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These older women may be 'heading for the coffin,' but they're getting laughs in L.A.

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These older women may be 'heading for the coffin,' but they're getting laughs in L.A.

Susan Ware spends each morning, from around 8:30 to 11:30 a.m., crafting jokes.

“I’ve got notebooks. I’ve got sides of the newspaper where I’ve written in the margins. I’ve got jokes written everywhere,” the 80-year-old said. As she thumbs through legal sheets, throwing out old stuff that’s not funny anymore, her two cats and dog lounge lazily on the couch beside her.

Stand-up comedian Susan Ware, 80, favors dark one- and two-liner jokes.

(Juliana Yamada / Los Angeles Times)

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“I take too much time working on jokes,” Ware said, calling her daily practice the hardest thing she’s ever done in her life. “It annoys me because I have other things I would like to do.”

A retired real estate agent, Ware started stand-up at 67, when she realized she didn’t want to die with regrets; she had always wanted to try comedy. At a recent open mic, with a close group of comedian friends, she tried out a bit of new material: “My six-year-old nephew fell down the stairs. Now he’s afraid to go down stairs … if I’m standing behind him.”

“I go to the edge, I will tell you,” Ware said of her dark one- and two-liners. “But people laugh.”

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Older women might not be what come to mind when thinking of comedians. The misconception that women, and certainly older women, have little to contribute to the comedy sphere drives the undercurrent of Max’s popular comedy-drama “Hacks,” which premiered its fourth season on Thursday.

In the show, Jean Smart plays Deborah Vance, a legendary stand-up trying to reclaim her mojo in the face of bookers who think she won’t appeal to younger audiences. (This season Vance tries her luck as a late-night talk show host.) But as audiences learn, Vance is much more than meets the eye.

It’s a story that rings true for several L.A.-based women who began stand-up comedy at a mature age. Speaking to The Times, these women addressed the lingering misogyny and ageism in the stand-up comedy industry, but said comedy offered them an outlet for self-discovery at an age where women can become invisible. The pay off — of drafting jokes, reworking material and performing at open mics and shows — is the thrill of the applause, but even more so, the emotional freedom it affords them.

For the past 22 years, Mary Huth’s life happily revolved around her twin sons. Changing poopy diapers seamlessly transformed into packing snacks for club sports in high school until suddenly, it seemed, they left home for college. On a whim and to fill the void, Huth signed up for a stand-up comedy class.

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“It’s kind of like gambling,” the 61-year-old said of her instant addiction to the craft. “They say you hit the jackpot the first time, and then you’re a compulsive gambler after that.”

It’s easy to get “dumped in the deep end” in a city like Los Angeles, which literally has $5 open mics “all day, every day, seven days a week,” said Patricia Resnick, a screenwriter and producer, who said her mom’s death “made [her] want to try things and live life more.”

A woman sits on a stool wearing a dark shirt and jeans.

Patricia Resnick, 72, penned the movie script “9 to 5” before she started stand-up later in life.

(Juliana Yamada / Los Angeles Times)

Resnick, 72, sees her age as a double-edged sword when it comes to comedy. On one hand, comedy remains a very masculine space, with several women interviewed for this story saying bookers are hesitant to promote older women regardless of their success with audiences.

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On the other hand, Resnick, who recently booked the main stage at Flappers Comedy Club in Burbank, says her age and experience inherently offers her a unique perspective when it comes to entertaining audiences.

“People like to be surprised in certain ways,” she said. “So when I talk about being a gay, sober, single mom of two kids by donor insemination, I usually introduce it by saying, ‘You know, I want to talk about something very universal that everybody can relate to.’ And of course, everybody laughs because it’s not what they were expecting.”

Huth’s sons and her wife come up in her comedy. One of her jokes centers around her and her wife’s arduous IVF journey. It’s a bit Huth calls “cathartic” and humanizing for LGBTQ+ parents, especially in today’s political climate.

But beyond parenting challenges, she doesn’t lean into her age in her material.

A close-up of a woman wearing a dark shirt over a striped top.

