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Long before Dr. Becky, this L.A. woman changed parenting for good

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Long before Dr. Becky, this L.A. woman changed parenting for good

USC professor Andrew Ogilvie was standing outside Canyon Coffee in Echo Park last May, his youngest daughter dangling from his chest in a baby carrier, when a gray-haired woman with a New Zealand accent approached him, placing a gentle hand on the baby’s back.

“When she’s having a tough time two years from now, remember this warmth,” she said, smiling.

Ogilvie, who had seen the woman’s photo on missives from the local elementary school, smiled back, honored to be in the presence of an L.A. legend. “Oh, Ruth,” he said. “You don’t know who I am, but I know who you are.”

Like thousands of L.A. parents before him, Ogilivie had just had his first lesson with parent educator and child rights activist Ruth Beaglehole, who devoted her life to countering “childism” — the misuse of power over children — and taught generations of Angelenos to parent their children with empathy and kindness rather than spanking, threats and manipulation.

What Ruth brought was really a paradigm shift in terms of how we thought about parenting.

— Patricia Lakatos, who studied with Ruth Beaglehole

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For more than 50 years, Beaglehole, who died April 21 at the age of 81, was a tireless advocate of what she called parenting with nonviolence, disseminating her philosophy in celebrity living rooms, domestic violence centers, schools, jails, social service agencies and occasional one-on-ones with strangers outside coffee shops.

Though she never was an author of a bestselling parenting book like Dr. Benjamin Spock or became a social media influencer like Dr. Becky Kennedy, Beaglehole’s many colleagues and mentees say her teachings rippled across L.A. and the world, helping families break longstanding cycles of violence and oppression toward children.

“What Ruth brought was really a paradigm shift in terms of how we thought about parenting,” said Patricia Lakatos, lead trainer for child-parent psychotherapy at Children’s Hospital Los Angeles who studied with Beaglehole. “It was not about learning techniques to help get your children to behave, but really about thinking of children as human beings who in their own right need to be heard.”

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Beaglehole moved from her childhood home in New Zealand to the United States in the late 1960s, eventually settling in Echo Park, where she became part of a community of social justice activists. Over the decades she founded several L.A. institutions including the cooperative daycare Echo Park Silverlake People’s Child Care Center that was immortalized in the Emmy-winning short documentary “Power to the Playgroup” and the Teen and Parent Child Care Program at the Los Angeles Technology Center.

In 1999 she opened the Center for Nonviolent Education and Parenting, where she and her staff, many recruited from the teen group, taught weekly parenting classes in Spanish and English and gave parenting workshops throughout Southern California.

“What Ruth figured out is that whether you’re in a teen program or you’re a more affluent parent who has more access or resources, the reality is that the things parents face cross culture and wealth,” said Glenda Linares, who worked as a parent educator at the center for 13 years after meeting Beaglehole as a young mother, age 15, in 1998. “Parenting is hard.”

A broad cross section of Angelenos attended Beaglehole’s classes, but she was able to create a sense of community and common ground, said Rabbi Susan Goldberg, Beaglehole’s daughter and founder of the eastside Jewish community Nefesh.

“There was this feeling that we are all dealing with the same things and acting the same ways,” Goldberg said. “It was very humbling, and also there was a sense that we were all in this together. We’re all trying.”

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Beaglehole also taught overseas, doing workshops in the Congo, Japan, India and a comprehensive multiyear project with the Māori community in Aotearoa, (the Māori name for New Zealand). She also continued to hold classes at Elysian Heights Elementary Arts Magnet, Nefesh and the Center for Pacific Asian Family, preaching the gospel of child-centric, empathetic parenting up until the moment of her death.

In addition to Goldberg, she is survived by her children David Goldberg and Maxie Goldberg, children-in-law Karla Alvarado Goldberg, Brian Joseph and Munira Virji, and eight grandchildren. She remained connected over many years to the father of her children, Art Goldberg, and his wife, Susan Philips.

Beaglehole often started her classes with an open-ended question: “So, tell me what’s going on.” One by one, the parents arranged in a circle would share their struggles, frustrations and occasionally their wins to remain empathetic to their kids in the midst of difficult circumstances.

The situations didn’t need to be dramatic to be significant. Someone might talk about the challenge of getting a kid to brush their teeth in the morning, another might mention the endless battles at bedtime, a third the humiliation of a meltdown in the grocery store. Gently but firmly, Beaglehole would encourage them to consider what their child was trying to communicate, what the behavior was stirring up inside the parent and how to approach the situation with more kindness, empathy and respect.

“She always said that all behaviors are an attempt to get our needs met,” said Mel McGraw, who was in Beaglehole’s recent parenting group at Elysian Heights Elementary Arts Magnet. “And in the midst of being triggered, can you remember that this isn’t my child misbehaving, they are struggling with something. And my job as a parent is to help them, and support them, and identify it. And if I can’t identify it, to love them through it.”

