Lifestyle
These L.A. musicians investigated a medical mystery. What they discovered launched a new skincare line
The love story of musicians Ann Marie Simpson-Einziger and Mike Einziger was fortified in a lab.
After meeting through a mutual colleague in 2010, the Santa Monica-based couple’s courtship began the following year, as they were collaborating with Oscar-winning composer Hans Zimmer on a series of film scores. Einziger is best known as the founding guitarist of California-based rock band Incubus. His wife is a renowned composer and violinist for artists including Jethro Tull, Ringo Starr, Dave Matthews Band and Stevie Nicks.
The couple had been seeing one another for only about a year when together they stumbled upon a medical mystery. It resulted in a thrilling scientific discovery, the founding of a biotech beauty company called Mother Science — and their own unique happily-ever-after.
“It was an unexpected journey,” said Simpson-Einziger.
“We were simply trying to answer a series of unanswered scientific questions,” her husband added.
It all began in 2012 when Simpson-Einziger developed a fungal infection while traveling abroad. A classically trained violinist by trade, she was performing with composer A.R. Rahman in India when she noticed lightened patches of skin on her back and under her bra line. They resembled “loosely drawn flower blooms, with rounded edges,” she said.
After consulting her dermatologist, Simpson-Einziger was diagnosed with a temporary fungal infection called Tinea versicolor, which can lighten or darken skin pigmentation as a result of humidity.
“It’s an imbalance of the microbiome,” Simpson-Einziger said. “The condition was harmless, it resolves on its own and [I was told] that the lightened patches of skin would all go back to normal. But I got so curious.”
“We learned pretty quickly that there were no real hypotheses about how this was happening.”
— Mike Einziger, co-founder of Mother Science and Incubus guitarist
Armed with an undergraduate degree in biology from the University of Virginia, the former physics and chemistry teacher pored through science journals like Pigment International and Chembiochem to find articles that better explained the science behind her skin condition. She then began to wonder if whatever had caused it could also be used as a skincare aid that reduced dark spots.
She enlisted the help of her then-fiancé, Einziger, who also happened to have a background in science. He had recently completed the two-year Special Student program at Harvard University’s Graduate School of Arts and Sciences, where he studied cosmology and evolutionary biology. He still had access to the university’s considerable research databases, which meant he could help her look up articles on Tinea versicolor. Soon, he joined her obsession.
“There was tons of literature to research, but nothing coming at it from our perspective,” said Einziger. “We learned pretty quickly that there were no real hypotheses about how this was happening.”
Though they still couldn’t prove it, Simpson-Einziger’s theory that her skin condition could be of use in the beauty world kept them both up at night.
“I actually had a nightmare that somebody took her idea,” he said.
It was then, in 2015, that he called Dr. Jonathan Sackier, a family friend and biotech and medical entrepreneur, who co-invented robotic surgery.
“I taught his daughter violin lessons when I was a recent college graduate living in Virginia,” Simpson-Einziger said.
“We went to [him] fully prepared that we were going to get laughed out of the room,” Einziger added.
Sackier remembers the couple’s uncertainty during the phone call. “Ann-Marie was in the background, whispering, ‘He’s going to think we’re idiots,’” he said. “[Mike] asked if I could identify what it was about the fungal infection that was causing depigmentation and having identified it, could I synthesize or somehow isolate the chemical so that we could do something to impact pigmentation disorders.”
A surgeon by specialty, Sackier connected them with his colleague, Timothy Macdonald, a scientist and professor emeritus of chemistry and pharmacology at the University of Virginia.
“I have taken many projects to him over the years,” Sackier said. “I call him ‘Dr. No,’ because he always says, ‘No, that doesn’t make sense. No, that won’t work.’ When I told him this, he went, ‘Holy moly, that’s impressive.’”
Macdonald began advising the couple and helped connect them with a North Carolina-based research organization called PharmaDirections. The drug development company helped design a scientific program to explore various compounds that had caught the Einzigers’ attention while researching.
After countless studies, they discovered that a naturally occurring molecule that had co-evolved with the human microbiome, Malassezin (pronounced mal-uh-say-zin), could be beneficial for sun spots. While the molecule was identified and named in 2001, the Einzigers were the first to recognize that Malassezin could be valuable in the context of skincare.
