Lifestyle
Kilian Jornet Set Out to Summit 72 of America’s Tallest Peaks — in Just One Month
The Beginning
Kilian Jornet was drenched and tired.
Mr. Jornet, 37, was just a few days into an ambitious odyssey, a self-designed project he had named “States of Elevation.” His goal was to link, by foot and by bike, the tallest peaks in the contiguous United States — a series of 70-plus publicly accessible mountains in Colorado, California and Washington known as the “14ers” because they are all 14,000 feet or higher (symbolized on the map as ). He estimated it would take him around a month.
But now, in early September, Mr. Jornet wondered whether he could continue.
It is not often that Mr. Jornet, one of the most accomplished endurance athletes on the planet, seems susceptible to human frailties. In 2017, he reached the summit of Mount Everest twice in one week, without support or supplemental oxygen. In 2023, he climbed the 177 tallest peaks in the Pyrenees in eight days. Last year, he needed just 19 days to tackle the 82 tallest peaks in the Alps.
But now, after a long flight from Norway, where he lives with his wife, Emelie Forsberg, a former skyrunning world champion, and their three young daughters, Mr. Jornet was jet-lagged and struggling to acclimate to the high altitude of the LA Freeway in Colorado, a mountainous traverse along the Continental Divide.
Making matters worse, a steady rain left him feeling as if he were soaked through to his core.
“I just felt exhausted,” Mr. Jornet recalled in a recent interview. “It felt impossible to do one more week, let alone another month. But then the body switched, and I went from fighting to adapting.”
Climbing peak after peak in Colorado, he seemed to grow stronger as he moved west, through the Mojave Desert and into the Sierra Nevada, across Northern California and finally into the Cascades.
A small support crew in a recreational vehicle met up with Mr. Jornet periodically while he was hiking, and followed more closely during his long bike rides. He also had a rotating cast of friends and fellow athletes who joined him for parts of the project.
And, over the course of 31 days and 3,197 miles, he conquered a challenge in which, on any given day, he was completing a feat — or, in some cases, feats — that many climbers would consider a lifetime achievement in and of itself.
Colorado
16 days | 1,207 miles | 56 peaks
A couple of days before Ryan Hall, the retired Olympic marathoner, was set to meet Mr. Jornet near Crested Butte, Colo., he checked the forecast. An avid climber, Mr. Hall was alarmed enough to send Mr. Jornet a text message asking if they really wanted to tackle the Elks Traverse in a snowstorm. Mr. Jornet was not concerned.
“Yeah,” he replied via text, “we might get a little wet out there.”
The weather, though, turned out to be pleasant, and Mr. Jornet and Mr. Hall chatted throughout their 12 hours together — about their families, about training and nutrition, and even about “different levels of consciousness,” Mr. Hall said. At one point, Mr. Jornet, who is from Spain, described climbing as an out-of-body experience.
Mr. Hall was surprised to learn that Mr. Jornet did not drink coffee. His explanation? He worries caffeine will make him push too hard and hinder his ability to recover. Mr. Hall said Mr. Jornet made no mention of feeling tired or hungry during their time together.
“It was interesting to see how he managed his body and what he was putting it through,” Mr. Hall said, “and how, mentally, it wasn’t taking up any space.”
Mr. Hall also noticed that Mr. Jornet refrained from talking about the project. Instead, he seemed present. The only mountain that mattered was the mountain he was on. Mr. Jornet, Mr. Hall said, was “full of peace” — an impression that was reinforced when they reached Castle Peak, their fifth and final summit together. Not that Mr. Jornet was keeping track.
“The peaks don’t really mean anything to me,” he told Mr. Hall. “The peaks are just an excuse to be out here.”
Dakota Jones, an elite trail and mountain runner, joined Mr. Jornet for his final two days of climbing in Colorado, which started with an ascent of Mount Sneffels and a 25-mile traverse through the early hours of the night.
When Mr. Jornet awoke the next morning, he rode his bicycle several hours to the next trailhead. Mr. Jones followed Mr. Jornet’s crew in his Toyota Tacoma and prepared for the day by consuming a burrito, several doughnuts and lots of coffee.
“He’s so far beyond what the rest of us can do,” Mr. Jones said of Mr. Jornet.
At around noon, they embarked on a nearly 14-hour run through the Weminuche Wilderness, a remote area of the San Juan National Forest. By the time they reached their final peak of the day, Mr. Jornet had run out of food.
“He never said a word,” Mr. Jones said. “He just kept going. That’s Kilian.”
