Lifestyle
Restaurateur Rose Previte shares recipes she learned from women around the world
TONYA MOSLEY, HOST:
This is FRESH AIR. I’m Tonya Mosley. One of the first lessons restaurateur Rose Previte learned early in life was what she calls the secret code – the ways her family used food to hold on to culture. Previte grew up in a small town in Ohio eating almost exclusively home-cooked Lebanese dishes that were passed down from her great-grandparents who immigrated to the U.S. But as she writes in her new cookbook, “Maydan: Recipes From Lebanon And Beyond,” it took a life-changing move to Russia for her to discover that following in her family’s footsteps was her calling. In her new cookbook, which Bon Appetit recently named one of the best cookbooks of the year, Previte shares some of her family’s tried and true recipes, as well as recipes from home cooks throughout the Middle East and Eastern Europe. Many of these recipes come from areas we often think of as conflict and war zones like Lebanon, Georgia, and Ukraine.
Previte owns four D.C. area restaurants – Compass Rose, which serves street food from around the world like Jamaican curried conch, Mexican tacos al pastor and Algerian vegetable tagine, the Kirby Club in Virginia, which specializes in kebabs, and the Michelin star-rated Maydan, which serves food from Lebanon and other parts of the Middle East. She also runs the neighboring cocktail bar Medina.
Rose Previte, welcome to FRESH AIR.
ROSE PREVITE: Thank you for having me. That was a kind introduction.
MOSLEY: Maydan is such a rich word because as we learn from you, it’s a word that carries across regions and languages and it means the same thing.
PREVITE: I find it a really powerful word. And, you know, ironically, it is an Arabic word that I learned in Kyiv, Ukraine, which seems like not a place where you would hear a lot of Arabic. But as I was sightseeing while my husband was working back in, like, I guess it was 2009, I just kept hearing everyone say meet at the Maydan, meet at Maydan. And I came to find out it was sort of the slang, you know, or the colloquial, local way of saying, like, the main square, which I believe is Freedom or Independence Square, technically, but generically it’s called Maydan. And so I looked into it a little bit more and realized in Tbilisi, Georgia, in Tehran, Iran, in all of these countries, the word is used in the exact same way to mean this kind of central gathering place. And I thought that was the power of what I wanted my restaurant spaces to be. You know, like where the food is very similar throughout a vast region but it’s actually all the same at the end of the day.
MOSLEY: In this cookbook, we not only learn recipes from home kitchens that span across the Middle East and Eastern Europe, we also learn your origin story, how you came to this idea of bringing home kitchen food from the world into a restaurant setting, so I think it’s best to start there because your journey started with a three-year stint in Russia beginning around 2009. And your husband is journalist David Greene, who folks may know as the former host of Morning Edition. At the time, he had gotten a job as a foreign correspondent in Russia. This was his dream job. But this is not – it was not part of your life plan.
PREVITE: Oh, no, no, no, no, no. Absolutely. I don’t know if any of my life plan went the way I expected after I met David, but (laughter) most of that is a very good thing, actually. We were living in New York City just one year exactly when he came home and said that there was an opening in the Moscow bureau. And nowhere in my whole life had I desired to live in Russia. But…
MOSLEY: Had you ever visited before?
PREVITE: Oh, heck no. No. I had done study abroad in the south of Spain, I traveled Europe and I had an amazing sense of adventure, and the travel bug had 100% bit me after that study abroad experience. So I wanted the adventure. I wasn’t quite 30 years old, we didn’t have kids, so logically, I could justify the decision, right? And, you know, I was also probably overly confident that study abroad had prepared me for Moscow because it didn’t. I assure you, nothing prepares you for that. And I also think I underestimated the difficulty of not knowing the language before we went. Nothing I anticipated – and probably that’s why we went, ’cause had I realized how hard everything would be, I might not have agreed.
MOSLEY: You would have said no right away.
PREVITE: Yeah.
MOSLEY: The thing, as well, was that you had a career that you were headed towards in public policy.
PREVITE: Oh, yeah. I was fresh out of grad school with, like, the vigor of, you know, a young person who thinks they can go out and change the world now that they’ve studied, you know, the law and policy. And that’s what I went to D.C. for in the first place was to change the world and fix things. And I felt policy school was going to be that way. And I had worked for just one year exactly with the New York City Council, was really enjoying it. I was a policy analyst. So yeah, it wasn’t exactly in the cards to get on an airplane to Moscow exactly a year after moving there.
MOSLEY: So you all were stationed there in Moscow. You and David also, though, while you were living there, visited lots of other places. I think more than 30 countries. And this is where most of your culinary discoveries happened. You write about how you and David would try to eat local foods wherever you went.
PREVITE: Always. And David has a stomach of steel. I should also give credit to that. He can eat anything. That was the greatest part. We learned a lot in Russia, but the fact that we were able to travel was really powerful. It was to places we would never have been like, oh, let’s go on vacation to Kazakhstan. No.
MOSLEY: Yeah.