“Malassezin is made from a yeast,” said New York-based dermatologist Dr. Amy Wechsler. “When someone has the yeast infection on their skin, the skin often bleaches temporarily.”
The couple filed an application to patent the discovery in 2016. (It was officially granted in 2018.) They then worked with a team of scientists including cosmetic chemist Susan Goldsberry and beauty innovation entrepreneur Tim McCraw to develop Malassezin into a topical serum after previously manufacturing it through a separate process called chemical synthesis.
They began testing to see if it could benefit melanocytes, the skin cells that produce melanin, the dark pigment in question. The couple used their personal savings to fund the initial research.
“I justified it as, ‘How much would I pay for an education where experts in the field teach me how to characterize a molecule and then commercialize it?’” Simpson-Einziger said. “That one-on-one education was worth what we put into investigating this molecule.”
They brought on beauty industry veteran Edna Coryell, McCraw’s daughter, as co-founder and CEO of Mother Science in August 2017 to oversee further research and development, which involved in vitro studies, 3D cell cultures, ex vivo skin testing and genetic analysis. Coryell had never brought a new ingredient to the market until Malassezin.
“It is very rare,” said Coryell. “Truly, as we were going through [the process], it was writing the playbook for this.’”
The Einzigers also collaborated with Dr. Pearl Grimes, director of the Vitiligo & Pigmentation Institute of Southern California, who specializes in vitiligo and pigmentation disorders.
“This is somebody who’s been looking at Tinea versicolor for decades,” Einziger said. “Her first reaction was, ‘How did you guys figure this out?’”
“I was 100% fascinated,” Grimes said of reviewing their initial in vitro studies. “The science [and] the concept was disruptive.”
Grimes assembled a clinical program, which led to proof-of-concept data that’s since been published in peer-reviewed journals including the American Academy of Dermatology and Journal of Drugs in Dermatology.
She went so far as to take a skin biopsy from her own elbow for lab testing. Using VISIA skin analysis technology, she found that the serum helped fade hyperpigmentation on the sample.
“That’s when I really knew that it worked,” Grimes said. “I used it in a stubborn area, and I could clearly see via photographic documentation that it was responding.”
“Having holes punched in my face was an ultimate act of belief in what we’ve made.”
— Ann Marie Simpson-Einziger, co-founder of Mother Science and violinist
Einziger also biopsied a patch on his arm for Grimes to analyze. “We felt responsible,” he said. “Mine was done before we even did the human clinical study.”
Simpson-Einziger joked that she too “put real skin in the game” after she said she had her face punch-biopsied — a procedure in which an instrument is used to remove a deeper skin sample — three times.
“Having holes punched in my face was an ultimate act of belief in what we’ve made,” Simpson-Einziger said.
Once the Einzigers confirmed that the data supported their initial hypothesis in a human clinical study, they moved forward with a business plan for what eventually became Mother Science. (It joins the couple’s two other co-founded businesses, including Mixhalo, a networking technology company for live events.)
Mother Science — named as a nod to French physicist and chemist Marie Curie — was born as a result of raising an initial round of approximately $3.2 million in seed funding from a small group of venture capitalists and angel investors, including Hawktail’s Michael Polansky and Drew Houston, the co-founder of Dropbox. After more than six years of research, Malassezin became the DNA of Mother Science, which officially launched in 2023 with its first product, Molecular Hero Serum ($89). The product is meant to reduce hyperpigmentation and brighten skin.
“It’s a powerful antioxidant,” Simpson-Einziger said. “When we started testing, we learned that Malassezin happens to offer superior protection against hydroxyl and peroxyl free radicals, which are [some of] the most damaging. We had this molecule that was going to do something marvelous in protecting the skin.”
A second product, Retinol Synergist ($96), was released earlier this year. And Molecular Genesis Barrier Repair Moisturizer ($68), featuring Malassezin, will be released on Jan. 7.
“Malassezin is really versatile, as it’s able to target hyperpigmentation, improve the skin’s moisture barrier and provide potent antioxidant protection without any irritation,” said Connecticut-based dermatologist Dr. Mona Gohara, who is also an associate clinical professor at Yale University. “The beauty of it is it’s gentle but also highly efficacious.”
In 2016, the same year the Einzigers filed a patent for their scientific discovery, the couple married. They are now parents to four children including a nearly one-year-old son. Because their courtship intersected with their scientific passion project, they consider Mother Science their fifth child.
