Lifestyle
Two's company, three's allowed in the dating show 'Couple to Throuple'
My first thought after watching two episodes of Couple to Throuple was: “This seems like a relationship structure perfect for people who like to attend a lot of meetings.” Above, Denyse, left, Wilder, and Corey in the “Communication” episode.
Paul Castillero/Peacock
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Paul Castillero/Peacock
My first thought after watching two episodes of Couple to Throuple was: “This seems like a relationship structure perfect for people who like to attend a lot of meetings.” Above, Denyse, left, Wilder, and Corey in the “Communication” episode.
Paul Castillero/Peacock
The only reasons people watch dating shows, really, are sex and mess.
Dating shows have been around for ages, swelling* when there’s a big success like The Bachelor or Joe Millionaire or Love Is Blind. But they take all kinds of different shapes — it’s a test to see if you’ll cheat, or there’s a chance the person is ugly, or you have to get married, or whatever. They certainly have wildly varying levels of sex. The Bachelor takes a kind of “and then the door closes and the music plays and you definitely do not even hear anybody making any noises,” while some other shows will give you considerably more than that.
They all have mess, too. Not just mess, but messy messy mess. As I was telling a friend this week, Peacock’s Couple to Throuple is really just more mess (and it’s on the high end for the amount of sex you’ll see), and in that sense it’s very conventional. But at least it’s a different kind of mess than most other shows offer, particularly on mainstream outlets.
Ashmal, left, and Rehman in the “Boundaries” episode of Couple to Throuple.
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The setup is this: Four couples arrive at a resort. A bunch of single people also show up. Each couple is interested in potentially exploring a throuple, which (for the uninitiated) is an awkward portman-ménage-à-teau for an ongoing relationship among three people. Three of the couples include a man and a woman: Brittne and Sean, Dylan and Lauren, and Wilder and Corey. The other is two men, Rehman and Ashmal. All of the couples have some experience with experimentation with other people, but not in this kind of throuple arrangement. The show brings in some single people, all of whom also have some relevant experience, and each couple gets to pick one to try out as a possible third for their relationship. (If you think this sounds kind of strange and possibly a little unfair to the single person, that does come up.)
I want to make clear that there is nothing inherently salacious about polyamory. There are plenty of people who make it work. So when I say the show is joyfully trashy, that’s because of the show, not the relationship structure. After all, you can make joyfully trashy shows about couples, too. There’s also nothing particularly new about the throuple life if you happen to know people who do it or have tried it, which an increasing number of us do. But at least it’s new mess. Different mess. Mess that makes you go, “Oh, yikes, that’s tricky.”
The first thing that experienced polyamorous people will tell you, I have learned, is that it requires a lot of work and communication. There are people who go into it — or who just think about it — imagining, “Whee, this must be a no-strings-attached sex festival!” But my first thought after watching two episodes was, “This seems like a relationship structure perfect for people who like to attend a lot of meetings.”
Corey, left, Denyse and Wilder in the “Boundaries” episode of Couple to Throuple.
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Even on dating shows, I have rarely seen this much talking about the relationship. Does the third like both of the people in the couple equally? Do both people in the couple like the third equally? Do these people connect physically but those people emotionally? What are the reasonable expectations of the potential third?
Familiar dynamics take on new specifics, as when the couples do an exercise with their potential thirds where one partner engages in sexier and sexier contact with the third, and the other sees how long they’re comfortable before they say the safe word to put a stop to it. In one couple, an argument breaks out in which the partner who was watching later gets mad and basically says, “The question isn’t why I didn’t use the safe word if I was getting upset, the question is why you didn’t use the safe word when you should have known I was getting upset.” You gotta think that level of expected mind-reading is going to make a throuple arrangement very, very difficult — as it would a couple arrangement.
There are also some intriguing power shifts where at first, the thirds seem to be trying to put their best feet forward to be “chosen” by the couples, and then trying to impress them, but then before you know it, some of the thirds are sort of looking around saying, “Uh, it was nice knowing you guys.” Sometimes you’re the windshield, sometimes you’re the bug; sometimes you’re the pursuer, and sometimes you’re the pursued.
It’s a mess. I will watch it all.
*I apologize for using the word “swelling” in a discussion of dating shows.
This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
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Lifestyle
Kumail Nanjiani opens up on his regrets, critical failures and embracing fear : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: Here’s my theory about Kumail Nanjiani: He is not a person who is afraid of his feelings. I think he’s the opposite of that kind of person.
Kumail has made his emotional life part of his comedy – whether it’s his deep and abiding love for his wife (as told in the hit movie, “The Big Sick”), his obsession with his cat or the anxiety that grips him in the middle of the night – Kumail’s brand of comedy is often about how we feel our way through living.
His new standup special is on Hulu and it’s called “Night Thoughts.”