PREVITE: Like, Americans rarely say that, right? But there we were, Kazakhstan, Belarus, parts of Central Asia, and then in the Middle East, which I didn’t travel to as a child, so it was very cool to start going to Egypt and Turkey regularly. So it was all around, yeah, like, a food-filled travel experience. When David wasn’t working, we would explore together and often get lost together. And, you know, this is – by the way, he has a black market iPhone. I don’t. This is on just the cusp of iPhone. So we’re still getting around with, like, maps and stuff.
MOSLEY: Oh, you’ve got, like, “Thomas Guide”-type…
PREVITE: Oh…
MOSLEY: …Maps.
PREVITE: …We’ve got our “Let’s Go” books. We’ve got all that because truly, we don’t have that access that we have now. So we were getting lost a lot. But what would end up happening is almost always, we would find some amazing place to eat and find directions but then, you know, stayed for something, some snack, and then get back on our way once we figured out we weren’t forever lost and we were going to get home, you know?
MOSLEY: You all had something called the kebab test…
PREVITE: Oh.
MOSLEY: …Where you would have a kebab, and it would tell you something about a place.
PREVITE: We have this theory that, you know, almost all the countries we went to had a kebab culture of some sort, and it was always tied to street food. And that’s why Compass Rose’s first menu was based on…
MOSLEY: Your first restaurant.
PREVITE: …Street food from – yes. I’m sorry, Compass Rose, which we opened in 2014 after getting back to the U.S. But it was a menu of street foods from around the world because that is – was David and I’s favorite thing. And that tended to be where our greatest memory was held was, again, in some street stall, rarely a food truck. Let me tell you, the places we go, food trucks are really a privilege and luxury. Like, most of the time, you’re just talking a grill or a fire on the side of the road.
MOSLEY: Like a stand.
PREVITE: Just a stand. Yeah. There’s nothing fancy about it like we have here. So I’m talking just grills, fire, sometimes a whole goat is just hanging and they’re cutting off slices of goat and throwing it on the fire. Sometimes it’s camel. We did that in Oman. But we ate all of it, and we couldn’t have been happier. And then always had, like, some memory, like getting lost or finding someone amazing to talk to. And it always came back to the food. But the kebabs, like, to me, they carry, like, the flavors of whatever country you’re in. So often, it’s whatever spices – like, when we were in Oman, it was tamarind. Tamarind rubbed and marinated shrimp, and tamarind was a flavor that, for example, in Lebanese cooking, we don’t use that often. So it was just a profile that I will always associate with that trip, with that experience with the guy who was grilling the shrimp, who we begged for the recipe, who was really confused why we would want it.
MOSLEY: Oh, really?
PREVITE: Yeah.
MOSLEY: When you asked, he thought…
PREVITE: Yeah. I’m just, you know, there isn’t, like, some big food culture, restaurant culture in a lot of these places. So for me to say I’m dreaming of opening a restaurant one day, I’d really love to know how you made this, it takes a minute, and then usually there’s an element of, you know, kind of surprise and then flattery that’s like, oh, OK, you like it so much you would bring it back to America and put it in a restaurant.
MOSLEY: Yeah.
PREVITE: And, you know, we had that experience over and over again. But I feel like, yeah, the kebab tends to be a real, you know, example of what you’re going to find when you dig deeper into the food culture of that country.
MOSLEY: Well, what’s interesting about your restaurants and this cookbook is that you all traveled all around the world, but your eyes are kind of set on Eastern Europe and the Middle East and specifically places where we consider them conflict zones. Where anytime those areas are brought up, it’s in the context of something that has happened there. But you’re drawn to those areas.
PREVITE: Definitely. And I think my sense of adventure is great. So that overcomes fear, often. And David, as a travel companion who’s gone into war zones for his entire career, is not afraid of anything, you know, so we were definitely not afraid to travel to parts of this region, like, you know, generally called the Middle East, where, you know, a lot of us are trying to get away from that terminology, but for purposes of the cookbook, it was definitely easier to use that to describe the region. But I like to say we traveled from, you know, Tangier to Tehran and from Batumi to Beirut.
So if you think of that region of the world, that’s where we concentrated a lot of our travels from – while we were in Russia and since we’ve been back in the States, I go repeatedly back to Lebanon and to Turkey. I’m dying to go back to Oman, but I haven’t been there recently. And then the Republic of Georgia, which a lot of times is not associated – right? – with the Middle Eastern food, but it is the crossroads of everything. And you will hear me talk about it and you’ll hear it in the book…
MOSLEY: It’s in the cookbook.
PREVITE: …Over and over again.
MOSLEY: Yes.
PREVITE: Yeah. I’m sorry. I’m obsessed.
MOSLEY: You have a love affair with Georgia.
PREVITE: And not a drop of Georgian blood. I mean, you know…
MOSLEY: Yeah.
PREVITE: …23andMe will confirm.
MOSLEY: What is it about the people and the places and the food?
PREVITE: It is such a beautiful place physically. But the people, the hospitality, the food and the wine are like nothing I’ve experienced. And now we’ve been to over 60 countries. And Georgia reminded me so much of Lebanon or Lebanese culture where it’s like our love language is food. We are going to invite strangers to our table. We’re not afraid of you. We want – regardless of the fact that you don’t know who we are because, like you said, of conflict. If – it was part of the Soviet Union for so long that so many Americans just lump it with Russia, and it couldn’t be more different.