“We had a lot of people who said, ‘You don’t want to do this. This is too hard. It’s going to take years.’” Simpson-Einziger said, pausing. “I remember thinking, ‘Years don’t scare me. I have a baby. I’m going to have to take care of a human for 18 years.’ There are no guarantees when you have a child how they’re going to turn out, but you do it out of love, out of passion, and it makes your life richer.”
While the couple continues to grow Mother Science’s product lineup, Simpson-Einziger is most proud of their process of discovery itself.
“We’re excited about contributing to science, and having that legacy as part of our brand,” she said.
She hopes Malassezin will one day be as universally known as Vitamin C and hyaluronic acid.
“I want people talking about Malassezin, not even about our brand, just about Malassezin,” she said.
In other words, she and her husband hope the ingredients of their products will be front and center — not themselves.
“Nobody is excited about coming to me for their skincare needs,” Einziger, who still regularly sells out stadiums with Incubus, said with a laugh. “I’m just a person who plays music who happens to be curious about the skin microbiome.”
Lifestyle
The Eras era ends: A look back at Taylor Swift's record-breaking, 21-month tour
Taylor Swift’s Eras Tour came to a close Sunday night, capping off nearly two years of sparkly outfits, friendship bracelets and record-breaking sales.
The tour, an autobiographical journey through Swift’s extensive discography, started in Arizona in March 2023. Over the next 630-plus days, Swift performed 149 shows — each more than three hours long — in over 50 cities across five continents.
The show’s 10 acts span the distinct eras of Swift’s career, each defined with its own color scheme, costume and stage design, plus two ever-changing “surprise songs” during the acoustic portion of the night.
A steady stream of surprises, setlist changes and special guests held fans’ attention for the duration of the tour, with many tuning into livestreams and following dedicated fan accounts on social media.
And, of course, people watched in person.
Much has been written about “Swiftonomics,” or how the tour boosted local economies across the U.S. and around the world. Fans traveled hundreds or even thousands of miles, sometimes for more than one show, spending money on lodging, food and costumes along the way.
Their enthusiasm made history.
The tour set attendance records at scores of iconic stadiums, from Pittsburgh to São Paulo. Swift also set records for the most shows by a female artist at multiple venues, from Chicago to Mexico City to Lisbon to London — where she headlined a record eight shows at Wembley Stadium.
Eras set an all-time record when it grossed $1 billion last December — the first tour to ever cross the 10-digit threshold — according to the concert trade publication Pollstar. And that was with one year still to go.
This week, after her final shows in Vancouver, the singer’s production company confirmed the tour’s total ticket sales for the first time, telling the New York Times that it had brought in a whopping more than $2 billion.
That’s not including the secondary market of ticket sellers (remember when a botched Ticketmaster rollout prompted a Senate hearing and class-action lawsuit against the company?).
And it doesn’t account for other profits from the tour, including sales from merchandise ($200 million in 2023 alone) and tickets to Swift’s concert film, which became the highest-grossing concert film of all time (more than $261.6 million globally) after its October 2023 release. Swift also released a $40 coffee-table book with pictures and reflections from the tour in late November, which sold nearly 1 million copies in its first week.
On her final night onstage in Vancouver on Sunday, Swift described the tour as “the most thrilling chapter of my entire life to date” and credited her fans. Swifties started their own special set of Eras Tour traditions, like trading homemade friendship bracelets in the crowd and chanting and clapping at specific cues with archer-like precision.
“Making friends and bringing joy to each other, that is I think the lasting legacy of this tour, is the fact that you have created such a space of joy and togetherness and love. You’re why this is so special,” Swift said. “And you supporting me for as long as you have is why I get to take these lovely walks down memory every single night because you cared about every era of my entire life that I’ve been making music, so thank you.”
The Eras Tour by the numbers:
- Swift performed 149 shows between March 2023 and December 2024.
- The tour traveled to 51 cities across 21 countries.
- A typical Eras show featured 44-46 songs and ran for 3 hours and 15 minutes.
- Swift spent a total of roughly 25 hours performing her 10-minute version of “All Too Well.”
- A total of 10,168,008 people purchased $2,077,618,725 in tickets — averaging about $204 per seat, Swift’s company told the NYT.
