Culture
How Patrick Mahomes, Chiefs pulled off another magic act, complete with a doink
KANSAS CITY, Mo. — You just knew they were going to win. The Chiefs knew they were going to win. The fans inside Arrowhead Stadium knew it. Perhaps most of the millions of people watching “Sunday Night Football” on NBC did, too.
Whether you love them or hate them — or are just tired of them — the Chiefs won, yet again, in another close game that left their opponent, this time the Los Angeles Chargers, shaking their heads.
The Chiefs are a high-wire circus act. They don’t just execute the trick of winning one-score game after one-score game. No. They must increase the danger, decrease their odds of a successful landing and find a new way to escape embarrassment.
“As long as we have a chance to go out there and have the ball and make a play happen, I feel like we’re going to make it happen,” quarterback Patrick Mahomes said.
Instead of a comfortable, dominant win over a divisional rival, the Chiefs blew a 13-point lead in the second half before Mahomes became a magician in the game’s most critical moments to once again lead his teammates to a dramatic comeback win, 19-17 over the Chargers.
Mahomes, though, didn’t score the game-winning points. Coach Andy Reid decided to have Mahomes, once he drove the offense into the red zone, kneel twice before calling a timeout with one second left on the clock to set up a game-winning field goal for Matthew Wright, the Chiefs’ third-string kicker. Then Reid decided not to watch Wright attempt his 31-yard kick. Reid kept his face forward as if staring into a void. The joke was on Reid, who had to be told that the ball hit the inside of the left upright before going through. The moment led starting kicker Harrison Butker — out with a left knee injury — to smile and laugh.
“I wanted it to go right down the middle, obviously,” Wright said. “I’m just happy it went in. … I don’t like to think about hitting the upright.”
Unreal 🤯 pic.twitter.com/Wx4a3YhaR1
— NFL (@NFL) December 9, 2024
Within minutes of his game-winning doink, Wright was on the field for NBC’s postgame interview next to Mahomes and pass rusher Chris Jones. Wright, who joined the Chiefs two weeks ago, was one of the first players to don a crisp new black ballcap, the commemorative item in honor of the team being crowned as champion of the AFC West for the ninth consecutive season.
The Chiefs entered Sunday with 14 consecutive victories in games decided by one score, the longest streak in NFL history.
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But as the Chiefs aim to capture an unprecedented third straight Super Bowl victory, this season has been about the team’s last-second victories, each one seemingly weirder than the last. Including Sunday, half of the Chiefs’ 12 victories this season have been decided on the final play — Ravens tight end Isaiah Likely’s right big toe being out of bounds instead of a touchdown as time expired, Butker’s game-winning kick over the Bengals, running back Kareem Hunt’s touchdown in overtime over the Buccaneers, linebacker Leo Chenal’s diving block in the win over the Broncos and kicker Spencer Shrader’s field goal over the Panthers.
“I’d much rather it be like this — and win games and find new ways to win — than to be losing them,” tight end Travis Kelce said. “Looking at it from last year, one of the biggest things was being able to calm the storm that’s around us and focus on us and keep getting better. This is just another version of that, trying to find ways to win and keep finding ways to get better, so at the end of the season we’re playing our best ball.”
This “How ‘bout those Chiefs!” means even more 🏆 pic.twitter.com/huqt8s9QKh
— Kansas City Chiefs (@Chiefs) December 9, 2024
The Chiefs offense still isn’t humming. For the second consecutive week, the Chiefs scored only one touchdown. Inserting veteran D.J. Humphries at left tackle didn’t fix the offensive issues. Humphries did his best to help stabilize the offensive line, but Mahomes was hit a season-high 13 times by the Chargers. Given the circumstances, Mahomes was still brilliant when necessary, especially when he was hit or about to get hit.
“We’ve played a lot of good defenses,” Mahomes said. “That’s the one bad thing when you win the Super Bowl: You play the best schedule. We’ve played a lot of good defensive ends, defensive linemen. For myself, it’s just finding the soft spot in the pocket. On some of the early third downs, I was kind of running into (pressure). I thought I did better as the game went on.”
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The Chiefs’ final drive began with less than five minutes left. Mahomes was put at a disadvantage: He would be forced to pass the ball over and over again and the Chargers knew they would have plenty of opportunities to rush him in hopes of generating a negative player or a game-winning turnover.