MOSLEY: One thing that you write about so beautifully in this cookbook is kind of the realization that you had given up your dreams for your husband. And so I want to go into that moment because it’s what Russia represented for you in that moment of time. Was there a particular moment or culmination of moments while you were there in Russia that you realized I’m not sure who I am in this moment?
PREVITE: It was a culmination, but – and it happened slowly, you know, and I think it was slow because I think I went in thinking I’d figure out something workwise. I figured I would, worst case, bartend ’cause that – I was a 10-year bartender back in D.C., you know, I was like, there’s – I’ll figure it out. But as it became more and more apparent there was nothing I could do. I couldn’t get a visa. I couldn’t speak the language. I was starting to get, you know, the realization that I was a housewife ’cause we didn’t have kids. And while I was traveling, it’s like everyone says, the grass is always greener. You’d think it’s so romantic, and my girlfriends at home are like, wait, all you do is follow your…
MOSLEY: Go to different countries.
PREVITE: …Husband around traveling?
MOSLEY: Yeah.
PREVITE: What the hell are you complaining about?
MOSLEY: Eating wonderful food.
PREVITE: Yeah.
MOSLEY: Yeah.
PREVITE: I’m like, I know, I know, and this is an enormous privilege and I’m 100% recognizing that. But I’m a little worker bee. I just got out of school. I’d never not worked in my whole life, and because I grew up in a very patriarchal home, it was very traditional and we came from a very traditional background of women stay home and men work, I was determined that I was not going to follow that pattern, and I think that’s why it really, really got me when I figured out that that’s what I was doing. And I talk in the book about cleaning this chicken – and it’s true. I was in the kitchen with, you know, my phone to my ear talking to David, who’s in the office, about what he wanted for dinner. And I’m literally holding a whole chicken over a sink. And I’m looking at – and I look in the mirror, there’s this big mirror, and it’s dark because it’s winter. So even though I’m making dinner, it’s pitch black…
MOSLEY: It’s 4 o’clock in the…
PREVITE: …Because…
MOSLEY: …Evening. Yeah.
PREVITE: Sure is. It’s 4 o’clock, and I have no idea what time it is ’cause it’s never gotten light because it’s winter in Russia. And I see this reflection of myself – chicken in hand, you know, phone on my ear. And I had seen my mother in…
MOSLEY: You saw your mother.
PREVITE: …In this pose…
MOSLEY: You saw your mom’s reflection.
PREVITE: …So many times. And my mother is so beautiful and so amazing in so many ways, but I knew that she didn’t get her dreams of what she wanted her life to be because she was raising kids and following a very old-fashioned way of being. And I had been so determined. And there I was, looking at myself like, well, here you are.
MOSLEY: If you’re just joining us, my guest today is restaurateur Rose Previte. She has a new cookbook called “Maydan: Recipes From Lebanon And Beyond.” We’ll continue our conversation after a short break. This is FRESH AIR.
(SOUNDBITE OF MUSETTE EXPLOSION’S “SWING VALSE”)
MOSLEY: This is FRESH AIR, and today, we’re talking to Rose Previte, owner of four restaurants and writer of a new cookbook called “Maydan: Recipes From Lebanon And Beyond.” Previte’s restaurants include the Kirby Club in Fairfax, Va., and the D.C.-based Michelin star-rated Maydan.
There was this important trip that happened near the end of your stint. You and David traveled the full route of the Trans-Siberian Railway, which – let me get this right – it spans 6,000 miles.
PREVITE: Yes.
MOSLEY: I bet a lot of contemplation about life and purpose happened with you on that train trip.
PREVITE: It comes full circle. This is, like, a full year – from the chicken moment to the train is probably, like, a full year of brooding – right? – because it was toward the end of the trip. I was really antsy to go back to work at this point. And then David says, my finale story is going to be this train from Moscow to Vladivostok, and it’s the length of the largest country in the world. And we’re going to take the regular old train. And so I…
MOSLEY: You got to describe this train.
PREVITE: I mean…
MOSLEY: But anyway, yeah.
PREVITE: There – surprisingly, I think everyone sees the vision of the train as cold. What’s funny is it’s below freezing every single day. Not one day did it ever get above freezing that we’re in Siberia in December in 2011, OK?
MOSLEY: So you’re wearing – what are you wearing on the train? Your full…
PREVITE: Well, by this point, I figured out what kind of winter coat. So, yeah, we’re all bundled up. But the train itself is actually very hot because it’s fueled by coal. It’s very warm. There’s a samovar full of water at the end of every train car. So the one gift the train gives you is constant hot water. So we’re eating, you know, ramen noodles and stuff like that, because the train car that has the dining car that has this huge menu actually turns out to have none of the food that’s on the menu. And it ended up being a joke with us because we – you know, after days – we’re talking, like, you go 60 hours without getting off the train, right?
MOSLEY: Yeah.
