrate Mother’s Day …
First Look at Newborn!!!

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Jack Katz, Pioneer of the Graphic Novel, Is Dead at 97

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Jack Katz, Pioneer of the Graphic Novel, Is Dead at 97

The volumes were originally issued by the publishing arm of Comics & Comix, a retailer in Berkeley, and later by Bud Plant, a founder of Comics & Comix.

After completing his masterwork, Mr. Katz continued to paint and teach art. Along the way, he published two books on the art of anatomy, two volumes of sketchbooks and another graphic novel, “Legacy,” about the mysterious fate of a billionaire’s fortune, written with the comics veteran Charlie Novinskie.

Mr. Katz’s survivors include two sons, Ivan and David, and two daughters, Beth and Laura Katz, as well as grandchildren and great-grandchildren. His three marriages ended in divorce.

Around 2013 — the year Titan Comics reissued “The First Kingdom” — Mr. Katz embarked on an ambitious follow-up to his masterwork: a 500-page graphic novel called “Beyond the Beyond,” which he financed in part through the crowdfunding site Indiegogo, while toiling away on it up to 18 hours a day, often in his pajamas, he said in a 2015 video interview. He added that he already had the story by the time he was 12, and that “The First Kingdom” was basically its preamble.

“All of these people, they were, ‘Oh, you’re 45, you’re over the hill!’” he told ICv2, recalling the early days of “The First Kingdom.” “I’m 85 now! I’m ready to take on ‘Beyond the Beyond’!”

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That work, completed in 2019, remains unpublished. Then again, Mr. Katz understood the challenges going in.

“For heaven’s sake,” he said, “you know, if you climbed Mount Everest one time, it’s not a snap the second.”

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