Then Mahomes was at his slippery best. On third-and-10 from the Chiefs’ 4o-yard line, Mahomes evaded three defenders in the pocket, moved to his left and jumped to complete a 14-yard pass to rookie Xavier Worthy.
Mahomes things 🤷♂️ pic.twitter.com/fFF1YhaamM
— NFL (@NFL) December 9, 2024
On third- and fourth-down plays this season, Mahomes has generated 50 total expected points added, according to TruMedia. No other quarterback has more than 33 total expected points added (Buffalo’s Josh Allen).
But after the next snap, the difficulty increased for Mahomes: Humphries left the game with a hamstring injury. He was replaced by Wanya Morris, a second-year player who allowed 11 pressures on 48 pass-blocking snaps the previous week in the Chiefs’ win over the Las Vegas Raiders.
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“I wanted to show why I was there in the first place and why this team trusted me,” Morris said. “It’s definitely good to put last week behind me, but not to forget that embarrassment that I felt. I feel that’s very essential to me growing.”
Mahomes’ final third-down snap began at the Chargers’ 20-yard line after the two-minute warning. With the Chargers having exhausted their timeouts, some teams would’ve elected to run the ball to keep the clock running. Before the Chiefs’ third-and-7 snap, Mahomes said one sentence to Reid to help convince him to call a pass play.
“I’ll make something happen,” Mahomes told Reid.
When the play needs to be made, 1️⃣5️⃣ makes the play. pic.twitter.com/TIEKFwmPgk
— NFL (@NFL) December 9, 2024
Mahomes made sure the Chargers never got the ball again. He rolled to his right and waited long enough — and avoiding linebacker Daiyan Henley — to find Kelce for a 9-yard completion.
“I thought the Chargers did a nice job,” Reid said. “They zoned us off. That’s more of a (play against man-to-man coverage). They had been playing man up to that point. If they would’ve done that, it would’ve been a great call.”
Not surprisingly, Mahomes was assisted by his wild card of a teammate in Kelce, who improvised his route.
“He’s supposed to run a corner route,” Mahomes said of Kelce with a blank expression. “It is what it is. I went through my reads. As I went to get ready to run, I just saw (No.) 87 just sitting right there in the middle of the field.”
Kelce didn’t reveal what led him to change his route or how he did it to surprise the Chargers. Kelce did share that, unlike Reid, he watched Wright make the winning kick.
“Oh, yeah, I saw it hit the upright,” Kelce said. “The bank is open on Sundays, man.”
(Photo of Patrick Mahomes and Travis Kelce: Jamie Squire / Getty Images)
Culture
Book Review: ‘When the Forest Breathes,’ by Suzanne Simard
WHEN THE FOREST BREATHES: Renewal and Resilience in the Natural World, by Suzanne Simard
It’s the summer of 2023 and the Canadian forest ecologist Suzanne Simard is sitting tucked in the knobby embrace of an Amazonian tree trunk, imagining that she too is a tree as she “reached out with leaves unfurling to greet the sun.” She can feel the rat-a-tat of woodpeckers on her bark, the stretch of her roots in the soil below. She draws strength from a sense of family: “The trees were in my blood. They were my kin.”
But in Simard’s new book, “When the Forest Breathes,” trees are not just supportive relatives. They are teachers and healers, capable of communication and perception, a woodland congregation in which young trees grow “in halos” around their elders. Back in Canada, she describes a forest visit that further amplifies that sense of magic, a moment in which she stands beneath aged cedars, “the supernatural trees, the grandmothers,” listening as they whisper wisdom on the breeze.
All of which brings a heady, inspirational quality to her writing as she urges readers to hear the forest as she does. “Nature is waiting for us to listen,” she writes, “and to learn.” The siren quality of her message is almost tangible, as is the allure of gaining knowledge from the Zen master inhabitants of the ancient forests.
And yet. I find myself considering the message in my annoyingly cautious, science-writerly way. Would I find it inspiring to be pecked by a woodpecker? Probably not. Have I ever thought of myself as a tree? Probably never. Is this the measured language we hear from most scientists? Not even close. Simard emphasizes this point in the book: her growing sense of alienation from the methodologies of Western science, its tendency to obsess over small details and, as she sees it, miss the forest for the trees. “I found myself longing to push back against these rigid boundaries,” she writes, and to find “other ways of seeing and knowing the natural world.”