PREVITE: And the only thing you have to look forward to is the meal car. So we’d go down regardless of what train we were on because we would get off. We took three weeks to take this trip. You can do it in four days if you don’t get off at all. But we’re getting off in villages. We took three weeks to do it, so we were on different trains. But the one thing that every train had in common – and as a food person, you could understand my utter dismay – was a completely wretched food car. And there’d be this elaborate menu, as thick as the Bible.
MOSLEY: And you couldn’t get anything on it.
PREVITE: No.
MOSLEY: What could you get?
PREVITE: Borscht. You could get borscht.
MOSLEY: And you have to describe what that is.
PREVITE: I mean, the only thing they had was borscht, and we still laugh about it because we – like, chicken Kyiv, stuffed cabbage. We’d point to all these beautiful things, and they’d say, nyet, nyet, nyet – just no, no, no in Russian over and over and over. And then finally they’d say borscht, which is a beet-based vegetable soup. You can add meat if you want, but oftentimes on the train there was no meat. It was just vegetables in, you know, beets basically, so this red broth. And while good at first, it gets real, real old. Like, I couldn’t eat beets when we got back to the States for a couple of years. Like, it was memory of these long journeys and the just complete disappointment of thinking that you were going to get a nice hot meal, and all you would have was borscht.
So that was the state of the train – lots of tea, lots of ramen noodles. You would get off for a minute maybe at a stop, and you could buy, like, sausages or these stuffed baked goods. They were stuffed with potatoes or cabbage or whatnot, you know, on the side of the train tracks or something when we could jump off for a few minutes. But it really wasn’t enjoyable because it was freezing wherever you were. So to get off, it was like a shock of cold, and then you’d get back on the hot train, so…
MOSLEY: You did have these hosts though. You’d stop, and…
PREVITE: Oh, yeah.
MOSLEY: …People would host you. So what were some of the things that they fed you when you would stop at these homes?
PREVITE: It – and that’s the beauty. And that’s where I wanted to make the distinction between Moscow, because when we were out in – you know, deeper into Russia, into smaller towns and villages, we were very welcomed. People were very friendly. You know, David’s approaching them as a journalist, so often we would just be talking to strangers, but they would never just leave it at, I’m going to do this interview. They would always…
MOSLEY: They would always make you something.
PREVITE: …Invite us into their houses. Yeah. And so we were getting these beautiful pickled tomatoes, pickled cucumbers, pickled anything and vodka. Like, there’s really – that stereotype is real. Everyone did give us vodka. But again, what is in the heart of all of these stories that I’m telling you? It’s always food, and that I carried right back on to the train. And that started to bring me back to, you know, my somewhat angry, angsty, you know, musings about not knowing what to do with my life ’cause now we’re on the cusp of going back to the U.S. I haven’t worked in three years. We’re not moving back to New York. We’re moving back to D.C., where I hadn’t even worked a year before that. So now I’m, like, looking at five years of nothing on my resume and not knowing, you know, what was going to happen. And truly, those many, many days of frozen tundras and little wooden houses covered in snow – I mean, that’s what you’re looking at out the train window.
MOSLEY: As you’re looking out the window.
PREVITE: And again, no iPhone, and even if we did, there’s no charge, so, like, you can’t even charge your devices. There’s no electricity. So we are just thinking and talking and thinking. And that is really – if you’ve already been kind of musing on something, if you really want to hit it home, hit home, you know, the question you’re asking yourself, sit on the Trans-Siberian for 60 hours at a time over three weeks, and you will start to have clarity. And I realized, like, food was such a part of my life. By denying myself, you know, even contemplating how to make a career out of it, I was kind of denying part of myself.
And when I started to think about, you know, my mom, after all those years of taking care of us, she finally, at 60 – six-zero – years old, got her own restaurant, and she did finally use food to propel her dream of having a restaurant and start to feed the entire community. And she’d been doing that out of our house while she catered, you know, just from her kitchen growing up. But for 10 years, she did have her own business. And I saw her pride in that, and I saw her success, and it warmed my heart so, so much. But what I felt bad about was she got it so much later in life that she didn’t get to enjoy it.
And I had always been very, I think, conservative or not trusting myself up to this point. So this was a moment of also trusting myself that I can make a career out of food. And everyone knows the statistics on restaurants. Like, everyone knows that it’s not a good business to go into if you want any kind of stability or work-life balance. So most of the odds are against you. But in that moment, I was like, you know what? Why don’t I just do it now? That’s what I’m going to do. I’m going to go back to America, and I’m going to at least explore how you start your own business in food, having no idea how, but I would figure it out.
MOSLEY: Our guest today is Rose Previte. She’s a restaurateur with four restaurants in the Washington, D.C., area. She has a new cookbook called “Maydan: Recipes From Lebanon And Beyond.” More after a break. I’m Tonya Mosley, and this is FRESH AIR.