- Eighteen opening acts warmed up the crowd for Swift, including Sabrina Carpenter, Paramore and Phoebe Bridgers. Fifteen special guests, mostly musicians, joined her onstage in occasional surprise appearances.
- Swift wore more than 60 outfits throughout the tour and more than 250 custom pairs of shoes by designer Christian Louboutin.
- Swift’s biggest crowd (of both the tour and her entire career) was 96,000 people at the Melbourne Cricket Ground in Australia in February.
- In July 2023, Seattle fans danced so hard that they created the seismic equivalent of a 2.3 magnitude earthquake.
Meanwhile, during the tour:
- Swift was Spotify’s most-streamed artist for two years in a row, driving 26.6 billion global streams in 2024 alone.
- Time magazine named Swift its 2023 Person of the Year.
- Swift released three albums while on tour: She re-recorded “Taylor’s Version” of Speak Now and 1989 in 2023, and released The Tortured Poets Department in April 2024 (which also yielded four music videos).
- That’s in addition to her concert film, book and vinyl.
- Swift canceled her Vienna concerts after a terrorist plot to attack them was foiled, and postponed her second Brazil show due to heat after a fan died during the first one.
- Swift endorsed Democratic presidential candidate Kamala Harris, driving more than 400,000 visitors to a voting registration website and prompting blowback from President-elect Donald Trump.
- The U.S. Department of Justice filed a civil antitrust suit against Live Nation Entertainment and its subsidiary, Ticketmaster, alleging it created a monopoly on live ticket event prices — a step that satisfied many disappointed Swifties.
- Swift stopped dating actor Joe Alwyn and started dating Kansas City Chiefs tight end Travis Kelce (and attending his games, where she made “seemingly ranch” an overnight sensation). Swift somehow made it to Las Vegas from Tokyo overnight to see — and be seen — when the Chiefs won the 2023 Superbowl.
- Their very public relationship has won delighted fans, driven up female NFL viewership and stadium ticket prices and even inspired a Hallmark holiday movie.
What’s next?
- Some possible downtime for Swift, who will turn 35 on Dec. 13.
- Fans eagerly await her last two re-recorded albums: her self-titled 2006 debut, and 2017’s Reputation.
- The singer was nominated for six Grammys, including album, song and record of the year. The awards show is scheduled for Feb. 2.
Lifestyle
She gave her drab L.A. apartment a stunning makeover for $2,500
As an art director with a background in theater, Mary Kenny has a flair for interior design that rivals her skills as an event planner in the entertainment industry.
For her, there is no such thing as “too busy” when decorating her 600-square-foot apartment. “I like to have a sense of humor,” says the self-described maximalist. “Your home shouldn’t be too serious. I want my space to feel balanced between funky and chill.”
Kenny, a native of North Carolina, is accustomed to living small. Before moving into her apartment a little over a year ago, she lived in a 250-square-foot bachelor apartment without a kitchen.
“I traveled all the time,” she says, justifying life without a stove and refrigerator. Then the pandemic hit. “I spent a year there,” she says. “Thankfully, it was only $1,000 a month.”
When it came time to find a more appropriate apartment in Los Angeles, where more than half the population is renters, she had difficulty tracking down something she liked that she could afford. “The listings would say there’s laundry, and there wasn’t. Or there was parking, and there wasn’t.”
She says the apartment she eventually moved into isn’t perfect, but it’s rent-stabilized at $1,700 a month. “I always dreamed of owning a home,” she says. “It’s hard to accept that it’s not the American Dream anymore.”
A thrifted sofa, drop cloths, a Magic 8 Ball — Mary Kenny’s apartment in L.A. is a stylish retreat that didn’t break the bank.
At a time when thrifting is booming for its economic and environmental benefits, especially among Gen Z consumers, Kenny, herself a millennial at age 36, has shown that it’s possible to create a stylish, humorous and budget-friendly retreat with secondhand finds.
Spending roughly $2,500, she has transformed an unremarkable one-bedroom apartment with gray vinyl floors into a vibrant representation of who she is: colorful and fun.
“I’m not afraid of mixing patterns and textures,” she says.
With a resourceful eye, Kenny has furnished her apartment with Facebook Marketplace finds, thrift store treasures and free hand-me-downs from friends. Her resourcefulness is not just impressive; it’s inspiring. She proudly estimates that her apartment is about 80% thrifted. Her only new splurges? A standing desk for her work-from-home setup and colorful, one-of-a-kind hand block-printed bedding from Anthropologie.