This longing derives in part from her collaborations with Indigenous scientists on Canadian forest management, which led her to deeply admire their more holistic approach to nature. She cites studies showing that “Indigenous-held land,” including forests, “contained some of the most biodiverse and carbon-rich ecosystems in the world.” Amid perilous global climate change, Simard is drawn to their loving attitude to nature as her “philosophical and spiritual home.”
Increasingly, she feels more anchored in their worldview than in that of her longtime research community. A professor of forest ecology at the University of British Columbia, Simard published her first semi-autobiographical book, “Finding the Mother Tree,” in 2021, and it became an international best seller. In it she wove her central theory about the forest — that trees “talk” to one another through an underground network of connective fungi, fostering an intergenerational system in which older trees protect and help the younger ones — with her own experience of grief and illness, emphasizing the parallels between the lives of trees and those of humans.
Despite the book’s rapturous public reception, the scientific community’s response was often unenthusiastic. Other biologists accused her of exaggerating the evidence for cooperation among organisms at the expense of “the important role of competition in forest dynamics.” They worried she was selling a forest story that might be only partly true. And they disliked her use of anthropomorphizing descriptors like “mother tree,” which suggested these organisms should be valued for their similarities to humans, instead of for their own remarkable biology.
Simard admits to having been hurt and frustrated by these accusations, to which she responded with a point-by-point rebuttal in a scientific journal. She returns to these grievances in the new book, where she expresses resentment for the demeaning accusation of anthropomorphism (“the mere utterance of the word” in Western science “suggests the scientist who makes this blasphemous mistake is not an objective observer, but rather impure, intuitive and subjective, perhaps lacking integrity”), and the resistance to her efforts to do justice to the inherent poetry of the forest.
This book is not, however, a rejection of the insights that good science — including Simard’s own — can bring. She provides examples of experiments showing how the heavy machinery used by loggers destroys the ability of the forest floor to sequester carbon; and how clear-cutting of old-growth forests can turn wooded lands into places that release carbon into the atmosphere rather than absorbing it.
Given the urgency of climate change, Simard’s dissatisfaction with the standard research model is in many ways a dissatisfaction with communication. If we are to protect our endangered forests, she argues, then science needs to be less timid in its messaging. She urges her colleagues to take a lesson from the First Nations people who fight for what they believe. To “stand tall in the wind,” as the Mother Trees do.
WHEN THE FOREST BREATHES: Renewal and Resilience in the Natural World | By Suzanne Simard | Knopf | 310 pp. | $30
Culture
Do You Recognize These Snappy Lines From Popular Crime Novels?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment celebrates lines from popular crime novels. (As a hint, the correct books are all “firsts” in one category or another.) In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the novels if you’re intrigued and inspired to read more.
Culture
Xia De-hong, 94, Dies; Persecuted in China, She Starred in Daughter’s Memoir
Xia De-hong, who survived persecution and torture as an official in Mao Zedong’s China and was later the central figure in her daughter’s best-selling 1991 memoir, “Wild Swans: Three Daughters of China,” died on April 15 in Chengdu, China. She was 94.
Ms. Xia’s death, in a hospital, was confirmed by her daughter Jung Chang.
Ms. Chang’s memoir, which was banned in China, was a groundbreaking, intimate account of the country’s turbulent 20th century and the iron grip of Mao’s Communist Party, told through the lives of three generations of women: herself, her mother and her grandmother. An epic of imprisonment, suffering and family loyalty, it sold over 15 million copies in 40 languages.
The story of Ms. Chang’s stoic mother holding the family together while battling on behalf of her husband, a functionary who was tortured and imprisoned during Mao’s regime, was the focus of “Wild Swans,” which emerged out of hours of recordings that Ms. Chang made when Ms. Xia visited her in London in 1988.
Ms. Xia was inspired as a teenager to become an ardent Communist revolutionary because of the mistreatment of women in the Republic of China, as well as the corruption of the Kuomintang nationalists in power. (Her own mother had been forced into concubinage at 15 by a powerful warlord.)
In 1947, in Ms. Xia’s home city of Jinzhou, the Communists were waging guerrilla war against the government. She joined the struggle by distributing pamphlets for Mao, rolling them up inside green peppers after they had been smuggled into the city in bundles of sorghum stalks.
Captured by the Kuomintang, she was forced to listen to “the screams of people being tortured in the rooms nearby,” her daughter later wrote. But that only stiffened her resolve.
She married Chang Shou-yu, an up-and-coming Communist civil servant and acolyte of Mao, in 1949.