(SOUNDBITE OF AARON GOLDBERG AND GUILLERMO KLEIN’S “AIRPORT FUGUE”)
MOSLEY: This is FRESH AIR. I’m Tonya Mosley. And if you’re just joining us, my guest today is restaurateur Rose Previte. She’s the owner of three restaurants and the writer of a new cookbook called “Maydan: Recipes From Lebanon And Beyond.” Previte’s restaurants include the D.C.-based Compass Rose, which serves street food from around the world, the Kirby Club in Fairfax, Va., and the Michelin-starred Maydan, which specializes in North African and Middle Eastern cuisines. Previte is also the co-founder of the wine company Go There Wines. Her love of Lebanese food comes from her upbringing. Her great-grandparents migrated from Lebanon, and she grew up with her mother cooking Lebanese dishes almost seven days a week.
Rose, one of the really interesting threads in your book is what you call the inherited immigrant experience, and I was really drawn to that way of describing it because as Americans, we tend to separate ourselves from our immigrant heritage after a few generations. We separate ourselves and really don’t connect it to our current-day identity. Did you ever have a phase in life where you pulled away from your heritage?
PREVITE: You know, interestingly enough, no, because I think my parents’ generation did because of when they grew up. They grew up in civil rights era Detroit – my mom did – and it was a time of danger to look different or not American. And that was very much what my mom’s Lebanese family was. And so Arabic was taken away. Like, don’t speak this in school. Even though my mom grew up with her grandparents and as a kid did speak it, it was taken away for safety. And so their generation pulled away. But they kept it behind closed doors, you know, in the home. It was always the food. And then in moving us to a small town in Ohio where I grew up…
MOSLEY: Ada, Ohio.
PREVITE: Ada, Ohio, population 3,000. It is not a suburb of anything. The closest cities are Dayton, that’s about an hour away. Toledo was about an hour and a half away. And there, they knew they were going to have to overcompensate because there were no Lebanese restaurants until you got to Toledo…
MOSLEY: Yeah.
PREVITE: …About an hour and a half away. So we were going to have to – they were going to have to go on overdrive of passing down culture, and food was the way that they did it. And it was very much – my mom did an amazing job of making sure we were proud of it, even though it was quickly realized that we were different. That was part of our identity and something to be proud of. And I grew up in a place that while very – we were very different, we weren’t made fun of. I was very fortunate. Like, we weren’t made fun of for being different. We always felt a little odd, especially with…
MOSLEY: You felt other.
PREVITE: We felt other. We had the garlic-smelling house and we had, you know, we went to school with our clothes smelling like food. Nobody else’s did. Our lockers – and we had all those stories, but we were very welcomed. And by high school, it was, like, we were the house to eat at. Like, that’s definitely where you went for the good food, you know?
MOSLEY: What kinds of stuff would your mother make?
PREVITE: Oh, my gosh, I mean, all of the favorites. I mean, back then – this is like ’90s Ohio. You were drinking Mountain Dew and pizza at other people’s birthday parties.
MOSLEY: (Laughter) Yeah.
PREVITE: But at ours, we were either doing, like, authentic Sunday sauce, which, let me tell you, includes pig’s feet and things like that. That’s, you know, if we did the Italian stuff. But my mom would do, you know, kousa, like, the cored-out squash that are stuffed with lamb and rice, which is one of the recipes in the cookbook. Tabbouleh instead of just a green salad. We’d have a parsley tomato bulgur salad. You know, that was how the messaging was. This is who you are, and we’re not going to hide from it. In fact, we’re going to present at all of these parties…
MOSLEY: The teenagers were eating well, huh?
PREVITE: They were eating well. And I have three brothers, so there was constantly food. There was a lot of big boys who were eating in our house. And, you know, there was always food on the table, regardless of what time you stopped by. And we just came to identify pride with it. And again, because we weren’t – you know, we were accepted in the community, it was probably a little bit easier. And I know that’s harder for people who do deal with bullying and things like that. But we didn’t. And very quickly, we almost became cool for it. It’s still a little odd to be called exotic in high school, but that was a word often…
MOSLEY: You were called exotic.
PREVITE: I was called exotic. Other things, as well. But again, often by just – almost like people who didn’t know they were saying something inappropriate. Or asking what I was, that was, like, a daily basis. Like, well, what are you? Because you couldn’t be placed, exactly. So I quickly had to become, you know, articulate in how to explain where I’m from and why.
But that inherited immigrant experience was like, but I’m not, you know, myself, internally, I felt guilt because I knew I wasn’t born there. I knew my mother wasn’t born in Lebanon, but I was claiming this history and this culture and wanting to make sure that was OK because I hadn’t suffered through the immigration that my grandparents had gone – you know, generation had really suffered through. But so much of what they went through was passed on. Like, my mom grew up with her grandparents who were the ones that came from Lebanon. And she – you know, the hard work, the poverty was inherited, you know? And there’s just certain traits that are passed down to you from that that I felt were a huge part of my life and defined who I was. So it was kind of saying it’s OK for me to own this.
MOSLEY: You all would go to Detroit often, though. Your parents, your mother in particular, is from Detroit. Your aunts and uncles lived there – your grandparents. And Detroit has a very large Lebanese population. It actually does hold the distinction – or it held for a long time as having the largest Middle Eastern population outside of the Middle East. So you can get all types of food there. Lebanese food is just a regular thing that you can get just about anywhere. What did visiting Detroit as a kid mean to you?