Not a big cook, Kenny says the kitchen is her least inspired room. She left the all-white kitchen as is and added colorful accessories. (Mary Kenny)
“I don’t like to spend money,” says Kenny. She humorously refers to herself as a “cheapskate” who constantly looks for unique pieces on Facebook Marketplace and Craigslist. Like her, her home is a work in progress, continually being reinvented.
Among her many bargain finds is a plush velvet sofa she purchased for $80 on Facebook Marketplace. “If my cats scratch it up, I can sell it for 50 bucks when I leave,” she says. Her queen-size bed is a hand-me-down from a friend. To make custom curtains similar to those she spotted at Anthropologie, she dyed a 6-by-9-foot canvas drop cloth from Harbor Freight, which cost $6.99. She says, “I cut the drop cloth into two panels, dyed them with fabric dye and then sewed them together.” If you don’t sew, don’t worry, she says, “you can cut them with pinking shears or use no-sew iron-on tape.”
A signed makeup wipe from Kenny’s favorite drag queen and black-and-white-checkered peel-and-stick vinyl flooring make a statement in the bathroom.
Kenny doesn’t think twice about stuffing furnishings from her treasure hunts into the back of her tiny Nissan Versa — she has been known to secure items with bungee cords — or repurposing everyday ephemera into something special.
“There was an episode of Marie Kondo’s ‘Tidying Up’ where she suggested displaying sentimental items rather than keeping them in boxes under the bed,” Kenny says of the family mementos, airline tickets and pet portraits she has on display in her gallery wall. Other items, such as a collection of greeting cards attached to a bulletin board filled with buttons, paper hearts and photo booth pictures, demonstrate the importance of her few family heirlooms. “I wish I had more,” she says. “I’ve moved around a lot and was never able to keep larger things.”
Above her couch, she has hung her most prized family possessions: photos of her grandmother featured in the Evansville Press in Indiana in 1964 after she learned to skydive and joined a parachute club.
When asked for tips on arranging a gallery wall, Kenny recommends laying it out on the floor first. “I used to do brown paper templates and be really picky,” she says, “but now my strategy is just maintaining lines. I pick one item to be the center and move outward from there, trying to line up the bottom of the first item with the bottom of the second, then the third item lines up with the top of the second and so on.”
When it comes to hanging the frames on the wall, she swears by a blue tape method by @lemonleafhomeinteriors that she viewed on TikTok.
But Kenny’s apartment is not just about thrifting; it also showcases her versatile do-it-yourself skills. She created a vibrant botanical mural in the dining room by transferring the pattern onto Tempaper & Co. paintable removable peel-and-stick wallpaper using a projector, tracing it with a pencil and painting it with affordable acrylic craft paints from Michaels. Outlined with a Krink paint marker, the oversize gerbera daisy mural makes a statement from every room in the apartment. “The mural is a fun way to add color to walls without having to repaint when you move out,” she says.
Kenny notes that the “rental-friendly” peel-and-stick mural and bathroom decor are removable and that she restores the walls and fills any holes upon move-out; however, it’s always best to check with your landlord before you embark on your own renovations.
To provide privacy from a nearby apartment building in her Larchmont neighborhood, Kenny put Prism privacy film on the windows of her kitchen and living room and installed NoNo no-drill curtain brackets, specifically designed to attach to mounted blinds. “It’s a rental-friendly way to hide” blinds, Kenny says.
Though she has a keen design sense, Kenny likes to use the free online tool Floorplanner, which creates 3-D floor plans. The tool helps her understand the scale of the items she’s buying and how they’ll all fit together in her space. “It’s immensely helpful,” she says. “You can experiment with different layouts and furniture arrangements before making any purchases.”
Of all the places to make a statement, however, Kenny says money goes a long way in the bathroom. “Bathrooms are the perfect place to be silly,” she says of her lipstick kiss-themed bathroom, inspired by a makeup wipe she purchased from her favorite drag queen, Tammie Brown, on Instagram and later framed. “I used peel-and-stick wallpaper, Tempaper & Co. paintable wallpaper and a faux flexible chair rail to transform this space. The floors are black-and-white checkered peel-and-stick vinyl. I wanted it to feel over the top.”