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Beaglehole didn’t provide straightforward, Instagram-friendly solutions. “I don’t have an easy one, two, three,” she said in a 2022 YouTube video. “It’s a commitment. It’s an intention that we need to set every day.”

McGraw remembers turning to this philosophy after a particularly difficult morning with her kid a few years ago. Her wife was out of town, work deadlines were piling up and there was her daughter, lying on her back in the hallway, screaming that she didn’t want to go to school. McGraw lost her temper and found herself yelling at her daughter and frightening her. They drove to school in silence, tears streaming down both their faces.

After the dropoff, McGraw imagined how Beaglehole would frame the situation. She thought about how her child was probably missing her wife. She remembered that her daughter was having trouble with a friend at school who was being mean to her. And she thought about the pressures she herself was under too, parenting alone for several weeks with little time for work or rest. The blowup was a result of both of them failing to get their needs met, and yet, only one of them was an adult. As the day wore on, she couldn’t wait to pick up her daughter from school to tell her she was sorry for yelling and to repair the relationship.

“It’s those microcosm moments,” McGraw said. “And the kernel of Ruth’s work was that as much as we’re doing it for our kids, we’re also doing it to reparent ourselves.”

Beaglehole’s many students say her work is poised to continue. Her book “Principles and Practices of Parenting With Nonviolence: A Compassionate Guide to Caring for Younger Human Beings” will soon be available on her website, free of charge. Videos on YouTube articulate her philosophy and detail her strategies. The more than 300 parent educators whom she trained now work as therapists, educators, community organizers, social workers and in other fields. And then there are parents who sat in her classes over the years modeling her teachings for their own children. They number in the thousands.

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A few years ago Linares created a curriculum based on Beaglehole’s parenting philosophy for migrant parents living in a temporary shelter in Tijuana. When officials at UNICEF saw that work, they asked her to design a similar curriculum for a mobile school bus that could bring Beaglehole’s teachings on parenting to other shelters in the region.

“I was taking the learning I did when I was 19 and thinking, how do I bring this approach to parents who are in extremely difficult circumstances?” said Linares. “They might not know if they are going to cross the border tomorrow, but they do have some agency around the relationship they get to have with their child.”

It’s what Beaglehole taught her whole life: Parenting is always difficult, and it is always — always — worth the effort to do it well.

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Nick Reiner’s attorney removes himself from case

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Nick Reiner’s attorney removes himself from case

Nick Reiner arrives at the premiere of Spinal Tap II: The End Continues on Tuesday, Sept. 9, 2025, in Los Angeles.

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LOS ANGELES – Alan Jackson, the high-power attorney representing Nick Reiner in the stabbing death of his parents, producer-actor-director Rob Reiner and photographer Michele Singer Reiner, withdrew from the case Wednesday.

Reiner will now be represented by public defender Kimberly Greene.

Wearing a brown jumpsuit, Reiner, 32, didn’t enter a plea during the brief hearing. A judge has rescheduled his arraignment for Feb. 23.

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Following the hearing, defense attorney Alan Jackson told a throng of reporters that Reiner is not guilty of murder.

“We’ve investigated this matter top to bottom, back to front. What we’ve learned and you can take this to the bank, is that pursuant to the law of this state, pursuant to the law in California, Nick Reiner is not guilty of murder,” he said.

Reiner is charged with first-degree murder, with special circumstances, in the stabbing deaths of his parents – father Rob, 78, and mother Michele, 70.

The Los Angeles coroner ruled that the two died from injuries inflicted by a knife.

The charges carry a maximum sentence of death. LA County District Attorney Nathan Hochman said he has not decided whether to seek the death penalty.

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“We are fully confident that a jury will convict Nick Reiner beyond a reasonable doubt of the brutal murder of his parents — Rob Reiner and Michele Singer Reiner … and do so unanimously,” he said.

Last month, after Reiner’s initial court appearance, Jackson said, “There are very, very complex and serious issues that are associated with this case. These need to be thoroughly but very carefully dealt with and examined and looked at and analyzed. We ask that during this process, you allow the system to move forward – not with a rush to judgment, not with jumping to conclusions.”

The younger Reiner had a long history of substance abuse and attempts at rehabilitation.

His parents had become increasingly alarmed about his behavior in the weeks before the killings.

Legal experts say there is a possibility that Reiner’s legal team could attempt to use an insanity defense.

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Defense attorney Dmitry Gorin, a former LA County prosecutor, said claiming insanity or mental impairment presents a major challenge for any defense team.

He told The Los Angeles Times, “The burden of proof is on the defense in an insanity case, and the jury may see the defense as an excuse for committing a serious crime.

“The jury sets a very high bar on the defendant because it understands that it will release him from legal responsibility,” Gorin added.

The death of Rob Reiner, who first won fame as part of the legendary 1970s sitcom All in the Family, playing the role of Michael “Meathead” Stivic, was a beloved figure in Hollywood and his death sent shockwaves through the community.