It was then that disillusionment began to set in, according to her daughter. The newlyweds were ordered to travel a thousand miles to Sichuan, her husband’s home province. Because of Mr. Chang’s rank, he was allowed to ride in a jeep, but she had to walk, even though she was pregnant, and suffered a miscarriage as a result.
“She was vomiting all the time,” her daughter wrote. “Could he not let her travel in his jeep occasionally? He said he could not, because it would be taken as favoritism since my mother was not entitled to the car.”
That was the first of many times that her husband would insist she bow to the rigid dictates of the party, despite the immense suffering it caused.
When she was a party official in the mid-1950s, Ms. Xia was investigated for her “bourgeois” background and imprisoned for months. She received little support from Mr. Chang.
“As my mother was leaving for detention,” Ms. Chang wrote, “my father advised her: ‘Be completely honest with the party, and have complete trust in it. It will give you the right verdict.’ A wave of aversion swept over her.”
Upon her release in 1957, she told her husband, “You are a good Communist, but a rotten husband.” Mr. Chang could only nod in agreement.
He became one of the top officials in Sichuan, entitled to a life of privilege. But by the late 1960s, he had become outraged by the injustices of the Cultural Revolution, Mao’s blood-soaked purge, and was determined to register a formal complaint.
Ms. Xia was in despair; she knew what became of families who spoke out. “Why do you want to be a moth that throws itself into the fire?” she asked.
Mr. Chang’s career was over, and both he and his wife were subjected to physical abuse and imprisoned. Ms. Xia’s position was lower profile; she was in charge of resolving personal problems, such as housing, transfers and pensions, for people in her district. But that did not save her from brutal treatment.
Ms. Xia was made to kneel on broken glass; paraded through the streets of Chengdu wearing a dunce’s cap and a heavy placard with her name crossed out; and forced to bow to jeering crowds.
Still, she resisted pressure from the party to denounce her husband. And unlike many other women in her position, she refused to divorce him.
Twice she journeyed to Beijing to seek his release, the second time securing a meeting with the prime minister, Zhou Enlai, who was considered a moderate. Ms. Xia was “one of the very few spouses of victims who had the courage to go and appeal in Peking,” her daughter wrote in “Wild Swans.”
But Ms. Xia and her husband never criticized the Cultural Revolution in front of their children, checked by the party’s absolute power and the fear it inspired.
“My parents never said anything to me or my siblings,” Ms. Chang wrote. “The restraints which had kept them silent about politics before still prevented them from opening their minds to us.”
She was held at Xichiang prison camp from 1969 to 1971 as a “class enemy,” made to do heavy labor and endure denunciation meetings.
The camp, though less harsh than her husband’s, was a bitter experience. “She reflected with remorse on the pointlessness of her devotion,” her daughter wrote. “She found she missed her children with a pain which was almost unbearable.”
Xia De-hong was born on May 4, 1931, in Yixian, the daughter of Yang Yu-fang and Gen. Xue Zhi-heng, the inspector general of the metropolitan police in the nationalist government.
When she was an infant, her mother fled the house of the general, who was dying, and returned to her parents, eventually marrying a rich Manchurian doctor, Xia Rui-tang.
Ms. Xia grew up in Jinzhou, Manchuria, where she attended school before joining the Communist underground.
In the 1950s, when she began to have doubts about the Communist Party, she considered abandoning it and pursuing her dream of studying medicine, her daughter said. But the idea terrified her husband, Ms. Chang said in an interview, because it would have meant disavowing the Communists.
By the late 1950s, during the Mao-induced Great Famine that killed tens of millions, both of her parents had become “totally disillusioned,” Ms. Chang said, and “could no longer find excuses to forgive their party.”
Mr. Chang died in 1975, broken by years of imprisonment and ill treatment. Ms. Xia retired from her government service, as deputy head of the People’s Congress of the Eastern District of Chengdu, in 1983.
Besides Ms. Chang, Ms. Xia is survived by another daughter, Xiao-hong Chang; three sons, Jin-ming, Xiao-hei and Xiao-fang; and two grandchildren.
Jung Chang saw her mother for the last time in 2018. Ms. Chang’s criticism of the regime, in her memoir and a subsequent biography, made returning to China unthinkable. She told the BBC in a recent interview that she never knew whether her mother had read “Wild Swans.”
But the advice her mother gave her and her brother Xiao-hei, a journalist who also lives in London, was firm: “She only wanted us to write truthfully, and accurately.”
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