PREVITE: Oh, well, you know, I mean, it was so fun ’cause all our cousins were there. So there was cooking, there was family, and then there was the stocking up. Because we lived a little bit farther away, for my mom to keep catering and keep Lebanese food on our table, we had to go to all the stores in Detroit and also in Toledo, and I was shocked when I got to D.C. and I couldn’t find the Lebanese stores that seemed so prevalent in, you know, Toledo and in Detroit. So those little trips were, like, a huge part of my upbringing and such a fun part of it.
MOSLEY: Let’s take a short break. If you’re just joining us, my guest today is restaurateur Rose Previte. She has a new cookbook called “Maydan: Recipes From Lebanon And Beyond.” We’ll continue our conversation after a short break. This is FRESH AIR.
(SOUNDBITE OF GILAD HEKSELMAN’S “DO RE MI FA SOL”)
MOSLEY: This is FRESH AIR. Today we’re talking to Rose Previte, owner of three restaurants and one cocktail bar and writer of a new cookbook called “Maydan: Recipes From Lebanon And Beyond.”
So I want to talk just a little bit about some of the dishes in the cookbook and some of the things you discovered just through your travels. Like, there’s a recipe in your book for something really simple – tomato cucumber salad. But you write how you don’t know if there’s a country in the world that does not have a version of this salad. Did you start to see patterns or similarities like this as you moved through these different regions?
PREVITE: Oh, for sure.
MOSLEY: I’m thinking about the bread too.
PREVITE: Yeah, the bread, the kabobs. The tomato cucumber salad was just on repeat with slightly different spices or oils. You know, the Georgians put walnuts in it. Lebanese put mint in it. You know, it was just, like, places that seemed very different but did have a similar dish. In fact, our bread – and the recipe’s in the book – but is the flatbread that we use at Maydan. People always try to call it, like, pita or naan. And I’m like, no, no, no, no, those are different. And we actually don’t title it. We just call it flatbread because the recipe was inspired by multiple places and even the journey of bread that’s made in a tandoori-style oven. So we use a clay oven that’s fueled by fire.
MOSLEY: Yes.
PREVITE: We don’t use a commercial oven. It’s kind of crazy, actually. But it works.
MOSLEY: Do you have a favorite dish that your mom would make for you when you were a child?
PREVITE: I mean, the kibbeh nayeh. It’s basically a lamb tartare in more common terms.
MOSLEY: And how do you make it?
PREVITE: You have to go to, in my world, the Lebanese butcher or a halal or Middle Eastern butcher to get a very fat-free grade of finely ground lamb. So the fat content is basically the important thing. You got to take most of it out. So it’s like a very pure, very lean lamb that’s cut with a certain die. And then bulgur, which is the basically, you know, wheat germ, as it’s referred to. That’s basically what makes kibbeh kibbeh. You can put bulgur in potatoes – that recipe’s in the cookbook – in pumpkin. As long as there’s bulgur in Lebanese cooking, it is, at that point, kibbeh.
So kibbeh nayeh is raw lamb. Our recipe is very basic. It has ground onion in it, you know, salt and pepper. It’s served with olive oil. It’s served with raw onions and pita – what you guys – what’s called pita bread. We called it Syrian bread growing up – but Lebanese flatbread. And you make a bite with the onion and the oil and the ground lamb. And it’s a beautiful dish which – my family is Syrian Orthodox. So as a Christian family, we also put a cross. We make a cross in the middle because, my mom always told me, it was to pray that no one got sick on the raw meat. So you pray and you put a cross, and that’s how it’s presented to you. Sounds a little weird, but I think the nostalgia of it and just the flavor is super unique. And we only did it for special occasions. You know, it wasn’t an everyday dish. And so I also associate it with really special holidays.
And when I traveled in Lebanon, though, I’ll tell you, I went to both my grandfather’s village and my grandmother’s village. They actually make this dish very differently. And so…
MOSLEY: Does it taste different?
PREVITE: I acknowledge that in the book, actually.
MOSLEY: Yes.
PREVITE: There’s the recipe from Bishmizzine, which is northern Lebanon, where my grandfather’s from. They use a lot more spice, and they serve it with a pepper sauce that’s almost like a harissa – so different than the way my mom’s family does it, which is just way more flavor of the ingredients and the raw meat, not covered up by any spices. And the harissa was just, like, a – mind-blowing to me. We never did that. But my grandfather’s family did. And probably someone from North Africa who immigrated at some point to Lebanon brought that to this village, and everyone just from this village makes it that way.
MOSLEY: You have a section in the book where it’s, like, a list of maybe a dozen things that we should all have in our pantry if we want to delve into these recipes. Can you give us a simple recipe to use for something like za’atar, which is an ingredient that is typical in Lebanese food?
PREVITE: I mean, the most simple is just what we call talami bread, which is just dough that has some olive oil on top of it and then sprinkled with za’atar. So I’m not pushing you in the book to make your own za’atar blend. That would be hardcore, and you can do it if you want. But there are amazing mixes available in a lot of stores now, even in not specialty Middle Eastern stores. Za’atar is a plant. It, in itself, is an herb, but it’s blended with a bunch of other herbs. And that is, you know, the beauty of the region too. It’s the same name, but different regions have different ones. Like, there’s Lebanese, Palestinian, there’s even Aleppo blend. So specifically from Aleppo – not just from Syria, but from Aleppo.