Mr. Jornet spent a total of 16 days in Colorado, where he made 56 summits while covering more than 1,200 miles.
Desert Ride
5 days | 877 miles
Up close, there was nothing inherently sexy about Mr. Jornet’s quest. Day after day, hour after hour, minute after minute, he was simply putting one foot in front of the other, or pedaling one stroke at a time. Mr. Hall likened him to a “metronome,” his rhythmic movements never hurried or rushed.
Mr. Jones approached Mr. Jornet as if he were part of an anthropological study: What was he capable of doing next?
“He has both the physiology to be great and the infinite discipline and focus to make the most of what he has,” Mr. Jones said. “And that’s a really rare combination.”
Mr. Jornet’s discipline was clear when, after conquering Colorado, he spent five days biking nearly 900 miles across vast expanses of the Mojave Desert. He averaged about 14 hours a day in the saddle.
He was accompanied for portions of the trip by athletes like Chris Myers, a trail runner, and Gemma Arró Ribot, a former teammate on the Spanish ski mountaineer team. But Mr. Jornet also spent a great deal of time alone, and he battled boredom, fatigue and the heat by listening to music and audiobooks.
Mostly, though, he biked as a mode of transport, as a means to an end.
California
7 days | 593 miles | 15 peaks
One of Mr. Jornet’s early challenges in California was Norman’s 13, a winding, 100-mile route that links all 13 of the 14,000-foot peaks in the Sierra Nevada. In search of some expertise, Mr. Jornet recruited Olivia Amber, a world-class trail runner who, about two weeks earlier, had done the route on her own.
Some context: Ms. Amber, 30, described Norman’s 13 as a “dream project” that she had pieced together over several years. For even the most accomplished adventurers, the route is serious business. And when Ms. Amber completed it in 89 hours (which included four hours of sleep), she became the fourth person to ever do so — and the first woman.
And then there was Mr. Jornet, fresh off hundreds of miles of bicycling through the desert, who intended to move through Norman’s 13 as just one part of a much larger project. It was difficult for Ms. Amber to comprehend.
“He’s rewriting what’s possible in the mountains,” she said, “especially with endurance feats.”
On Sept. 25, Ms. Amber was set to meet Mr. Jornet at the junction of the Taboose Pass Trail and the John Muir Trail, before their shared trek up Split Mountain. To reach him, she had to jog 12 miles while ascending 6,000 feet — and she had to do it in a hurry after receiving word that he was moving quickly.
“I honestly thought he was going to beat me there,” she said. “It was crazy.”
From the start, Ms. Amber could sense Mr. Jornet was egoless. He seemed genuinely grateful for her help. With rough weather approaching, he agreed when she suggested that he take a quick nap before leaving camp.
“I wasn’t totally sure if he was committed to sleeping,” Ms. Amber recalled.
They set out before dusk, and as they began to move through the night, heavy snow blanketed them. It was Ms. Amber’s sixth time up Split Mountain, and Mr. Jornet’s first. It hardly mattered.
“He had this feel for where we were and for the terrain even though he had never been there before,” said Ms. Amber, who accompanied Mr. Jornet for 25 snow-filled miles. “I could just feel that energy from him — a confidence that came from a place of deep understanding of how to move in that kind of environment and in those conditions.”
Of course, Mr. Jornet made it look easy, even when it was not. Later, after biking another 390 miles over two days into the Cascades of Northern California, he reached Mount Shasta — the 71st and penultimate peak of his project — where he was buffeted by an Arctic wind. He had to crawl the final 1,000 feet to the summit.
“You need to laugh in those situations and find the way to pass through,” Mr. Jornet said.
Oregon Ride
3 days | 489 miles
A few hours after summiting Mount Shasta, Mr. Jornet was on two wheels once again. He was joined by the triathlete Ian Murray for a 60-mile ride on crushed volcanic gravel before they slept just south of the Oregon border.
Mr. Jornet was by himself for the next two days as he rode 430 miles to the foot of Mount Rainier in Washington. The end was near.
When he was planning the project, Mr. Jornet worried about being hit by a car or a truck while biking. “A lot of people were telling me it would be very dangerous,” he recalled.
He and his team worked hard to locate the safest roads with the widest shoulders, and he found, to his surprise, that most drivers gave him ample space. He also was grateful for the company of his friends, new and old.
“He clearly could have done every inch of this on his own and he would have been totally fine and totally happy,” Ms. Amber said. “But he had this deeper appreciation that people showed up for him and were willing to help him.”