Lifestyle
Kylie Jenner Shows Off Figure in Backless Feather Dress
Kylie Jenner
Ultimate Showgirl with Backless, Curve Hugging Gown
… At Kylie Cosmetics Holiday Party!
Published
Kylie Jenner showed up to her Kylie Cosmetics holiday party in full showgirl glam … slipping into a skin-tight, feather-trimmed, backless dress that put her hourglass figure on display.
The makeup mogul was clearly feeling herself as she posed in an IG video she shared Wednesday night, playing with the pink feathers that framed her neck and making sure to give fans a shot of her junk in the trunk as she turned around to show off the halter gown from the back. She let the drama of the dress take center stage … opting for a simple makeup look and doing her hair up in a sleek, slicked back bun with a single curl placed on her forehead.
Kylie gave more love to her fun ‘fit on her IG story, twirling around in a video set to audio that said … “Kylie Jenner! What? Oh my God, you look like a Christmas fairy.”
Last night’s showstopping ensemble was just one of the sexy looks Kylie has gifted us with as of late — just a few days ago, she showed off her famous curves in a cheerful red latex dress at the OBB Media holiday party in West Hollywood.
And before that, she was nearly spilled out of the bright orange cutout gown she wore to support her beau, Timothée Chalamet, at the Los Angeles premiere of his latest film, “Marty Supreme.” And how can we forget the figure-hugging, cleavage-baring leather jacket she showed off on the ‘gram earlier this month?
Kylie just keeps on giving this holiday season with the jaw-dropping looks — she’s certainly on our nice list!
Lifestyle
‘Harry Potter’ fans are flying to Broadway to see the original Draco Malfoy
Tom Felton, left, who played Harry Potter’s nemesis Draco Malfoy in eight films, is now playing him live on stage.
Matthew Murphy/Harry Potter and the Cursed Child
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Matthew Murphy/Harry Potter and the Cursed Child
Almost eight years after Harry Potter and the Cursed Child opened, it has become the highest grossing show on Broadway. Why? Tom Felton, who played Draco Malfoy, Harry Potter’s nemesis at Hogwarts in the eight films, is now playing him onstage.
After every performance, crowds gather at the stage door to get autographs, selfies or just a close-up glimpse of Felton.
Anna Chan flew to New York from San Francisco to see him in the show. “I grew up watching the movies and reading the books as a kid,” she said, “so just seeing him reprising his role as Draco Malfoy is really exciting and just heartwarming to see. It’s kinda like a full circle moment for him.”
Felton feels the audience’s warmth. “I’m somewhat of a bookmark in their youth on the films,” he said. “To see them as excited as I am to be doing that again on the stage was… well, it’s overwhelming and it still is every night.”
Now 38, Felton spent much of his childhood, adolescence and young adulthood getting his hair bleached blond and sneering as the bully Draco Malfoy in the films. For 10 years, he worked with some of the finest actors of British stage and screen, including Dame Maggie Smith, Alan Rickman and Gary Oldman. Felton — and all the other young cast members — learned by example.
“You know, Alan Rickman making teas for the grips,” recalled Felton, “and Jason Isaacs telling anecdotes, Helena Bonham Carter sort of just being playful. I think that’s something that made the early Potter films very special — the adults around us did not take themselves too seriously. And so that allowed us to be playful.”
Tom Felton, right, with John Skelley as Harry Potter in Harry Potter and the Cursed Child, now on Broadway.
Matthew Murphy/Harry Potter and the Cursed Child
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Matthew Murphy/Harry Potter and the Cursed Child
Post-Potter, Felton has written a memoir and has appeared in films and on London’s West End. When he was given the opportunity to play an adult Draco Malfoy on Broadway for six months, he jumped.
“I do understand the character somewhat,” he said, “although Draco now is a dad.” In the play, Harry Potter and Draco Malfoy’s sons become friends and get into a mess of trouble.
In the first act, he and the older Harry have a wizard’s duel and Felton said that, during rehearsal, he added a familiar line from the films that wasn’t in the script.
“When Harry and Draco first decide, ‘Come on, let’s have a scrap, let’s have a battle,’ I think it just came up voluntarily. I said, ‘Scared Potter?’ Felton recalled, laughing. “And then it was sort of looked over and then someone came back to me a few days later and said, ‘We’ve got it in, your line suggestion.’”
The audience gets to see Malfoy and Potter fly through the air and electrical arcs come out of their wands live onstage. “Every night you can hear or feel, rather, at least half the audience go back to their childhood or older memories,” Felton said. “The first time that they saw Draco and Harry duel. And because this one’s live and in front of your face, it’s just only more exciting, I think.”
Felton said he’s proud to be part of the Harry Potter World, on film and on Broadway. He’ll be appearing in Harry Potter and the Cursed Child through May 10.
Jennifer Vanasco edited this story for broadcast and digital. Chloee Weiner mixed the audio.
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