Comedian Mary Huth, 61, started stand-up after her kids went to college.

(Juliana Yamada / Los Angeles Times)

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“I am not interested in doing menopause and Chico’s jokes,” she said. Instead, she critically analyzes the work of younger comics she admires: “Why are they doing it this way? Why is their body moving like this? What are they doing with their timing?”

That strategic thinking, she said, coupled with her ability to not work a full-time job, has paid off. (Many women interviewed for this story said their age gives them the benefit of financial security that younger comics are more likely to lack.) Huth recently booked the Asian Comedy Fest in New York and the Boulder Comedy Festival in Colorado. She also, gleefully, has more Instagram followers than her sons.

“If you would have told me when my kids were seniors in high school that I would be doing this, I would be like, ‘What kind of mushrooms are you on?’” Huth said.

Where other hobbies may be difficult to pick up in middle age, comedy, with its low entrance fee and ubiquitous nature, is an inherently accessible art form.

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“Comedy is such a great way for an average person to have a platform and to stand on a stage and use their voice,” said Bobbie Oliver, owner of Tao Comedy Studio, which she said hosts the longest-running all-women’s mic in Los Angeles. “With older women who never had that opportunity in their lives because it just wasn’t really allowed, it’s kind of a freedom for them.”

A woman with fuchsia-colored hair behind a counter with various snacks, books and clothing around her.

Tao Comedy Studio owner Bobbie Oliver, 56, hosts a yearly Punk Rock Intersectional Feminist Comedy Festival in June.

(Juliana Yamada / Los Angeles Times)

For the record:

12:36 p.m. April 14, 2025A previous version of this story said Bobbie Oliver was the co-owner of Tao Comedy Studio. She is the owner.

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Adine Porino found this freedom close to home when a flyer advertising an open mic in her apartment complex, Park La Brea, stopped her in her tracks: “Stand Up Comedy Open Mic Night Every Sunday 6:30 p.m.”

Considered the funny one among her friends, Porino had wanted to try comedy for over a decade, but was always too scared.

“I just thought, well, I’d check it out,” the 67-year-old said.

The host of the mic, Sabine Pfund, was an up-and-coming comedian from Lebanon; most of the attendees were young male comics familiar with the L.A. comic circuit. Porino left the room inspired.

A woman with a light pink top with a gold necklace.

Adine Porino, 67, regularly attends the Park La Brea Sunday night open mic.

(Juliana Yamada / Los Angeles Times)

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“For one week, I just started writing down jokes,” she said. “I tested them out on my friends, and by the end of the week, I had five minutes and I had word-for-word how I wanted the joke to come off … Then I stood there with the mic in front of me, and I literally read [off] my phone.”

Since then, Porino has become a regular at Pfund’s mic and keeps a running list of funny thoughts on her phone. Her signature joke is about how she is a tax preparer and how she once was a caregiver of two elderly women who have died. “So, I don’t recommend my services,” she said, deadpanning.

An iPhone screen displaying comedy notes from Adine Porino.

Stand-up comedian Adine Porino displays her notes app list of jokes on her phone.

(Juliana Yamada / Los Angeles Times)

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The energy is refreshing in a different way for Elle McGovern, a 62-year-old restaurant manager who came to comedy after pursuing an acting career. Compared to acting, McGovern found that in comedy “you don’t have to be pretty. You don’t have to be young. You don’t have to be thin. You don’t have to be anything. You just have to be funny.”

McGovern, a regular face at Tao Comedy Studio, describes comedy classes as a workout, but instead of making gains, she’s healing childhood wounds.

For example, in one of her jokes, she teases herself for once drawing one of her eyebrows on way too high. The joke begins with poking fun at how she constantly looked inquisitive. But after working the joke over time, McGovern was able to connect her missing eyebrow to a childhood hurt: “It went out for a smoke and never came back, just like my dad.”

“Just saying out loud some of the things that were hurtful about childhood, the pain goes away and you realize everybody has stuff,” she said.

A woman wearing a dark top with tattoos showing sits on a stool.