So it’s a very, like, regional specialty that families are very proud of. So don’t go making your own. You can buy a lot of really good ones. And all I have to do – and I just did it at Christmas with my mom – is she had some – she had bought some pita that she decided was not acceptable at the local grocery store. So we cut it up, we put olive oil on it, we spread za’atar – we mixed it with olive oil and za’atar, threw it in the oven and made za’atar chips. And then you can use those for any of the dips. It makes your hummus a hundred times more exciting. You can just put some olive oil – I recommend unfiltered Lebanese olive oil – on top, and then you sprinkle za’atar on your everyday grocery store hummus, and it just makes it so much more exciting. I hope you use our recipe to make your own.
But za’atar changes everything. And so I think keep it in your pantry, even if you’re not making an elaborate recipe. You have old dough that you didn’t – you had left over from the bread recipe, or you made homemade pizza and you had some left over. Use that za’atar. Throw it over olive oil, stick it in the oven and it will taste like you spent hours making it.
MOSLEY: Food is political – what we choose to eat, who has access to it. I mean, it’s a story shaped by economics and geography and immigration. These are all things you’re thinking about.
PREVITE: All of the time. And I think, you know, the moment it all collided was in my realization, living in Russia, that I couldn’t actually get Georgian wine at the time. It was embargoed. At the time, Russia was punishing Georgia for a skirmish that they had had a few years before we got there. So all the expats are like, you got to have the Georgian wine. It’s the cheapest, highest quality wine you’ll ever have. But, oh, sorry, you can’t actually get it here right now.
MOSLEY: You can’t – access to it.
PREVITE: And once I dug in to, like, the politics of it, I’m like, this is crazy. But then I thought, for the first time after policy school, oh, my God, wine is geopolitical? This is all my worlds crashing together. You’re punishing this country because the only people buying Georgian wine back then were Russia. And it really affected the economy. The bright side is it caused Georgia to have to start selling to other countries, which is now why we can get it so easily, and a lot of people in Europe can get it so easily.
MOSLEY: Oh, interesting.
PREVITE: But that was a shift out of necessity because they were – like, the wine industry was decimated once Russia did that. But then I said to myself – that’s where the policy person came in and thought, well, when I open this restaurant, I’m going to sell as much Georgian wine as humanly possible. It’s my Putin protest. And, you know, I have to say, I was very proud. Compass Rose, for the first few years, did sell more Georgian wine than any other restaurant in America. But then as we traveled, I realized Georgia’s not the only place. They have this 8,000 years of winemaking that nobody knows about, because in the U.S. – in the Western markets, we’re always like France and Spain and Italy.
MOSLEY: There’s a certain place. Absolutely, yeah.
PREVITE: That’s it. There’s, like, three European countries – that’s it. And I was like, wait a second, Lebanon, my ancestral homeland – full of amazing wine that is very hard to access in the United States. And so I realized this is a political problem because why don’t we – because of geography, because of politics, because of socioeconomic reasons, because of war? That’s the only reason we don’t know about Georgian wine or Lebanese wine. And so, yes, I’ve made it partially my mission to combine my, you know, policy – combine my food and policy background in this way.
MOSLEY: There’s so much conflict happening in these regions at this very moment. I’m thinking about the origin of Maydan for you came from a visit to Ukraine and you hearing that term. How do you reconcile all of that as you’re trying to provide joy, a space where people are consuming food that comes from these places, while also holding space for people who are really dealing with terrible things?
PREVITE: No, from Day 1 of opening Maydan, my hope was to welcome people into the space the way people had in the countries that we visited. So our opening team went to Tunisia, Morocco, Lebanon, the Republic of Georgia and Turkey. Those were the five countries where we did a research trip. A lot of countries you do associate with conflict, and we had the absolute opposite experience, right? We could not have felt safer. We could not have felt more welcomed.
And so Maydan’s intention from Day 1 was to extend that hospitality and again inform people that the places that they only associate with things like the Arab Spring or communism actually have people just like us trying to be just like us, which is safe, and care for their families and feed their families. And, you know, food to me has always been that equalizer, the thing we all need. And what we hope with the cookbook and what the restaurants are always, you know, trying to do, even in the hardest of times like we’re in right now, is to continue that message of, like – again, back to the obligation that I have to keep telling people, you know, about these beautiful places I was fortunate enough to see and to try to make them seem more approachable through the food.
MOSLEY: Rose Previte, thank you so much for this conversation and this cookbook.
PREVITE: No, I appreciate you letting me have it. Thank you for listening.
MOSLEY: Rose Previte’s new cookbook is called “Maydan: Recipes From Lebanon And Beyond.” Coming up, we remember actor Tom Wilkinson, who died on Saturday at the age of 75. This is FRESH AIR.
(SOUNDBITE OF TOMMASO / RAVA QUARTET’S “L’AVVENTURA”)
Copyright © 2024 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.