Mr. Jornet wanted to share the experience with those who joined him for portions of it — and with the wider world. Mr. Hall, for example, laughed whenever Mr. Jornet broke out his selfie stick. It was important to Mr. Jornet that he and his team use social media — Mr. Jornet has nearly two million followers on Instagram — to convey the beauty of the natural world and the importance of protecting it.
During his travels, Mr. Jornet saw moose, coyotes, goats, eagles, snakes and even a couple of bears from a distance. None bothered him, he said.
“We would look at each other,” Mr. Jornet said, “and say: ‘Hey, guys! How are you doing?’ And just continue.”
Mount Rainier Finale
Mr. Jornet started up Mount Rainier at dawn on Oct. 3, and it was a final test worthy of the project — a 29-mile haul up 14,320 vertical feet before he reached the summit. About 17 hours after he had set out that morning, he returned to the trailhead where his support team was waiting with celebratory slices of pizza and pickle juice shots.
After 31 days and 72 summits, Mr. Jornet’s objectively absurd project was complete. He covered 629 miles on foot and biked an additional 2,568 miles, which outdistanced this year’s Tour de France by more than 400 miles. And he did all that while amassing 403,691 feet of elevation gain.
Throughout the project, Mr. Jornet wore a smartwatch that tracked his heart rate, his mileage, his sleep totals (he averaged about six hours a night) and even something called his “recovery score,” which registered zero — yes, zero — for 17 consecutive days. (At one point, he broke his cellphone, and members of his team questioned whether he had done it on purpose.)
Mr. Jornet estimated that he had burned about 9,000 calories a day, but he managed not to lose any weight. One of his secret weapons: flasks of olive oil that he guzzled raw. By the end of his journey, he was looking forward to homegrown produce from his garden and thick slices of his wife’s sourdough bread.
The day after summiting Mount Rainier, Mr. Jornet awoke feeling disoriented. His first instinct, he said, was to reach for his bike: Didn’t he have more miles ahead of him? No, he realized, it was over. He slept more peacefully the next night.
His trek through the Alps last summer, while less physically demanding, had left him mentally drained because so many of the climbs were so challenging. His jaunt through the American West was a comparative breeze.
“It was just fun,” he said. “It was nice to ride and to run and to see the things and just to enjoy those places. And I could have gone on. I was happy to finish and go home, but physically it felt like my body was ready to continue.”
For now, Mr. Jornet plans to take a break and spend time with his family.
“But I know myself,” he said, “and I know in a couple of months that I will start to think of something else.”
Lifestyle
How Community Became Fashion and Beauty’s Strongest Currency
Lifestyle
‘Pluribus’ star Rhea Seehorn says no thanks to a world dictated by group think
Rhea Seehorn plays a misanthropic romance writer in the Apple TV series Pluribus.
Apple TV
hide caption
toggle caption
Apple TV
Rhea Seehorn says she’s on “Team Carol.”
In the Apple TV series Pluribus, actor Rhea Seehorn stars as Carol, a bestselling romance author who suddenly finds herself living in a world where everyone around her is bound together by a “psychic glue.” They share memories and knowledge and they are happy and peaceful. The only problem: Carol’s not interested in joining them — especially if it means losing her own sense of self.
“I would absolutely be Team Carol as far as arguing the necessity and the positives of individual thinking,” Seehorn says. If the world were taken over by group think, she explains, “There’s never going to be a joke that you haven’t heard. There’s never going to be a surprise behavior that makes you laugh. And that’s just such a source of joy for me that I just can’t imagine that contentment is the same as happiness.”

Seehorn previously played Kim Wexler in AMC’s Better Call Saul, co-created by Vince Gilligan. He is also the creator of Pluribus. Seehorn says Carol’s character was originally imagined as a male protagonist, but was rewritten for her to take the starring role. Gilligan “wanted to play with tone and take wild swings as far as [the series] could be darkly comedic, or it could be darkly psychological … and he was impressed at my ability to do those things,” Seehorn says. “I’m certainly very thankful for it.”