After All in the Family, Reiner achieved even more fame as a director of films such as A Few Good Men, Stand By Me, The Princess Bride and When Harry Met Sally. He was nominated for four Golden Globe Awards in the best director category.

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Rob Reiner came from a show business pedigree. His father, Carl Reiner, was a legendary pioneer in television who created the iconic 1960s comedy, The Dick Van Dyke Show.

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Chiefs Aware of Domestic Violence Allegations Made By Rashee Rice’s Ex

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Chiefs Aware of Domestic Violence Allegations Made By Rashee Rice’s Ex

Chiefs
Aware of Dom. Violence Claims
… Made By Rashee Rice’s Ex

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Timothée Chalamet brings a lot to the table in ‘Marty Supreme’

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Timothée Chalamet brings a lot to the table in ‘Marty Supreme’

Timothée Chalamet plays a shoe salesman who dreams of becoming the greatest table tennis player in the world in Marty Supreme.

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Last year, while accepting a Screen Actors Guild award for A Complete Unknown, Timothée Chalamet told the audience, “I want to be one of the greats; I’m inspired by the greats.” Many criticized him for his immodesty, but I found it refreshing: After all, Chalamet has never made a secret of his ambition in his interviews or his choice of material.

In his best performances, you can see both the character and the actor pushing themselves to greatness, the way Chalamet did playing Bob Dylan in A Complete Unknown, which earned him the second of two Oscar nominations. He’s widely expected to receive a third for his performance in Josh Safdie’s thrilling new movie, Marty Supreme, in which Chalamet pushes himself even harder still.

Chalamet plays Marty Mauser, a 23-year-old shoe salesman in 1952 New York who dreams of being recognized as the greatest table-tennis player in the world. He’s a brilliant player, but for a poor Lower East Side Jewish kid like Marty, playing brilliantly isn’t enough: Simply getting to championship tournaments in London and Tokyo will require money he doesn’t have.

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And so Marty, a scrappy, speedy dynamo with a silver tongue and inhuman levels of chutzpah, sets out to borrow, steal, cheat, sweet-talk and hustle his way to the top. He spends almost the entire movie on the run, shaking down friends and shaking off family members, hatching new scams and fleeing the folks he’s already scammed, and generally trying to extricate himself from disasters of his own making.

Marty is very loosely based on the real-life table-tennis pro Marty Reisman. But as a character, he’s cut from the same cloth as the unstoppable antiheroes of Uncut Gems and Good Time, both of which Josh Safdie directed with his brother Benny. Although Josh directed Marty Supreme solo, the ferocious energy of his filmmaking is in line with those earlier New York nail-biters, only this time with a period setting. Most of the story unfolds against a seedy, teeming postwar Manhattan, superbly rendered by the veteran production designer Jack Fisk as a world of shadowy game rooms and rundown apartments.

Early on, though, Marty does make his way to London, where he finagles a room at the same hotel as Kay Stone, a movie star past her 1930s prime. She’s played by Gwyneth Paltrow, in a luminous and long-overdue return to the big screen. Marty is soon having a hot fling with Kay, even as he tries to swindle her ruthless businessman husband, Milton Rockwell, played by the Canadian entrepreneur and Shark Tank regular Kevin O’Leary.

Marty Supreme is full of such ingenious, faintly meta bits of stunt casting. The rascally independent filmmaker Abel Ferrara turns up as a dog-loving mobster. The real-life table-tennis star Koto Kawaguchi plays a Japanese champ who beats Marty in London and leaves him spoiling for a rematch. And Géza Röhrig, from the Holocaust drama Son of Saul, pops up as Marty’s friend Bela Kletzki, a table tennis champ who survived Auschwitz. Bela tells his story in one of the film’s best and strangest scenes, a death-camp flashback that proves crucial to the movie’s meaning.

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In one early scene, Marty brags to some journalists that he’s “Hitler’s worst nightmare.” It’s not a stretch to read Marty Supreme as a kind of geopolitical parable, culminating in an epic table-tennis match, pitting a Jewish player against a Japanese one, both sides seeking a hard-won triumph after the horrors of World War II.

The personal victory that Marty seeks would also be a symbolic one, striking a blow for Jewish survival and assimilation — and regeneration: I haven’t yet mentioned a crucial subplot involving Marty’s close friend Rachel, terrifically played by Odessa A’zion, who’s carrying his child and gets sucked into his web of lies.

Josh Safdie, who co-wrote and co-edited the film with Ronald Bronstein, doesn’t belabor his ideas. He’s so busy entertaining you, as Marty ping-pongs from one catastrophe to the next, that you’d be forgiven for missing what’s percolating beneath the movie’s hyperkinetic surface.

Marty himself, the most incorrigible movie protagonist in many a moon, has already stirred much debate; many find his company insufferable and his actions indefensible. But the movies can be a wonderfully amoral medium, and I found myself liking Marty Mauser — and not just liking him, but actually rooting for him to succeed. It takes more than a good actor to pull that off. It takes one of the greats.

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