Lifestyle
Doctors says ‘The Pitt’ reflects the gritty realities of medicine today
From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.
Warrick Page/HBO Max
hide caption
toggle caption
Warrick Page/HBO Max
The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.
Scenes from the new installment feel almost too recognizable to many doctors.
The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.
Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.
Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.
So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.
That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.
To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?
I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.
OK, but is every shift really that chaotic?
I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”
As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?
There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.
Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?
I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.
If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.
As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.
Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.
The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.
2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?
I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.
There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.
In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?
The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.
The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.
A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?
Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.
Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.
Warrick Page/HBO Max
hide caption
toggle caption
Warrick Page/HBO Max
Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?
Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.
But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”
The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.
Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.
In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.
There are so many more themes explored this season. What else should viewers look forward to?
I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.
I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.
But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.
Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.
Lifestyle
In Beauty, Private Equity Is Hot Again
Lifestyle
10 books we’re looking forward to in early 2026
Two fiction books about good friends coming from different circumstances. Two biographies of people whose influence on American culture is, arguably, still underrated. One Liza Minnelli memoir. These are just a handful of books coming out in the first few months of 2026 that we’ve got our eye on.
Fiction
Autobiography of Cotton, by Cristina Rivera Garza, Feb. 3
Garza, who won a Pulitzer in 2024 for memoir/autobiography, actually first published Autobiography of Cotton back in 2020, but it’s only now getting an English translation. The book blends fiction with the author’s own familial history to tell the story of cotton cultivation along the U.S.-Mexico border.
Crux, by Gabriel Tallent, Jan. 20
Tallent’s last novel, My Absolute Darling, was a harrowing coming of age story about a teenage girl surviving her abusive survivalist father. But it did find pockets of beauty in the outdoors. Tallent’s follow up looks to be similarly awestruck by nature. It’s about two young friends, separated by class and opportunity, but bound together by a love of rock climbing.
Half His Age, by Jennette McCurdy, Jan. 20
The former iCarly actress’ bracing and brutally honest memoir, I’m Glad My Mom Died, was a huge hit. It spent weeks on bestseller’s lists, and is being adapted into a series for Apple TV+. Now McCurdy’s set to come out with her fiction debut, about a teenage girl who falls for her high school creative writing teacher.
Kin, by Tayari Jones, Feb. 24
Similarly to Crux, Kin also follows two friends across the years as options and opportunities pull them apart. The friends at the center of this book are two women who grew up without moms. Jones’ last novel, 2018’s An American Marriage, was a huge hit with critics.
Seasons of Glass & Iron: Stories, by Amal El-Mohtar, March 24
El-Mohtar is an acclaimed science-fiction writer, and this book is a collection of previously published short stories and poetry. Many of the works here have been honored by the big science-fiction/fantasy awards, including the titular story, which is a feminist re-telling of two fairy tales.
Nonfiction
A Hymn to Life: Shame Has to Change Sides, by Gisèle Pelicot, Feb. 17
Pelicot’s story of rape and sexual assault – and her decision to wave anonymity in the trial – turned her into a galvanizing figure for women across the world. Her writing her own story of everything that happened is also a call to action for others to do the same.
Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, by Andy Beta, March 3
For decades, the life and work of Alice Coltrane has lived in the shadow of her husband, John Coltrane. This deeply researched biography hopes to properly contextualize her as one of the most visionary and influential musicians of her time.
Football, by Chuck Klosterman, Jan. 20
One of our great essaysists and (over?) thinkers turns his sights onto one of the last bits of monoculture we’ve got. But in one of the pieces in this collection, Klosterman wonders, how long until football is no longer the summation of American culture? But until that time comes, there’s plenty to dig into from gambling to debates over the true goat.
Kids, Wait Till You Hear This! by Liza Minnelli, with Michael Feinstein, March 20
Minnelli told People that previous attempts at telling her story “didn’t get it right,” so she’s doing it herself. This new memoir promises to get into her childhood, her marriages, and her struggles with substance abuse.
Tom Paine’s War: The Words that Rallied a Nation and the Founder of Our Time, by Jack Kelly, Jan. 6
If you haven’t heard, it’s a big birthday year for America. And it’s a birthday that might not have happened if not for the words of Thomas Paine. This new book from historian Jack Kelly makes the argument that Paine’s words are just as important and relevant to us today.
-
Detroit, MI5 days ago2 hospitalized after shooting on Lodge Freeway in Detroit
-
Technology3 days agoPower bank feature creep is out of control
-
Dallas, TX4 days agoDefensive coordinator candidates who could improve Cowboys’ brutal secondary in 2026
-
Health5 days agoViral New Year reset routine is helping people adopt healthier habits
-
Nebraska2 days agoOregon State LB transfer Dexter Foster commits to Nebraska
-
Iowa2 days agoPat McAfee praises Audi Crooks, plays hype song for Iowa State star
-
Nebraska2 days agoNebraska-based pizza chain Godfather’s Pizza is set to open a new location in Queen Creek
-
Entertainment2 days agoSpotify digs in on podcasts with new Hollywood studios