Interview highlights
On playing angry characters in Pluribus and in Better Call Saul
There’s this idea [that] anger can be a miasma almost, that can spread. And we’ve all seen horrible things can happen when you just are riling people up. … But at the same time, it is a necessary emotion, which, I think, is one of the arguments in the show that I side with — the idea that all of the emotions are important, not just happiness. …

Because I’m a woman playing the role … it felt as though I was taught that anger was unpalatable, specifically from females, and that I should find a way to make it palatable. … When I was much younger, I would scream. As a teenager, you know, screaming, yelling, like the typical arguments you have over hairspray and idiotic things as a teenager. … My parents were divorced, and so it was a household of three women, my mom, and my sister and I. … But, you know, you kind of grow out of this. …
I don’t think it’s OK to scream and yell in someone’s face, but I think I have become conflict avoidant in the suppression of that anger to a degree that’s not healthy. I will stand up for somebody else, though, in a heartbeat. If somebody else is being mistreated next to me, I’m in there. I’ll take you to the mat. But if it’s at me, I tend to swallow it and try to figure out how I can make it better.
On how she prepared to play the role of a romance novelist
I went to The Ripped Bodice, which is an amazing romance novel store. … And I just slipped in and looked around. And I have to tell you, one of the first things that struck me is the amount of sub-genres and the specificity of these sub-genres. … I watched a couple of people do readings from their books, and I was really surprised at the breadth of people, of fans, listening. There was a lot of people dressed like early Stevie Nicks, in a beautiful way. But then there was also … [a] couple that looked like they came straight from a corporate job. … People younger than me, people older than me. It definitely widened me to how huge this genre is and how much it encapsulates all the different novels it has.
On changing her name from Deborah, which was her first name, to Rhea, which was her middle name
I got a little chunky in puberty, and kids started yelling at me, “Hey, fat Debbie, do you want some more Little Debbie’s?” (which are snack cakes.) … I was just like … I just need a fresh start. And I think I identify more with my middle name. And weirdly, there was no issue with kids that had known me forever. Everybody just sort of was like, “Yeah, that makes sense.”
On her father being a counterintelligence agent
I knew he was investigating things and I knew that they were secretive, but I didn’t have a lot more details than that. And I am loathe to say that my head was too far up my butt as a teenager to actually be interested in what my parents actually do. And then he died when I was 18, so I didn’t get to ask a lot of the questions that I wish I had asked. …

My Dad’s favorite answer to everything was, “What are you, writing a book?” If you even just said, like, “Where are you going?” … And I thought I was so brilliant when I was 15 that I finally had a comeback. And I said, “Yeah, I am.” And he said, “Well, then leave this chapter out.”
On her father’s drinking
Apparently he was a heavy drinker for most of his adult life, but it just didn’t get labeled as alcoholism, you know? And my dad was the life of the party and very, very smart, very, very funny, with a super dry wit. … The idea that he was in the Tet Offensive and, as far as I know, never talked to anybody about it, and that you would have a life built of a lot of secrets. … I don’t remember him ever saying that he had anybody to talk to about it. So I just bring that up because I think self-medicating was going on for quite a while before it physically became a full-blown issue and then full-blown disease.
On how she became an actor
I was obsessed with television, film, and as a kid in the suburbs in Virginia, I’d never known anybody that had even the loosest association with the entertainment business and thought it was just an impossible dream. And then, in my first year at George Mason University, you had to take an elective in the arts that was not your major, and my major was fine arts. And so I took an acting class. … It was not an emotional, ooey-gooey class — I took plenty of those later — but this was a hardcore, do-your-homework, script-analysis class using practical aesthetics that was developed out of the Atlantic Theater. And I just was in love with the fact that if you work really hard and study, you can incrementally get closer and closer to being good at this and hopefully one day great at this. …

And then I started going to D.C. theater, which I think is some of the world’s best theater … and [I] was just like: Immediately, I have to do this for my life. I don’t know how many day jobs I’m going to have to have. It was not about being famous. I knew that I had to be an actor and I’d support myself, however I had to.
Lauren Krenzel and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz and Beth Novey adapted it for the web.
Lifestyle
Elton John Promotes New Oz Book Amid Intense AI Art Controversy | Celebrity Insider
Instagram/@eltonjohn
The pop icon, Elton John, has revealed the astonishing news about a forthcoming graphic novel called ‘The Lost Lands,’ in which he has provided the foreword that is originally meant as the first chapter of the Ultimate OZ Universe. This animation ushers in the extinction of L. Frank Baum’s original Oz tales, which John retells were his sources of inspiration during lonely childhood days in Pinner, England. However, the good news was soon getting mixed with thousands of comments that blamed the artwork connected with it for being done by a machine, thus triggering a heated debate about the meaning of art in the digital age.