She succeeded.
Looking back to when she was growing up, Kenny recalls begging her mother to let her redo her bedroom. “I painted the walls and outfitted the two twin beds with leopard-print bedspreads,” she says. “I feel like I’m still in that stage.”
For her next project, Kenny hopes to move to a two-bedroom soon. “I’m working on becoming a foster parent,” she says.
The prospect of reimagining another blank slate and starting anew is enticing for the creative force. “I think I’d sell things that feel easy to come by, not especially unique or actually vintage,” says Kenny. “My favorite thing is selling something for the exact amount I bought it for. It’s like I rented it for free. My second favorite thing is not having to move it myself.”
Makeover budget
Here, Kenny — a “track every expense” kind of person — breaks down the budget for her rental apartment makeover.
Lifestyle
Ruby slippers worn in 'The Wizard of Oz' are auctioned for a record $28 million
MINNEAPOLIS — A pair of iconic ruby slippers that were worn by Judy Garland in The Wizard of Oz and stolen from a museum nearly two decades ago sold for a winning bid of $28 million at auction Saturday.
Heritage Auctions had estimated that they would fetch $3 million or more, but the fast-paced bidding far outpaced that amount within seconds and tripled it within minutes. A few bidders making offers by phone volleyed back and forth for 15 minutes as the price climbed to the final, eye-popping sum.
Including the Dallas-based auction house’s fee, the unknown buyer will ultimately pay $32.5 million.
Online bidding, which opened last month, had stood at $1.55 million before live bidding began late Saturday afternoon.
The sparkly red heels were on display at the Judy Garland Museum in her hometown of Grand Rapids, Minnesota, in 2005 when Terry Jon Martin used a hammer to smash the glass of the museum’s door and display case.
Their whereabouts remained a mystery until the FBI recovered them in 2018. Martin, now 77, who lives near Grand Rapids in northern Minnesota, wasn’t publicly exposed as the thief until he was indicted in May 2023. He pleaded guilty in October 2023. He was in a wheelchair and on supplementary oxygen when he was sentenced last January to time served because of his poor health.
His attorney, Dane DeKrey, explained ahead of sentencing that Martin, who had a long history of burglary and receiving stolen property, was attempting to pull off “one last score” after an old associate with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value. But a fence — a person who buys stolen goods — later told him the rubies were just glass, DeKrey said. So Martin got rid of the slippers. The attorney didn’t specify how.
The alleged fence, Jerry Hal Saliterman, 77, of the Minneapolis suburb of Crystal, was indicted in March. He was also in a wheelchair and on oxygen when he made his first court appearance. He’s scheduled to go on trial in January and hasn’t entered a plea, though his attorney has said he’s not guilty.
The shoes were returned in February to memorabilia collector Michael Shaw, who had loaned them to the museum. They were one of several pairs that Garland wore during the filming, but only four pairs are known to have survived. In the movie, to return from Oz to Kansas, Dorothy had to click her heels three times and repeat, “There’s no place like home.”
As Rhys Thomas, author of The Ruby Slippers of Oz, put it, the sequined shoes from the beloved 1939 musical have seen “more twists and turns than the Yellow Brick Road.”
Over 800 people had been tracking the slippers, and the company’s webpage for the auction had hit nearly 43,000 page views by Thursday, said Robert Wilonsky, a vice president with the auction house.
Among those bidding to bring the slippers home was the Judy Garland Museum, which posted on Facebook shortly after that it did not place the winning bid. The museum had campaigned for donations to supplement money raised by the city of Grand Rapids at its annual Judy Garland festival and the $100,000 set aside this year by Minnesota lawmakers to help the museum purchase the slippers.
After the slippers sold, the auctioneer told bidders and spectators in the room and watching online that the previous record for a piece of entertainment memorabilia was $5.52 million, for the white dress Marilyn Monroe famously wore atop a windy subway grate.
The auction also included other memorabilia from The Wizard of Oz, such as a hat worn by Margaret Hamilton, who played the original Wicked Witch of the West. That item went for $2.4 million, or a total final cost to the buyer of $2.93 million.
The Wizard of Oz story has gained new attention in recent weeks with the release of the movie Wicked, an adaptation of the megahit Broadway musical, a prequel of sorts that reimagines the character of the Wicked Witch of the West.
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