Mary Pease, 75, started stand-up after a period of feeling “lost.”

(Juliana Yamada / Los Angeles Times)

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Mary Pease, who refers to herself as a “vintage classic,” found a similar release through comedy. At the time, she was grappling with the dissolution of her 35-year marriage.

“I was really confused about life,” the 75-year-old said. “Where do I go now? I’ve already had the marriage. I’ve already had the children. I already had a good career.”

It was her adult son who suggested Pease go to a comedy club because she had always liked comedians. Pease got $5 tickets to a show at the Nitecap, a comedy club in Burbank, where she was introduced to Genesis Sol, a young comedian who, at the time, was running her all-women’s mic Witty Titties at the club.

“That changed my life,” said Pease, who was invigorated by the excitement and hope of the young comics around her. Since then, Sol said she’s become the oldest regular at Witty Titties. In her signature storytelling style, Pease relays tragically funny memories about her childhood in rural Arkansas.

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“Going to [Witty Titties] totally made me stop using the words ‘I’m divorced.’ I’m retired. It was a good game. I got four Super Bowl rings,” she said referring to her four children. “We still celebrated.”

Three people lying down for a portrait.

Stand-up comedians Mary Pease, left, Mary Huth and Patricia Resnick.

(Juliana Yamada / Los Angeles Times)

Laughing at herself has helped McGovern feel more secure during a time of her life when she said society would otherwise render her “obsolete.”

“I love having people laugh at me. That’s a great feeling,” McGovern said. “But I think, for me, it’s more the journey of it, the spirituality of it.”

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“It’s giving me a new lease on life, because it gives me something that I love to do, that expresses my creativity and my art, and I can be fulfilled without having a financial reward from it,” she said.

Ware, the 80-year-old comic who writes jokes daily, said she would have been interested in a comedy career if she were younger, but she accepts the reality of her situation.

“I’m headed for the coffin. I’m not headed for the big stage,” she said.

Regardless, every morning Ware can be found on her couch next to her cats and dog as she comes up with her next punchline.

“I quit comedy every day,” she said. “Ah, I’m not going to do this. It’s too hard. I’m tired of thinking of jokes. And all I have to do is think of one joke, and I’m back in.”

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One woman is standing wearing a light-colored top, while the other in a pink top sits. Both are laughing.

Susan Ware, left, has been performing for more than 10 years, while Adine Porino started stand-up just five months ago.

(Juliana Yamada / Los Angeles Times)

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Best Christmas gift I ever received : Pop Culture Happy Hour

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Best Christmas gift I ever received : Pop Culture Happy Hour
What’s the best Christmas gift you ever received? You probably didn’t have to think about it; you knew it in your bones. Today, in this encore episode, we’re talking about the actual, tangible gift you found waiting for you under the tree and still think about it from time to time.
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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

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L.A.’s latest viral party spot is … Seafood City. Yes, you read that right

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

Two men smiling gather behind a man in front of a laptop.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

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The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Two women dance in the middle of a circle.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

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“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

1 A woman in a night dress walks behind a lady pushing a cart.

2 Two women in front of bananas eat late night snacks.

3 Two people dance in a grocery aisle.

1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

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The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

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By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Trays of street food for sale.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

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A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

Children and adults dance in a circle.

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Dancers perform between bamboo staffs.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

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She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

Employees clean up a grocery store.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

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10 books to help you understand America as its 250th birthday approaches

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10 books to help you understand America as its 250th birthday approaches

With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens

In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson

I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter

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History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)

If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg

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In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember

Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack

There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk

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There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

There Is No Place for Us: Working and Homeless in America, by Brian Goldstone

In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood

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The War of Art: A History of Artists' Protest In America, by Lauren O'Neill-Butler

The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler

This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk

We the People: A History of the U.S. Constitution, by Jill Lepore

We the People: A History of the U.S. Constitution, by Jill Lepore

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As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)

Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money

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This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.

An assortment of book covers from the 2025 edition of Books We Love.
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