Advertisement
In his announcement, Elton John shared his personal tie to the Land of Oz. He described himself as a “very lonely” boy when he discovered Baum’s stories and the stories “multiplied” his own imagination and gave him “a wonderful life of storytelling, imagination, and creativity.” He expressed his wish that the public would be as fond of “The Lost Lands” as he is, presenting it as a great inheritance of Baum’s legacy declaring “the triumph of good.”
The comments were anything but pleasing. The very next hour the comments section had turned into a battlefield discussing whether the paintings had been created by human hands or AI. The detractors were pointing out anatomical errors that they were confident had come from AI and thus gave away its production. One person said, “Just take a look at the hands with your own eyes in the second image. One of them has 7 fingers and some of them have none.” Another person remarked, “In the second slide notice how short the guy’s arm is, he’s at the bottom in the middle. It’s AI.”
A few of the netizens were sorry for the situation, recognized John’s talent and help but were aware of the fact that he might be backing AI art. One user expressed, “It’s unfortunate that my favorite artist resorts to technology that is taking away jobs from other artists,” and added a crying emoji. Another user commented, “If you can’t afford AI, hire artists.” Also, some users shared their worries about the planet and one of them referred to it as “the water-wasting resource-burning climate-changing planet-warming AI slop.”
The discussion was getting hotter and at the same time, the defenders of the artwork were coming forward. A lot of comments were mentioning that the artist Mike Deodato was credited in the project. “The artist is literally mentioned in the post this isn’t AI!” a user insisted. Another said, “Those who see this as AI-generated are presumably the ones without brains THE ARTIST IS LITERALLY TAGGED IN THE POST and if you had more than two brain cells you would recognize that this is the work of a very talented artist.”
The skeptics responding to the defense right away argued that the use of AI by established artists raises an even bigger ethical question. “It’s not right when non-artists make ‘art’ with AI, but it’s even worse when established artists are doing that in their works,” one person said. Another remarked, “A name attached to it doesn’t change that. Just take a look at the hands in the second photo.”
The whole issue was ringing a bell of a very serious ethical question regarding disclosure and consumer rights. One enlightened user wondered, “If it is the case, is that at least being disclosed to buyers? People should know if what they are purchasing was made by AI or not, regardless of their opinion. The consumers should be able to make informed choices.” This point illustrated that the AI art debate is actually about the purity of art versus the legitimacy of the market.
Amidst the arguments, some supporters were rejoicing the project. The official Ultimate OZ Universe account posted, “It’s incredible and an honor to have Elton John be a part of our Ultimate OZ Universe graphic novel.” Another admirer commented, “I adored this book SO much, what a fantastic new take on Oz, which has always been my personal and preferred mythology.” John himself humorously questioned if anyone noticed “familiar faces in the artwork,” tagging his husband, David Furnish. This project also brings to mind his most ornate album cover ever.
Advertisement
The magnitude of the reaction has highlighted the societal concerns about the impact of AI on the creative fields. What started as a sincere homage of Elton John to a character that inspired him during his childhood turned into an unintended battleground in the discussion about technology, art, and authenticity that is still going on. As the AI devices become more skilled and easier to access, the matter of distinguishing between human creativity and machine production becomes more complex. The passionate responses from both sides show that the separation is of utmost importance to many, whether they are pointing out the mistakes in a tin man’s hands or debating the very existence of art as we know it. This situation is reminiscent of Big Boi’s behind-the-scenes moment with Elton John and Janelle Monae, showing how artists collaborate across genres. The discussion also brings to mind Ozzy Osbourne’s final memoir and its success. Fans of Elton John’s retro Captain Fantastic ad will appreciate this new creative direction. Finally, Elton John’s reflections on his early career with Bernie Taupin show his long-standing commitment to artistic collaboration.
-
Alaska5 days agoHowling Mat-Su winds leave thousands without power
-
Politics1 week agoTrump rips Somali community as federal agents reportedly eye Minnesota enforcement sweep
-
Ohio7 days ago
Who do the Ohio State Buckeyes hire as the next offensive coordinator?
-
News1 week agoTrump threatens strikes on any country he claims makes drugs for US
-
World1 week agoHonduras election council member accuses colleague of ‘intimidation’
-
Texas5 days agoTexas Tech football vs BYU live updates, start time, TV channel for Big 12 title
-
Iowa4 days agoMatt Campbell reportedly bringing longtime Iowa State staffer to Penn State as 1st hire
-
Miami, FL4 days agoUrban Meyer, Brady Quinn get in heated exchange during Alabama, Notre Dame, Miami CFP discussion